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This Isn’t the Sort of Thing That Happens to Someone Like You
Jon McGregor
Tender, sad, funny, and riveting, this is an astonishing collection of work by one of Britain's finest contemporary writers.A man builds a tree house by a river, in anticipation of the coming flood. A sugar-beet crashes through a young woman's windscreen. A boy sets fire to a barn. These aren't the sort of things you imagine happening to someone like you. But sometimes they do.Set in the flat and threatened fenland landscape, where the sky is dominant and the sea lurks just beyond the horizon, these delicate, dangerous, and sometimes deeply funny stories tell of things buried and unearthed, of familiar places made strange, and of lives where much is hidden, much is at risk, and tender moments are hard-won.


This Isn’t the
Sort of Thing
That Happens
to Someone
Like You

Jon McGregor



Copyright (#u552e8311-821a-55ea-928d-0eee6d869256)
4th Estate
An imprint of HarperCollinsPublishers
1 London Bridge Street
London SE1 9GF
www.4thEstate.co.uk (http://www.4thEstate.co.uk)
First published by Bloomsbury in 2012
This eBook published by 4th Estate in 2017
Copyright © 2012 by Jon McGregor
Linocuts © 2012 by Paul Greeno
Cover image © Shutterstock
Jon McGregor asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins
Source ISBN: 9780008218652
Ebook Edition © January 2017 ISBN: 9780008218669
Version: 2016-12-07

Praise for This Isn't The Sort Of Thing That Happens To Someone Like You (#u552e8311-821a-55ea-928d-0eee6d869256)
‘Jon McGregor is one of the UK’s most fascinating and versatile writers’ Gary Shteyngart, author of Super Sad True Love Story

‘Jon McGregor’s writing combines dreamy, ethereal poetry with a northern sensibility unafraid to confront devastating truths … McGregor is adept at depicting emotions with unassuming language’ Independent

‘These unnerving splinters depicting ordinary people in crisis, often against the fathomless landscape of the Fens, make for an outstanding collection from a great writer’ Metro

‘This is a book of ominous preludes and chilling aftermaths: the incantatory account of a vacationer at a war-ravaged resort in the minutes before he drowns; the Pinter-esque power play of a vicar’s wife whose husband offers shelter to a gallingly manipulative stranger. McGregor stealthily commands our active engagement, scattering crumbs of data for us to pick through, gum-shoe style’ New York Times

‘Electrifyingly original and skilful … McGregor also has a gift for lyricism and shows great skill and fearlessness in his experiments with form. I can’t remember the last time I read a collection of stories this original, this strange, or this powerfully menacing’ Sydney Morning Herald

‘[E]ach tale in this slim, elegant book does something most of us wish would happen to us in real life: It stops us in a humdrum moment and reveals how that small, unnoticed sliver of time can illuminate an entire life’ Oprah.com Book of the Week

‘Jon McGregor’s stories are strange and lovely masterpieces: painfully authentic, inquisitive rather than confrontational, he has a tremendous ability to disturb the surface of everyday things ... Underneath that which is radically quotidian, he captures our unique and unusual selves’ Sarah Hall
For Éireann Lorsung,
& Matthew Welton
Contents

Cover (#uf510c4bf-f8ca-59ec-8df2-6eaf1c2c0116)
Title Page (#uaeed4c17-3fb1-50d7-be04-c94896569eac)
Copyright
Praise for This Isn’t the Sort of Thing That Happens to Someone Like You
Dedication (#ucb212278-5af6-5cd7-bcd3-5aa0c936ff71)
PART ONE (#u59617ef1-8ca3-5a02-910e-9141b092e967)
That Colour (#uaca2eeb1-3ec2-5d9e-99b9-f4a424512b74)
In Winter The Sky (#u709be858-e5d2-525a-a6a7-a657877575ad)
She Was Looking For This Coat (#u37982f04-871d-5c66-be94-1894840f0d5b)
Looking Up Vagina (#u8ac6289c-ac98-537b-8cac-eeb3fe595198)
Keeping Watch Over The Sheep (#u95c0166f-5ea6-5073-a891-4a91dd2130b7)
Airshow (#ud834fd52-56d2-50bd-b19b-22b9dfa9378a)
We Were Just Driving Around (#u1e8e19de-a87e-50a5-b418-927900fc1507)

PART TWO (#ue6e3d468-4fc1-58a7-8b4a-e9f88423f085)
If It Keeps On Raining (#u95c4a0bb-2075-55f4-b637-eae5e4fbb25a)
Fleeing Complexity (#u3b3d5245-7c33-5de7-a069-2fec67a0038f)
Vessel (#u62a4c64a-b13f-5fa2-b3f1-7e1c0736e650)
Which Reminded Her, Later (#litres_trial_promo)
The Chicken And The Egg (#litres_trial_promo)
New York (#litres_trial_promo)

PART THREE (#litres_trial_promo)
French Tea (#litres_trial_promo)
Close (#litres_trial_promo)
We Wave And Call (#litres_trial_promo)

PART FOUR (#litres_trial_promo)
Supplementary Notes To The Testimony Of Appellants B & E (#litres_trial_promo)
Thoughtful (#litres_trial_promo)
The Singing (#litres_trial_promo)
Wires (#litres_trial_promo)
What Happened to Mr Davison (#litres_trial_promo)
Years Of This, Now (#litres_trial_promo)
The Remains (#litres_trial_promo)

PART FIVE (#litres_trial_promo)
The Cleaning (#litres_trial_promo)
The Last Ditch (#litres_trial_promo)
Dig A Hole (#litres_trial_promo)
I Remember There Was A Hill (#litres_trial_promo)
Song (#litres_trial_promo)
I’ll Buy You A Shovel (#litres_trial_promo)

PART SIX (#litres_trial_promo)
Memorial Stone (#litres_trial_promo)

Acknowledgements (#litres_trial_promo)
Read an exclusive extract from Jon McGregor’s new novel, Reservoir 13
By the Same Author
A Note on the Author
About the Publisher



Back to contents page (#u552e8311-821a-55ea-928d-0eee6d869256)
That Colour (#u552e8311-821a-55ea-928d-0eee6d869256)
Horncastle
She stood by the window and said, Those trees are turning that beautiful colour again. Is that right, I asked. I was at the back of the house, in the kitchen. I was doing the dishes. The water wasn’t hot enough. She said, I don’t know what colour you’d call it. These were the trees on the other side of the road she was talking about, across the junction. It’s a wonder they do so well where they are, with the traffic. I don’t know what they are. Some kind of maple or sycamore, perhaps. This happens every year and she always seems taken by surprise. These years get shorter every year. She said, I could look at them all day, I really could. I rested my hands in the water and I listened to her standing there. Her breathing. She didn’t say anything. She kept standing there. I emptied the bowl and refilled it with hot water. The room was cold, and the steam poured out of the water and off the dishes. I could feel it on my face. She said, They’re not just red, that’s not it, is it now. I rinsed off the frying pan and ran my fingers around it to check for grease. My knuckles were starting to ache again, already. She said, When you close your eyes on a sunny day, it’s a bit like that colour. Her voice was very quiet. I stood still and listened. She said, It’s hard to describe. A lorry went past and the whole house shook with it and I heard her step away from the window, the way she does. I asked why she was so surprised. I told her it was autumn, it was what happened: the days get shorter, the chlorophyll breaks down, the leaves turn a different colour. I told her she went through this every year. She said, It’s just lovely, they’re lovely, that’s all, you don’t have to. I finished the dishes and poured out the water and rinsed the bowl. There was a very red skirt she used to wear, when we were young. She dyed her hair to match it once and some people in the town were moved to comment. Flame-red, she called it then. Perhaps these leaves were like that, the ones she was trying to describe. I dried my hands and went through to the front room and stood beside her. I felt for her hand and held it. I said, But tell me again.
In Winter The Sky (#u552e8311-821a-55ea-928d-0eee6d869256)
Upwell
He had something to tell her. He announced this the next day, after the fog had cleared, while the floods still lay over the fields. It looked like a difficult thing for him to say. His hands were shaking. She asked him if it couldn’t wait until after she’d done some work, and he said that there was always something else to do, some other reason to wait and to not talk. All right, she said. Fine. Bring the dogs. They gave his father some lunch, and they walked out together along the path beside the drainage canal.
She knew what he wanted to tell her, but she didn’t know what he would say.

What she knew about him when she was seventeen: he lived at the very end of the school-bus route; he was planning to go to agricultural college when he finished his A levels; he didn’t talk much; he had nice hair; he didn’t have a girlfriend.
What she knew about him now: he didn’t talk much; he had a bald patch which he refused to protect from the sun; he didn’t read; he was a careful driver; he trimmed his toenails by hand, in bed; he often forgot to remove his boots when coming into the house; he said he still loved her. (#litres_trial_promo)

He was seventeen the first time he kissed a girl. The girl had long dark hair, and brown eyes, and chapped lips. They sank low in their seats on the school bus, leaning together, and she took his face in her hands and pushed her mouth on to his. She seemed to know what she was doing, he said later. He was wrong. She drew away just as he was beginning to get a sense of what he’d been missing, and said that she’d like to see him again that same evening. If he wasn’t busy. They should go somewhere, she said, do something. He didn’t ask where, or what. She got off the bus without saying anything else, and went into her house without looking back. She ran upstairs to her bedroom, and watched the bus move slowly towards the horizon, and wrote about the boy in her notebook.
Leaving March, where she lived then, the school bus passed through Wimblington before swinging round to follow the B1098, parallel to Sixteen Foot Drain, until it stopped near Upwell. It was a journey he made every day, from the school where he was studying for his A levels to his father’s house where he helped on the farm in the evenings. Where the two of them run the farm together now. The road beside the Sixteen Foot is perfectly straight, lifted just above the level of the fields, and looking out of the window that afternoon felt, he said later, in a phrase she noted down, like he was passing through the sky. (#litres_trial_promo)
The girl’s name was Joanna. The boy’s name was George. He came back for her the same night.

He has told her this part of the story (#litres_trial_promo) many times, with the well-rehearsed air of a story being prepared for the grandchildren: how he waited until his father was asleep before taking the car-keys from the kitchen drawer, that he’d driven before, pulling trailers along farm tracks, but he didn’t have a licence and his father would never have given him permission, how he remembered that she’d said she wanted to see him, to go somewhere and do something, that he knew he couldn’t just sit there in that silent house, doing his homework and listening to the weather forecast and getting ready for bed.
She wonders, now, what would have been different if he had stayed home that night. She wants to know how he thinks he would feel, if that were the case. An impossible question, really (#litres_trial_promo).
The roads were empty and straight, and there was enough moonlight to steer by. She saw him coming from a long way off. Watching his headlights as they swung around the corners and pointed the way towards her. She was waiting outside by the time he got there.
She hadn’t wanted to go anywhere in particular. She just wanted to sit beside him in the car and drive through the flatness of the landscape, looking down across the fields from the elevated roads. They drove from her house to Westry, over Twenty Foot Drain, past Whittlesey, and as they passed through Pondersbridge she put her hand on his thigh and kissed his ear (#litres_trial_promo). They crossed Forty Foot Bridge and drove through Ticks Moor, the windows open to the damp rich smell of a summer night (#litres_trial_promo) in the fens, and beside West Moor he put his hand into her hair. They crossed the Old Bedford and New Bedford rivers, drove through Ten Mile Bank, Salter’s Lode and Outwell, and on the edge of Friday Bridge she asked him to stop the car and they kissed for a long time.
Afterwards, they looked out across the fields and talked. They didn’t know each other very well, then. He asked about her family and she asked about his. He told her about his mother, and she said she was sorry. She asked what he was going to do when he left school and he said he didn’t know. He asked her the same and she said she wanted to write but that her father wanted her to go to agricultural college. She lifted his thin woollen jumper over his head and drew shapes on his bare skin with the sharp edge of her fingernail. She watched as he undid the buttons of her blouse. She took his hands and placed them against her breasts. There was the touch of her whisper in his ear, and the taste of his mouth, and the feel of his warm skin against hers, and the way his scalp moved when she pulled at his hair. Later, there was the smell of him on her hands as she stood outside her house and watched him drive away in his father’s car, the two red lights getting smaller and smaller but never quite fading from view in the dark, flat land (#litres_trial_promo).

He drove home along the straight road beside the Sixteen Foot, holding his hand to his chest. The moonlight shining off the narrow water. He was thinking about all the things she’d said, just as she was thinking about all the things he’d said.
He was thinking about his father, he said later, and about how long his father had been alone, and about how he knew now that he wouldn’t be able to live on his own in the same way. Not now he knew what it meant to be with someone else. He was still thinking about her when he drove into a man and killed him (#litres_trial_promo).
First he was driving along the empty road thinking about her, and then there was a man in the road looking over his shoulder and the car was driving into him. It was hard to know where he’d come from. He’d come from nowhere. He was not there and then he was there and there was no time to do anything. There was no time to flinch, or to shout. He didn’t even have time to move his hand from his chest, and as the car hit the man he was flung forwards and his hand was crushed against the steering wheel. The man’s arms lifted up to the sky and his back arched over the bonnet and his legs slid under one of the wheels and his whole body was dragged down to the road and out of sight.
Those arms lifted up to the sky, that arching back.
The sound the man’s body made when the car struck him. It was too loud, too firm (#litres_trial_promo), it sounded like a car driving into a fence rather than a man. And the sound he made. That muffled split-second of calling-out.
His arms lifted up to the sky, even his fingers pointing upwards, as if there was something he could reach up there to pull himself clear. His back arching over the bonnet of the car before being dragged down. The jolt as he was lost beneath the wheels. George’s hand crushed between his chest and the steering wheel.
Then stillness and quiet.
He lay on his back with his legs underneath him, looking up at the night. His legs were bent back so far that they must have been broken. George stood by the car for a long time. The man didn’t make a sound (#litres_trial_promo). There was no sound anywhere. The night was quiet and the moon bright and the air still and there was a man lying in the road a few yards away. It didn’t feel real, (#litres_trial_promo) and there were times now when they both wondered whether it had really happened at all. But there was the way the man’s neck felt when George touched his fingers against the vein there. Not cold, but not warm either, not warm enough: he feels like a still-born calf. There was no pulse (#litres_trial_promo) to feel. Only his broken body on the tarmac, his eyes, his open mouth.
He was wearing a white shirt, a red V-necked jumper, a frayed tweed jacket. His arms were up beside his head, and his fists were tightly clenched. A broken half-bottle of whisky was hanging from the pocket of his jacket. There didn’t seem to be any blood anywhere; there were dirty black bruises on his face, which might have been old bruises anyway, but there was no blood. His clothes were ripped across the chest, but there was no blood. It was hard to understand how a man could be dragged under the wheels of a car and not bleed. It was hard to understand how he could not bleed and yet die so quickly.
The whites of his eyes looked yellow under the moonlight.
It was hard to understand who he was, and why he had been on the road (#litres_trial_promo) in the middle of the night. Why he was dead now. It was hard to know what to do. George knelt beside him, looking out across the fields, up at the sky, at his father’s car, his shaking hands, the sky.

He had his reasons, (#litres_trial_promo) he says. He’s often regretted it, and he’s often thought that his reasons weren’t enough, but he thinks he would do the same again.
If he’d been older when he made that journey then perhaps he would have been stronger; perhaps his thoughts would have been clearer. But he was seventeen, and he had never knelt beside a dead man before. So he drove away. He stood up, and turned away from the man, and walked back to his father’s car, and drove away. He didn’t look in the rear-view mirror, and he didn’t turn around when he slowed for the junction.
I suppose it was at that stage that I began to realise what had happened what I had done.
That was how he put it, when he told her, walking out on the path beside the canal after lunch, the dogs running along ahead of them with their claws clicking on the tarmac strip. I suppose. (#litres_trial_promo)
He had driven his father’s car into a man, and then over him, and now that man was dead. He felt a sort of sickness, a watery dread, starting somewhere down in his guts and rising to the back of his throat. His hands were locked on the wheel. He couldn’t even blink.
And he knew, even before he got back to his father’s house, that he would have to return to the man. He couldn’t leave him laid out on the road like that, with his legs neatly folded under his back. He knew, or he thought he knew, that when the man was found then somehow he would be found too, and the girl who’d drawn upon his bare chest wouldn’t even look him in the eye.

So it was her fault as well, (#litres_trial_promo) it seems.

He fetched a shovel from a barn at his father’s farm and drove back to where he’d hit the man. It sounds so terrible now. Cowardly? He carried the shovel down the embankment to the field below the road and took off his jumper and began to dig (#litres_trial_promo).
He was used to digging. The field had only recently been harvested, and the stubble was still in the ground, so he lay sections of topsoil to one side to be replaced. He was thinking clearly, working quickly but properly, ignoring the purpose of the hole (#litres_trial_promo). Once, knee-deep in the ground, he looked up the bank and realised what he was doing. But he couldn’t see the man up on the road, so he managed to swallow the rising sickness and dig some more. And all this time, the sound of metal on soil (#litres_trial_promo), the sky above.
And then it was deep enough. It was done. So long as it was further beneath the surface than the plough-blades would reach then it was deep enough, most probably. He climbed up the embankment to the road, wanting to hurry and get it done but holding back from what he had to do, from the fact of having to touch him, having to pick him up and carry him down the bank and into the hole he had made. The death he had made in the hole he had made in the earth (#litres_trial_promo). He bent down to take the man’s arms. He could smell whisky. He stopped, unwilling to touch him, unwilling to go through with what he’d found reason to do. They were good reasons, but they didn’t seem enough. But then he remembered her skin on his, and her eyes, and he knew, he said, that he could do anything not to lose that.

She’d made him do it, (#litres_trial_promo) then. That was how it had happened.

He gripped the man’s elbows and lifted them up to his waist. He backed away towards the embankment and the man’s legs unfolded from beneath him, his head rolling down into his armpit, his half-bottle of whisky falling from his pocket and breaking on the road. He didn’t stop. He kept dragging him away, away from the road, down the bank, into the field.

She’d said, when he finally told her all this, that she wanted to know it all. How it was done. (#litres_trial_promo) How it had felt. So now she knew.

He laid the man down beside the hole in the earth and rolled him into it. The man fell face down, and he felt bad about that, about the man’s face being in the mud. He went back to the place on the road and picked up the pieces of glass. He threw them down on to the man’s back, and then he took the shovel and began to pile the earth back into the hole.
He threw soil over the man until he was gone, until the soil pressed down on him so that he was no longer a man or a body or a victim or anything. Just an absence, hidden under the ground. It was only then that he looked up at the sky, dark and silent over him, the moon hidden by a cloud. He drove past her house in March again, and then back to his father’s house. He put the car-keys away in the kitchen drawer, and the shovel in the barn, and he stood in the shower until the hot-water tank had emptied and he was left standing beneath a trickle of water as cold as stone.

So now she knew.

They were married before either of them had the chance to go to university: his father retired early, after a heart attack, and he had to take over the farm (#litres_trial_promo). It only made sense for Joanna to move in and help. George had been there when his father collapsed: he’d heard the dogs barking at the tractor in the yard, and gone outside to see his father clutching at his chest and turning pale. He’d dragged him from the cab into the mud and begun hammering on his chest. I didn’t want to lose him to the land as well. He’d beaten his father’s heart with his fist, and forced air into his lungs, and called out for help. She was there with him. She rang the ambulance, and watched him save his father’s life, and decided she would marry him. She can remember very clearly, standing there and deciding that. And he still thinks he was the one who asked her.
When she remembers it now, it’s always from a height, as if she can see it the way the sky saw it: George kneeling over his father in the mud of the yard, shouting at him to hold on, the dogs circling and barking.
And now this giant of a man sits in an armchair clutching a hot-water bottle and watching the sky (#litres_trial_promo) change colour outside. He refuses to watch television, listening instead to the radio while he keeps watch on the land and the sky. He claims to take no interest in the running of the farm: he signed everything over to them almost immediately, and has rarely offered an opinion. But she knows that he watches. She has seen him looking at a newly ploughed field from the upstairs window, or running a hand along a piece of machinery in the yard, or lingering by the kitchen table while she does the accounts. She has seen the faint smiles and nods which indicate that he is well pleased. She hopes that George has noticed; she suspects that he has not. Sometimes, when George takes his father his evening meal, his father will talk about something he’s heard on the radio: a concert recording, a weather forecast, a news report. Often they’ll just sit, and George will listen to his father’s short creaking breaths, thankful to have him there still. She doesn’t sit with them at these times. She reads, or deals with paperwork, or goes back to her writing, waiting for him to reassure himself that his father is well.
They’ve never had children, and this has
They’ve never talked about it, and yet (#litres_trial_promo)

In this way, their lives together had settled into something like a routine. He was up first, feeding the dogs, bringing her a cup of tea, eating his breakfast and leaving his dishes on the table. She dressed, and ate her breakfast, and cleared the table, and waited until she heard the radio in his father’s bedroom before going to help him dress.
Caring for his father had taken up more and more of their time (#litres_trial_promo) over the years. His health was poor enough to justify moving him into a nursing home. There was one over in March; she had a friend whose mother was there, and had heard good reports. But it was obvious that his father would refuse to go. And she had been unable to find a way of bringing it up with George. There were so many things she was unable to bring up with him. Sometimes it felt as though they only related to each other through talking about work, about the business. As business partners, they have been close, communicative, collaborative. All those good words.
In the mornings and the afternoons, they worked in the fields (#litres_trial_promo). That wasn’t really true. It might have been true once, in the very early days, when they’d had to work hard all the hours of daylight to try and pull the business out of the hole his father had dug it into. There’d been no money to employ extra labour, and they’d had to do everything themselves. There was less land then, but it was still a struggle and they were always exhausted by the time they found their way to bed.
But things had changed, gradually. They’d bought more land, secured more grants and loans. Diversified. And almost without noticing, they’d stopped being farmers and become managers. Most of the field-work was done by labourers hired by sub-contractors, people they never spoke to (#litres_trial_promo). George still liked to do some of the work himself – the ploughing, the ditch-digging, the heavy machine-based jobs – but there was no real need. For the most part they spent their days on the phone, or filling out forms, buying supplies, dealing with inspectors, negotiating with the water authorities. Discussions about drainage and flood defences seemed to take more and more of her time now. The floods seemed to be coming more often, covering more land, taking longer to drain. Maybe we should switch to rice (#litres_trial_promo), George had started saying, and she wasn’t sure whether or not this was a joke.
All of which meant that when he said he wanted to tell her something, and that they should take the time to walk out along the path beside the canal after lunch, it was no real interruption to the running of the farm. Down in the few fields which weren’t yet flooded, the workers carried on (#litres_trial_promo), their backs bent low, and she was able to stop him and put her hand to his chest and ask what it was he wanted to say (#litres_trial_promo).
In the evenings he often spent time in the barn, fixing things. She would spend that time walking backwards and forwards from the house to the barn, offering to help, and having that help warmly but firmly rejected. He was unable to admit, even now, that she was better than he was at mechanical jobs: repair, maintenance, improvised alteration and the like. Her father had been a mechanic. It was natural that she would have an ability in that area. But still, he found it difficult to accept (#litres_trial_promo).
At the same time, he found it difficult to have sufficient patience with, or tolerance of, the writing she did. She had only ever called it writing: he was the one who used the word ‘poems’. But whenever he said it – ‘poems’ – it was with an affected air, as if the pretension was hers. So, for example, he might come crashing in from the barn late one afternoon, with his boots on, and say Would you just leave your bloody poems alone for one minute and help me get the seed-drill loaded up? There were five other places he could have put the bloody in that sentence, but he chose to put it there, next to ‘poems’. This is an example, she would tell him, if he was interested, of what placement could do.
Once, he says, he saw a man metal-detecting in that field. He was driving past and saw a car parked on the verge, a faint line of footprints leading out across the soil. The light was clear and strong, and the man in the field was no more than a silhouette. He sat in his car, watching. Twice he saw the man stoop to the ground and dig with a small shovel. Twice he saw him stand and kick the earth back into place, and continue his steady sweeping (#litres_trial_promo) with the metal detector. He wanted to go and tell him to stop, but there was no good reason for doing so. It wasn’t his land. The man would surely have asked permission, and anyway he was doing no damage so soon after harvest.
He wondered what the man thought he was going to find, he says. He had a sudden feeling of inevitability; that this would be the moment when the body was found, the moment when everything could be made right. He thought about going to fetch Joanna, so she could be there to see it as well.
He’d been living like this for years (#litres_trial_promo), it would seem, lurching between a trembling silence and a barely withheld confessional urge. When he thought about it later, he realised there was no reason why a man with a metal detector should find a body. But that kind of logical thought seemed to crumble in the face of these moments.
He got out of the car, and waited. The man in the field looked up at George, and George looked down at him. Ready. The man packed his tools into a bag and began hurrying back to his car, stumbling slightly across the low stubble.
Did you find anything? George asked.
No, the man said, nothing. And he got in his car and drove away.

This is the way it happens, in the end (#litres_trial_promo). This is the way he describes it, when he tells her:
He was driving, he said. There were bright lights, and men in white overalls standing in the water. There were police officers along the embankment and a white tent on the verge. There were police vans in the road. A policeman was directing the traffic through from either direction. The men in white overalls were doing something with poles and tape. He could hardly breathe (#litres_trial_promo), he said. There was something like a rushing sound in his ears.
The policeman waved at him to stop, and walked over to the car, and asked George to wind the window down. He reminded George that they were at school together, and George didn’t know what to say. A funny do this, isn’t it, the policeman said. George thought the policeman was probably waiting for him to ask what had happened but he didn’t say anything. The policeman told him anyway: they’d found a body in the water. The farmer had seen it. They were assuming it had been buried for years, and that the flood water must have disturbed the soil and brought it out. There wasn’t much left of it now. The policeman said he couldn’t imagine they’d find out who it was, and then he asked after the family and said he should let George get on. George said that his wife and his father were both fine and drove slowly into the fog (#litres_trial_promo).

Later, he drove into the yard and the dogs came barking out to meet him. He sat in the car for a moment, too weak to open the door. Joanna could see him from the kitchen window. She stood and watched. She wondered what was wrong. The lights of the house were clear and warm (#litres_trial_promo), spilling into the foggy night. He got out of the car and walked to the house, pushing the dogs away, and she came to meet him in the hallway. He looked at her and said that they needed to talk. She said it would have to wait until she’d finished some more work, and he said there was always something else to do, some other reason to wait and to not talk. He said they couldn’t go on like this, it had gone on for too long, they were young when it happened, they were older now, time had passed, they needed to bring things out into the open and deal with the consequences and stop trying to hide what it was doing to them both. She looked at him. It was the most she had heard him say for a long time. It didn’t fit. All right, she said. Fine. Bring the dogs.

He served the meal she had prepared for his father and took it through to him.
They found a body in the field down the road, his father said.
George nodded, and said that he’d heard.
Can’t think it was anyone from round here, his father said.
No, George said. I shouldn’t think so (#litres_trial_promo).
She Was Looking For This Coat (#u552e8311-821a-55ea-928d-0eee6d869256)
Lincoln
She came in and she was looking for this coat. It was her father’s, she said. He’d left it on a bus last week. She spent a long time describing it. Herringbone was a word she used. Also she said it was a kind of faded moss-green. Or more like a faded sage-green, but like a faded dark sage-green, with a brown hue. She asked me if I knew the colour she meant. I said I thought I was getting the idea. She had her hands resting on the counter, and she was trying to look round behind me, the way people do, like they think I’m hiding something. She said the buttons were tortoiseshell and one of them was missing. She said the lining was a very dark navy-blue and it was torn from one of the arms right down to the hem. She asked me if I thought hem was the right word to use about a man’s coat. I said I wouldn’t know about that. He’d left it on a bus the previous week, she told me again, on the Wednesday. It did have a belt but that might be missing, she said. I turned the pad of Mis/Prop/B forms across the counter towards her and asked her to fill in her name and address and telephone number. I said I could do the rest. I said I didn’t think we had anything right here in the office but I could make enquiries. She was looking at the form like she couldn’t read it. She said it was definitely Wednesday. She said she thought the coat was from Burton’s. I asked her if she knew which bus the item had been mislaid upon. She said she didn’t. She said it would have been some time in the morning. She said her father had told her he’d gone to meet his friend for lunch, when she’d spoken to him, when she’d spoken to him on the phone, last Wednesday. The way she was talking, I felt like asking her if she needed to sit down. I asked if her father had a bus pass and she nodded and I told her in that case he was unlikely to have been on the bus before nine thirty. She looked surprised. I said so we’re narrowing it down now aren’t we, love? I tried a smile. She didn’t smile. I asked if there were any valuables in the pockets. She said she wasn’t sure. She picked up the pen. She said there’ll be pens in the top pocket, in the breast pocket. She started to fill in her name and address. Kathryn something. With a Y. It was a nice name. It suited her. She had very dark black hair. I told her if she could put all her contact details on the form I’d be able to make enquiries and someone would be in touch. I told her she’d given a very good description and I was sure if the coat had been handed in we’d be able to locate it for her father. There was another customer waiting by then. There’s never normally another customer. I said someone would be in contact as soon as possible, if it had been handed in. I told her unfortunately in this day and age etc. She asked me had she mentioned it being a long coat. I told her I thought I’d assumed that. It came down to here on him, she said, pointing to her knees, but he was a lot taller than me so it would look longer than that on me. I started to say something but I didn’t say anything. We had quite a queue by then. We never normally have a queue. I said I hoped we’d be able to locate the item for her. I told her someone would be in touch. She told me the collar was brown. She was trying to remember the name of the material. She said what’s it called, it’s like inside-out leather, you have to brush it, it’s soft to the touch, it smells like leather but it’s soft to the touch when you stroke it, it leaves marks if you stroke it the wrong way. I asked her did she mean suede and she said yes, that was it, suede. I wrote on the form that the coat had a brown suede collar. I asked her was there anything else I could help her with today.
Looking Up Vagina (#u552e8311-821a-55ea-928d-0eee6d869256)
Welton
He was the first boy in his class to get pubic hair. He’d vaguely assumed that this might be something the other boys would be envious of. Perhaps even awestruck by. Something which would make them see him in a new light. But it turned out to be just one more thing they could use in their campaign of vilification against him.
Vilification was a word he’d come across recently. It was a word he’d found easy to understand.
Virile was another word. It was something to do with sex. He knew pubic hairs were the first step on the way to getting sex, so he thought this might mean he was virile and the other boys would be impressed or maybe even intimidated or at the very least would reconsider their apparently venal opinions of him.
He’d had the pubic hairs for over a year now. He was used to them, and had almost forgotten that they might be an issue. The subject had never come up. But this was the last year of primary school, and they were starting weekly swimming lessons, and at the swimming pool there was a communal changing room. One of the boys saw, and pointed it out to the other boys, and soon enough all of them were looking and asking him questions about it.
And for a moment everything seemed to hang in the balance, like when a bus hangs off the edge of a cliff and everything depends on whether the passengers rush to the front or the back. It would only have taken one boy to say something like, ‘cool,’ or, ‘nice one, Smithy,’ and everything would have been different. There might even have been some quiet veneration, before everyone put on their trunks and got into the pool. Word would have spread around the school, and he would no longer have been vulnerable to being tripped in the corridors. People would have talked to him on the bus, or between lessons. But instead, someone pushed the balance the other way. Robin was in the vanguard. He shouted something, pointing at the pubic hairs and turning to the other boys for support. They all joined in, and the shouting continued for the rest of the day, and for some days after that. Weeks.
‘Bush’ was the word that got shouted. Bush, and its many variations, with everyone trying to think of a new version: bush, bushy, bushwhacker, bushmonkey, bushman, bushy bushman, busharama, bushface, bushmuppet, bushalicious, bushbum, bushbunny, busher, bushayre, busherara, busheba, lord bush, president bush, sir bushwhacker of bushingdon, bushmonster, bushbilly, bushwilly, bushknocker, bushiel-san, bushelman, bushalackalonglong, bushy-bushy-bush-bush.
It wasn’t even as if his pubic hair was unusually verdant.

Someone told the girls, and so then all the girls knew that he was the first boy in the class to get pubic hair. One of them came up at lunch-time and asked him if it was true. She looked like she was on the verge of being impressed, but her friends were laughing so he said it wasn’t. He said he vigorously disputed it. Robin and another boy heard this, and pulled his trousers down in order to publicly verify the facts. There was a certain amount of vicarious laughter from just about everyone in the vicinity.

He stayed home from school for a few days after that. Mostly he lay in bed, looking up vagina and vulva in the dictionary.

He understood, already, that in a few years’ time these same boys would get, or claim to be getting, sex, and that he would be mocked and called a virgin. Virginal. Someone would realise that virginal sounded like vaginal, and he would be called a vagina; a vagina-head. He could visualise it precisely. There was no logic to it. It was vindictive. There was no way he could win. There wasn’t really any hope of winning. It made him feel vexated.
But he also understood that one day he would leave. Eventually, he would leave. And when he was gone they would still be here. He would move to a big city, and go to university, and be friends with people who didn’t feel the need to mock and belittle him, people who were interested in reading and art and philosophy and those varieties of things. And Robin and everyone else would all still be here, with their limited vocabularies, working in the chicken-processing factories and vegetable packing-houses, looking for someone else to victimise.

Victorious would be a word he could use then. Vindicated.
Keeping Watch Over The Sheep (#u552e8311-821a-55ea-928d-0eee6d869256)
Alford
They told him he wasn’t allowed on the school premises. They didn’t even use the word allowed to start off with, they just said they thought it would be better if he didn’t come in. Better for everyone concerned is what they said. Only that didn’t even feel like an everyone which included him. He wasn’t really bothered what they thought, he said, he just wanted to come in and see his daughter. That’s when they actually stepped in his way and said he literally wasn’t allowed on the premises.
For Christ’s sake, this was the school nativity.
When would he get another chance to come and see his little girl in her first ever school nativity? Never is when. But the man just stood there all immovable and what have you, his arms folded to show just how totally immovable he was. Said his name was Carson. Mr Carson. Wasn’t even the headteacher or anything, but the other teachers were obviously all women so he must have been sent out to deal with the situation.
That’s what he was now. A situation.
He said to Mr Carson, he said, look, it’s only the school hall we’re talking about here. He was only going to stand at the back. He wouldn’t try and talk to her. Rachel wouldn’t even have to know he was there, he could hide behind another parent, he could slip out before the end. There didn’t need to be a problem here, he said. Mr Carson just stood there and said it was out of his hands.
Yeah I’ll take it out of your hands you four-eyed fucking twat.
He didn’t say that. He knew better than saying something like that, these days. He wasn’t there to make trouble. He was just there to see a nativity play. The shepherds were mightily afraid. The wise men followed yonder bright star in the east. All that. There weren’t no room at the inn. He held up his hands in surrender. A conciliatory gesture. He’d been learning about those, at the sessions. He even attempted a smile. He told Mr Carson, he said, okay, he was leaving now, he was sorry to have caused any disturbance, he hoped the performance went well and could someone perhaps tell Rachel that her father had said hello? Mr Carson did this disappointed shrug and said for him to take care. Not saying whether he would or he wouldn’t pass on the hello to Rachel, take note. There were other parents hanging back behind him, waiting to get in the school, not wanting to get involved. But standing just about close enough to hear what was going on, and then none of them meeting his eye when he turned and walked away. Like they didn’t know him or they didn’t know what was going on.
They knew though. They all did, round here. Some of them had even known certain things before he had, when it would have been useful for him to have been told. They all like to hear stuff but they’re none of them that keen on passing it on.
He got to the corner before he looked back. The other parents were all safely inside, and Mr Carson was closing the door. Bolting it, probably. Even saying something about how they couldn’t be too careful. He walked off. Calmly. He followed the line of hedging around the edge of the school playing field, where the road dipped down a bit and you could see out past the edge of the village. Someone was out ploughing, which seemed early but what did he know. The seagulls were following behind the plough. He got to the sign that said School Property: No Dog Walking, and climbed over the double-gate there. That was harder than it used to be. Used to come over this way when he was a kid and they were looking for somewhere to play football. Or, later, for somewhere to drink. He even came over here with her once or twice, before he’d got a car.
He didn’t really even have a plan, now.
He wasn’t here to make trouble.
He could just stand outside the hall and listen. Rachel had such a good voice he’d probably be able to hear her over all the others. She got that from her mother, the voice. Among other things. He walked across the playing field towards the hall. Walking calmly and casually, not running or ducking down or any of that. He wasn’t going to attract attention to himself. The curtains were closed, so no one could even see him. He listened right up to the glass. They were singing a song about the angels, and then when it went quiet he heard a little girl saying Joseph Joseph you must find somewhere for us to stay the baby is coming soon. That didn’t sound like Rachel. Probably an older girl would be playing the part of Mary. Maybe Rachel would do it another year, when she was older. There would be other years, after all. There wouldn’t always be this situation. But this was her first nativity. He couldn’t miss the first one.
He didn’t even know what part she was playing. He didn’t know anything about it at all. He’d only found out it was on when he’d heard some women talking about it in the post office.
He didn’t know if Rachel’s mother would be in there. She’d have a prime seat at the front, if she was. Guaranteed. He hadn’t seen her going in the whole time he’d been waiting up the road from the main entrance. But she’d got pretty good at sneaking around in the last few months. Since the injunction. So she could have easily found another way to get in. And she wouldn’t be hiding behind another parent, or tucked away at the back of the hall. She’d be right in Rachel’s line of sight, right where she could see her. And little Rachel would be delighted to see her, her little face would be all lighting up right now probably, in the middle of this song about the happy sheep coming down from the hills to find the baby Jesus lying in a manger, and that was fine, that was good, he was happy to think of her little face all lighting up the way it does. He just wanted to be there to see it sometimes, was all. He wanted to be the one who her little face would be lighting up about, sometimes, was all.

He saw Mr Carson coming across the field towards him, looking all purposeful and what have you. There were some others with him. He turned back towards the hall, sliding his face along the window to try and find a gap in the curtains, listening out for the sound of that one little voice he’d come to hear.

He didn’t even know how it had all started going wrong. With Rachel’s mother. He couldn’t really blame her, not like most of the others who went to the sessions had someone to blame. It wasn’t her fault. But it wasn’t really his fault either, and something like that didn’t just come up out of nowhere. Maybe it was both of their faults in a way. Maybe there were some things he probably shouldn’t have said, or done. Or broken. Breaking things had never helped. But just sometimes it was hard to know what else to do. When she said those things. When she purposefully misunderstood what he was trying to say.
He’d always made sure Rachel wasn’t there to see. That was one thing that could be said in his defence.
It was one way of getting to touch her again anyway at least.

Later, once the police had got the handcuffs on and were picking him up off the ground, he noticed that someone had opened the hall curtains, and he thought he could see Rachel standing on the edge of the stage wearing what must have been a sheep costume. She’d grown a bit since the last time he’d seen her. It didn’t take long. He tried to smile at her and call hello. But unless she was doing some very good acting she was looking pretty upset, pretty tearful and scared and what have you. Which made him wonder what was going on in there, if she’d maybe been pushed into doing the school nativity when she didn’t really want to, or if she’d forgotten her words and no one had helped her remember them. He wondered why no one was looking after her right now, while she was standing there on her own all tearful and upset-looking. He wondered what kind of a school this was that her mother was sending her to anyway.
He’d definitely be coming back for some answers. There wasn’t any doubt about that. Just as soon as he’d sorted out this current situation. They didn’t need to worry about that, any of them. He’d be coming back, and someone was going to be asked, in no uncertain terms, to explain.
Airshow (#u552e8311-821a-55ea-928d-0eee6d869256)
Scampton
On the long drive back from the funeral, they took the grandfather to see the airfield where he’d been stationed during the war. They thought this was something he might like to do. They parked on a grass verge beside one of the exit gates in the perimeter fence, and helped the grandfather from the car. The ground was so flat it was difficult to see anything at all. It seemed to curve away from them. They looked at him looking through the fence. The wind was blowing in from the east, and the long grass near the fence dipped and swayed with a sound like a low shush. They looked at him looking at the runway and the hangars and the other low buildings in the distance. They couldn’t really see much from where they were. They waited for him to tell them something, but he seemed at a loss. He lifted a finger, as though to point something out, and withdrew it. They walked along the verge for a short distance. The grandfather wasn’t much inclined to talk about the place, it seemed. Instead, he talked about living in digs in the next village along, with his new wife and their baby, and about how his wife had only ever been able to walk along the road and back because the fields and woods were too muddy for a pram. The wind picked up. It got colder. They climbed back into the car and drove south.
Later, they learned that the grandfather had worked as an armourer, loading munitions into the heavy bomber aircraft and cleaning out the gun-turrets and bomb-bays when the aircraft returned. The task would at times have involved the removal of bodies and body-parts, but that was never discussed. From this airfield, squadrons had flown out to destroy whole towns; burying households beneath rubble, igniting crematorial fires, busting dams and drowning entire valleys. Some civilians were killed. The war was won.

On their way home, they passed the modern RAF base at Coningsby, driving alongside the perimeter fence for a mile or two before entering the town itself. As they passed the end of the main runway, they saw a small gravelled car-park on the other side of the road, sheltered from the wind on three sides by a thick line of gorse bushes. The car-park was full. People were sitting beside their cars in ones and twos, on folding chairs, with blankets across their knees and thermos flasks cradled in their laps. They had binoculars and long-lensed cameras and notebooks. They were waiting for the modern fighter aircraft stationed at the base to take off and land, so that they could take pictures and make notes and gaze in awe. They were also waiting for something called ‘The Memorial Flight’: a regular display by vintage bomber aircraft. As though vintage was a word which could be used about a bomber plane in the same way it could be used about a car, or a suit, or a set of buttons.
As they drove past, the grandfather turned to look at the people in the car-park. He didn’t say anything. He watched them through the back window. He didn’t say anything as they drove through Coningsby, past the church and over the river and out along the main road to the motorway. He waited until they got back to the house, and as they helped him out of the car he asked just what it was those people with the binoculars had thought they might be waiting to see.
We Were Just Driving Around (#u552e8311-821a-55ea-928d-0eee6d869256)
North Ormsby
We were just driving around.
It was late in the evening but it was still light. We’d been out for hours and it was one of those nights when it seemed like basically it was never going to get dark. We hadn’t seen anyone around, and a couple of times when we’d stopped and got out it had been totally quiet, like normal, but we had the music turned up loud in the car and it made things seem sort of hectic or like picturesque? With how far you could see across the fields, and the speed, and the light, and the music? Like when you’re walking around with headphones on and it makes everything seem like a film? Like that. Anyway.
Josh was talking about setting up a business selling handmade snacks. He said he wasn’t going to go to university, he was going to make his fortune straight out of school. His big idea was that you could get these like gourmet snacks made to order, right there in the shop. It would be like the deli-counter of the munchie world, he was saying. He was laughing about it, but he was totally serious, he was laughing because he thought it was so brilliant. Any flavour you want, he was saying, any snack you want! I’ll be a millionaire! He sounded like someone off The Apprentice. He was listing all the snacks he could think of, crisps and pretzels and Bombay mix and popcorn, and what they were all made of, and he was talking about how the economics of it were brilliant. Pennies into pounds, my friends! He kept shouting that. Pennies into pounds! He was shouting because the music was so loud but also because he was so excited about it? I didn’t really get it. Anyway.
Tom wanted to know if this shop was going to be located round here and if so then where did Josh think his customer base was going to come from? It didn’t look like Josh had thought about that. He waved his hand around a bit, meaning: like, around here somewhere? I don’t know yet, he said. There’s people around though, there’s like a widely distributed customer base, yeah? He pointed to a farmhouse over on the right, three or four fields away, and then another one a bit further off, the other side of the river. The lights in the windows were just coming on so it must have been a bit darker by then than it seemed. There you go, he said, that’s two of them right there. Tom said, what, are you going to do it like mobile? A mobile crisp van? Josh leaned over and punched him in the shoulder, and it was sort of a play-punch but he sort of meant it as well. No one said anything for a minute. It was just the music and the sound of the tyres on the road. I wasn’t even sure where we were. I could see the red lights of some television mast or something, and the sky all shadowy blue behind it. We went over a little bridge and it felt like the tyres left the road for a second. I don’t think Josh even knew where we were going. Josh said, don’t take the piss mate. This is serious, this is totally serious. This is going to work, yeah? It’s like, a totally unfulfilled market niche. And I’ll be filling in that niche, big-time.
That got us laughing for a bit, about Josh filling in an unfulfilled niche.
Tom wouldn’t let it go though, he was giving it all the economic model and the population density and the vulnerability of depending on impulse purchases and Josh was all nodding but then he goes Tom mate you don’t get it. You don’t get it. I’m talking about handmade gourmet snack products. Made to order! Like, locally sourced! They’ll come pouring in from every direction! They’ll be queuing up outside! He cut the music and put on this solemn face and a deep voice like from a film trailer and goes: If you fry it, they will come.
That set us off laughing again. The state we were in, it didn’t take much? Plus Josh had this very high-pitched laugh that was pretty infectious, and once he’d got us all going it was just about impossible to stop? It just kept sort of growing, getting louder and louder, like something sort of swelling up until it filled the car and we couldn’t hardly breathe and the noise of it was making me dizzy and then Amanda said Josh will you slow down a bit and he turned round to ask her what she’d said so that must have been how come he never saw the corner?



Back to contents page (#u552e8311-821a-55ea-928d-0eee6d869256)
If It Keeps On Raining (#u552e8311-821a-55ea-928d-0eee6d869256)
Susworth
This is how his days begin. If you really want to know. Standing in his doorway in the cold, wet morning light and pissing on the stony ground. Waking up and getting out of bed and walking across the rough wooden floor. Opening the door and pulling down the front of his pyjamas and the weight of a whole night’s piss pouring out on to the stony ground and winding down to the river which flows out to the sea. The relief of it. The long, sighing relief of it. He has to hold on to the doorframe to keep his balance.

He looks at the swirl and churn of the river. Boats passing, driftwood and debris. A drowned animal turning slowly in the current. Sometimes the people in the boats wave, but he doesn’t wave back. He didn’t ask them to come sweeping past like that while he’s having his morning piss. In their shining white boats with the chrome guard-rails and the tinted windows and the little swim-decks on the stern. As if they’d ever swim in this river. They can come past if they like but they shouldn’t expect him to wave. Not when his hands are full.

Sometimes there’s a man fishing on the other side of the river. It’s too far to see his face, so it’s hard to tell whether the man can see what he’s doing. But if he could he wouldn’t be embarrassed. This is his house now, and there’s nothing to stop him pissing on his own ground when he wakes up each day.

The boats mainly come past in the summer months, but the fisherman is there all year round. He brings a lot of accessories with him. He’s got two or three different rods, and rests to set them in, and a big metal case that he sits on with all sorts of trays and drawers and compartments, and he keeps getting up to open all the drawers and trays. As if he’s looking for something. As if he hasn’t got any kind of an ordered storage system. He has this long net trailing in the water, with the open end pegged down on the bank. He uses it to keep the fish in once he’s caught them. It’s not clear why. Maybe he likes to count them. Or maybe he likes the way they look when he empties them back into the river, the silver flashes pouring through the air, the way they wriggle and flap for a second as though they were trying to fly. Or it could be for the company.

And he’s got this other net, a big square net on the end of a long pole. If he gets fed up with all the rods and reels and maggots and not being able to find what he’s looking for in those drawers, he could just sit on the edge of the bank and sweep it through the river until he comes up with something. Like a child at the seaside. Like a little boy with one of those coloured nets on the end of a bamboo cane.

Like a little boy whose dad was showing him how to use one of those nets, and lost it. At the seaside. When they were out on a jetty, and the boy’s dad was sweeping the net back and forth through the clear salt-water, and the boy was pulling at his arm to say: Let me try let me have a go, and the man dropped it in the water somehow. The little boy wanted him to jump in and get it, and his father had to say: I’m sorry I can’t. And the little boy wanted him to buy another one and the man had to say, again: I’m sorry I can’t. The boy started crying and there wasn’t much the man could do about it. He could have picked him up.

The way these things come into his head, sometimes. Standing there in the morning, looking at someone fishing, pissing on the stony ground that slopes down to the river, thinking about nothing much and then a man losing his little boy’s net pops into his head from years back. This really was some years back now. The way he couldn’t buy a new net to make it better. The little boy with his red hair.

He stands there each morning and he looks at the river, the fields, the sky. He tries to estimate what the weather will do for the rest of the day. He makes some decisions about the work he’s going to do on the treehouse or the raft. He thinks about making breakfast. He thinks about going to look for more wood.

It’s hard to understand why the people on the boats wave, sometimes. Perhaps they feel strange being out in the middle of the water like that. They feel vulnerable or lonely and it helps if they wave. Or they think it’s just what they’re supposed to do. Maybe they say ahoy! when they pass another boat. Who knows. The men on the commercial boats never wave. There’s one that goes by about once a week, a gravel-barge, and he’s never seen them waving the whole time he’s been here, not at him or the man fishing or at any of the other boats. When it goes upstream it sits high on the water, its tall panelled sides beaten like a steel drum. But coming back down, fully loaded, it looks like a different boat, sunk low in the water, steady and slow, a man in a flat blue cap walking the wave-lapped gunwales and washing them down with a long-handled mop. And he wonders, often, what would happen if the man fell in, if he would prove to be a good swimmer, if the driver of the boat would be able to stop and pull him back on board. Or if the man would drown and wash on to the shore where this small piece of stony ground slopes down to the water.

He’s not sure what he would do if that were to happen. If he would step down towards the man, and pick him up. Or at least drag him clear of the river. He’s not sure if he’d be able to do it. Physically. Mentally. Maybe the right thing would be to wait for the proper authorities. Maybe his part could be to walk out along the road to the phone-box by the yacht club and do the necessary informing. They might come along and say: Thank you sir, you did the right thing. It was the right thing not to touch the body, well done. And take photos: of the stony ground, the body, the feet still paddling in the edge of the river. And people with the appropriate experience and accessories would come and pick him up, out of the water, and take him away.

They’d need the right accessories.

The other man on the boat wouldn’t be able to help. It’s a really big boat, he couldn’t just steer it over to the bank and moor up and come running over shouting: Where is he, where is he, is he okay? It wouldn’t be like that. He would have to continue his passage, steer the boat on to the nearest available pontoon and moor the boat securely, single-handed, and then come back to this location. And it’s possible that by then the proper authorities would have been and gone, and taken his mop-dangling friend with them.

He imagines the skipper at the wheel of his heavy-laden barge, looking back at the spot in the river where his friend had slipped in. It would be difficult. Two men doing a job like that, every day, they could become very close. They could develop a close understanding of each other. Up and down the same stretch, loading and unloading, tying and untying, not saying much to each other because the noise of the engine would make it difficult to hear and because anyway what would there be to say. But understanding each other with a look and a nod, and a way of standing or a way of holding themselves, they could become very close, they would know each other better than perhaps they know anyone else. And then one of them slips from the wet gunwale into the water and his friend can only turn and look, the water closing over him as if nothing had happened and the long-handled mop floating down the river, out to sea.

He thinks about this a lot. But, who knows. It doesn’t seem worth dwelling on. It seems an unlikely thing to need to consider, the proper procedure in such an event. But it’s not an entirely unlikely occurrence. It happens. It has happened. People fall in the water, and they disappear, and they reappear drowned. It’s not impossible. It’s a thing that can happen.

Perhaps that’s why the men on the barges don’t wave. Because they’re concentrating. They know about the things that can happen. They take the river seriously.

He watches them, when they pass, the man in the flat blue cap with the mop and the man at the wheel, and he wonders if they see him. If they see the man fishing, when he’s there, which is quite often, or if they see anything besides the river and the current and the weather and each other.

He imagines they keep quite a close watch on the weather, the two of them. We’ve always got half an eye on it, they’d probably say, if someone asked them, if they came into the yacht club one evening and someone bought them a drink and talked to them about working that great boat up and down the river. It has quite an effect on our operation.

He keeps a close watch on the weather as well, from his place on the riverbank. It changes quite slowly. He can see it happening in the distance: a break in the clouds, a veil of rain rolling in across the fields. Sometimes he thinks it would be interesting to keep a chart of it. Windspeeds, temperatures, total rainfall, that type of thing. But it would need certain equipment, certain know-how and measuring equipment, and he’s not sure where someone would come by that type of thing. Probably it would mean going into town.

But sometimes it can really take his breath away, how different this place can look, with a change in the weather. He can stand in the doorway, first thing in the morning, and all the rain from the day before has vanished and there are no clouds and it looks like maybe there never were any clouds and there never will be again, the sky is that clear and clean and huge, and everything that was grey before is fresh and bright like newly sawn wood. And then other times he can stand here and see nothing, the thick mist lifting up off the river and nothing visible besides the trees around his house. The river just a muffled sound of water rushing over the stony banks. The opposite bank completely lost, and no clue as to whether the fisherman is there or not with his rods and his accessories. The fisherman doesn’t seem the sort to let a damp day put him off his fishing, but there’s no way of knowing.

It’s frustrating, not being able to know. He’s a man who likes to know these things. What’s happening in his immediate surroundings. The lie of the land. Sometimes he’s even thought about walking round to the man’s spot to find out, to make sure. But it’s a long walk, and there are things he has to do with his time. It would be about six miles altogether, out along the road past the yacht club, into the village, past the post office, out by the farm to the new road bridge and then all the way back along the other bank.

And what would he say to him when he got there anyway. It would be awkward.

People call it the new road bridge, but it must be twenty or thirty years old.

It’s not just the weather that changes. It’s surprising, how new a day can look, how different the view can be when he stands there each morning having a piss on the stony ground. The height of the water, the colour of the sky, the feel of the air against his skin, the direction of the smoke drifting out from the cooling towers along the horizon, the number of leaves on the trees, the footprints of birds and small animals in the soft mud at the water’s edge, the colour of the river running by.

The speed of the water changes, that’s something else, with the height of the river. If it’s been raining a lot. The river draws itself up, the water churning brown with all the mud washed in off the fields, and the river rises up and races towards the sea, sweeping round bends and rushing over rocks or trees or sunken boats that sit and rest in its way, anything that thinks it can just rest where it is, the river rushes over and picks it up and carries it along, like loose soil and stones on the banks of outside bends, or trees with fragile roots, or a stack of pallets left too close to the water’s edge, it all gets swept along, like people in a crowd, like what happens in a football ground if there are too many people in not enough space and something happens to make everyone rush, if they all start to run and then no one person can stop or avoid it, they all move together and then what can anyone expect if there’s a dam been put up against all that momentum, if there’s a fence and someone saying stand back don’t run there’s enough room for everyone if you could spread out and stand back and just stop pushing.

When there’s not enough room. When there’s too many of them and someone puts up a fence and says stop pushing.

That’s what it’s like. The river. When it’s been raining too much. The momentum of it is huge and dangerous: it makes him think of a crowd of people being swept along and none of them can stop it and they get to a fence and someone says stop pushing. In a football ground. Everybody rushing into one space and there’s not enough room and no one can stop moving. And there’s a fence and someone standing behind the fence says: Stop pushing will you all please stop pushing.

It’s what comes to mind, when he sees the river like that.

And other times the river is quiet. After the rain has stopped. After a few days of the river raging past, all choked with mud and fury, it drops back down again; slows, slips away from the high carved banks and comes to what looks like a standstill. The sun in broken shards across its surface, like scraps of tinfoil thrown from a bridge by some children further upstream. It looks good enough to swim in, then. Not that he ever has. He’s never seen anyone swimming here. It doesn’t seem like a good idea.

*

So. This is how his days begin. If you really want to know. The morning creeps through the cracked windows of his house. He stands in the doorway, pissing on the stony ground, and he thinks about all these things. He looks at the river, and the sky, and the weather, and he thinks about his work for the day. He tries to allocate his priorities. The treehouse is almost finished, apart from the roof, but the raft is still a long way from being done.

The roof will be important.

He thinks about the people on the boats, and the man fishing, and children further upstream throwing things into the water. Throwing sticks and model boats, pieces of paper jammed into plastic bottles with screw-top lids. He imagines the bottles washing up on to his piece of land by chance, and he imagines unscrewing the lids and unrolling the pieces of paper. He thinks about the children, on the bridge, watching the model boats and the plastic bottles turning in the current. He imagines them shielding their eyes to catch a last glimpse. Two of them, a boy and a girl, the girl almost eleven now, the boy eight and a half. Red-haired, like their father. He imagines the girl turning away and saying: Come on, we should catch up with Mum now, and the boy saying: But I can still see mine, I can. Holding his small hands up to his eyes like binoculars.

And what would be written, on these pieces of paper?

The sky looks clear right across to the far field, a faint early sun shining off the river. But there’s a cold wind, and rain on the way.

Yellowed willow leaves blow across the stony ground and into the river, floating away like tiny boats heading out to sea.

And when it starts they won’t understand. They’ll put on coats and go outside, brandishing umbrellas against the violence of the sky. They’ll check the forecast and wait for the rain to stop so they can hang the washing outside. But it won’t stop. They should understand, but they won’t.

The treehouse is almost done. It was slow when he started; he didn’t really know what he was doing. He had to try a few different techniques before he could progress. There was less urgency then. There’s more now. It’s sort of imperative that he gets it finished soon. He’s used pallets mostly. They’re easy to get hold of, and if it looks a bit untidy then so what. At least it does the job.

Some of the others in the yacht club have noticed. They must have seen it from the road when they were driving past. They were laughing about it last time he went in. One of them asked if his name was Robinson and where was the rest of the Swiss family, and he almost did something then, like swinging a big glass ashtray into the side of his head or pushing him off his stool. But he didn’t. He’s more careful now. Accidents and things like that happen very easily, if he’s not careful. So he didn’t say a thing. They asked him lots of questions, like what was he building it for and why was it so high and what was he going to do when the winds picked up. He just said he had some wood lying around and he thought he’d give it a go, and when someone beat their chest and made a noise like Tarzan he got up and left. He didn’t even slam the door, and he didn’t go back when he heard them laugh.

Who knows why they call it the yacht club. None of them have got yachts.

The way they laughed. Some people deserve it, what will come.

It might not be the finest treehouse ever built, but it does what it needs to do. It’s difficult to get the details exactly right when you’re fifty foot up in the air. It’s hard enough getting all the wood up there in the first place. It would be easier with two people. Or quicker, at least. But it’s just him, now, so it takes some careful planning. Some forethought. And hard work.

He needs some roofing felt. Or an old tarpaulin, if he can’t find any felt. The roof will be important. He’ll need to take his time over the roof. And then there’s the raft, of course: he’s got the basic structure, the barrels and the pallets, but it needs more work on the lashings. It’s the structural integrity which will count, in the long run. It might need some kind of shelter as well, a little cabin or a frame for a tarpaulin. If it can take the weight.

The weather, when it changes, generally comes rolling in from the east. He can stand here and watch the clouds gathering, like an army forming up in the distance and preparing to march. Only when it comes in it’s more of a charge than a march, crashing into the river, with a noise like boxes of nails spilling on to a wooden floor. When it comes like that, furious and sudden, it usually passes by again soon enough, the air beaten clean in its wake.

But there will come a time when it doesn’t pass. When the clouds gather and don’t pass away, and rain pours endlessly upon the earth. And some will be prepared, and some will not.

He wonders what the man on the other side of the river does, when he’s not here. When he’s not fishing. Probably he’s retired and that’s why he can manage to be here so often. But he doesn’t look old enough to be retired, the way he walks, the weight he carries. Maybe he got grounds of ill health out of someone, out of whoever he was working for. The police, maybe, it’s quite possible to get grounds of ill health with the police, like mental distress for example, like if something were to happen, there are things that can happen if you work in the police, there are things that can give you stress or mental distress. For example things you might witness or be a part of.

Like being in front of a crowd, and saying: Stop pushing there’s enough room for everyone there’s no need to push. Like being the other side of a fence and saying: Get back stop pushing. And then later you see the rails, steel rails, bent and broken as easily as reeds.

It could be difficult for someone to do their job after something like that, to carry that with them and not be affected by the mental distress. Fishing might be an ideal respite: the order of it, the quietness, the solitude. No one shouting or pushing. No one asking for explanations. Just the river, easing on past. The sky, the changing light, the flash of silver from the emptying net when the fish pour safely back into the river.

It might not be that, of course. That would just be speculation. It might be nothing like that at all.

When it comes it will come suddenly, rushing across the earth like a vengeful crowd, an unturnable tide of seething fury. They will stand and watch, in bus shelters, in shop doorways, from the apparent safety of locked cars, and they will tut to themselves and say: Oh, isn’t the weather awful, and they will not know what they say.

And those two children on the bridge, throwing scraps of paper into the water, watching the water rise higher, perhaps they will have the sense to know what is happening, perhaps they will climb a tree and scan the horizon for a place of safety. Or perhaps in desperation they will take their umbrellas and turn them into boats, drop them into the river and ride them wherever the current goes. Or perhaps they’re too big for that now.

And whenever it looks as though the rain will stop, people will come out of their houses and peer up at the sky. They will lift their faces and let themselves be soaked while they stare at the thinning clouds, retreating to the safety of their houses, their upstairs bedrooms, their rooftops.

This will be in the first few weeks. Before they realise.

When it happens there will be people rushing by, the torrential current of the new river sweeping them quickly and terribly past. And he won’t be able to help them. But he’ll look, and if he sees two little ones hurtling along, two red-haired, wide-eyed little ones, he’ll reach out with a big net on the end of a long pole he’s got there ready, and he’ll pull them in, dry them off and wrap them up warm and cook them supper. And they can all stay together in the treehouse for as long as it takes, and if the children get bored there will be paper and crayons for them to draw with, write messages on, make little model boats from. And if they need to leave they’ll have the raft. They’ll be ready.

The sky is clear now, but the rain is coming. He can smell it.

Sometimes when he wakes it’s still only just getting light. It’s good, to stand there and watch the morning creep up on the world, the river a shadow in front of him, the cold air against his skin. It’s a privilege. Sometimes he can just stand there for a whole hour, watching the shapes and colours taking form out of the darkness. The streams and ditches all glinting like silver threads.

It is sometimes a very beautiful world. It’s a shame, what will happen.

It’s rare, though, to spend an hour watching the morning arrive like that. People don’t. It’s rare for people to even spend a moment enjoying their first piss of the day, the way he does. People are so busy. They’ll brush their teeth sitting on the toilet to save a few minutes. Eat breakfast standing up. They don’t have the time to watch the colour bleed into the world each day. They have meetings, schedules, documents. They don’t have time to listen to each other, to be patient with the difficulties of expression. They haven’t got the time to stand and watch a man say nothing except: I can’t explain, or: I don’t know how to say it. There are important things to be done, and a man who will spend a day standing at a window is not a man who can fit into such functional and fulfilling lives.

These are not people with ears to hear or eyes to see. These are not people who will understand, when it comes.

They will say they understand. They will say they know it might take a while to come to terms. But one day there will be shouting, there will be a cracked voice saying: I don’t have time to deal with all this. There will be the banging of objects against hard surfaces, a waving of arms, children standing and crying.

They don’t have time. They have busy and important things to do. They need somebody who can be there for them. They need somebody who can go back to work, even after that. Silence and stillness and contemplation aren’t going to pay the bills.

This is how his days begin, now. He asked me to tell you. He wakes up, he walks across the rough wooden floor, he holds on to the doorframe and he pisses on to the stony ground.

He looks at the height of the river and the colour of the sky. He looks up at the half-built treehouse, and the raft, and he plans his work for the day.

Soon it will rain. And people won’t understand. They’ll just put on their hats and coats, open their umbrellas, and rush out into the middle of whatever it is they need to do. Their busy days. Their successful and important lives.

He thought you should know.
Fleeing Complexity (#u552e8311-821a-55ea-928d-0eee6d869256)
Irby in the Marsh
The fire spread quicker than the little bastard was expecting.
Vessel (#u552e8311-821a-55ea-928d-0eee6d869256)
Halton Holegate
She took the tulips from his hands. Let me find something to put those in, she said. His hands were cold. She was surprised that he’d come and she wanted to cover her surprise. She laid the tulips on the kitchen counter and looked around for a pair of scissors. The flower-heads were still tightly closed. The petals were red, with a rim of yellow at the lips. The stems arched, the way that tulip stems always did. She would need a vase tall enough to bear their weight. She picked them up and put them down. She didn’t know where the scissors were. She opened a drawer. She stopped; she’d forgotten to invite him in. He must still be standing on the doorstep, in the snow. She felt the cold air blowing through from the hallway. By the time she got back to him he’d stepped forward as far as the runner and was standing with the door half-closed behind him. Oh come in, of course, come in, she said. You weren’t waiting to be asked were you? He smiled, and shrugged, and snow fell from his shoulders as he crooked up a leg to wrestle off a shoe. She watched. She wanted to brush the snow from him and take his coat, put a hand against his cold cheek. She waited.

She lit the burner and put the kettle on. She wondered what he was doing here. They had a conversation, of sorts, standing there in the kitchen.
‘You didn’t walk, in this weather?’
‘I got the bus. I walked from the end of the village. Where the bus turns.’
‘I’m surprised the bus was running.’
‘I wasn’t sure it would.’
‘And you didn’t think of calling first, to check I’d be here?’
‘I felt like taking a chance. I had the afternoon free.’
‘Well. It is nice to see you. It’s a nice surprise. Tea?’
‘Please. Milk, if you have any.’
She poured the boiling water into a pot and the milk into a jug. She put them on a tray with cups and saucers and the sugar bowl. She carried the tray through to the front room and they sat across from each other while the snow fell past the bright window and the tea steeped and swirled inside the pot.

‘These are nice cups.’
‘Aren’t they? We’ve had them a long time. They were a wedding present.’
‘Really? I don’t remember seeing them before.’
‘Well, no. James never really liked them.’
‘Ah.’
‘So they were put away.’
‘Yes.’
‘But now, I thought, I mean. You know.’
‘Are they French?’
‘Flemish, I think.’
‘They’re very nice.’
‘Yes.’
‘They sit well in your hand, don’t they? They have a nice weight.’
‘Yes. I suppose they do.’
‘I’m sorry. About James.’
‘Yes.’
‘You got my card?’
‘Oh. I don’t think so. No.’
‘Oh, I’m sorry. The post hasn’t been what it was, has it?’
‘No, it really hasn’t. Excuse me.’
She’d forgotten to put the tulips in something. She hadn’t even got as far as cutting the stems. She wondered why he’d come today; what was different about today. She opened a drawer. She found the scissors on the side, by the draining board. She cut the twine and the tulips rolled out across the worktop. She looked for the little sachet of plant-food, but of course there wasn’t one. It was just like him, not to have said he was coming. James would never have done such a thing. But neither would James have thought to bring flowers. She cut the ends off the tulip stems, scooping them up and dropping them in the compost-bin. She remembered where the vases were, and that she couldn’t reach them. She didn’t want to clamber up on a stool to fetch one down. She asked him if he minded and he said not at all. Of course, he could reach the top cupboard without even stretching up on his toes. James would have needed to stretch, at least. It was a nice vase he chose. It was the right one: tall enough to support the arching stems, narrow enough to hold them closely, subtle enough not to detract from their colour.
‘Wherever did you find flowers, anyway?’
‘Oh, you know. You can still find these things, if you look.’
‘It’s a long time since I’ve seen cut flowers.’
‘You just have to know the right people, that’s all.’
‘And you do.’
‘I manage. You’re still getting milk?’
‘Straight from the farm.’
‘There hasn’t been any in town for a time.’
‘You don’t know the right people for milk, then?’
‘I didn’t. But I’ve got you now, haven’t I?’
She didn’t know about that. She didn’t know about that at all. It seemed somehow presumptuous. He must know there was a limited supply. She didn’t say anything, and he seemed to realise that he’d overstepped the mark because he moved towards the window and started talking about the garden, about how difficult it was to start things off with the snows getting later and later like this. She looked at the back of him while he spoke. How very upright he was, even at his age. He’d always been one of the standing-up-straight sort. Proper. It was certainly nice to see him again. But she didn’t know what he thought he was doing here. She carried the vase of tulips into the front room and set them on the coffee table, where they would best hold the light. He followed her through, slightly unexpectedly, and, standing a little too close, asked whether she’d ever considered taking in paying guests. She told him she didn’t really know about that.
‘You have the space though.’
‘Well, perhaps.’
‘I just rather wondered whether you couldn’t use the extra hands about the place. You know. I realise money’s not quite the thing at the moment, but there could be other forms of payment. Help, you know. Connections.’
‘I’m not sure, really.’

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