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The Map of Time and The Turn of the Screw
Henry James
Felix J. Palma
An epic, ambitious and page-turning mystery that will appeal to fans of The Shadow of the Wind, Jonathan Strange and Mr Norrell and The Time Traveller’s WifeLondon, 1896. Andrew Harrington is young, wealthy and heartbroken. His lover Marie Kelly was murdered by Jack the Ripper and he longs to turn back the clock and save her.Meanwhile, Claire Haggerty rails against the position of women in Victorian society. Forever being matched with men her family consider suitable, she yearns for a time when she can be free to love whom she choses.But hidden in the attic of popular author – and noted scientific speculator – H.G. Wells is a machine that will change everything.As their quests converge, it becomes clear that time is the problem – to escape it, to change it, might offer them the hope they need…


THE MAP OF TIME

By Félix J. Palma

and
THE TURN OF THE SCREW

By Henry James



Copyright
This omnibus edition first published HarperCollins 2011©
The Turn of the Screw
This edition of The Turn of the Screw first published by HarperCollins in 2011
Life & Times section by Gerard Cheshire
Classic Literature: Words and Phrases adapted from
Collins English Dictionary
The Map of Time
Copyright © Felix Palma 2008 Translation copyright © Nick Caistor 2011 First published in Spanish as El Mapa Del Tiempo 2008
Felix Palma asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library
ISBN: 9780007344123
Ebook edition © 2011 ISBN: 9780007344147
Version 2
These novels are entirely a work of fiction. The names, characters and incidents portrayed in them are the work of the authors’ imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
Ebook Edition © ISBN: 9780007344154
Version: 2016-10-04

Contents
Title Page (#u4bbdf12d-ae3c-5f24-b2cb-d290059e77c1)
Copyright (#u512eff13-7c54-58f3-a9df-41247dfd9b9a)
THE MAP OF TIME
THE TURN OF THE SCREW
About the Publisher (#u1dd2e96c-525c-54ac-a182-b1607212addd)
FELIX PALMA
The Map of Time
Translated from the Spanish by Nick Caistor


‘The distinction between past, present and future is an illusion, but a very persistent one.’
ALBERT EINSTEIN
‘Mankind’s most perfectly terrifying work of art is the division of time.’
ELIAS CANETTI
‘What is waiting for me in the direction I don’t take?’
JACK KEROUAC
Contents
Cover (#ub1b903fc-7f29-53c7-bfc1-c5b21cc13f2a)
Title Page (#uf75b9a45-7025-5f5c-8c61-f9e2a90f3a56)
Epigraph (#ue648e90f-71dd-598d-8435-49d239e7e652)

PART ONE
Chapter I
Chapter II
Chapter III
Chapter IV
Chapter V
Chapter VI
Chapter VII
Chapter VIII
Chapter IX
Chapter X
Chapter XI
Chapter XII
Chapter XIII
Chapter XIV
Chapter XV
Chapter XVI
Chapter XVII

PART TWO
Chapter XVIII
Chapter XIX
Chapter XX
Chapter XXI
Chapter XXII
Chapter XXIII
Chapter XXIV
Chapter XXV
Chapter XXVI
Chapter XXVII
Chapter XXVIII
Chapter XXIX
Chapter XXX
Chapter XXXI
Chapter XXXII
Chapter XXXIII

PART THREE
Chapter XXXIV
Chapter XXXV
Chapter XXXVI
Chapter XXXVII
Chapter XXXVIII
Chapter XXXIX
Chapter XL
Chapter XLI
Chapter XLII
Chapter XLIII

About the Author
PART ONE


Chapter I
Andrew Harrington would gladly have died several times over if that meant not having to choose just one pistol from among his father’s vast collection in the living-room cabinet. Decisions had never been Andrew’s strong point. On close examination, his life had been a series of mistaken choices, the last of which threatened to cast its lengthy shadow over the future. But that life of unedifying blunders was about to end. This time he was sure he had made the right decision, because he had decided not to decide. There would be no more mistakes in the future because there would be no future. He was going to destroy it completely by putting one of those guns to his right temple. He could see no other solution: obliterating the future was the only way for him to eradicate the past.
He scanned the contents of the cabinet, the lethal assortment his father had lovingly assembled after his return from the war. He was fanatical about those weapons, though Andrew suspected it was not so much nostalgia that drove him to collect them as his desire to contemplate the novel ways mankind kept coming up with for taking one’s own life outside the law. In stark contrast to his father, Andrew was impassive as he surveyed the apparently docile, almost humdrum implements that had brought thunder to men’s fingertips and freed war from the unpleasantness of hand-to-hand combat.
He tried to imagine what kind of death might be lurking inside each of them, lying in wait like some predator. Which would his father have recommended he use to blow his brains out? He calculated that death from one of those antiquated muzzle-loading flintlocks, which had to be refilled with gunpowder and a ball, then tamped down with a paper plug each time it was fired, would be a noble but drawn-out and tedious affair. He preferred the swift death guaranteed by one of the more modern revolvers nestling in their luxurious velvet-lined wooden cases.
He considered a Colt single-action model, which looked easy to handle and reliable – but he had seen Buffalo Bill brandishing one in his Wild West Adventures: a pitiful attempt to re-enact his transoceanic exploits with a handful of imported Red Indians and a dozen lethargic, apparently opium-sated buffalo. Death for him was not just another adventure. He also rejected a fine Smith & Wesson, the gun that had killed the outlaw Jesse James, of whom he considered himself unworthy, and a Webley specially designed to hold back the charging hordes in Britain’s colonial wars; he thought it looked too cumbersome.
His attention turned next to his father’s favourite, a fine Pepperbox with rotating barrels, but he seriously doubted whether this ridiculously ostentatious weapon would be capable of firing a bullet with enough force.
Eventually he settled on an elegant 1870 Colt with mother-of-pearl inlay that would take his life with all the delicacy of a woman’s caress. He smiled defiantly as he plucked it from the cabinet, remembering how often his father had forbidden him to meddle with his pistols. But the illustrious William Harrington was in Italy at that moment, no doubt reducing the Fontana de Trevi to dust with his critical gaze. His parents’ decision to leave for Europe on the very day he had chosen to kill himself had been a happy coincidence. He doubted that either of them would ever decipher the true message concealed in his gesture (that he had preferred to die as he had lived – alone), but for Andrew it was enough to imagine the disgust on his father’s face when he discovered his son had killed himself behind his back and without his permission.
He opened the cabinet where the ammunition was kept and loaded six bullets into the chamber. He supposed that one would be enough, but who knew what might happen? After all, he had never killed himself before. Then he tucked the gun, wrapped in a cloth, inside his coat pocket, as though it were a piece of fruit he would eat later. In a further act of defiance, he left the cabinet door open. If only he had shown this much courage before, he thought. If only he had dared confront his father when it had mattered, she would still be alive. But by the time he had, it was too late. And he had spent eight long years paying for his hesitation. Eight years, during which his pain had only worsened, spreading its tendrils through him like poison ivy, wrapping itself around his guts, gnawing at his soul. Despite the efforts of his cousin Charles and the distraction of other women’s bodies, his grief over Marie’s death refused to be laid to rest. Tonight, though, it would all be over.
Twenty-six was a good age to die, he reflected, contentedly fingering the bulge in his pocket. He had the gun. Now all he needed was a suitable spot in which to perform the ceremony. And there was only one possible place.
With the weight of the revolver in his pocket comforting him like a good-luck charm, he descended the grand staircase of the Harrington mansion in elegant Kensington Gore, a stone’s throw from the Queen’s Gate entrance to Hyde Park. He had not intended to cast any farewell glances at the walls of what had been his home for almost three decades, but he could not help feeling a perverse wish to pause before his father’s portrait, which dominated the hall. His father stared down at him disapprovingly from the gilt frame, a proud, commanding figure, bursting out of the old uniform he had worn as a young infantryman in the Crimean War until a Russian bayonet had punctured his thigh; the wound had left him with a disturbingly lopsided gait. William Harrington surveyed the world disdainfully, as though in his view the universe was a botched affair on which he had long since given up. What fool had been responsible for the untimely blanket of fog that had descended on the battlefield outside the besieged city of Sebastopol so that nobody could see the tips of the enemy’s bayonets? Who had decided that a woman was the ideal person to preside over England’s destiny? Was the east really the best place for the sun to rise?
Andrew had never seen his father without cruel animosity in his eyes so could not know whether he had been born with it or had been infected with it when fighting alongside the ferocious Ottomans in the Crimea. In any event, it had not vanished, like a mild case of smallpox, leaving no mark on his face, even though the path that had opened in front of him on his return could only have been termed a fortunate one. What did it matter that he had to hobble along it with the aid of a stick? Without having had to enter any pact with the Devil, the man with the bushy moustache and clean-cut features depicted on the canvas had overnight become one of the richest men in England. Trudging around in that distant war, bayonet at the ready, he could never have dreamed of possessing a fraction of what he now owned. How he had amassed his fortune, though, was one of the family’s best-kept secrets, a complete mystery to Andrew.
The tedious moment is now approaching when the young man must decide which hat and overcoat to pick from among the heap in the hall cupboard: one has to look presentable even for death. This is a scene that, knowing Andrew, could take several exasperating minutes and, since I see no need to describe it, I shall take the opportunity to welcome you to this tale, which has just begun, and which, after lengthy reflection, I chose to begin at this juncture and not another – as though I, too, had to select a single beginning from among the many jostling for position in the closet of possibilities.
Assuming you stay until the end, some of you, no doubt, will think I chose the wrong thread with which to begin spinning my yarn, and that for accuracy’s sake I should have respected chronological order and begun with Miss Haggerty’s story. Perhaps so – but there are stories that cannot begin at their beginning, and this may be one of them.
So, let’s forget about Miss Haggerty for the moment, forget that I ever mentioned her, even, and go back to Andrew, who has just stepped forth from the mansion suitably dressed in a hat and coat, and even a pair of warm gloves to protect his hands from the harsh winter cold.
Once outside the mansion, the young man paused at the top of the steps, which unfurled at his feet like a wave of marble down to the garden. From there, he surveyed the world in which he had been brought up, suddenly aware that, if things went to plan, he would never see it again. Night was spreading its veil over the Harrington residence. A hazy full moon hung in the sky, bathing in its soft glow the immaculate lawns surrounding the house, most of them cluttered with flowerbeds, hedges and oversized stone fountains – dozens of them – decorated with excessively ornate sculptures of mermaids, fauns and other mythical creatures. His father had accumulated such a large number because, an unsophisticated soul, his only way of showing off his importance was to buy a lot of expensive and useless objects. In the case of the fountains his extravagance was excusable, because they combined to soothe the night with their watery refrain, making the listener want to close his eyes and forget everything except their hypnotic burble.
Further off, beyond the neatly clipped lawns, stood the immense greenhouse, graceful as a swan poised for flight, where his mother spent most of the day marvelling at the exotic flowers that sprouted from seeds brought back from the colonies.
Andrew gazed at the moon for several minutes. He wondered whether man would ever be able to travel there, as had the characters in Jules Verne and Cyrano de Bergerac’s works. What would he find if he did manage to land on its shimmering surface – in an airship, or shot out of a cannon, or with a dozen bottles of dew strapped to his body in the hope that, as it evaporated, he would float up to the sky, like the Gascon swashbuckler’s hero? Ariosto the poet had turned the planet into a warehouse where lunatics’ reason was stored in phials, but Andrew was more drawn to Plutarch, who imagined that the moon was where dead people dwelled. Andrew liked to picture them living at peace in ivory palaces built by an army of worker angels or in caves dug out of that white rock, waiting for the living to receive their safe-conduct to death and to carry on their lives anew, exactly where they had left off.
Sometimes he imagined that Marie was living at that very moment in one of those grottoes, oblivious to what had happened to her, and grateful that death had offered her a better existence than life. Marie, pale in that white splendour, waiting patiently for him to decide once and for all to blow his brains out and come to fill the empty space in her bed.
He stopped gazing at the moon when he noticed that Harold, the coachman, had followed his orders and was standing at the foot of the stairs with a brougham at the ready. As soon as he saw his young master descending the flight of steps, the coachman rushed to open the carriage door. Andrew had always been amused by Harold’s display of energy, considering it incongruous in a man approaching sixty, but the coachman clearly kept in good shape.
‘Miller’s Court,’ the youth commanded.
Harold was astonished by his request. ‘But, sir, that’s where—‘
‘Is there some problem, Harold?’ Andrew interrupted.
The coachman stared at him for a moment, his mouth hanging ludicrously half open, then recollected himself: ‘None whatsoever, sir.’
Andrew gave a nod, signalling that the conversation was at an end. He climbed into the brougham and sat down on the red velvet seat. Glimpsing his reflection in the window, he gave a sigh of despair. Was that haggard countenance really his? It was the face of someone whose life had been seeping out of him unawares, like a pillow losing its stuffing through an open seam.
In a certain sense this was true. Although his face retained the harmonious good looks he had been born with, it now resembled an empty shell, a vague impression in a mound of ashes. The sorrow that had cast a shadow over his soul had taken its toll on his appearance: he could scarcely recognise himself in the ageing youth, with hollowed cheeks, downcast eyes and unkempt beard, who stared back at him in the glass. Grief had stunted him, transforming him into a dried-up, sullen creature.
The brougham rocked as Harold, having overcome his astonishment, clambered up to his perch, and took Andrew’s attention away from the blurred face sketched on the canvas of the night. The final act of the disastrous performance that had been his life was about to begin, and he was determined to savour every moment. He heard the whip crack above his head and, caressing the steely bulge in his pocket, he let himself be lulled by the vehicle’s gentle sway.
The brougham left the mansion and went down Carriage Drive, which bordered the lush vegetation of Hyde Park. Gazing through the window at the city, Andrew thought that in less than half an hour’s time they would be in the East End. This ride had always fascinated and puzzled him in equal measure: it allowed him to glimpse in a single sweep every aspect of his beloved London, the world’s greatest metropolis, the giant head of an insatiable octopus whose tentacles stretched over almost a fifth of the Earth’s surface, holding Canada, India, Australia and a large part of Africa in its vice-like grip.
As they sped east, the salubrious, almost countrified atmosphere of Kensington soon gave way to the crowded urban environment of Piccadilly, and beyond to the Circus, where Anteros, the avenger of unrequited love, is firing an arrow into the city’s heart. Beyond Fleet Street, the middle-class dwellings seemingly huddled around St Paul’s Cathedral gradually came into view, until finally, once they had passed the Bank of England and Cornhill Street, a wave of poverty swept over everything, a poverty that people from the adjoining West End knew of only from the satirical cartoons in Punch. It seemed to pollute the very air itself, as it mingled with the stench rising from the Thames.
Andrew had last made this journey eight years earlier, and had known ever since that, sooner or later, he would make it again, for the very last time. Hardly surprising, then, that as they drew nearer to Aldgate, the gateway to Whitechapel, he felt slightly uneasy. He peered warily out of the window as they entered the district, experiencing the same misgivings as he had in the past. He was overwhelmed, again, by shame because he was spying on an alien world with the dispassionate interest of someone who studies insects – even though, over time, his initial revulsion had turned into compassion for the souls who inhabited this place, where the city dumped its human waste.
Now it seemed that there was every reason for him to feel compassion still: London’s poorest borough had changed relatively little in the past eight years. Wealth brings poverty in its wake, thought Andrew, as they crossed the ill-lit, rowdy streets, crammed with stalls and handcarts, and teeming with wretched creatures whose lives were played out beneath the menacing shadow of Christ Church. At first he had been shocked to discover that behind the dazzle of the city’s façade there existed this outpost of hell where, with the Queen’s blessing, human beings were condemned to live like beasts. The intervening years had made him less naïve: he was no longer surprised that, even as the advances of science were transforming London – and the well-to-do amused themselves by recording their dogs’ barks onto the wax-coated cylinders of phonographs or conversed via telephone under the glow of Robertson’s electric lamps – Whitechapel had remained immune to progress, untouchable beneath its rotten shell, drowning in its own filth.
A glance was enough to tell him that crossing into this world was still like sticking his hand into a hornets’ nest. It was here that poverty showed its ugliest face, here that the same jarring, sinister tune was playing. He observed a couple of pub brawls, heard screams from the depths of dark alleyways, glimpsed a few drunks sprawled in the gutter, gangs of street urchins stripping them of their shoes, and exchanged glances with a pair of pugnacious-looking men standing on street corners, petty rulers in this parallel kingdom of vice and crime.
The luxurious brougham caught the attention of several prostitutes, who shouted lewd proposals to him, hitching up their skirts and showing their cleavage. Andrew felt a pang of sorrow as he gazed upon this pitiful spectacle. Most of the women were filthy and downtrodden, their bodies bearing the mark of their daily burden of customers. Even the youngest and prettiest were stained by the misery of their surroundings. He was revisited by the agonising thought that he might have saved one of these doomed women, offered her a better life than the one her Creator had allotted her, yet he had failed to do so.
His sorrow reached a crescendo as the carriage rattled past the Ten Bells, emitting an arpeggio of creaks as it turned into Crispin Street on its way to Dorset Street, passing in front of the Britannia pub where he had first spoken to Marie. This street was his final destination. Harold pulled the brougham up next to the stone arch leading to the Miller’s Court flats, and climbed off the box to open the carriage door.
Andrew stepped out, feeling suddenly dizzy. His legs were shaking as he looked around him. Everything was exactly as he remembered it, down to the shop with grimy windows run by McCarthy, the owner of the flats, which stood beside the entrance. Nothing he saw indicated to him that time also passed in Whitechapel, that it did not avoid it, as did the bigwigs and bishops visiting the city.
‘You can go home now, Harold,’ he told the coachman, who was standing at his side.
‘What time shall I fetch you, sir?’ asked the old man.
Andrew didn’t know what to say. He stifled a laugh. The only thing fetching him would be the cart from the Golden Lane morgue, the same one that had come there to fetch what was left of his beloved Marie eight years ago. ‘Forget you ever brought me here,’ was his reply.
The sombre expression that clouded the coachman’s face moved Andrew. Had Harold understood what he had come there to do? He could not be sure, because he had never given a moment’s thought to the coachman’s intelligence, or indeed to that of any servant. He always thought that at most they possessed the innate cunning of people who, from an early age, are obliged to swim against the current in which he and his class manoeuvred with ease. Now, though, he thought he detected in old Harold’s attitude an unease that might only have come from his having guessed Andrew’s intention.
And the servant’s capacity for deduction was not the only discovery Andrew made during that brief moment when, for once, they looked directly at each other. Andrew also became aware of something hitherto unimaginable to him: the affection a servant can feel for his master. Although he saw them as shadows drifting in and out of rooms, according to some invisible design, only aware of them when he needed to leave his glass on a tray or wanted the fire lighting, these phantoms could care about what happened to their masters. That succession of faceless people – the maids whom his mother dismissed on the flimsiest grounds, the cooks systematically impregnated by the stable boys as though conforming to some ancient ritual, the butlers who left their employ with excellent references for another mansion identical to theirs – made up a shifting landscape that Andrew had never taken the trouble to notice.
‘Very well, sir,’ murmured Harold.
Andrew understood that these words were the coachman’s last farewell; that this was the old fellow’s only way of saying goodbye to him – embracing him was a risk he appeared unwilling to take. With a heavy heart, he watched that stout, resolute man, to whom he would have had to relinquish the role of master if they had ever been stranded on a desert island, clamber back on to the brougham and urge on the horses, leaving only an echo of hoofs as the carriage was swallowed by the fog that spread through the London streets like muddy foam. It struck him as odd that the only person to whom he had said goodbye before killing himself should be the coachman, not his parents or his cousin Charles. Life was full of such ironies.
That was exactly what Harold Barker was thinking as he drove the horses down Dorset Street, looking for the way out of that accursed neighbourhood, where life was not worth thruppence. But for his father’s determination to pluck him from poverty and secure him a job as a coachman, he might have been one more among the hordes of wretched souls scraping an existence in this gangrenous patch of London. Yes, that surly old drunk had hurled him into a series of jobs that had ended at the coach house of the illustrious William Harrington, in whose service he had spent half his life. But they had been peaceful years. He could admit as much when he was taking stock of his life in the early hours after his chores were done and his masters were asleep; peaceful years in which he had taken a wife and fathered two healthy children, one of whom was employed as a gardener by Mr Harrington.
The good fortune that had allowed him to forge a different life from the one he had believed was his lot enabled him now to look upon the wretched souls of Whitechapel with a degree of objectivity and compassion. Harold had been obliged to go to Whitechapel more often than he would have liked when ferrying his master there that terrible autumn eight years ago, a period when even the sky seemed at times to ooze blood. He had read in the newspapers about what had happened in that warren of Godforsaken streets, but also he had seen it reflected in his master’s eyes.
He knew now that the young master had never recovered, that those reckless excursions to pubs and brothels, on which his cousin Charles had dragged them both (Harold had been obliged to remain in the carriage, shivering with cold), had not succeeded in driving the terror from his eyes. And that night young Harrington had appeared ready to lay down his arms, to surrender to an enemy who had proved invincible. Hadn’t that bulge in his pocket looked suspiciously like a firearm? But what could Harold do? Should he turn around and try to stop him? Should a servant step in to alter his master’s destiny?
Harold Barker shook his head. Maybe he was imagining things, he thought, and the young man simply wanted to spend the night in that haunted room, safe with a gun in his pocket.
He left off his uncomfortable broodings when he glimpsed a familiar equipage coming out of the fog towards him. It was the Winslow family carriage, and the bundled-up figure on the box was almost certainly Edward Rush, one of their coachmen. To judge from the way he slowed the horses, Rush appeared to have recognised him, too. Harold nodded a silent greeting to his colleague, before directing his gaze to the occupant of the vehicle. For a split second he and young Charles Winslow stared solemnly at one another. They did not say a word.
‘Faster, Edward,’ Charles ordered his driver, tapping the roof of the carriage with the knob of his cane.
Harold watched with relief as they vanished into the fog in the direction of the Miller’s Court flats. He was not needed now. He only hoped that young Winslow would arrive in time. He would have liked to stay and see how the affair ended, but he had an order to carry out – although he fancied it had been given him by a dead man – so he urged the horses on, and found his way out of that dread neighbourhood where life (I apologise for the repetition, but the same thought occurred to Harold twice) was not worth thruppence.
Admittedly, the expression sums up the area’s peculiarity very accurately, and we probably could not hope for a more profound appraisal from a coachman. However, although his life is worthy of recounting – as are all lives upon close scrutiny – the coachman Barker is not a relevant character in this story. Others may choose to write about it and will no doubt find plenty of material to endow it with the emotion every good story requires – I am thinking of the time he met Rebecca, his wife, or the hilarious incident involving a ferret and a rake – but that is not my purpose here.
And so let us leave Harold – whose reappearance at some point in this tale I cannot vouch for, because a whole host of characters will pass through it and I can’t be expected to remember every one of their faces – and return to Andrew, who at this very moment is crossing the arched entrance to Miller’s Court and walking up the muddy stone path to number thirteen while he rummages in his coat pocket for the key.
After stumbling around in the dark for a time he found the room, and paused before the door in an attitude that anyone seeing him from a neighbouring window would have taken for incongruous reverence. But for Andrew that room was infinitely more than some wretched lair where people who hadn’t a penny to their name took refuge. He had not been back there since that fateful night, although he had paid to keep everything exactly as it had been, exactly as it still was inside his head. Every month for the past eight years he had sent one of his servants to pay the rent, so that nobody could live there: if he ever went back he did not want to find traces of anyone but Marie. The few pennies were to him a drop in the ocean, and Mr McCarthy had been delighted that a wealthy gentleman and obvious rake should want to rent that hovel indefinitely – after what had taken place within its four walls he very much doubted that anybody would be brave enough to sleep there.
Andrew had always known he would come back, that the ceremony he was about to perform could not have been carried out anywhere else.
He opened the door and mournfully cast an eye around the room. It was a tiny space, scarcely more sophisticated than a barn, with flaking walls and a few sticks of battered furniture, including a dilapidated bed, a grimy mirror, a crumbling fireplace and a couple of chairs that might fall apart if a fly landed on them. He felt a renewed sense of amazement that life could take place somewhere like this. Yet had he not known more happiness in this room than in the luxurious Harrington mansion? If, as he had read somewhere, every man’s paradise was in a different place, his was undoubtedly here. He had reached it guided not by a map, charting rivers and valleys, but by kisses and caresses.
And it was a caress, this time an icy one on the nape of his neck, which drew his attention to the fact that nobody had taken the trouble to fix the broken window to the left of the door. What would have been the point? McCarthy belonged to that class of people whose motto was to work as little as possible, and had Andrew reproached him for not replacing the pane he would have argued that, since Mr Harrington had requested everything be kept just as it was, he had assumed that included the window glass. Andrew sighed. He could see nothing with which to plug the hole and decided to kill himself in his hat and coat.
He sat down on one of the rickety chairs, reached into his pocket for the gun and carefully unfolded the cloth, as if he were performing a sacrament. The Colt gleamed in the moonlight that filtered weakly through the small, grimy window.
He stroked the weapon as though it were a cat curled up in his lap and let Marie’s smile wash over him once more. Andrew was always surprised that his memories retained the vibrancy, like fresh roses, of those first days. He remembered everything so vividly, as though no eight-year gap stretched between them, and at times his memories seemed even more beautiful than the real events. What mysterious alchemy could make these imitations appear more vivid than the real thing? The answer was obvious: the passage of time. It transformed the volatile present into a finished, unalterable painting called the past, a canvas that was always executed blindly, with erratic brushstrokes, and only made sense when one stepped far enough away to admire it as a whole.
Chapter II
The first time their eyes had met, she was not even there. Andrew had fallen in love with Marie without needing to have her in front of him, and to him this was as romantic as it was paradoxical. The event had occurred at his uncle’s mansion in Queen’s Gate, opposite the Natural History Museum, a place Andrew had always thought of as his second home. He and his cousin were the same age, and had almost grown up together; the servants sometimes forgot which of them was their employer’s son.
As is easily imaginable, their affluent social position had spared them any hardship or misfortune, exposing them only to the pleasant side of life, which they immediately mistook for one long party where everything was apparently permissible. They moved on from sharing toys to sharing teenage conquests, and from there, curious to see how far they could stretch the impunity they enjoyed, to devising different ways of testing the limits of what was acceptable.
Their elaborate indiscretions and more or less immoral behaviour were so perfectly co-ordinated that for years it had been difficult not to see them as one person. This was partly down to their sharing the complicity of twins, but also to their arrogant approach to life and even to their physical similarity: both boys were lean and sinewy, and possessed angelic good looks that made it almost impossible to refuse them anything. This was especially true of women, as was amply demonstrated during their time at Cambridge, where they established a record number of conquests unmatched to this day.
Their habit of visiting the same tailors and hat-makers added the finishing touch to that unnerving resemblance, a likeness it seemed would last for ever, until one day, without warning, as though God had resolved to compensate for his lack of creativity, that wild, two-headed creature split into two distinct halves. Andrew turned into a pensive, taciturn young man, while Charles went on perfecting the frivolous behaviour of his adolescence. This change did not alter their friendship, which was rooted in kinship. Far from driving them apart, the unexpected divergence made them complement one another. Charles’s devil-may-care attitude found its counterpart in the refined melancholy of his cousin, for whom such a whimsical approach to life was no longer satisfying.
Charles observed with a wry smile Andrew’s attempts to give his life some meaning, wandering around in disillusionment, waiting for a flash of inspiration that never came. Andrew, in turn, was amused by his cousin’s insistence on behaving like a brash, shallow youth, even though some of his gestures and opinions betrayed disappointment similar to his own. Charles lived intensely, as though he could not get enough of life’s pleasures, while Andrew could sit alone for hours, watching a rose wilt in his hands.
The month of August when it all happened, they had both just turned eighteen, and although neither showed any sign of settling down, they sensed this life of leisure could not go on much longer, that soon their parents would lose patience with their unproductive indolence and find them positions in one of the family firms. In the meantime, though, they were enjoying seeing how much longer they could get away with it. Charles was already going to the office occasionally to attend to minor business, but Andrew preferred to wait until his boredom became so unbearable that taking care of family business would seem a relief rather than a prison sentence. After all, his older brother Anthony had already fulfilled their father’s expectations sufficiently in this respect to allow the illustrious William Harrington to consent to his second son pursuing his career of black sheep for a couple more years, provided he did not stray from his sight.
But Andrew had strayed. He had strayed a long way. And now he intended to stray even further, until he disappeared completely, beyond all redemption.
But let us not be sidetracked by melodrama. Let us carry on with our story. Andrew had dropped in at the Winslow mansion that August afternoon so that he and Charles could arrange a Sunday outing with the charming Keller sisters. As usual, they would take them to a little grassy knoll carpeted with flowers near the Serpentine, in Hyde Park, where they invariably mounted their amorous offensives. But Charles was still sleeping, so the butler showed Andrew into the library. He did not mind waiting there until his cousin got up; he felt at ease surrounded by the books that filled the large, bright room with their peculiar musty smell.
Andrew’s father prided himself on having built up a decent library, yet his cousin’s collection contained more than just obscure volumes on politics and other equally dull subjects. Here, Andrew could find the classics and adventure stories by authors such as Verne and Salgari, but still more interesting to him was a strange, rather picturesque type of literature many considered frivolous: novels in which the authors had let their imaginations run wild, regardless of how implausible or often downright absurd the outcome. Like all discerning readers, Charles appreciated Homer’s Odyssey and his Iliad, but his real enjoyment came from immersing himself in the crazy world of Batracomiomachia, the blind poet’s satire on his own work in an epic tale about a battle between mice and frogs. Andrew recalled a few books written in a similar style, which his cousin had lent him; one called True Tales by Luciano de Samósata, which recounted a series of fabulous voyages in a flying ship that takes the hero up to the sun and even through the belly of a giant whale; another called The Man in the Moon by Francis Godwin, the first novel ever to describe an interplanetary voyage. It told of a Spaniard named Domingo Gonzalez who travels to the moon in a machine drawn by a flock of wild geese.
These flights of fancy reminded Andrew of pop guns or firecrackers, all sound and fury yet he understood, or thought he did, why his cousin was so passionate about them. Somehow this literary genre, which most people condemned, acted as a sort of counterbalance to Charles’s soul; it was the ballast that prevented him from lurching into seriousness or melancholy, unlike Andrew, to whom everything seemed so achingly profound, imbued with the absurd solemnity that the transience of existence conferred upon even the smallest act.
However, that afternoon, Andrew did not have time to look at any book. He did not even manage to cross the room to the bookshelves because the loveliest girl he had ever seen stopped him in his tracks. He stood staring at her, bemused, as time seemed to congeal, to stand still. Finally he managed to approach the portrait slowly to take a closer look. The woman was wearing a black velvet toque and a flowery scarf knotted at the neck. Andrew had to admit she was by no means conventionally beautiful: her nose was disproportionately large for her face, her eyes too close together and her reddish hair looked damaged, yet at the same time she possessed a charm as unmistakable as it was elusive. He was unsure exactly what about her captivated him. Perhaps it was the contrast between her fragile appearance and the strength that radiated from her gaze; a gaze he had never seen in any of his conquests. It was wild, determined, and retained a glimmer of youthful innocence, as if every day the woman was forced to confront the ugliness of life, and yet, curled up in her bed at night, still believed it a regrettable figment of her imagination, a bad dream that would dissolve and give way to a more pleasant reality. It was the gaze of a person who yearns for something and refuses to believe it will never be hers, because hope is all she has left.
‘A charming creature, isn’t she?’ Charles’s voice came from behind him.
Andrew jumped. He had been so absorbed in the portrait he had not heard his cousin come in. He nodded as Charles walked over to the drinks cabinet. He himself could not have found a better way to describe the emotions the portrait had stirred in him, the desire to protect her mixed with the admiration he could only compare – rather reluctantly, owing to the inappropriateness of the metaphor – to that which he felt for cats.
‘It was my birthday present to my father,’ Charles explained, pouring brandy. ‘It’s only been hanging there a few days.’
‘Who is she?’ asked Andrew. ‘I don’t remember seeing her at any of Lady Holland or Lord B rough ton’s parties.’
‘At those parties?’ Charles laughed. ‘I’m beginning to think the artist is gifted. He’s taken you in as well.’
‘What do you mean?’ asked Andrew, accepting the glass his cousin was holding out to him.
‘Surely you don’t think I gave it to my father because of its artistic merit? Does it look like a painting worthy of my consideration, cousin?’ Charles grabbed his arm, forcing him to move a few steps closer to the portrait. ‘Take a good look. Notice the brushwork: utterly devoid of talent. The painter is no more than an amusing disciple of Degas. Where the Parisian is gentle, he is starkly sombre.’
Andrew did not understand enough about painting to discuss it with his cousin, and all he really wanted to know was the sitter’s identity, so he nodded gravely, giving his cousin to understand he agreed with his view that the artist would do better to devote himself to repairing bicycles. Charles smiled, amused by his cousin’s refusal to converse about painting – it would have given Charles a chance to air his knowledge – and declared: ‘I had another reason for giving it to him, dear cousin.’
He drained his glass slowly, and gazed at the picture, shaking his head with satisfaction.
‘And what reason was that, Charles?’ Andrew asked, becoming impatient.
‘The private enjoyment I get from knowing that my father, who looks down on the lower classes, has the portrait of a common prostitute hanging in his library.’
His words made Andrew reel. ‘A p-p-prostitute?’ he stammered.
‘Yes, cousin,’ replied Charles, beaming with content. ‘But not a high-class whore from the brothels in Russell Square, or even one of the tarts who ply their trade in the park on Vincent Street, but a dirty, foul-smelling draggletail from Whitechapel upon whose ravaged loins the wretched of the earth alleviate their misery for a few meagre pennies.’
Andrew took a swig of brandy. There was no denying that his cousin’s revelation had shocked him, as it would anybody who saw the portrait, but he also felt strangely disappointed. He stared at the painting again, trying to discover the cause of his unease. So, this lovely creature was a vulgar tart. Now he understood the mixture of passion and resentment that the artist had so skilfully captured in her eyes. But Andrew had to admit his disappointment related to a far more selfish logic: the woman did not belong to his social class, which meant he could never meet her.
‘I bought it thanks to Bruce Driscoll,’ Charles explained, pouring more brandy for them both. ‘Do you remember him?’
Andrew nodded unenthusiastically. Bruce was a friend of his cousin whom boredom and money had made an art collector; a conceited, idle young man who had no compunction in showing off his knowledge of painting at every opportunity.
‘You know how he likes to search for treasure in the most unlikely places,’ his cousin said, handing him his glass. ‘Well, the last time I saw him, he told me about a painter he’d dug up during one of his visits to the flea markets. A man called Walter Sickert, a founding member of the New English Art Club. His studio was in Cleveland Street, and he painted East End prostitutes as though they were society ladies. I dropped in there and couldn’t resist his latest canvas.’
‘Did he tell you anything about her?’ Andrew asked, trying to appear nonchalant.
‘About the whore? Only her name. I think she’s called Marie Jeanette.’
‘Marie Jeanette,’ Andrew murmured. The name suited her, like her little hat. ‘A Whitechapel whore …’ he whispered, still unable to get over his surprise.
‘Yes, a Whitechapel whore. And my father has given her pride of place in his library!’ Charles spread his arms theatrically in a mock-triumphant gesture. ‘Isn’t it absolutely priceless?’
With this, Charles flung his arm around his cousin’s shoulders and guided him to the sitting room. Andrew tried to hide his agitation, but could not help thinking about the girl in the portrait as they planned their assault on the charming Keller sisters.
That night, in his bedroom, Andrew lay awake. Where was the woman in the painting now? What was she doing? By the fourth or fifth question he had begun calling her by her name, as though he really knew her and they enjoyed a non-existent intimacy. He realised he was seriously disturbed when he began to feel an absurd jealousy towards the men who could have her for a few pennies when to him, despite his wealth, she was unattainable. And yet was she really beyond his reach? Surely, given his position, he could have her, physically at least, more easily than he could any other woman, and for the rest of his life. The problem was finding her.
Andrew had never been to Whitechapel, but he had heard enough about it to know it was dangerous, especially for someone of his class. It was not advisable to go there alone, but he could not count on Charles accompanying him. His cousin would not understand him preferring a tart’s grubby charms to what the delightful Keller sisters kept hidden beneath their petticoats, or the perfumed honey-pots of the Chelsea madams with whom well-to-do West End gentlemen sated their appetites. Perhaps he would understand, and even agree to go with him for the fun of it, if Andrew explained it as a passing fancy, but what he felt was too powerful to be reduced to a mere whim.
Or was it? He would not know what he wanted from her until he had her in his arms. Would she really be so difficult to find? Three sleepless nights were enough for him to come up with a plan.
And so it was that while the Crystal Palace (which had been moved to Sydenham after displaying the Empire’s industrial prowess) offered organ recitals, children’s ballets, ventriloquists’ acts and the possibility of picnicking in its gardens with dinosaurs, iguanodons and megatheriums reconstructed from fossils found in the Sussex Weald, and Madame Tussaud’s deprived its visitors of sleep with its famous Chamber of Horrors (in which madmen, cutthroats and poisoners huddled at the foot of the guillotine that had beheaded Marie-Antoinette), Andrew Harrington – oblivious to the festive spirit that had taken hold of the city – put on the humble clothes one of his servants had lent him, and examined his disguise in the cheval glass. He gave a wry smile at the sight of himself in a threadbare jacket and trousers, his fair hair tucked under a checked cap pulled low over his eyes. Surely, looking like that, people would take him for a nobody, possibly a cobbler or a barber.
Disguised in this way, he ordered the astonished Harold Barker to take him to Whitechapel. Before leaving, he made him swear to secrecy. No one must know about his expedition to London’s worst neighbourhood, not his father, not the mistress of the house, not his brother Anthony, not even his cousin Charles. No one.
Chapter III
In order not to draw attention to himself, Andrew made Harold pull up the luxurious carriage in Leadenhall, and continued alone on foot towards Commercial Street. After wandering a good way down that evil-smelling thoroughfare, he plucked up his courage and entered the maze of alleyways that made up Whitechapel. Within ten minutes, a dozen prostitutes loomed out of the fog to offer him a trip to Mount Venus for the price of a few pennies, but none was the girl in the portrait. Had they been draped in seaweed, Andrew might easily have mistaken them for faded, dirty ship’s figureheads. He refused them politely, a dreadful sadness welling up in him at the sight of those scarecrows, hunched against the cold, who had no better way to earn a living. Their toothless mouths, attempting bawdy smiles, were more repulsive than desirable. Would Marie look like that outside the portrait, far from the brushstrokes that had transformed her into an angel?
He soon realised he was unlikely to find her by chance. Perhaps he would have more luck if he asked for her directly. Once he was sure his disguise was convincing, he entered the Ten Bells, a popular tavern on the corner of Fournier Street and Commercial Street, opposite the ghostly Christ Church. When he peered inside the pub, it looked to him the sort of place whores would go in search of clients. As soon as he reached the bar, two came up to him. Trying to seem casual, Andrew refused their propositions as politely as he could and offered them a glass of stout. He explained he was looking for a woman called Marie Jeanette. One of the whores left immediately, pretending to be offended, but the other, the taller of the two, accepted a drink. ‘I suppose you mean Marie Kelly’ she said. ‘That dratted Irishwoman, everybody wants her. I expect she’s done a few by now and is in the Britannia – that’s where we all go when we’ve made enough for a bed and a bit more besides so that we can get drunk quick and forget our sorrows.’ She spoke with more irony than bitterness.
‘Where is this tavern?’ Andrew asked.
‘Near here, on the corner of Crispin Street and Dorset Street.’
The least Andrew could do was thank her for the information by giving her four shillings. ‘Get yourself a room,’ he recommended, with a smile. ‘It’s too cold out there tonight to be traipsing the streets.’
‘Why, thank you, mister. You’re too kind, I’m sure,’ said the whore, genuinely grateful.
Andrew said goodbye, politely doffing his cap.
‘If Marie Kelly won’t give you what you want, come back and see me,’ she added, with a flash of coquettishness that was blighted by her toothless smile. ‘My name’s Liz – Liz Stride. Don’t forget’
Andrew had no problem finding the Britannia, a seedy bar with a windowed front. The room was brilliantly lit by oil lamps and thick with tobacco smoke. At the far end there was a long bar, with a couple of private rooms to the left. A crowd of noisy customers filled the large main area, which was cluttered with tables and chairs, the floor strewn with sawdust. A fleet of bartenders in filthy aprons squeezed their way between tightly packed tables, juggling metal tankards brimming with beer. In the corner, a battered old piano displayed its grubby keys to anyone wishing to enliven the evening with a tune.
Andrew reached the bar, which was laden with large jugs of wine, oil lamps and plates of cheese cut into huge chunks – they looked like bits of rubble from a tip. He lit a cigarette from one of the lamps, ordered a pint of beer, and leaned discreetly against the bar, surveying the crowd and wrinkling his nose at the strong smell of sausage that emanated from the kitchen. As he had been told, the atmosphere was more convivial than it had been at the Ten Bells. Most of the tables were occupied by sailors on shore leave and local people dressed as modestly as he, although he also noticed a few groups of prostitutes busy getting drunk. He sipped his beer slowly and looked for one who fitted Marie Kelly’s description, but none did.
By his third beer, he had begun to despair, and wondered what on earth he was doing there, chasing an illusion. He was about to leave when she pushed her way through the pub door. He recognised her at once. There was no doubt about it: she was the girl in the portrait, but more beautiful still for being endowed with movement. Her face looked drained, yet she moved with the energy Andrew had imagined from seeing her on canvas. Most of the other customers remained oblivious to her. How was it possible for anyone not to react to the small miracle that had just taken place in front of them? Their complete indifference made him feel he was a privileged witness to the phenomenon.
He recalled when, as a child, he had seen the wind take a leaf between invisible fingers and balance its tip on the surface of a puddle, spinning it like a top until a carriage wheel had put an end to its dance. To Andrew, it had seemed Mother Nature had engineered that magic trick for his eyes alone. From then on he was convinced that the universe dazzled mankind with volcanic eruptions, but had its own secret way of communicating with the select few, people like himself, who looked at reality as though it were a strip of wallpaper covering something else. Taken aback, he watched Marie Kelly walk towards him as if she knew him. His heart started to pound. He calmed a little when she propped her elbow on the bar and ordered half a pint of beer without glancing at him.
‘Having a good night, Marie?’
‘Can’t grumble, Mrs Ringer.’
Andrew was on the verge of blacking out. She was standing next to him! He could scarcely believe it, yet it was true. He had heard her voice. A tired, rather husky voice, but lovely in any case. And if he really tried, ignoring the stench of tobacco smoke and sausages, he could probably smell her, too. Smell Marie Kelly. Mesmerised, Andrew gazed at her, rediscovering in her every gesture what he already knew. In the same way that a shell holds the roar of the sea so this fragile body seemed to contain within it a force of nature.
When the landlady placed the beer on the counter, Andrew realised this was an opportunity he must not waste. He rummaged swiftly in his pockets and paid before she could. Allow me, miss.’
The gesture, as unexpected as it was chivalrous, earned him an openly approving look from Marie Kelly. He was paralysed. As the painting had already shown, the girl’s eyes were beautiful, yet they seemed buried beneath a layer of resentment. He could not help comparing her to a poppy field where someone had decided to dump refuse. And yet he was completely, hopelessly enthralled by her, and he tried to make the instant at which their eyes met as meaningful to her as it was to him, but – my apologies to any romantic souls reading these lines – some things cannot be expressed in a look.
How could Andrew make her share in the almost mystical feeling overwhelming him? How could he convey, with nothing more than his eyes, the sudden knowledge that he had been searching for her all his life without knowing it? If in addition we consider that Marie Kelly’s existence up to that point had done little to increase her understanding of life’s subtleties, it should come as no surprise that this initial attempt at spiritual communion (for want of a better way of putting it) was doomed to failure. Andrew did his best, obviously, but the girl understood his passionate gaze just as she interpreted that of the other men who accosted her every evening.
‘Thanks, mister,’ she replied, with a lewd smile, no doubt from force of habit.
Andrew nodded, dismissing the significance of a gesture he considered an all-important part of his strategy, then realised with horror that his careful plan had not taken into account how he was to strike up a conversation with the girl once he found her. What did he have to say to her? Or, more precisely, what did he have to say to a whore? A Whitechapel whore, at that. He had never bothered speaking much to the Chelsea prostitutes, only enough to discuss positions or the lighting in the room, and with the charming Keller sisters, or his other female acquaintances -young ladies whom it would not do to worry with talk of politics or Darwin’s theories – he only discussed trivia: Paris fashions, botany and, more recently, spiritualism, the latest craze. But none of these subjects seemed suitable to embark on with this woman, who was unlikely to want to summon some spirit to tell her which of her many suitors she would marry. So he simply stared at her, enraptured.
Luckily, Marie Kelly knew a better way of breaking the ice. ‘I know what you want, mister, although you’re too shy to ask,’ she said, her grin broadening as she gave his hand a fugitive caress. It brought him out in goose pimples. ‘Thruppence, and I can make your dreams come true. Tonight, at any rate.’
Andrew was shaken: she did not know how right she was. She had been his only dream the past few nights, his deepest longing, his most urgent desire, and now, although he was still scarcely able to believe it, he could have her. His whole body tingled with excitement at the mere thought of touching her, of caressing the slender body silhouetted beneath the shabby dress, of bringing forth moans from her lips as he was set alight by her eyes, those of a wild animal, a tormented, indomitable creature. That tremor of joy rapidly gave way to a profound sadness when he considered the unjust plight of the fallen angel, the ease with which any man could grope her, defile her in a filthy back alley, without anyone in the world uttering a cry of protest. Was that what such a unique creature had been created for?
He had no choice but to accept her invitation, a lump in his throat, distressed at being compelled to take her in the same way as her other clients, as if his intentions were no different from theirs.
Once he had accepted, Marie Kelly smiled with what looked to Andrew like forced enthusiasm, and tilted her head for them to leave the pub.
Andrew felt odd following the whore, walking behind her with bird-like steps as though Marie Kelly were leading him to the gallows instead of to plunge between her thighs. But could their meeting have been any different? From the moment he had come across his cousin’s painting he had been penetrating deeper into unknown territory, where he could not get his bearings because nothing around him was familiar. Everything was new and, to judge from the deserted streets they were going through, quite possibly dangerous. Was he blithely walking into a trap laid by the whore’s pimp? He wondered whether Harold would hear his shouts and, if so, if he would bother coming to his aid, or use the opportunity to avenge himself for the offhand treatment he had received from his master all these years.
After guiding him along Hanbury Street, a muddy alley dimly lit by a single oil-lamp sputtering on a corner, Marie Kelly beckoned him down a narrow passageway leading into pitch darkness. Andrew followed her, convinced he would meet his death, or at least be beaten to within an inch of his life by a couple of ruffians much bigger than him who, having stolen everything including his socks, would spit contemptuously on his bloody remains. That was how they did things here, and his idiotic adventure richly deserved such an ending. But before fear had time to take hold, they came out into a filthy, water-logged backyard where, to his surprise, no one was waiting for him.
Andrew glanced warily about him. Yes: strange as it might seem, they were alone in that evil-smelling place. The world they had left behind was reduced to a muffled rumble in which a distant church bell’s chimes rang out. At his feet the moon, reflected in a puddle, looked like a crumpled letter some unhappy lover had tossed on the ground.
‘We won’t be disturbed here, mister,’ Marie Kelly reassured him, leaning back against the wall and drawing him to her.
Before he knew it, she had unbuttoned his trousers and pulled out his manhood. She did so with startling ease, without any of the provocative foreplay to which the Chelsea prostitutes had accustomed him. The matter-of-fact way in which she manoeuvred his sex beneath her hiked-up skirts made it clear to Andrew that what to him was another magical moment was to her no more than routine.
‘It’s in,’ she assured him.
In? Andrew had enough experience to know the whore was lying. She was simply gripping him between her thighs. He assumed it was common practice among them, a trick to avoid penetration, which, if they were lucky and the client failed to notice or was too drunk, reduced the number of hasty intrusions they were forced to undergo each day, and with them the unwanted pregnancies that such might bring about. With this in mind, he began to thrust energetically, prepared to go along with the charade.
It was enough for him to rub himself against the silky skin of her inner thigh, to feel her body pressed against his for as long as the pretence lasted. What did it matter whether it was a sham if this phantom penetration allowed him to cross the boundary imposed by good manners and force his way into the intimacy that only lovers share? Feeling her hot breath in his ear, inhaling the delicate odour of her neck and clasping her to him until he felt the contours of her body merge with his was worth infinitely more than thruppence. And, as he soon discovered when he ejaculated into her petticoats, it had the same effect on him as other, greater, undertakings. Slightly ashamed at his lack of endurance, he finished emptying himself in quiet contemplation, still pressed against her.
Eventually he felt her stir impatiently. He stepped back, embarrassed. Oblivious to his unease, the whore straightened her skirts and thrust out a hand to be paid. Trying to regain his composure, Andrew hurriedly gave her the agreed sum. He had enough money left in his pockets to buy her for the whole night, but he preferred to savour what he had just experienced in the privacy of his own bed, and to persuade her to meet him the next night.
‘My name’s Andrew,’ he introduced himself, his voice high-pitched with emotion. She raised an eyebrow, amused. ‘And I’d like to see you again tomorrow.’
‘Certainly, mister. You know where to find me,’ the whore said, leading him back along the gloomy passageway she had brought him down.
As they made their way towards the main streets, Andrew was wondering whether ejaculating between her thighs entitled him to put his arm around her shoulders. He had decided it did, and was about to do precisely that, when they ran into another couple walking almost blindly towards them down the dim alley. Andrew mumbled an apology to the fellow he had bumped into, who, although scarcely more than a shadow in the darkness, seemed quite a burly sort. He was clinging to a whore, whom Marie Kelly greeted with a smile.
‘It’s all yours, Annie,’ she said, referring to the backyard she and Andrew had just left.
Annie thanked her with a raucous laugh and tugged her companion towards the passageway. Andrew watched them stagger into the blackness. Would that fellow be satisfied with having his member trapped between her thighs? he wondered. He had noticed how avidly the man clutched the whore to him.
‘Didn’t I tell you it was a quiet spot?’ Marie Kelly remarked, as they came out into Hanbury Street.
They said a laconic goodbye in front of the Britannia. Rather disheartened by the coldness she had shown after the act, Andrew tried to find his way back through the gloomy streets to his carriage. It was a good half-hour before he came upon it. He avoided Harold’s eyes as he climbed into the brougham.
‘Home, sir?’ Harold enquired sardonically.
The following night he arrived at the Britannia determined to behave like a self-assured man instead of the fumbling, timid dandy of his previous encounter. He had to overcome his nerves and prove he could adapt to his surroundings if he was to display his true charms to the girl, the repertoire of smiles and flattery with which he habitually captivated the ladies of his own class.
He found Marie Kelly sitting at a corner table, brooding over a pint of beer. Her demeanour unnerved him, but as he was not the sort to think up a new strategy as he went along, he decided to stick with his original plan. He ordered a beer at the bar, sat down at the girl’s table, as naturally as he could, and told her he knew of a guaranteed way to wipe the worry from her face. Marie Kelly shot him a black look, confirming what he feared: he had made a tactless blunder. Andrew thought she was going to tell him to clear off with a simple wave of her hand, as if he were an irritating fly, but she restrained herself and gazed at him quizzically for a few seconds.
She must have decided he was as good a person as any to unburden herself to because she took a swig from her tankard, wiped her mouth on her sleeve, and told him that her friend Annie, the woman they had bumped into in Hanbury Street the night before, had been found that morning, murdered, in the same yard they had been in. The poor woman had been partially decapitated, sliced open, her intestines pulled out and her womb removed.
Andrew stammered that he was sorry, as shocked by the killer’s attention to detail as he was to have collided with him moments before the crime. Evidently that particular client had not been satisfied with the usual service. But Marie Kelly had other concerns. According to her, Annie was the third prostitute in less than a month to be murdered in Whitechapel. Polly Nichols had been found dead with her throat slit in Bucks Road, opposite Essex Pier, on 31 August, and on the seventh of that month, Martha Tabram had been found brutally stabbed with a penknife on the stairs of a rooming house. Marie Kelly laid the blame on the gang from Old Nichol Street, blackmailers who demanded a share of the whores’ earnings.
‘Those bastards will stop at nothing to get us working for them,’ she said, between gritted teeth.
This state of affairs disturbed Andrew, but it should have come as no surprise: after all, they were in Whitechapel – the putrid dung-heap upon which London had turned its back, home to more than a thousand prostitutes living alongside German, Jewish and French immigrants. Stabbings were a daily occurrence. Wiping away the tears that had finally flowed from her eyes, Marie Kelly sat, head bowed, as though in prayer, until, to Andrew’s surprise, she roused herself from her stupor, grasped his hand and smiled lustfully at him. Whatever else happened, life went on. Was that what she had meant by her gesture? After all, she, Marie Kelly, had not been murdered. She had to go on living, dragging her skirts through those foul-smelling streets in search of money to pay for a bed.
Andrew gazed with pity at her hand lying in his, the dirty nails poking through the frayed mitten. He, too, felt the need to concentrate for a moment in order to change masks, like an actor who needs time in his dressing room to concentrate on becoming a different character. After all, life went on for him, too. Time did not stop because a whore had been murdered. He stroked her hand tenderly, ready to resume his plan. As though wiping condensation from a window pane, he freed his young lover’s smile from its veil of sadness and, looking her in the eye for the first time, said: ‘I have enough money to buy you for the whole night, but I don’t want any fakery in a cold backyard.’
This startled Marie Kelly, and she tensed, but Andrew’s smile soon put her at ease. ‘I rent a room at Miller’s Court, but I don’t know as it’ll be good enough for the likes of you,’ she remarked flirtatiously.
‘I’m sure you’ll make me like it,’ Andrew ventured, delighted at the bantering tone their conversation had taken – this was a register at which he excelled.
‘But first I’ll have to turn out my good-for-nothing husband,’ she replied. ‘He doesn’t like me bringing work home.’
This remark came as yet another shock to Andrew on an extraordinary night over which he clearly had no control. He tried not to let his disappointment show.
‘Still, I’m sure your money will make up his mind for him,’ Marie concluded.
***
So it was that Andrew found paradise in the dismal little room where he was now sitting. That night, everything had changed between them. When at last she lay naked, Andrew made love to her so respectfully, caressing her with such tenderness, that Marie Kelly could feel the hard shell she had carefully built around her begin to crack. To her surprise, Andrew’s kisses, marking her body like a pleasurable itch, made her own caresses less mechanical, and she quickly discovered she was no longer a whore lying on the bed, but the woman crying out for affection that she had always been. Andrew also sensed his love-making was freeing the real Marie Kelly, as though he were rescuing her from one of the water tanks in which stage magicians immersed their beautiful assistants, bound hand and foot, or as though his sense of direction had saved him from getting lost in the maze, like her other lovers, allowing him to reach a secret corner where the girl’s true nature survived intact.
They burned with a single flame, and when it waned, and Marie Kelly began to talk about springtime in Paris, where she had worked as an artist’s model, and about her childhood in Wales and on Ratcliffe Highway in London, Andrew understood that the strange sensation in his chest must be the pangs of love: he was experiencing all the emotions of which the poets spoke.
He was touched by the tone her voice took on when she described the Parisian squares with their riot of gladioli and petunias, and how on her return to London she had insisted everybody say her name in French, the only way she had found of preserving intact the distant fragrance that softened life’s sharp edges. He was equally moved by the hint of sadness in her voice as she described how they had hanged pirates from the Ratcliffe Highway Bridge until they drowned in the rising waters of the Thames. This was the real Marie Kelly, this bitter-sweet fruit, nature’s flawed perfection, one of God’s contradictions.
When she asked what work he did that could apparently allow him to buy her for the rest of his life, he decided to risk telling her the truth. If their love were to exist it must be nurtured in truth or not at all, and the truth (of how her portrait had sent him on his foolish quest to find her in a neighbourhood so different from his own) seemed as beautiful and miraculous to him as those stories about impossible love you read of in books. When their bodies came together again, he realised that, far from being an act of madness, falling in love with her was possibly the most reasonable thing he had ever done. And when he left the room, with the memory of her skin on his lips, he tried not to look at her husband, Joe, who was leaning against the wall, shivering with cold.
It was nearly daylight when Harold delivered him home. Too excited to go to bed, if only to relish the moments he had spent with Marie Kelly, Andrew went to the stables and saddled a horse. It was a long time since he had woken at dawn to go riding in Hyde Park. This was his favourite time of day, when the grass was still dewy and everything appeared untouched. How could he waste such an opportunity? Within minutes, he was galloping through the trees opposite the Harrington mansion, laughing to himself and occasionally letting out a cry of joy, like a soldier celebrating victory, because that was how he felt, remembering the loving look she had given him before they had said goodbye until the following night. It was as though she could see in his eyes that, unwittingly, he had been searching for her for years and perhaps I should take this opportunity to apologise for my earlier scepticism and confess that there is nothing that cannot be expressed in a look. A look, it seems, is a bottomless well of possibilities.
And so Andrew rode on, seized by a wild impulse, overwhelmed by a burning, pulsating sensation that might reasonably be described as happiness. Prey to the effects of such a violent infatuation, everything he rode past appeared to sparkle, as though each of its elements the paths strewn with dead leaves, the rocks, the trees, even the squirrels leaping from branch to branch – were lit by an inner glow.
But, have no fear, I shall not become bogged down in lengthy descriptions of practically luminous parkland, because not only do I have no taste for it but it would be untrue. Despite Andrew’s altered vision, the landscape clearly did not undergo any transformation, not even the squirrels, which are well known as creatures that pursue their own interests.
After more than an hour of strenuous, exhilarating riding, Andrew remembered he had a whole day to get through before he could return to Marie Kelly’s humble bed, and must find some way of distracting himself from the dreadful feeling that would assail him when he realised that the hands of the clock were not turning at their usual speed but were actually slowing down on purpose. He decided to drop in on his cousin Charles, which he usually did when he wanted him to share in his joy, even though this time he had no intention of telling him anything. Perhaps he was simply curious to see what Charles would look like to his feverish gaze, which had the power to enhance everything. Would he glow, like the squirrels in the park?
Chapter IV
Breakfast had been laid out in the Winslow dining room for young Charles, who was doubtless still lazing in bed. On a table next to the French windows, the servants had set out a dozen covered platters, bread rolls, jams and marmalades, and several jugs brimming with grapefruit juice and milk. Most of it would be thrown away because, contrary to appearance, they were not expecting a regiment, only Andrew, who, given his famous lack of appetite in the mornings, would almost certainly be content to nibble at a roll, ignoring the extravagant spread displayed in his honour.
Andrew was surprised by the sudden concern he felt at such waste. He had spent years contemplating tables like this, creaking under the weight of food no one would eat. This curious response was the first of many that would result from his forays into Whitechapel, inhabited by people capable of killing one another for a half-eaten roll. Would his experiences there stir his conscience as they had his emotions? He was the type of person whose cultivation of his inner life left little time for worrying about the outside world of the street. He was above all devoted to resolving the mystery that was himself, to studying his feelings and responses: all his time was taken up in attempting to fine-tune the instrument that was his spirit until he felt satisfied with the sound it produced.
There were times, owing to the constantly changing and rather unpredictable nature of his thought patterns, when this task appeared as impossible to him as lining up the goldfish in their bowl, but until he succeeded he sensed he would be unable to worry about what went on in the world, which for him started where his own pleasant, carefully scrutinised private concerns ended. In any case, he thought, it would be interesting to observe in himself how hitherto unknown preoccupations emerged through simple exposure. Who could tell? Perhaps his response to these new worries might hold the key to the mystery of who the real Andrew Harrington was.
He took an apple from the fruit bowl and settled into an armchair to wait yet again for his cousin to return to the land of the living. He had rested his muddy boots on a footstool and was smiling as he remembered Marie Kelly’s kisses and how they had both, gently but completely, made up for all the years they had been starved of affection, when his eye alighted on the newspaper lying on the table. It was the morning edition of the Star, announcing in bold print the murder of a Whitechapel prostitute called Anne Chapman. It gave details of the horrific mutilation she had suffered: besides her uterus, which he had already learned about from Marie Kelly, her bladder and womb had also been removed. Among other things, the newspaper also mentioned a couple of cheap rings missing from one of her fingers. It appeared the police had no clues as to the murderer’s identity although, after questioning other East End whores, the name of a possible suspect had emerged: a Jewish cobbler nicknamed Leather Apron, who was in the habit of robbing prostitutes at knife point. The article came with a macabre illustration of a policeman dangling a lamp over the bloody corpse of a woman sprawled on the pavement.
Andrew shook his head. He had forgotten that his paradise was surrounded by hell itself, and that the woman he loved was an angel trapped in a world full of demons.
He closely read the three-page report on the Whitechapel crimes committed to date, feeling worlds away from it all in this luxurious dining room, where man’s capacity for baseness and aberration was kept at bay as surely as the dust tirelessly polished away by servants. He had thought of giving Marie Kelly the money to pay off the gang of blackmailers she thought were responsible for the crimes, but the report did not seem to be pointing in that direction. The precise incisions on the bodies suggested that the killer had surgical knowledge, which implicated the entire medical profession, although the police had not ruled out furriers, cooks and barbers – anyone, in short, whose job brought them into contact with knives.
Queen Victoria’s medium was reported to have seen the killer’s face in a dream. Andrew sighed. The medium knew more about the killer than he, even though he had bumped into the fellow moments before he had committed the crime.
‘Since when did you develop an interest in the affairs of empire, cousin?’ asked Charles’s voice from behind him. ‘Ah, no – I see you are reading the crime pages.’
‘Good morning, Charles,’ said Andrew, tossing the paper on to the table as though he had been idly leafing through it.
‘The coverage given to the murders of those wretched tarts is incredible,’ his cousin remarked, plucking a cluster of shiny grapes from the fruit bowl and sitting in the armchair opposite. ‘Although I confess to being intrigued by the importance they’re attaching to this sordid affair: they’ve put Scotland Yard’s finest detective, Fred Abberline, in charge of the investigation. Clearly the Metropolitan Police are out of their depth in a case like this.’
Andrew pretended to agree, nodding abstractedly as he gazed out of the window, watching the wind scatter an air-balloon-shaped cloud. He did not want to arouse his cousin’s attention by showing too much interest in the affair, but the truth was he longed to know every detail of the crimes, apparently confined to the area where his beloved lived. How would his cousin react if he told him he had bumped into that brutal murderer in a murky Whitechapel alleyway? The sad fact was that, even so, he was unable to describe the fellow except to say he was enormous and evil-smelling.
‘In any case, regardless of Scotland Yard’s involvement, all they have are suspicions, some of them quite preposterous,’ his cousin went on, plucking a grape from the bunch and rolling it between his fingers. ‘Did you know they suspect one of the Red Indians from that Buffalo Bill show we saw last week, and even the actor Richard Mansfield, who is playing in Strange Case of Doctor Jekyll and Mr Hyde at the Lyceum? I recommend it, by the way: Mansfield’s transformation on stage is truly chilling.’
Andrew promised he would go, tossing the remains of his apple on to the table.
‘Anyway’ Charles concluded rather wearily, ‘the poor wretches in Whitechapel have formed vigilante groups and are patrolling the streets. It seems London’s population is growing so fast the police force can no longer cope. Everybody wants to live in this accursed city. People come here from all over the country in search of a better life, only to end up being exploited in factories, contracting typhus fever or turning to crime in order to pay an inflated rent for a cellar or some other airless hole. Actually, I’m amazed there aren’t more murders and robberies, considering how many go unpunished. Mark my words, Andrew, if the criminals became organised, London would be theirs. It’s hardly surprising Queen Victoria fears a popular uprising – a revolution like the one our French neighbours endured, which would end with her and her family’s heads on the block. Her empire is a hollow façade that needs progressively shoring up to stop it collapsing. Our cows and sheep graze on Argentinian pastures, our tea is grown in China and India, our gold comes from South Africa and Australia, and the wine we drink from France and Spain. Tell me, cousin, what, apart from crime, do we produce ourselves? If the criminal elements planned a proper rebellion they could take over the country. Fortunately, evil and common sense rarely go hand in hand.’
Andrew liked listening to Charles ramble in this relaxed way, pretending not to take himself seriously. He admired his cousin’s contradictory spirit, which reminded him of a house divided into endless chambers all separate from one another, so that what went on in one had no repercussions in the others. This explained why his cousin was able to glimpse, amid his luxurious surroundings, the most suppurating wounds and forget them a moment later, while he found it impossible to copulate successfully after a visit to a slaughterhouse or a hospital for the severely injured. It was as if Andrew had been designed like a seashell: everything disappeared and resonated inside him. That was the basic difference between them: Charles reasoned and he felt.
‘The truth is, these sordid crimes are turning Whitechapel into a place where you wouldn’t want to spend the night,’ Charles declared sententiously, abandoning his nonchalance to lean across the table and stare meaningfully at his cousin. ‘Especially with a tart’
Andrew gaped at him. ‘You know about it?’
His cousin smiled. ‘Servants talk, Andrew. You ought to know by now our most intimate secrets circulate like underground streams beneath the luxurious ground we walk on,’ he said, stamping his feet symbolically on the carpet.
Andrew sighed. His cousin had not left the newspaper there by accident. In fact, he had probably not even been asleep. Charles enjoyed this kind of game. It was easy to imagine him hiding behind one of the many screens that partitioned the vast dining room, waiting patiently for his stunned cousin to fall into the trap he had laid.
‘I don’t want my father to find out, Charles,’ begged Andrew.
‘Don’t worry, cousin. I’m aware of the scandal it would cause in the family. But tell me, are you in love with the girl or is this just a passing fancy?’
Andrew remained silent. What could he say?
You needn’t reply’ his cousin said, in a resigned voice. ‘I’m afraid I wouldn’t understand either way. I only hope you know what you’re doing.’
Andrew, of course, did not know what he was doing, but could not stop doing it. Each night, like a moth drawn to the flame, he returned to the miserable room in Miller’s Court, hurling himself into the relentless blaze of Marie Kelly’s passion. They made love all night, driven by frantic desire, as though they had been poisoned during dinner and did not know how long they had left to live, or as though the world around them were being decimated by the plague. Soon Andrew understood that if he left enough coins on her bedside table, their passion could continue gently smouldering beyond the dawn. His money preserved their fantasy, and even banished Joe, Marie Kelly’s husband, whom Andrew tried not to think of when, disguised in his modest clothes, he strolled with her through the maze of muddy streets.
Those were peaceful, pleasant walks, full of encounters with the girl’s friends and acquaintances, the long-suffering foot-soldiers of a war without trenches; a bunch of poor souls who rose from their beds each morning to face a hostile world, driven on by the sheer animal instinct for survival. Fascinated, Andrew found himself admiring them, as he would a species of exotic flower alien to his world. He became convinced that life in Whitechapel was more real, simpler, easier to understand than it was in the luxuriously carpeted mansions where he spent his days.
Occasionally, he had to pull his cap down over his eyes in order not to be recognised by the bands of wealthy young men who laid siege to the neighbourhood some nights. They arrived in luxurious carriages and mobbed the streets, like rude, arrogant conquistadors, in search of some miserable brothel where they could satisfy their basest instincts for, according to a rumour Andrew had frequently heard in West End smoking clubs, the only limits on what could be done with the wretched Whitechapel tarts were money and imagination. Watching these boisterous incursions, Andrew was assailed by a sudden protective instinct, which could only mean he had unconsciously begun to see Whitechapel as a place he should perhaps watch over. However, there was little he could do, confronted with those barbarous invasions, besides feeling sad and helpless, and trying to forget about them in the arms of his beloved. She appeared more beautiful to him by the day, as though beneath his caresses she had recovered the innate sparkle of which life had robbed her.
But, as everyone knows, no paradise is complete without a serpent, and the sweeter the moments spent with his beloved, the more bitter the taste in Andrew’s mouth when he recalled that what he had of Marie Kelly was all he could ever have. Because, although it was never enough and each day he yearned for more, the love that could not exist outside Whitechapel, for all its undeniable intensity, remained arbitrary and illusory. And while outside a crazed mob tried to lynch the Jewish cobbler nicknamed Leather Apron, Andrew quenched his anger and fear in Marie Kelly’s body.
He wondered whether his beloved’s fervour sprang from her own realisation that they had embarked upon a reckless love affair, and that all they could do was greedily clasp the unexpected rose of happiness as they tried to ignore the painful thorns. Or was it her way of telling him she was prepared to rescue their apparently doomed love even if it meant altering the very course of the universe? And if that was the case, did he possess the same strength? Did he have the necessary conviction to embark upon what he already considered a lost battle?
However hard he tried, Andrew could not imagine Marie Kelly moving in his world of refined young ladies, whose sole purpose in life was to display their fecundity by filling their houses with children, and to entertain their spouses’ friends with their pianistic accomplishment. Would Marie Kelly succeed in fulfilling this role while trying to stay afloat amid the waves of social rejection that would doubtless seek to drown her, or would she perish like an exotic bloom removed from its hothouse?
The newspapers’ continued coverage of the whores’ murders scarcely managed to distract Andrew from the torment of his secret fears. One morning, while breakfasting, he came across a reproduction of a letter the murderer had audaciously sent to the Central News Agency, assuring the police they would not catch him easily and promising he would carry on killing, testing his fine blade on the Whitechapel tarts. Appropriately enough, the letter was written in red ink and signed ‘Jack the Ripper’, a name that, however you looked at it, Andrew thought, was far more disturbing and imaginative than the rather dull ‘Whitechapel Murderer’ by which he had been known until then.
The new name was taken up by all the newspapers, and inevitably conjured up the villain of the penny dreadfuls, Jack Lightfoot, and his treatment of women. It was rapidly adopted by everyone, as Andrew soon discovered from hearing it uttered everywhere he went. The words were always spoken with sinister excitement, as though for the sad souls of Whitechapel there was something thrilling and even fashionable about a ruthless murderer stalking the neighbourhood with a razor-sharp knife. Furthermore, as a result of this disturbing missive, Scotland Yard was deluged with similar correspondence (in which the alleged killer mocked the police, boasted childishly about his crimes and promised more murders). Andrew had the impression that England was teeming with people desperate to bring excitement into their lives by pretending they were murderers, normal men whose souls were sullied by sadistic impulses and unhealthy desires that fortunately they would never act upon.
Besides hampering the police investigation, the letters also transformed the vulgar individual he had bumped into in Hanbury Street into a monstrous creature apparently destined to personify man’s most primitive fears. Perhaps this uncontrolled proliferation of would-be perpetrators of his macabre crimes prompted the real killer to surpass himself. On the night of 30 September, at the timber merchants’ in Dutfield Yard, he murdered Elizabeth Stride – the whore who had originally put Andrew on Marie’s trail – and a few hours later, in Mtre Square, Catherine Eddowes, whom he had time to rip open from pubis to sternum, remove her left kidney and even cut off her nose.
Thus began the cold month of October, in which a veil of gloomy resignation descended upon the inhabitants of Whitechapel who, despite Scotland Yard’s efforts, felt more than ever abandoned to their fate. There was a look of helplessness in the whores’ eyes, but also a strange acceptance of their dreadful lot. Life became a long and anxious wait, during which Andrew held Marie Kelly’s trembling body tightly in his arms and whispered to her that she need not worry, provided she stayed away from the Ripper’s hunting ground, the area of backyards and deserted alleyways where he roamed with his thirsty blade, until the police managed to catch him.
But his words did nothing to calm a shaken Marie, who had even begun sheltering other whores in her tiny room at Miller’s Court to keep them off the unsafe streets. It resulted in her having a fight with her husband, Joe, during which he broke a window. The following night, Andrew gave her the money to fix the glass and keep out the piercing cold. However, she simply placed it on her bedside table and lay back dutifully on the bed so that he could take her. Now though all she offered him was a body, a dying flame, and the grief-stricken despair she had been unable to keep from her eyes in recent days, a look in which he thought he glimpsed a desperate cry for help, a silent appeal to him to take her away before it was too late.
Andrew made the mistake of pretending not to notice her distress, as though he had forgotten that everything could be expressed in a look. He felt incapable of altering the very course of the universe, which for him translated into the even more momentous feat of confronting his father. Perhaps that was why, as a silent rebuke for his cowardice, she began to go out looking for clients and spending the nights getting drunk with her fellow whores in the Britannia. There they cursed the uselessness of the police and the power of the monster from hell who continued to mock them, most recently by sending George Lusk, socialist firebrand and self-proclaimed president of the Whitechapel Vigilance Committee, a cardboard box containing a human kidney.
Frustrated by his lack of courage, Andrew watched her return drunk each night to the little room. Then, before she could collapse on the floor or curl up like a dog beside the warm hearth, he would take her in his arms and put her to bed, grateful that no knife had stopped her in her tracks. But he knew she could not keep exposing herself to danger in this way, even if the murderer had not struck for several weeks and more than eighty policemen were patrolling the neighbourhood. He also knew he was the only one able to stop her. For that reason, sitting in the gloom while his beloved spun her drunken nightmares of corpses with their guts ripped out, Andrew would resolve to confront his father the very next day. But when the next day came all he could do was prowl around his father’s study, not daring to go in. And when it grew dark, his head bowed in shame, occasionally clutching a bottle, he returned to Marie Kelly’s little room, where she received him with her eyes’ silent reproach.
Then Andrew remembered all the things he had said to her, the impassioned declarations he had hoped would seal their union. How he had been trying to find her for he did not know how long -eighteen, a hundred, five hundred years – how he knew that if he had undergone reincarnations he had looked for her in every one, because they were twin spirits destined to meet each other in the labyrinth of time, and other such pronouncements. Now he was sure Marie Kelly could only see his avowals as a pathetic attempt to cloak his animal urges in romanticism or, worse, to conceal the thrill he derived from those voyeuristic forays into the wretched side of existence. ‘Where is your love now, Andrew?’ her eyes seemed to ask, before she trudged off to the Britannia, only to return a few hours later rolling drunk.
Until, on that cold night of 7 November, Andrew watched her leave again for the tavern, and something inside him shifted. Whether it was the alcohol, which, consumed in the right quantity, can clear some people’s heads, or simply that enough time had passed for this clarity to occur naturally, it finally dawned on him that without Marie Kelly his life would no longer have any meaning so he had nothing to lose by fighting for a future with her. Filled with resolve, suddenly able to breathe freely once more, he left the room, slamming the door resolutely, and strode off towards the place where Harold Barker waited while his master took his pleasure. The coachman was huddled like an owl on the seat, warming himself with a bottle of brandy.
That night his father was to discover his youngest son was in love with a whore.
Chapter V
Yes, I know that when I began this tale I promised there would be a fabulous time machine, and there will be. There will even be intrepid explorers and fierce native tribes – a must in any adventure story. But all in good time. Isn’t it necessary at the start of any game to place all the pieces on their respective squares? Of course it is – so let me continue to set up the board, slowly but surely, by returning to young Andrew, who might have taken the opportunity of the long journey back to the Harrington mansion to sober up, but who chose instead to cloud his thoughts further by finishing the bottle he had in his pocket.
Ultimately, there was no point in confronting his father with a sound argument and reasoned thinking: he was sure that any civilised discussion of the matter would be impossible. He needed to dull his senses as much as he could, staying just sober enough not to be completely tongue-tied. There was no point in slipping back into the elegant clothes he always left judiciously in a bundle on the carriage seat.
That night there was no longer any need for secrecy. When they arrived at the mansion, Andrew stepped out of the carriage, asked Harold to stay where he was, and hurried into the house. The coachman watched in dismay as he ran up the steps in his rags, and wondered if he would hear Mr Harrington’s shouts from where he sat.
Andrew had forgotten his father had a meeting with businessmen that night until he staggered into the library. A dozen men stood gaping at him in astonishment. This was not the situation he had anticipated, but he had too much alcohol in his blood to be put off. He searched for his father amid the array of dinner jackets, and finally found him by the fireplace, next to his brother Anthony. Glass in one hand, cigar in the other, both men looked him up and down. But his clothing was the least of it, as they would soon discover, thought Andrew, who in the end felt pleased to have an audience. Since he was about to stick his head in the noose, it was better to do so in front of witnesses than alone with his father in his study.
He cleared his throat loudly under the fixed gaze of the gathering, and said: ‘Father, I’ve come here to tell you I’m in love.’
His words were followed by a heavy silence, broken only by an embarrassed cough here and there.
‘Andrew, this is hardly a suitable moment to—‘ his father began, visibly irritated, before Andrew silenced him with a sudden gesture of his hand.
‘I assure you, Father, this is as unsuitable a moment as any other,’ he said, trying to keep his balance so he would not have to finish his bravura performance flat on his face.
His father bridled, but remained silent.
Andrew took a deep breath. The moment had come for him to destroy his life. ‘And the woman who has stolen my heart,’ he declared, ‘is a Whitechapel whore by the name of Marie Kelly’
Having unburdened himself, he smiled defiantly at the gathering. Faces fell, heads were clutched in hands, arms flapped in the air, but no one said a word: they all knew they were witnessing a melodrama with two protagonists and, of course, that William Harrington must speak. All eyes were fixed on the host.
Staring at the pattern on the carpet, his father shook his head, let out a low, barely repressed growl, and put down his glass on the mantelpiece, as though it were suddenly encumbering him.
‘Contrary to what I’ve heard you maintain, gentlemen,’ Andrew went on, unaware of the rage stirring in his father’s breast, ‘whores aren’t whores because they want to be. I assure you that any one of them would choose to have a respectable job if they could. Believe me, I know what I’m saying.’ His father’s colleagues continued to demonstrate their ability to express surprise without opening their mouths. ‘I’ve spent a lot of time in their company, these past few weeks. I’ve watched them washing in horse-troughs in the mornings, seen them sitting down to sleep, held against the wall by a rope if they could not find a bed …’
The more he went on speaking in this way about prostitutes, the more Andrew realised his feelings for Marie Kelly were deeper than he had imagined. He gazed round with infinite pity at the men with their orderly lives, their dreary, passionless existences, who would consider it impractical to yield to a near-uncontrollable urge. He could tell them what it was like to lose one’s head, to burn up with feverish desire. He could tell them what the inside of love looked like, because he had split it open like a piece of fruit.
But Andrew could not tell them this or anything else because at that moment his father, emitting enraged grunts, strode unsteadily across the room, almost harpooning the carpet with his cane. Without warning, he struck his son hard across the face. Andrew staggered backwards, stunned by the blow. When he finally understood what had happened, he rubbed his stinging cheek, trying to put on the same smile of defiance. For a few moments that seemed like eternity to those present, father and son stared at one another in the middle of the room, until William Harrington said: ‘As of tonight I have only one son.’
Andrew tried not to show any emotion. ‘As you wish,’ he replied coldly. Then, to the guests, he made as if to bow. ‘Gentlemen, my apologies, I must leave this place for ever.’
With as much dignity as he could muster, Andrew turned on his heel and left the room. The cold night air had a calming effect on him. In the end, he thought, trying not to trip as he descended the steps, nothing that had happened had come as a surprise. His disgraced father had just disinherited him, in front of half of London’s wealthiest businessmen, giving them a first-hand display of his famous temper, unleashed against his offspring without the slightest compunction. Now Andrew had nothing, except his love for Marie Kelly. If before the disastrous encounter he had entertained the slightest hope that his father might give in, and even let him bring his beloved to the house, to remove her from the monster stalking Whitechapel, it was clear now that they must live by their own means. He climbed into the carriage and ordered Harold to return to Miller’s Court.
The coachman, who had been pacing round the vehicle in circles, waiting for the dénouement of the drama, clambered back onto the box and urged the horses on. He was trying to imagine what had taken place inside the house – and to his credit, based on the clues he had been perceptive enough to pick up, we must say that his reconstruction of the scene was remarkably accurate.
When the carriage stopped in the usual place, Andrew got out and hurried towards Dorset Street, anxious to embrace Marie Kelly and tell her how much he loved her. He had sacrificed everything for her. Still he had no regrets, only a vague uncertainly regarding the future. But they would manage. He was sure he could rely on Charles. His cousin would lend him enough money to rent a house in Vauxhall or Warwick Street, at least until they were able to find decent jobs that would allow them to fend for themselves. Marie Kelly could find work at a dressmaker’s – but what skills did he possess? It made no difference. He was young, able-bodied and willing. He would find something. The main thing was he had stood up to his father, and what happened next was neither here nor there. Marie Kelly had pleaded with him, silently, to take her away from Whitechapel, and that was what he intended to do, with or without anyone else’s help. They would leave that accursed neighbourhood, that outpost of hell.
Andrew glanced at his watch as he paused beneath the stone archway into Miller’s Court. It was five o’clock in the morning. Marie Kelly would probably have already returned to the room, probably as drunk as he. Andrew visualised them communicating through a haze of alcohol in gestures and grunts like Darwin’s primates. With boyish excitement, he walked into the yard where the flats stood. The door to number thirteen was closed. He banged on it a few times but got no reply. She must be asleep, but that would not be a problem. Careful not to cut himself on the shards of glass sticking out of the window frame, Andrew reached through the hole and flicked open the door catch, as he had seen Marie do after she had lost her key. ‘Marie, it’s me,’ he said, opening the door. ‘Andrew’
Allow me at this point to break off the story to warn you that what took place next is hard to relate, because the sensations Andrew experienced were apparently too numerous for a scene lasting only a few seconds. That is why I need you to take into account the elasticity of time, its ability to expand or contract like an accordion, regardless of clocks. I am sure this is something you will have experienced frequently in your own life, depending on which side of the bathroom door you have found yourself. In Andrew’s case, time expanded in his mind, creating an eternity of a few seconds. I am going to describe the scene from that perspective, and therefore ask you not to blame my inept story-telling for the discrepancies you will no doubt perceive between the events and their correlation in time.
When he first opened the door and stepped into the room, Andrew did not understand what he was seeing or, more precisely, he refused to accept what he was seeing. During that brief but endless moment, he still felt safe, although the certainty was forming in some still-functioning part of his brain that what he saw before him would kill him. Nobody could be faced with a thing like that and go on living, at least not completely. And what he saw before him, let’s be blunt about it, was Marie Kelly – but at the same time it wasn’t, for it was hard to accept that the object lying on the bed in the middle of all the blood was she.
Andrew could not compare what awaited him in that room with anything he had seen before because, like most other men, he had never been exposed to a carefully mutilated human body. And once Andrew’s brain had finally accepted that he was indeed looking at a meticulously destroyed corpse, although nothing in his pleasant life of country-house gatherings and fancy headwear seemed to offer him any clues, he had no time to feel the appropriate revulsion: he could not avoid the terrible line of reasoning that led him to the inevitable conclusion that this human wreckage must be his beloved.
The Ripper, for this could be the work of none other, had stripped the flesh off her face, rendering her unrecognisable, and yet, however great the temptation, Andrew could not deny the corpse belonged to Marie Kelly. It seemed an almost simplistic, not to say improbable, approach, but given its size and appearance and, above all, the place where he had found it, the dismembered corpse could only be that of Marie Kelly.
After this, of course, Andrew was overcome by a devastating pain, which, despite everything, was only a pale expression of what it would later become: it was still tempered by the shock paralysing and, to some extent, protecting him. Once he was convinced he was standing before the corpse of his beloved, he felt compelled by a sort of posthumous loyalty to look tenderly upon that ghastly sight, but he was incapable of contemplating with anything other than revulsion her flayed face, the skull’s macabre, caricatured smile peeping through the strips of flesh.
But how could the skull on which he had bestowed his last passionate kisses revolt him now? The same applied to the body he had worshipped for nights on end, and which, ripped open and half skinned, he now found sickening. It was clear to him from his reaction that in some sense, although it was made of the same material, this object had ceased to be Marie Kelly. The Ripper, in his zeal to discover how she was put together inside, had reduced her to a simple casing of flesh, robbing her of her humanity.
After this last reflection, the time came for Andrew to focus, with a mixture of fascination and horror, on specific details, like the darkish brown lump between her feet, possibly her liver, or the breast lying on the bedside table, which, far from its natural habitat, he might have mistaken for a soft bun had it not been topped with a purplish nipple. Everything appeared neatly arranged, betraying the murderer’s grisly calm. Even the heat Andrew now noticed suffusing the room, suggested the ghoul had taken the time to light a nice fire in order to work in more comfort.
Andrew closed his eyes: he had seen enough. He did not want to know any more. Besides showing him how cruel and indifferent man could be towards his fellow human beings, the atrocities he could commit, given enough opportunity, imagination and a sharp knife, the murderer had provided him with a shocking and brutal lesson in anatomy. For the very first time Andrew realised that life, real life, had no connection with the way people spent their days, whose lips they kissed, what medals were pinned to their breasts or the shoes they mended. Life, real life, went on soundlessly inside our bodies, flowed like an underwater stream, occurred like a silent miracle of which only surgeons and pathologists were aware – and perhaps that ruthless killer. They alone knew that, ultimately, there was no difference between Queen Victoria and the most wretched beggar in London: both were complex machines made up of bone, organs and tissue, whose fuel was the breath of God.
This is a detailed analysis of what Andrew experienced during those fleeting moments when he stood before Marie Kelly’s dead body, although this description makes it seem as if he were gazing at her for hours, which was what it felt like to him. Eventually guilt began to emerge through the haze of pain and disgust for he immediately held himself responsible for her death. It had been in his power to save her, but he had arrived too late. This was the price of his cowardice. He let out a cry of rage and impotence as he imagined his beloved being subjected to this butchery.
Suddenly it dawned on him that unless he wanted to be linked to the murder he must get out before someone saw him. It was even possible the murderer was still lurking outside, admiring his macabre handiwork from some dark corner, and would have no hesitation in adding another corpse to his collection. He gave Marie Kelly a farewell glance, unable to bring himself to touch her, and with a supreme effort of will forced himself to withdraw from the little room, leaving her there.
As though in a trance, he closed the door behind him, leaving everything as he had found it. He walked towards the exit to the flats, but was seized by intense nausea and only just made it to the stone archway. There, half kneeling, he vomited, retching violently. After he had brought up everything, which was little more than the alcohol he had drunk that night, he leaned back against the wall, his body limp, cold and weak. From where he was, he could see the little room, number thirteen, the paradise where he had been so happy, now hiding his beloved’s dismembered corpse from the night. He took a few steps and, confident that his dizzy spell had eased sufficiently for him to walk, staggered out into Dorset Street.
Too distressed to get his bearings, he wandered aimlessly, letting out cries and sobs. He did not even attempt to find the carriage: now that he knew he was no longer welcome in his family home there was nowhere for him to tell Harold to go. He trudged along street after street, guided only by the forward movement of his feet. When he calculated he was no longer in Whitechapel, he looked for a lonely alley and collapsed, exhausted and trembling, in the midst of a pile of discarded boxes. There, curled up, he waited for night to pass.
As I predicted above, when the shock began to subside, his pain increased. His sorrow intensified until it became physical torment. Suddenly it was agony to be in his body, as if he lay in a sarcophagus lined with nails. He wanted to flee, unshackle himself from the excruciating substance he was made of, but he was trapped inside that martyred flesh. Terrified, he wondered if he would have to live with the pain for ever. He had read somewhere that the last image people see before they die is engraved on their eyes. Had the Ripper’s savage leer been etched on Marie Kelly’s pupils? He could not say, but he knew that if the rule were true he would be the exception: whatever else he might see before he died, his eyes would always reflect Marie Kelly’s mutilated face.
Without the desire or strength to do anything, Andrew let the hours slip by. Occasionally, he raised his head from his hands and let out a howl of rage to show the world his bitterness about all that had happened, which he was now powerless to change. He hurled random insults at the Ripper, who had conceivably followed him and was waiting, knife in hand, at the entrance to the alley. Then he laughed at his fear. For the most part, though, he wailed pitifully, oblivious to his surroundings, hopelessly alone with his own horror.
The arrival of dawn, leisurely sweeping away the darkness, restored his sanity somewhat. Sounds of life reached him from the entrance to the alley. He stood up with difficulty, shivering in his servant’s threadbare jacket, and walked out into the street, which was surprisingly lively.
Noticing the flags hanging from the fronts of the buildings, Andrew realised it was Lord Mayor’s Day. Walking as upright as he could, he joined the crowd. His grubby attire drew no more attention than that of any ordinary tramp. He had no notion of where he was, but that did not matter, since he had nowhere to go and nothing to do. The first tavern he came to seemed as good a destination as any. It was better than being swept along on the human tide making its way to the Law Courts to watch the arrival of the new mayor, James Whitehead. The alcohol would warm his insides, and at the same time blur his thoughts until they were no longer a danger to him.
The seedy public house was half empty. A strong smell of sausages and bacon coming from the kitchen made his stomach churn and he secluded himself in the corner furthest from the stoves and ordered a bottle of wine. He was forced to place a handful of coins on the table in order to persuade the man to serve him. While he waited, he glanced at the other customers, reduced to a couple of regular patrons, drinking in silence, oblivious to the clamour in the streets outside. One of them stared back at him, and Andrew felt a flash of sheer terror. Could he be the Ripper? Had he followed him there? He calmed down when he realised the man was too small to be a threat to anyone, but his hand was still shaking when he reached for the wine bottle. He knew now what man was capable of, any man, even the little fellow peacefully sipping his ale. He probably did not have the talent to paint the Sistine Chapel, but what Andrew could not be sure of was whether he was capable of ripping a person’s guts out and arranging their entrails around their body.
He gazed out of the window. People were coming and going, carrying on their lives without the slightest token of respect. Why did they not notice that the world had changed, that it was no longer habitable? Andrew gave a deep sigh. The world had changed only for him. He leaned back in his seat and applied himself to getting drunk. After that he would see. He glanced at the pile of money. He calculated he had enough to purchase every last drop of alcohol in the place, and so, for the time being, any other plan could wait. Sprawled over the bench, trying hard to prevent his mind from elaborating the simplest thought, Andrew let the day go by, his numbness increasing as he drew closer to the edge of oblivion.
But he was not too dazed to respond to the cry of a newspaper vendor. ‘Read all about it in the Star] Special edition: Jack the Ripper caught!’
Andrew leaped to his feet. The Ripper caught? He could hardly believe his ears. He leaned out of the window and, screwing up his eyes, scoured the street until he glimpsed a boy selling newspapers on a corner. He beckoned him over and bought a copy from him through the window. With trembling hands, he cleared away several bottles and spread the newspaper on the table. He had not misheard. ‘Jack the Ripper Caught!’ the headline declared. Reading the article proved slow and frustrating, due to his drunken state, but with patience and much blinking, he managed to decipher what was written.
The article began by declaring that Jack the Ripper had committed his last ever crime the previous night. His victim was a prostitute of Welsh origin called Marie Jeanette Kelly, discovered in the room she rented in Miller’s Court, at number twenty-six Dorset Street. Andrew skipped the following paragraph, which listed in gory detail the gruesome mutilations the murderer had perpetrated on her, and went straight to the description of his capture.
The newspaper stated that less than an hour after he had committed the heinous crime, the murderer who had terrorised the East End for four months had been caught by George Lusk and his men. Apparently, a witness who preferred to remain anonymous had heard Marie Kelly’s screams and alerted the Vigilance Committee. Unhappily, they reached Miller’s Court too late, but had managed to corner the Ripper as he fled down Middlesex Street. At first, the murderer tried to deny his guilt, but soon gave up after he was searched and the still warm heart of his victim was found in one of his pockets. The man’s name was Bryan Reese, and he worked as a cook on a merchant vessel, the Slip, which had docked at the Port of London from Barbados the previous July and would be setting sail for the Caribbean the following week.
During his interrogation by Frederick Abberline, the detective in charge of the investigation, Reese had confessed to the five murders of which he was accused, and had even shown his satisfaction at having been able to execute his final bloody act in the privacy of a room with a nice warm fire. He was tired of always having to kill in the street. ‘I knew I was going to follow that whore the moment I saw her,’ the murderer had gloated, before going on to claim he had murdered his own mother, a prostitute like his victims, as soon as he was old enough to wield a knife. This detail, which might have explained his behaviour, had yet to be confirmed.
Accompanying the article was a photogravure of the murderer so that Andrew could finally see the face of the man he had bumped into in the gloom of Hanbury Street. His appearance was disappointing. He was an ordinary-looking fellow, rather heavily built, with curly sideburns and a bushy moustache that drooped over his top Up. Despite his rather sinister smirk, which probably owed more to the conditions in which he had been photographed than anything else, Andrew had to admit he might just as well have been an honest baker as a ruthless killer. He certainly had none of the gruesome features Londoners’ imaginations had ascribed to him.
The following pages gave other related news items, such as the resignation of Sir Charles Warren following his acknowledgement of police incompetence in the case, or statements from Reese’s astonished fellow seamen on the cargo vessel, but Andrew already knew everything he wanted to know and went back to the front page. From what he could work out, he had entered Marie Kelly’s little room moments after the murderer had left and shortly before Lusk’s mob arrived, as if they were all keeping to a series of dance steps. He hated to think what would have happened had he delayed fleeing any longer and been discovered standing over Marie Kelly’s body by the Vigilance Committee. He had been lucky, he told himself.
He tore out the first page, folded it and put it into his jacket pocket, then ordered another bottle to celebrate that, although his heart was irreparably broken, he had escaped being beaten to a pulp by an angry mob.
Eight years later, Andrew took that same cutting from his pocket. Like him, it was yellowed with age. How often had he re-read it, recalling Marie Kelly’s horrific mutilations like a self-imposed penance? He had almost no other memories of the intervening years. What had he done during that time? It was difficult to say. He vaguely remembered Harold taking him home after scouring the various pubs in the vicinity and finding him passed out in that den. He had spent several days in bed with a fever, ranting and suffering from nightmares in which Marie Kelly’s corpse lay stretched out on her bed, her insides strewn about the room, or in which he was slitting her open with a huge knife while Reese looked on approvingly.
In a brief moment of clarity during his feverish haze, he was able to make out his father sitting stiffly on the edge of his bed, begging forgiveness for his behaviour. But it was easy to apologise now there was nothing to accept. Now all he had to do was join in the theatrical display of grief that the family, even Harold, had decided to put on for him as a mark of respect. Andrew waved his father away, with an impatient gesture that, to his annoyance, the proud William Harrington took to be absolution, judging from his smile of satisfaction as he left the room, as though he had sealed a successful deal. William Harrington had wanted to clear his conscience and that was what he had done, whether his son liked it or not. Now he could forget the matter and get back to business. Andrew did not really care: he and his father had never seen eye to eye and were not likely to do so now.
He recovered from his fever too late to attend Marie Kelly’s funeral, but not her killer’s execution. The Ripper was hanged at Wandsworth Prison, despite the objections of several doctors, who maintained Reese’s brain was worthy of scientific study: its bumps and folds must contain the crimes he had been predestined to commit since birth and should be recorded. Andrew watched as the executioner snuffed out Reese’s life but this did not bring back Marie Kelly’s or those of her fellow whores. Things did not work like that; the Creator knew nothing of bartering, only of retribution. At most, a child might have been born at the moment when the rope snapped the Ripper’s neck, but bringing back the dead to life was another matter. Perhaps that explained why so many had begun to doubt His power and even to question whether it was really He who had created the world.
That same afternoon, a spark from a lamp set alight the portrait of Marie Kelly hanging in the Winslows’ library. That, at least, was what Charles said – he had arrived just in time to put out the fire.
Andrew was grateful for Charles’s gesture, but the affair could not be ended by removing the cause. No, it was something that was impossible to deny. Thanks to his father’s generosity, Andrew got back his old life, but being reinstated as heir to the vast fortune his father and brother continued to amass meant nothing to him now. All that money could not heal the wound inside, although he soon realised that spending it in the opium dens of Poland Street helped. Too much drink had made him immune to alcohol, but opium was a far more effective and gentler aid to forgetting. Not for nothing had the ancient Greeks used it to treat a wide range of afflictions.
Andrew began to spend his days in the opium den, sucking his pipe as he lay on one of the hundreds of mattresses screened off by exotic curtains. In those rooms, lined with fly-blown mirrors that made their dimensions seem uncertain in the dim light cast by the gas lamps, Andrew fled his pain in the labyrinths of a shadowy, never-ending daydream. From time to time a skinny Malay filled his pipe bowl for him, until Harold or his cousin pulled back the curtain and led him out. If Coleridge had resorted to opium to alleviate the trifling pain of toothache, why should Andrew not use it to dull the agony of a broken heart, he replied, when Charles warned him of the dangers of addiction. As always his cousin was right, and although as his suffering abated Andrew stopped visiting the opium den, for a while he was obliged to carry phials of laudanum around with him.
That period lasted two or three years, until the pain finally disappeared, giving way to something far worse: emptiness, lethargy, numbness. Marie Kelly’s murder had obliterated his will to live, severed his unique communication with the world, leaving him deaf and dumb, manoeuvring him into a corner of the universe where nothing happened. He had turned into an automaton, a gloomy creature that lived out of habit, without hope, simply because life, real life, had no link to the way he spent his days, but occurred quietly inside him, like a silent miracle, whether he liked it or not. In short, he became a lost soul, shutting himself in his room by day and roaming Hyde Park by night. Even the action of a flower coming into bud seemed rash, futile and pointless.
In the meantime, his cousin Charles had married one of the Keller sisters – Victoria or Madeleine, Andrew could not remember which – and had purchased an elegant house in Elystan Street. This did not stop him visiting Andrew nearly every day, and occasionally dragging him to his favourite brothels on the off-chance that one of the new girls might have the fire between her legs to rekindle his cousin’s dulled spirit. But to no avail: Andrew refused to be pulled out of the hole into which he had dug himself.
To Charles – whose point of view I shall adopt at this juncture, if you will consent to this rather obvious switch of perspective within a paragraph – this showed the resignation of someone who has embraced the role of victim. After all, the world needed martyrs as evidence of the Creator’s cruelly. It was even conceivable that his cousin had come to view what had happened to him as an opportunity to search his soul, to venture into its darkest, most inhospitable regions.
How many people go through life without experiencing pure pain? Andrew had known complete happiness and utter torment; he had used up his soul, so to speak, exhausted it completely. And now, comfortably installed with his pain, like a fakir on a bed of nails, he seemed to await who knew what: perhaps the applause signalling the end of the performance. Charles was certain that if his cousin was still alive it was because he felt compelled to experience that pain to the hilt. It was irrelevant whether this was a practical study of suffering or to atone for his guilt. Once Andrew felt he had achieved this, he would take a last bow and leave the stage for good.
Thus, each time Charles visited the Harrington mansion and found his cousin prone but still breathing, he heaved a sigh of relief. And when he arrived home empty-handed, convinced that anything he could do for Andrew was useless, he reflected on how strange life could be, how flimsy and unpredictable it was if it could be altered so drastically by the mere purchase of a painting. Was it within his power to change his cousin’s life again? Could he alter the path it would take before it was too late? He did not know. The only thing he was certain of was that, given everyone else’s indifference, he had to try.
In the little room on Dorset Street, Andrew opened the cutting and read for the last time, as though it were a prayer, the account of Marie Kelly’s mutilations. Then he folded it and replaced it in his coat pocket. He contemplated the bed, which bore no trace of what had happened there eight years before. But that was the only thing that was different: everything else remained unchanged – the grimy mirror, in which the crime had been immortalised, Marie Kelly’s little perfume bottles, the cupboard where her clothes still hung, even the ashes in the hearth left from the fire the Ripper had lit to make slitting her open cosier. He could think of no better place to take his own life.
He placed the barrel of the revolver under his jaw and crooked his finger around the trigger. Those walls would be splattered with blood once more, and far away, on the distant moon, his soul would at last take up its place in the little hollow awaiting him in Marie Kelly’s bed.

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