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The Mysterious Affair at Styles
Agatha Christie
Agatha Christie’s first ever murder mystery. Includes an introduction by Christie archivist John Curran, and the original unpublished courtroom chapter as an alternate ending to the novel.‘Beware! Peril to the detective who says: “It is so small – it does not matter…” Everything matters.’After the Great War, life can never be the same again. Wounds need healing, and the horror of violent death banished into memory.Captain Arthur Hastings is invited to the rolling country estate of Styles to recuperate from injuries sustained at the Front. It is the last place he expects to encounter murder. Fortunately he knows a former detective, a Belgian refugee, who has grown bored of retirement …The first Hercule Poirot mystery, now published with a previously deleted chapter and introduced by Agatha Christie expert Dr John Curran.



THE MYSTERIOUS
AFFAIR AT STYLES
This novel was originally written as the result of a bet, that the author, who had previously never written a book could not compose a detective novel in which the reader would not be able to ‘spot’ the murderer, though having access to the same clues as the detective. The author has certainly won her bet, and in addition to a most ingenious plot of the best detective type she had introduced a new type of detective in the shape of a Belgian. This novel has had the unique distinction for a first book of being accepted by the Times as a serial for its weekly edition.
John Lane, The Bodley Head, 1921






Copyright (#ulink_35671673-591f-5700-9abc-bfb0cb30a0bf)
HarperCollinsPublishers 1 London Bridge Street London SE1 9GF
www.harpercollins.co.uk (http://www.harpercollins.co.uk)
Styles edition 2016
First published in Great Britain by The Bodley Head Ltd 1921
The Mysterious Affair at Styles™ is a trade mark of Agatha Christie Limited and Agatha Christie® Poirot® and the Agatha Christie Signature are registered trade marks of Agatha Christie Limited in the UK and elsewhere.
Copyright © 1920 Agatha Christie Limited. All rights reserved.
www.agathachristie.com (http://www.agathachristie.com)
Introduction copyright © John Curran 2013
Agatha Christie Notebooks/‘The Last Link’ unpublished original version copyright © Christie Archive Trust 2013
Agatha Christie asserts the moral right to be identified as the author of this work.
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Source ISBN: 9780008123185
Ebook Edition © 2017 ISBN: 9780007463497
Version: 2017-10-18

Dedication (#ulink_d6a018c6-58aa-5389-b243-99ec0b672543)
To my mother
Contents
Cover (#u598470b1-0a2e-5cfd-9a09-f2290238f1ca)
Title Page (#u3567cad2-96a7-53c7-814a-c0e4cc1365bf)
Copyright (#u69ba76c2-4499-5d15-8733-03973f4b2695)
Dedication (#uf051cac5-e0cf-5d87-b6e7-07369a36453d)
Introduction by John Curran (#u328fcd99-ca87-54a7-beb5-d56cc1a9736f)
1. I Go to Styles (#ud973a134-166c-5b7a-a545-7af7e7b18d9c)
2. The 16th and 17th of July (#uc22e2212-f5d8-59a0-8d0f-03c4151118b2)
3. The Night of the Tragedy (#uaa64fced-6843-5083-bec0-dfe19e7bcdea)
4. Poirot Investigates (#u0adcbee7-ddd1-50f5-af95-af397d510f5f)
5. ‘It isn’t Strychnine, is it?’ (#litres_trial_promo)
6. The Inquest (#litres_trial_promo)
7. Poirot Pays His Debts (#litres_trial_promo)
8. Fresh Suspicions (#litres_trial_promo)
9. Dr Bauerstein (#litres_trial_promo)
10. The Arrest (#litres_trial_promo)
11. The Case for the Prosecution (#litres_trial_promo)
12. The Last Link (#litres_trial_promo)
13. Poirot Explains (#litres_trial_promo)
Appendix: ‘The Last Link’—Original Unpublished Version (#litres_trial_promo)
Footnote (#litres_trial_promo)
Also by Agatha Christie (#litres_trial_promo)
About the Publisher (#litres_trial_promo)

THE MYSTERIOUS AFFAIR AT STYLES: (#ulink_1f766055-5c8f-51e6-9889-19c71bcbb73c)
AN INTRODUCTION (#ulink_1f766055-5c8f-51e6-9889-19c71bcbb73c)
by John Curran (#ulink_1f766055-5c8f-51e6-9889-19c71bcbb73c)
In An Autobiography, written towards the end of her life, Agatha Christie gives an account of the genesis of The Mysterious Affair at Styles, her first published novel written some fifty years earlier. It had its origins in a challenge from her sister Madge: ‘I bet you can’t write a good detective story.’ At the time Agatha was working in the dispensary of the local hospital and had a professional knowledge of poisons. This, coupled with the fact that Belgian refugees fleeing the First World War were arriving in her home town of Torquay on the south coast of England, provided Agatha with both her murder method and her detective’s background.
This was not her first literary effort, nor was she the first member of her family with literary aspirations. Both her mother Clara and sister Madge wrote, and Agatha had already written a ‘long dreary novel’ (her own words in a 1955 radio broadcast) and some short stories and sketches. Though the stimulus to write a detective story probably was the bet with her sister, there was obviously an innate talent within Agatha to plot and write such a successful book.
Although she began writing The Mysterious Affair at Styles in 1916 (the novel is set in 1917), and eventually completed it at the encouragement of her mother during a two-week seclusion in the Moorland Hotel, it was not published for another four years. Its publication was to demand consistent determination on its author’s part as more than one publisher declined the manuscript. Finally in 1919 John Lane, co-founder of The Bodley Head Ltd, asked to meet her in London with a view to publication. But even then, the struggle was far from over.
The contract that John Lane offered her for the mistakenly named The Mysterious Affair ‘of’ Styles, dated 1 January 1920, took advantage of Agatha Christie’s publishing naivety. She explains in her autobiography that she was ‘in no frame of mind to study agreements or even think about them’. Her delight at the prospect of publication, combined with the conviction that she was not going to pursue a writing career, persuaded her to sign a six-book contract. She was to get a royalty of 10 per cent only after 2,000 copies were sold in the UK, and she was obliged to produce five more titles in a clause that was to lead to much correspondence over the following years.
The readers’ reports on the Styles manuscript were promising, despite some misgivings. One gets right to the commercial considerations: ‘Despite its manifest shortcomings, Lane could very likely sell the novel … There is a certain freshness about it.’ A second report is more enthusiastic: ‘It is altogether rather well told and well written.’ And another speculates on her potential future, ‘if she goes on writing detective stories and she evidently has quite a talent for them.’
The readers were much taken with the character of Hercule Poirot—‘the exuberant personality of M. Poirot who is a very welcome variation on the “detective” of romance’; ‘a jolly little man in the person of has-been famous Belgian detective’. Although Poirot might have taken issue with the use of the description ‘has-been’, it was clear that his presence was a factor in the manuscript’s acceptance. In a report dated 7 October 1919, one very perceptive reader remarked, ‘but the account of the trial of John Cavendish makes me suspect the hand of a woman’. Because her name on the manuscript appears as A.M. Christie, another reader also refers to ‘Mr Christie’.
Despite these favourable readers’ reports, there were further delays, and after a serialization in The Weekly Times—the first time a ‘first’ novel had been chosen—beginning in February 1920, Christie wrote to Mr Willett at The Bodley Head in October wondering if her book was ‘ever coming out?’ pointing out that she had almost finished her second one. Soon thereafter she received the projected cover design, which she approved, and almost five years after she began it, Agatha Christie’s first book went on sale in the UK on 21 January 1921.
The reviews on publication were even more enthusiastic than the pre-publication reports. The Times called it ‘a brilliant story’ and the Sunday Times found it ‘very well contrived’. The Daily News considered it ‘a skilful tale and a talented first book’, while the Evening News thought it ‘a wonderful triumph’ and described Christie as ‘a distinguished addition to the list of writers in this genre’. ‘Well written, well proportioned and full of surprises’ was the verdict of The British Weekly.
As we have seen, one of the early readers’ reports mentioned the John Cavendish trial. In the original manuscript, Poirot gives his explanation of the crime from the witness box during the trial. In An Autobiography Christie describes John Lane’s verdict on her manuscript, including his opinion that this courtroom scene was not convincing and his request that she amend it. She agreed to a rewrite, and although the explanation of the crime itself remains the same, instead of giving it in the course of the judicial process, Poirot unveils the murderer in the drawing room in the kind of scene that was to be replicated in many later books.
Although the typescript of the original courtroom chapter is long gone, the significance of Agatha Christie’s handwritten notebooks to researchers had long been disregarded, almost certainly on account of the general illegibility of her handwriting. The 73 notebooks cover her entire literary life, beginning with her French homework from her time in Paris as a young woman to the last years of her life when she was planning a novel to follow Postern of Fate in 1973. They include notes for most of her novels, many of her short stories, and some of her stage plays. Also scattered throughout the 7,000 pages are ideas for stories she never wrote, some poetry, travel diaries, and rough notes for some of her Mary Westmacott novels. Of a more personal nature were jottings of ideas for Christmas presents, her reading lists, possible plants for the garden, doodles for crosswords, and household lists. The physical notebooks are unimpressive—small and large, with and without covers, cheap and expensive—and filled with, in many cases, indecipherable handwriting in pen, pencil and biro. But as an insight into the creative process of the bestselling writer of the last century, they are a priceless literary heritage.

Incredibly—for it was written, in all probability, in 1916—the deleted scene, as well as two brief and somewhat enigmatic notes about the novel, have survived in the pages of Notebook 37. The chapter and notes for The Mysterious Affair at Styles were written in pencil, with much crossing out and many insertions. This is difficult enough to read, but an added complication lies in the fact that Christie often replaced the deleted words with alternatives, squeezed in, sometimes at an angle, above the original. And although the explanation of the crime is, in essence, the same as the published version, the published text was of limited help in deciphering them. The wording is often different and some names have changed. Having spent the best part of two years transcribing the notebooks, I can say that of all the entries this exercise was the most challenging, but the fact that it is Agatha Christie’s and Hercule Poirot’s first case made the extra effort worthwhile.
This new edition of The Mysterious Affair at Styles is the first to restore Agatha Christie’s original unpublished courtroom ending to her book, so that you, the reader, can judge whether or not John Lane was right in insisting on a rewrite. The deleted version of Chapter 12, ‘The Last Link’, is printed at the back of the book, and can be read as an alternative to the published Chapter 12. Because the original chapter has been reconstructed from the unedited draft in Notebook 37, I have added conventional punctuation, made some minor edits for the sake of consistency, and omitted a few illegible words to ensure it is fully readable. (A more detailed presentation of the chapter, complete with annotations and footnotes, can be found in my book Agatha Christie’s Murder in the Making.)
Although Poirot’s dramatic evidence and explanation is essentially the same in both the courtroom and the drawing room versions of the chapter, the unlikelihood of a detective being allowed to give court evidence in the manner of a witness is self-evident. Had John Lane but known it, in demanding the alteration to the denouement of the novel he unwittingly paved the way for a half century of drawing room elucidations stage-managed by Poirot. In The Murder of Roger Ackroyd, Peril at End House, Three Act Tragedy, Death in the Clouds, The ABC Murders, Dumb Witness, Hercule Poirot’s Christmas, Five Little Pigs and After the Funeral, among others, Poirot holds forth to the assembled suspects in scenes reminiscent of this first explanation in Mary Cavendish’s Kensington drawing room, where the family have moved for the duration of the trial. Not all of his expositions are in such elegant surroundings, however; an archaeological dig is the background in Murder in Mesopotamia, a snowbound train in Murder on the Orient Express, a dubious guest-house in Mrs McGinty’s Dead, a student hostel in Hickory Dickory Dock. Miss Marple, on the other hand, often confronts the killer—Sleeping Murder, Nemesis, The Mirror Crack’d, 4.50 from Paddington, A Murder is Announced, A Caribbean Mystery—reserving the detailed explanation for later. Doubtless, Poirot’s vanity enjoys the adulation that follows his explanation!
The usual clichéd view of Christie is that all of her novels are set in country houses like Styles Court, and/or country villages. Statistically, this is inaccurate. Less than 30 (i.e. little over a third) of her titles are set in such surroundings, and the figure drops dramatically if you discount those set completely in a country house, as distinct from a village. But as Christie herself said, you have to set a book where people live.
In other ways also The Mysterious Affair at Styles presaged what was to become typical Christie territory—an extended family, a poisoning drama, a twisting plot, and a dramatic and unexpected final revelation. It is not a very extended family in Styles, however; there are only seven suspects, which makes the disclosure of a surprise murderer more difficult and Christie’s achievement in her first novel even more impressive.
In his 1953 survey of detective fiction, Blood in their Ink, Sutherland Scott describes The Mysterious Affair at Styles as ‘one of the finest “firsts” ever written.’ Countless Christie readers over almost a century would enthusiastically agree.
DR JOHN CURRAN
March 2013

CHAPTER 1 (#ulink_4e6ae9fb-2d84-5adc-8d8a-13d98fe7b725)
I Go to Styles (#ulink_4e6ae9fb-2d84-5adc-8d8a-13d98fe7b725)
The intense interest aroused in the public by what was known at the time as ‘The Styles Case’ has now somewhat subsided. Nevertheless, in view of the world-wide notoriety which attended it, I have been asked, both by my friend Poirot and the family themselves, to write an account of the whole story. This, we trust, will effectually silence the sensational rumours which still persist.
I will therefore briefly set down the circumstances which led to my being connected with the affair.
I had been invalided home from the Front; and, after spending some months in a rather depressing Convalescent Home, was given a month’s sick leave. Having no near relations or friends, I was trying to make up my mind what to do, when I ran across John Cavendish. I had seen very little of him for some years. Indeed, I had never known him particularly well. He was a good fifteen years my senior, for one thing, though he hardly looked his forty-five years. As a boy, though, I had often stayed at Styles, his mother’s place in Essex.
We had a good yarn about old times, and it ended in his inviting me down to Styles to spend my leave there.
‘The mater will be delighted to see you again—after all those years,’ he added.
‘Your mother keeps well?’ I asked.
‘Oh, yes. I suppose you know that she has married again?’
I am afraid I showed my surprise rather plainly. Mrs Cavendish, who had married John’s father when he was a widower with two sons, had been a handsome woman of middle-age as I remembered her. She certainly could not be a day less than seventy now. I recalled her as an energetic, autocratic personality, somewhat inclined to charitable and social notoriety, with a fondness for opening bazaars and playing the Lady Bountiful. She was a most generous woman, and possessed a considerable fortune of her own.
Their country-place, Styles Court, had been purchased by Mr Cavendish early in their married life. He had been completely under his wife’s ascendancy, so much so that, on dying, he left the place to her for her lifetime, as well as the larger part of his income; an arrangement that was distinctly unfair to his two sons. Their stepmother, however, had always been most generous to them; indeed, they were so young at the time of their father’s remarriage that they always thought of her as their own mother.
Lawrence, the younger, had been a delicate youth. He had qualified as a doctor but early relinquished the profession of medicine, and lived at home while pursuing literary ambitions; though his verses never had any marked success.
John practised for some time as a barrister, but had finally settled down to the more congenial life of a country squire. He had married two years ago, and had taken his wife to live at Styles, though I entertained a shrewd suspicion that he would have preferred his mother to increase his allowance, which would have enabled him to have a home of his own. Mrs Cavendish, however, was a lady who liked to make her own plans, and expected other people to fall in with them, and in this case she certainly had the whip hand, namely: the purse strings.
John noticed my surprise at the news of his mother’s remarriage and smiled rather ruefully.
‘Rotten little bounder too!’ he said savagely. ‘I can tell you, Hastings, it’s making life jolly difficult for us. As for Evie—you remember Evie?’
‘No.’
‘Oh, I suppose she was after your time. She’s the mater’s factotum, companion, Jack of all trades! A great sport—old Evie! Not precisely young and beautiful, but as game as they make them.’
‘You were going to say—?’
‘Oh, this fellow! He turned up from nowhere, on the pretext of being a second cousin or something of Evie’s, though she didn’t seem particularly keen to acknowledge the relationship. The fellow is an absolute outsider, anyone can see that. He’s got a great black beard, and wears patent leather boots in all weathers! But the mater cottoned to him at once, took him on as secretary—you know how she’s always running a hundred societies?’
I nodded.
‘Well, of course the war has turned the hundreds into thousands. No doubt the fellow was very useful to her. But you could have knocked us all down with a feather when, three months ago, she suddenly announced that she and Alfred were engaged! The fellow must be at least twenty years younger than she is! It’s simply bare-faced fortune hunting; but there you are—she is her own mistress, and she’s married him.’
‘It must be a difficult situation for you all.’
‘Difficult! It’s damnable!’
Thus it came about that, three days later, I descended from the train at Styles St Mary, an absurd little station, with no apparent reason for existence, perched up in the midst of green fields and country lanes. John Cavendish was waiting on the platform, and piloted me out to the car.
‘Got a drop or two of petrol still, you see,’ he remarked. ‘Mainly owing to the mater’s activities.’
The village of Styles St Mary was situated about two miles from the little station, and Styles Court lay a mile the other side of it. It was a still, warm day in early July. As one looked out over the flat Essex country, lying so green and peaceful under the afternoon sun, it seemed almost impossible to believe that, not so very far away, a great war was running its appointed course. I felt I had suddenly strayed into another world. As we turned in at the lodge gates, John said:
‘I’m afraid you’ll find it very quiet down here, Hastings.’
‘My dear fellow, that’s just what I want.’
‘Oh, it’s pleasant enough if you want to lead the idle life. I drill with the volunteers twice a week, and lend a hand at the farms. My wife works regularly ‘on the land’. She is up at five every morning to milk, and keeps at it steadily until lunchtime. It’s a jolly good life taking it all round—if it weren’t for that fellow Alfred Inglethorp!’ He checked the car suddenly, and glanced at his watch. ‘I wonder if we’ve time to pick up Cynthia. No, she’ll have started from the hospital by now.’
‘Cynthia! That’s not your wife?’
‘No, Cynthia is a protégée of my mother’s, the daughter of an old schoolfellow of hers, who married a rascally solicitor. He came a cropper, and the girl was left an orphan and penniless. My mother came to the rescue, and Cynthia has been with us nearly two years now. She works in the Red Cross Hospital at Tadminster, seven miles away.’
As he spoke the last words, we drew up in front of the fine old house. A lady in a stout tweed skirt, who was bending over a flower bed, straightened herself at our approach.
‘Hullo, Evie, here’s our wounded hero! Mr Hastings—Miss Howard.’
Miss Howard shook hands with a hearty, almost painful, grip. I had an impression of very blue eyes in a sunburnt face. She was a pleasant-looking woman of about forty, with a deep voice, almost manly in its stentorian tones, and had a large sensible square body, with feet to match—these last encased in good thick boots. Her conversation, I soon found, was couched in the telegraphic style.
‘Weeds grow like house afire. Can’t keep even with ’em. Shall press you in. Better be careful!’
‘I’m sure I shall be only too delighted to make myself useful,’ I responded.
‘Don’t say it. Never does. Wish you hadn’t later.’
‘You’re a cynic, Evie,’ said John, laughing. ‘Where’s tea today—inside or out?’
‘Out. Too fine a day to be cooped up in the house.’
‘Come on then, you’ve done enough gardening for today. “The labourer is worthy of his hire,” you know. Come and be refreshed.’
‘Well,’ said Miss Howard, drawing off her gardening gloves, ‘I’m inclined to agree with you.’
She led the way round the house to where tea was spread under the shade of a large sycamore.
A figure rose from one of the basket chairs, and came a few steps to meet us.
‘My wife, Hastings,’ said John.
I shall never forget my first sight of Mary Cavendish. Her tall, slender form, outlined against the bright light; the vivid sense of slumbering fire that seemed to find expression only in those wonderful tawny eyes of hers, remarkable eyes, different from any other woman’s that I have ever known; the intense power of stillness she possessed, which nevertheless conveyed the impression of a wild untamed spirit in an exquisitely civilized body—all these things are burnt into my memory. I shall never forget them.
She greeted me with a few words of pleasant welcome in a low clear voice, and I sank into a basket chair feeling distinctly glad that I had accepted John’s invitation. Mrs Cavendish gave me some tea, and her few quiet remarks heightened my first impression of her as a thoroughly fascinating woman. An appreciative listener is always stimulating, and I described, in a humorous manner, certain incidents of my Convalescent Home, in a way which, I flatter myself, greatly amused my hostess. John, of course, good fellow though he is, could hardly be called a brilliant conversationalist.
At that moment a well-remembered voice floated through the open French window near at hand:
‘Then you’ll write to the Princess after tea, Alfred? I’ll write to Lady Tadminster for the second day, myself. Or shall we wait until we hear from the Princess? In case of a refusal, Lady Tadminster might open it the first day, and Mrs Crosbie the second. Then there’s the Duchess—about the school fête.’
There was the murmur of a man’s voice, and then Mrs Inglethorp’s rose in reply:
‘Yes, certainly. After tea will do quite well. You are so thoughtful, Alfred dear.’
The French window swung open a little wider, and a handsome white-haired old lady, with a somewhat masterful cast of features, stepped out of it on to the lawn. A man followed her, a suggestion of deference in his manner.
Mrs Inglethorp greeted me with effusion.
‘Why, if it isn’t too delightful to see you again, Mr Hastings, after all these years. Alfred, darling, Mr Hastings—my husband.’
I looked with some curiosity at ‘Alfred darling’. He certainly struck a rather alien note. I did not wonder at John objecting to his beard. It was one of the longest and blackest I have ever seen. He wore gold-rimmed pince-nez, and had a curious impassivity of feature. It struck me that he might look natural on a stage, but was strangely out of place in real life. His voice was rather deep and unctuous. He placed a wooden hand in mine and said:
‘This is a pleasure, Mr Hastings.’ Then, turning to his wife: ‘Emily dearest, I think that cushion is a little damp.’
She beamed fondly at him, as he substituted another with every demonstration of the tenderest care. Strange infatuation of an otherwise sensible woman!
With the presence of Mr Inglethorp, a sense of constraint and veiled hostility seemed to settle down upon the company. Miss Howard, in particular, took no pains to conceal her feelings. Mrs Inglethorp, however, seemed to notice nothing unusual. Her volubility, which I remembered of old, had lost nothing in the intervening years, and she poured out a steady flood of conversation, mainly on the subject of the forthcoming bazaar which she was organizing and which was to take place shortly. Occasionally she referred to her husband over a question of days or dates. His watchful and attentive manner never varied. From the very first I took a firm and rooted dislike to him, and I flatter myself that my first judgements are usually fairly shrewd.
Presently Mrs Inglethorp turned to give some instructions about letters to Evelyn Howard, and her husband addressed me in his painstaking voice:
‘Is soldiering your regular profession, Mr Hastings?’
‘No, before the war I was in Lloyd’s.’
‘And you will return there after it is over?’
‘Perhaps. Either that or a fresh start altogether.’
Mary Cavendish leant forward.
‘What would you really choose as a profession, if you could just consult your inclination?’
‘Well, that depends.’
‘No secret hobby?’ she asked. ‘Tell me—you’re drawn to something? Everyone is—usually something absurd.’
‘You’ll laugh at me.’
She smiled.
‘Perhaps.’
‘Well, I’ve always had a secret hankering to be a detective!’
‘The real thing—Scotland Yard? Or Sherlock Holmes?’
‘Oh, Sherlock Holmes by all means. But really, seriously, I am awfully drawn to it. I came across a man in Belgium once, a very famous detective, and he quite inflamed me. He was a marvellous little fellow. He used to say that all good detective work was a mere matter of method. My system is based on his—though of course I have progressed rather further. He was a funny little man, a great dandy, but wonderfully clever.’
‘Like a good detective story myself,’ remarked Miss Howard. ‘Lots of nonsense written, though. Criminal discovered in last chapter. Every one dumbfounded. Real crime—you’d know at once.’
‘There have been a great number of undiscovered crimes,’ I argued.
‘Don’t mean the police, but the people that are right in it. The family. You couldn’t really hoodwink them. They’d know.’
‘Then,’ I said, much amused, ‘you think that if you were mixed up in a crime, say a murder, you’d be able to spot the murderer right off?’
‘Of course I should. Mightn’t be able to prove it to a pack of lawyers. But I’m certain I’d know. I’d feel it in my fingertips if he came near me.’
‘It might be a “she”,’ I suggested.
‘Might. But murder’s a violent crime. Associate it more with a man.’
‘Not in a case of poisoning.’ Mrs Cavendish’s clear voice startled me. ‘Dr Bauerstein was saying yesterday that, owing to the general ignorance of the more uncommon poisons among the medical profession, there were probably countless cases of poisoning quite unsuspected.’
‘Why, Mary, what a gruesome conversation!’ cried Mrs Inglethorp. ‘It makes me feel as if a goose were walking over my grave. Oh, there’s Cynthia!’
A young girl in VAD uniform ran lightly across the lawn.
‘Why, Cynthia, you are late today. This is Mr Hastings—Miss Murdoch.’
Cynthia Murdoch was a fresh-looking young creature, full of life and vigour. She tossed off her little VAD cap, and I admired the great loose waves of her auburn hair, and the smallness and whiteness of the hand she held out to claim her tea. With dark eyes and eyelashes she would have been a beauty.
She flung herself down on the ground beside John, and as I handed her a plate of sandwiches she smiled up at me.
‘Sit down here on the grass, do. It’s ever so much nicer.’
I dropped down obediently.
‘You work at Tadminster, don’t you, Miss Murdoch?’
She nodded.
‘For my sins.’
‘Do they bully you, then?’ I asked, smiling.
‘I should like to see them!’ cried Cynthia with dignity.
‘I have got a cousin who is nursing,’ I remarked. ‘And she is terrified of “Sisters”.’
‘I don’t wonder. Sisters are, you know, Mr Hastings. They simp–ly are! You’ve no idea! But I’m not a nurse, thank heaven, I work in the dispensary.’
‘How many people do you poison?’ I asked, smiling.
Cynthia smiled too.
‘Oh, hundreds!’ she said.
‘Cynthia,’ called Mrs Inglethorp, ‘do you think you could write a few notes for me?’
‘Certainly, Aunt Emily.’
She jumped up promptly, and something in her manner reminded me that her position was a dependent one, and that Mrs Inglethorp, kind as she might be in the main, did not allow her to forget it.
My hostess turned to me.
‘John will show you your room. Supper is at half past seven. We have given up late dinner for some time now. Lady Tadminster, our Member’s wife—she was the late Lord Abbotsbury’s daughter—does the same. She agrees with me that one must set an example of economy. We are quite a war household; nothing is wasted here—every scrap of waste paper, even, is saved and sent away in sacks.’
I expressed my appreciation, and John took me into the house and up the broad staircase, which forked right and left half way to different wings of the building. My room was in the left wing, and looked out over the park.
John left me, and a few minutes later I saw him from my window walking slowly across the grass arm in arm with Cynthia Murdoch. I heard Mrs Inglethorp call ‘Cynthia’ impatiently, and the girl started and ran back to the house. At the same moment, a man stepped out from the shadow of a tree and walked slowly in the same direction. He looked about forty, very dark with a melancholy clean-shaven face. Some violent emotion seemed to be mastering him. He looked up at my window as he passed, and I recognized him, though he had changed much in the fifteen years that had elapsed since we last met. It was John’s younger brother, Lawrence Cavendish. I wondered what it was that had brought that singular expression to his face.
Then I dismissed him from my mind, and returned to the contemplation of my own affairs.
The evening passed pleasantly enough; and I dreamed that night of that enigmatical woman, Mary Cavendish.
The next morning dawned bright and sunny, and I was full of the anticipation of a delightful visit.
I did not see Mrs Cavendish until lunch-time, when she volunteered to take me for a walk, and we spent a charming afternoon roaming in the woods, returning to the house about five.
As we entered the large hall, John beckoned us both into the smoking room. I saw at once by his face that something disturbing had occurred. We followed him in, and he shut the door after us.
‘Look here, Mary, there’s the deuce of a mess. Evie’s had a row with Alfred Inglethorp, and she’s off.’
‘Evie? Off?’
John nodded gloomily.
‘Yes; you see she went to the mater, and—oh, here’s Evie herself.’
Miss Howard entered. Her lips were set grimly together, and she carried a small suitcase. She looked excited and determined, and slightly on the defensive.
‘At any rate,’ she burst out, ‘I’ve spoken my mind!’
‘My dear Evelyn,’ cried Mrs Cavendish, ‘this can’t be true!’
Miss Howard nodded grimly.
‘True enough! Afraid I said some things to Emily she won’t forget or forgive in a hurry. Don’t mind if they’ve only sunk in a bit. Probably water off a duck’s back, though. I said right out: “You’re an old woman, Emily, and there’s no fool like an old fool. The man’s twenty years younger than you, and don’t you fool yourself as to what he married you for. Money! Well, don’t let him have too much of it. Farmer Raikes has got a very pretty young wife. Just ask your Alfred how much time he spends over there.” She was very angry. Natural! I went on: “I’m going to warn you, whether you like it or not. That man would as soon murder you in your bed as look at you. He’s a bad lot. You can say what you like to me, but remember what I’ve told you. He’s a bad lot!”’
‘What did she say?’
Miss Howard made an extremely expressive grimace.
‘“Darling Alfred”—“dearest Alfred”—“wicked calumnies”—“wicked lies”—“wicked woman”—to accuse her “dear husband”! The sooner I left her house the better. So I’m off.’
‘But not now?’
‘This minute!’
For a moment we sat and stared at her. Finally John Cavendish, finding his persuasions of no avail, went off to look up the trains. His wife followed him, murmuring something about persuading Mrs Inglethorp to think better of it.
As she left the room, Miss Howard’s face changed. She leant towards me eagerly.
‘Mr Hastings, you’re honest. I can trust you?’
I was a little startled. She laid her hand on my arm, and sank her voice to a whisper.
‘Look after her, Mr Hastings. My poor Emily. They’re a lot of sharks—all of them. Oh, I know what I’m talking about. There isn’t one of them that’s not hard up and trying to get money out of her. I’ve protected her as much as I could. Now I’m out of the way, they’ll impose upon her.’
‘Of course, Miss Howard,’ I said, ‘I’ll do everything I can, but I’m sure you’re excited and overwrought.’
She interrupted me by slowly shaking her forefinger.
‘Young man, trust me. I’ve lived in the world rather longer than you have. All I ask you is to keep your eyes open. You’ll see what I mean.’
The throb of the motor came through the open window, and Miss Howard rose and moved to the door. John’s voice sounded outside. With her hand on the handle, she turned her head over her shoulder, and beckoned to me.
‘Above all, Mr Hastings, watch that devil—her husband!’
There was no time for more. Miss Howard was swallowed up in an eager chorus of protests and goodbyes. The Inglethorps did not appear.
As the motor drove away, Mrs Cavendish suddenly detached herself from the group, and moved across the drive to the lawn to meet a tall bearded man who had been evidently making for the house. The colour rose in her cheeks as she held out her hand to him.
‘Who is that?’ I asked sharply, for instinctively I distrusted the man.
‘That’s Dr Bauerstein,’ said John shortly.
‘And who is Dr Bauerstein?’
‘He’s staying in the village doing a rest cure, after a bad nervous breakdown. He’s a London specialist; a very clever man—one of the greatest living experts on poisons, I believe.’
‘And he’s a great friend of Mary’s,’ put in Cynthia, the irrepressible.
John Cavendish frowned and changed the subject.
‘Come for a stroll, Hastings. This has been a most rotten business. She always had a rough tongue, but there is no stauncher friend in England than Evelyn Howard.’
He took the path through the plantation, and we walked down to the village through the woods which bordered one side of the estate.
As we passed through one of the gates on our way home again, a pretty young woman of gipsy type coming in the opposite direction bowed and smiled.
‘That’s a pretty girl,’ I remarked appreciatively.
John’s face hardened.
‘That is Mrs Raikes.’
‘The one that Miss Howard—’
‘Exactly,’ said John, with rather unnecessary abruptness.
I thought of the white-haired old lady in the big house, and that vivid wicked little face that had just smiled into ours, and a vague chill of foreboding crept over me. I brushed it aside.
‘Styles is really a glorious old place,’ I said to John.
He nodded rather gloomily.
‘Yes, it’s a fine property. It’ll be mine some day—should be mine now by rights, if my father had only made a decent will. And then I shouldn’t be so damned hard up as I am now.’
‘Hard up, are you?’
‘My dear Hastings, I don’t mind telling you that I’m at my wit’s end for money.’
‘Couldn’t your brother help you?’
‘Lawrence? He’s gone through every penny he ever had, publishing rotten verses in fancy bindings. No, we’re an impecunious lot. My mother’s always been awfully good to us, I must say. That is, up to now. Since her marriage, of course—’ He broke off, frowning.
For the first time I felt that, with Evelyn Howard, something indefinable had gone from the atmosphere. Her presence had spelt security. Now that security was removed—and the air seemed rife with suspicion. The sinister face of Dr Bauerstein recurred to me unpleasantly. A vague suspicion of everyone and everything filled my mind. Just for a moment I had a premonition of approaching evil.

CHAPTER 2 (#ulink_810d3ea1-1c10-5e34-b410-7cd93c8a2855)
The 16th and 17th of July (#ulink_810d3ea1-1c10-5e34-b410-7cd93c8a2855)
I had arrived at Styles on the 5th of July. I come now to the events of the 16th and 17th of that month. For the convenience of the reader I will recapitulate the incidents of those days in as exact a manner as possible. They were elicited subsequently at the trial by a process of long and tedious cross-examinations.
I received a letter from Evelyn Howard a couple of days after her departure, telling me she was working as a nurse at the big hospital in Middlingham, a manufacturing town some fifteen miles away, and begging me to let her know if Mrs Inglethorp should show any wish to be reconciled.
The only fly in the ointment of my peaceful days was Mrs Cavendish’s extraordinary and, for my part, unaccountable preference for the society of Dr Bauerstein. What she saw in the man I cannot imagine, but she was always asking him up to the house, and often went off for long expeditions with him. I must confess that I was quite unable to see his attraction.
The 16th of July fell on a Monday. It was a day of turmoil. The famous bazaar had taken place on Saturday, and an entertainment, in connection with the same charity, at which Mrs Inglethorp was to recite a War poem, was to be held that night. We were all busy during the morning arranging and decorating the Hall in the village where it was to take place. We had a late luncheon and spent the afternoon resting in the garden. I noticed that John’s manner was somewhat unusual. He seemed very excited and restless.
After tea, Mrs Inglethorp went to lie down to rest before her efforts in the evening and I challenged Mary Cavendish to a single at tennis.
About a quarter to seven, Mrs Inglethorp called to us that we should be late as supper was early that night. We had rather a scramble to get ready in time; and before the meal was over the motor was waiting at the door.
The entertainment was a great success, Mrs Inglethorp’s recitation receiving tremendous applause. There were also some tableaux in which Cynthia took part. She did not return with us, having been asked to a supper party, and to remain the night with some friends who had been acting with her in the tableaux.
The following morning, Mrs Inglethorp stayed in bed to breakfast, as she was rather over-tired; but she appeared in her briskest mood about 12.30, and swept Lawrence and myself off to a luncheon party.
‘Such a charming invitation from Mrs Rolleston. Lady Tadminster’s sister, you know. The Rollestons came over with the Conqueror—one of our oldest families.’
Mary had excused herself on the plea of an engagement with Dr Bauerstein.
We had a pleasant luncheon, and as we drove away Lawrence suggested that we should return by Tadminster, which was barely a mile out of our way, and pay a visit to Cynthia in her dispensary. Mrs Inglethorp replied that this was an excellent idea, but as she had several letters to write she would drop us there, and we could come back with Cynthia in the pony-trap.
We were detained under suspicion by the hospital porter, until Cynthia appeared to vouch for us, looking very cool and sweet in her long white overall. She took us up to her sanctum, and introduced us to her fellow dispenser, a rather awe-inspiring individual, whom Cynthia cheerily addressed as ‘Nibs’.
‘What a lot of bottles!’ I exclaimed, as my eye travelled round the small room. ‘Do you really know what’s in them all?’
‘Say something original,’ groaned Cynthia. ‘Every single person who comes up here says that. We are really thinking of bestowing a prize on the first individual who does not say: “What a lot of bottles!” And I know the next thing you’re going to say is: “How many people have you poisoned?”’
I pleaded guilty with a laugh.
‘If you people only knew how fatally easy it is to poison someone by mistake, you wouldn’t joke about it. Come on, let’s have tea. We’ve got all sorts of secret stores in that cupboard. No, Lawrence—that’s the poison cupboard. The big cupboard—that’s right.’
We had a very cheery tea, and assisted Cynthia to wash up afterwards. We had just put away the last teaspoon when a knock came at the door. The countenances of Cynthia and Nibs were suddenly petrified into a stern and forbidding expression.
‘Come in,’ said Cynthia, in a sharp professional tone.
A young and rather scared-looking nurse appeared with a bottle which she proffered to Nibs, who waved her towards Cynthia with the somewhat enigmatical remark:
‘I’m not really here today.’
Cynthia took the bottle and examined it with the severity of a judge.
‘This should have been sent up this morning.’
‘Sister is very sorry. She forgot.’
‘Sister should read the rules outside the door.’
I gathered from the little nurse’s expression that there was not the least likelihood of her having the hardihood to retail this message to the dreaded ‘Sister’.
‘So now it can’t be done until tomorrow,’ finished Cynthia.
‘Don’t you think you could possibly let us have it tonight?’
‘Well,’ said Cynthia graciously, ‘we are very busy, but if we have time it shall be done.’
The little nurse withdrew, and Cynthia promptly took a jar from the shelf, refilled the bottle, and placed it on the table outside the door.
I laughed.
‘Discipline must be maintained?’
‘Exactly. Come out on our little balcony. You can see all the outside wards there.’
I followed Cynthia and her friend and they pointed out the different wards to me. Lawrence remained behind, but after a few moments Cynthia called to him over her shoulder to come and join us. Then she looked at her watch.
‘Nothing more to do, Nibs?’
‘No.’
‘All right. Then we can lock up and go.’
I had seen Lawrence in quite a different light that afternoon. Compared to John, he was an astoundingly difficult person to get to know. He was the opposite of his brother in almost every respect, being unusually shy and reserved. Yet he had a certain charm of manner, and I fancied that, if one really knew him well, one could have a deep affection for him. I had always fancied that his manner to Cynthia was rather constrained, and that she on her side was inclined to be shy of him. But they were both gay enough this afternoon, and chatted together like a couple of children.
As we drove through the village, I remembered that I wanted some stamps, so accordingly we pulled up at the post office.
As I came out again, I cannoned into a little man who was just entering. I drew aside and apologized, when suddenly, with a loud exclamation, he clasped me in his arms and kissed me warmly.
‘Mon ami Hastings!’ he cried. ‘It is indeed mon ami Hastings!’
‘Poirot!’ I exclaimed.
I turned to the pony-trap.
‘This is a very pleasant meeting for me, Miss Cynthia. This is my old friend, Monsieur Poirot, whom I have not seen for years.’
‘Oh, we know Monsieur Poirot,’ said Cynthia gaily. ‘But I had no idea he was a friend of yours.’
‘Yes, indeed,’ said Poirot seriously. ‘I know Mademoiselle Cynthia. It is by the charity of that good Mrs Inglethorp that I am here.’ Then, as I looked at him inquiringly: ‘Yes, my friend, she had kindly extended hospitality to seven of my country-people who, alas, are refugees from their native land. We Belgians will always remember her with gratitude.’
Poirot was an extraordinary-looking little man. He was hardly more than five feet four inches, but carried himself with great dignity. His head was exactly the shape of an egg, and he always perched it a little on one side. His moustache was very stiff and military. The neatness of his attire was almost incredible; I believe a speck of dust would have caused him more pain than a bullet wound. Yet this quaint dandified little man who, I was sorry to see, now limped badly, had been in his time one of the most celebrated members of the Belgian police. As a detective, his flair had been extraordinary, and he had achieved triumphs by unravelling some of the most baffling cases of the day.
He pointed out to me the little house inhabited by him and his fellow Belgians, and I promised to go and see him at an early date. Then he raised his hat with a flourish to Cynthia, and we drove away.
‘He’s a dear little man,’ said Cynthia. ‘I’d no idea you knew him.’
‘You’ve been entertaining a celebrity unawares,’ I replied.
And, for the rest of the way home, I recited to them the various exploits and triumphs of Hercule Poirot.
We arrived back in a very cheerful mood. As we entered the hall, Mrs Inglethorp came out of her boudoir. She looked flushed and upset.
‘Oh, it’s you,’ she said.
‘Is there anything the matter, Aunt Emily?’ asked Cynthia.
‘Certainly not,’ said Mrs Inglethorp sharply. ‘What should there be?’ Then catching sight of Dorcas, the parlourmaid, going into the dining room, she called to her to bring some stamps into the boudoir.
‘Yes, m’m.’ The old servant hesitated, then added diffidently: ‘Don’t you think, m’m, you’d better get to bed? You’re looking very tired.’
‘Perhaps you’re right, Dorcas—yes—no—not now. I’ve some letters I must finish by post-time. Have you lighted the fire in my room as I told you?’
‘Yes, m’m.’
‘Then I’ll go to bed directly after supper.’
She went into her boudoir again, and Cynthia stared after her.
‘Goodness gracious! I wonder what’s up?’ she said to Lawrence.
He did not seem to have heard her, for without a word he turned on his heel and went out of the house.
I suggested a quick game of tennis before supper and, Cynthia agreeing, I ran upstairs to fetch my racquet.
Mrs Cavendish was coming down the stairs. It may have been my fancy, but she, too, was looking odd and disturbed.
‘Had a good walk with Dr Bauerstein?’ I asked, trying to appear as indifferent as I could.
‘I didn’t go,’ she replied abruptly. ‘Where is Mrs Inglethorp?’
‘In the boudoir.’
Her hand clenched itself on the banisters, then she seemed to nerve herself for some encounter, and went rapidly past me down the stairs across the hall to the boudoir, the door of which she shut behind her.
As I ran out to the tennis court a few moments later, I had to pass the open boudoir window, and was unable to help overhearing the following scrap of dialogue. Mary Cavendish was saying in the voice of a woman desperately controlling herself: ‘Then you won’t show it to me?’
To which Mrs Inglethorp replied:
‘My dear Mary, it has nothing to do with that matter.’
‘Then show it to me.’
‘I tell you it is not what you imagine. It does not concern you in the least.’
To which Mary Cavendish replied, with a rising bitterness: ‘Of course, I might have known you would shield him.’
Cynthia was waiting for me, and greeted me eagerly with:
‘I say! There’s been the most awful row! I’ve got it all out of Dorcas.’
‘What kind of row?’
‘Between Aunt Emily and him. I do hope she’s found him out at last!’
‘Was Dorcas there, then?’
‘Of course not. She “happened to be near the door”. It was a real old bust-up. I do wish I knew what it was all about.’
I thought of Mrs Raikes’s gipsy face, and Evelyn Howard’s warnings, but wisely decided to hold my peace, whilst Cynthia exhausted every possible hypothesis, and cheerfully hoped, ‘Aunt Emily will send him away, and will never speak to him again.’
I was anxious to get hold of John, but he was nowhere to be seen. Evidently something very momentous had occurred that afternoon. I tried to forget the few words I had overheard; but, do what I would, I could not dismiss them altogether from my mind. What was Mary Cavendish’s concern in the matter?
Mr Inglethorp was in the drawing room when I came down to supper. His face was impassive as ever, and the strange unreality of the man struck me afresh.
Mrs Inglethorp came down at last. She still looked agitated, and during the meal there was a somewhat constrained silence. Inglethorp was unusually quiet. As a rule, he surrounded his wife with little attentions, placing a cushion at her back, and altogether playing the part of the devoted husband. Immediately after supper, Mrs Inglethorp retired to her boudoir again.
‘Send my coffee in here, Mary,’ she called. ‘I’ve just five minutes to catch the post.’
Cynthia and I went and sat by the open window in the drawing room. Mary Cavendish brought our coffee to us. She seemed excited.
‘Do you young people want lights, or do you enjoy the twilight?’ she asked. ‘Will you take Mrs Inglethorp her coffee, Cynthia? I will pour it out.’
‘Do not trouble, Mary,’ said Inglethorp. ‘I will take it to Emily.’ He poured it out, and went out of the room carrying it carefully.
Lawrence followed him, and Mrs Cavendish sat down by us.
We three sat for some time in silence. It was a glorious night, hot and still. Mrs Cavendish fanned herself gently with a palm leaf.
‘It’s almost too hot,’ she murmured. ‘We shall have a thunderstorm.’
Alas, that these harmonious moments can never endure! My paradise was rudely shattered by the sound of a well-known, and heartily disliked, voice in the hall.
‘Dr Bauerstein!’ exclaimed Cynthia. ‘What a funny time to come.’
I glanced jealously at Mary Cavendish, but she seemed quite undisturbed, the delicate pallor of her cheeks did not vary.
In a few moments, Alfred Inglethorp had ushered the doctor in, the latter laughing, and protesting that he was in no fit state for a drawing room. In truth, he presented a sorry spectacle, being literally plastered with mud.
‘What have you been doing, doctor?’ cried Mrs Cavendish.
‘I must make my apologies,’ said the doctor. ‘I did not really mean to come in, but Mr Inglethorp insisted.’
‘Well, Bauerstein, you are in a plight,’ said John, strolling in from the hall. ‘Have some coffee, and tell us what you have been up to.’
‘Thank you, I will.’ He laughed rather ruefully, as he described how he had discovered a very rare species of fern in an inaccessible place, and in his efforts to obtain it had lost his footing, and slipped ignominiously into a neighbouring pond.
‘The sun soon dried me off,’ he added, ‘but I’m afraid my appearance is very disreputable.’
At this juncture, Mrs Inglethorp called to Cynthia from the hall, and the girl ran out.
‘Just carry up my dispatch case, will you, dear? I’m going to bed.’
The door into the hall was a wide one. I had risen when Cynthia did, John was close by me. There were therefore three witnesses who could swear that Mrs Inglethorp was carrying her coffee, as yet untasted, in her hand.
My evening was utterly and entirely spoilt by the presence of Dr Bauerstein. It seemed to me the man would never go. He rose at last, however, and I breathed a sigh of relief.
‘I’ll walk down to the village with you,’ said Mr Inglethorp. ‘I must see our agent over those estate accounts.’ He turned to John. ‘No one need sit up. I will take the latchkey.’

CHAPTER 3 (#ulink_9416dcbf-3b22-5e46-894c-875bf36732ac)
The Night of the Tragedy (#ulink_9416dcbf-3b22-5e46-894c-875bf36732ac)
To make this part of my story clear, I append the following plan of the first floor of Styles. The servants’ rooms are reached through the door B. They have no communication with the right wing, where the Inglethorps’ rooms were situated.


It seemed to be the middle of the night when I was awakened by Lawrence Cavendish. He had a candle in his hand, and the agitation of his face told me at once that something was seriously wrong.
‘What’s the matter?’ I asked, sitting up in bed, and trying to collect my scattered thoughts.
‘We are afraid my mother is very ill. She seems to be having some kind of fit. Unfortunately she has locked herself in.’
‘I’ll come at once.’
I sprang out of bed, and pulling on a dressing-gown, followed Lawrence along the passage and the gallery to the right wing of the house.
John Cavendish joined us, and one or two of the servants were standing round in a state of awe-stricken excitement. Lawrence turned to his brother.
‘What do you think we had better do?’
Never, I thought, had his indecision of character been more apparent.
John rattled the handle of Mrs Inglethorp’s door violently, but with no effect. It was obviously locked or bolted on the inside. The whole household was aroused by now. The most alarming sounds were audible from the interior of the room. Clearly something must be done.
‘Try going through Mr Inglethorp’s room, sir,’ cried Dorcas. ‘Oh, the poor mistress!’
Suddenly I realized that Alfred Inglethorp was not with us—that he alone had given no sign of his presence. John opened the door of his room. It was pitch dark, but Lawrence was following with the candle, and by its feeble light we saw that the bed had not been slept in, and that there was no sign of the room having been occupied.
We went straight to the connecting door. That, too, was locked or bolted on the inside. What was to be done?
‘Oh, dear, sir,’ cried Dorcas, wringing her hands, ‘whatever shall we do?’
‘We must try and break the door in, I suppose. It’ll be a tough job, though. Here, let one of the maids go down and wake Baily and tell him to go for Dr Wilkins at once. Now then, we’ll have a try at the door. Half a moment, though, isn’t there a door into Miss Cynthia’s room?’
‘Yes, sir, but that’s always bolted. It’s never been undone.’
‘Well, we might just see.’
He ran rapidly down the corridor to Cynthia’s room. Mary Cavendish was there, shaking the girl—who must have been an unusually sound sleeper—and trying to wake her.
In a moment or two he was back.
‘No good. That’s bolted too. We must break in the door. I think this one is a shade less solid than the one in the passage.’
We strained and heaved together. The framework of the door was solid, and for a long time it resisted our efforts, but at last we felt it give beneath our weight, and finally, with a resounding crash, it was burst open.
We stumbled in together, Lawrence still holding his candle. Mrs Inglethorp was lying on the bed, her whole form agitated by violent convulsions, in one of which she must have overturned the table beside her. As we entered, however, her limbs relaxed, and she fell back upon the pillows.
John strode across the room and lit the gas. Turning to Annie, one of the housemaids, he sent her downstairs to the dining room for brandy. Then he went across to his mother whilst I unbolted the door that gave on the corridor.
I turned to Lawrence, to suggest that I had better leave them now that there was no further need of my services, but the words were frozen on my lips. Never have I seen such a ghastly look on any man’s face. He was white as chalk, the candle he held in his shaking hand was sputtering onto the carpet, and his eyes, petrified with terror, or some such kindred emotion, stared fixedly over my head at a point on the further wall. It was as though he had seen something that turned him to stone. I instinctively followed the direction of his eyes, but I could see nothing unusual. The still feebly flickering ashes in the grate, and the row of prim ornaments on the mantelpiece, were surely harmless enough.
The violence of Mrs Inglethorp’s attack seemed to be passing. She was able to speak in short gasps.
‘Better now—very sudden—stupid of me—to lock myself in.’
A shadow fell on the bed and, looking up, I saw Mary Cavendish standing near the door with her arm around Cynthia. She seemed to be supporting the girl, who looked utterly dazed and unlike herself. Her face was heavily flushed, and she yawned repeatedly.
‘Poor Cynthia is quite frightened,’ said Mrs Cavendish in a low clear voice. She herself, I noticed, was dressed in her white land smock. Then it must be later than I thought. I saw that a faint streak of daylight was showing through the curtains of the windows, and that the clock on the mantelpiece pointed to close upon five o’clock.
A strangled cry from the bed startled me. A fresh access of pain seized the unfortunate old lady. The convulsions were of a violence terrible to behold. Everything was confusion. We thronged round her, powerless to help or alleviate. A final convulsion lifted her from the bed, until she appeared to rest upon her head and her heels, with her body arched in an extraordinary manner. In vain Mary and John tried to administer more brandy. The moments flew. Again the body arched itself in that peculiar fashion.
At that moment, Dr Bauerstein pushed his way authoritatively into the room. For one instant he stopped dead, staring at the figure on the bed, and, at the same instant, Mrs Inglethorp cried out in a strangled voice, her eyes fixed on the doctor:
‘Alfred—Alfred—’ Then she fell back motionless on the pillows.
With a stride, the doctor reached the bed, and seizing her arms worked them energetically, applying what I knew to be artificial respiration. He issued a few short sharp orders to the servants. An imperious wave of his hand drove us all to the door. We watched him, fascinated, though I think we all knew in our hearts that it was too late, and that nothing could be done now. I could see by the expression on his face that he himself had little hope.
Finally he abandoned his task, shaking his head gravely. At that moment, we heard footsteps outside, and Dr Wilkins, Mrs Inglethorp’s own doctor, a portly, fussy little man, came bustling in.
In a few words Dr Bauerstein explained how he had happened to be passing the lodge gates as the car came out, and had run up to the house as fast as he could, whilst the car went on to fetch Dr Wilkins. With a faint gesture of the hand, he indicated the figure on the bed.
‘Ve–ry sad. Ve–ry sad,’ murmured Dr Wilkins. ‘Poor dear lady. Always did far too much—far too much—against my advice. I warned her. Her heart was far from strong. ‘Take it easy,’ said to her, ‘Take—it—easy.’ But no—her zeal for good works was too great. Nature rebelled. Na–ture—re–belled.’
Dr Bauerstein, I noticed, was watching the local doctor narrowly. He still kept his eyes fixed on him as he spoke.
‘The convulsions were of a peculiar violence, Dr Wilkins. I am sorry you were not here in time to witness them. They were quite—tetanic in character.’
‘Ah!’ said Dr Wilkins wisely.
‘I should like to speak to you in private,’ said Dr Bauerstein. He turned to John. ‘You do not object?’
‘Certainly not.’
We all trooped out into the corridor, leaving the two doctors alone, and I heard the key turned in the lock behind us.
We went slowly down the stairs. I was violently excited. I have a certain talent for deduction, and Dr Bauerstein’s manner had started a flock of wild surmises in my mind. Mary Cavendish laid her hand upon my arm.
‘What is it? Why did Dr Bauerstein seem so—peculiar?’
I looked at her.
‘Do you know what I think?’
‘What?’
‘Listen!’ I looked round, the others were out of earshot. I lowered my voice to a whisper. ‘I believe she has been poisoned! I’m certain Dr Bauerstein suspects it.’
‘What?’ She shrank against the wall, the pupils of her eyes dilating wildly. Then, with a sudden cry that startled me, she cried out: ‘No, no—not that—not that!’ And breaking from me, fled up the stairs. I followed her, afraid that she was going to faint. I found her leaning against the banisters, deadly pale. She waved me away impatiently.
‘No, no—leave me. I’d rather be alone. Let me just be quiet for a minute or two. Go down to the others.’
I obeyed her reluctantly. John and Lawrence were in the dining room. I joined them. We were all silent, but I suppose I voiced the thoughts of us all when I at last broke it by saying:
‘Where is Mr Inglethorp?’
John shook his head.
‘He’s not in the house.’
Our eyes met. Where was Alfred Inglethorp? His absence was strange and inexplicable. I remembered Mrs Inglethorp’s dying words. What lay beneath them? What more could she have told us, if she had had time?
At last we heard the doctors descending the stairs. Dr Wilkins was looking important and excited, and trying to conceal an inward exultation under a manner of decorous calm. Dr Bauerstein remained in the background, his grave bearded face unchanged. Dr Wilkins was the spokesman for the two. He addressed himself to John:
‘Mr Cavendish, I should like your consent to a post-mortem.’
‘Is that necessary?’ asked John gravely. A spasm of pain crossed his face.
‘Absolutely,’ said Dr Bauerstein.
‘You mean by that—?’
‘That neither Dr Wilkins nor myself could give a death certificate under the circumstances.’
John bent his head.
‘In that case, I have no alternative but to agree.’
‘Thank you,’ said Dr Wilkins briskly. ‘We propose that it should take place tomorrow night—or rather tonight.’ And he glanced at the daylight. ‘Under the circumstances, I am afraid an inquest can hardly be avoided—these formalities are necessary, but I beg that you won’t distress yourselves.’
There was a pause, and then Dr Bauerstein drew two keys from his pocket, and handed them to John.
‘These are the keys of the two rooms. I have locked them and, in my opinion, they would be better kept locked for the present.’
The doctors then departed.
I had been turning over an idea in my head, and I felt that the moment had now come to broach it. Yet I was a little chary of doing so. John, I knew, had a horror of any kind of publicity, and was an easy-going optimist, who preferred never to meet trouble halfway. It might be difficult to convince him of the soundness of my plan. Lawrence, on the other hand, being less conventional, and having more imagination, I felt I might count upon as an ally. There was no doubt that the moment had come for me to take the lead.
‘John,’ I said, ‘I am going to ask you something.’
‘Well?’
‘You remember my speaking of my friend Poirot? The Belgian who is here? He has been a most famous detective.’
‘Yes.’
‘I want you to let me call him in—to investigate this matter.’
‘What—now? Before the post-mortem?’
‘Yes, time is an advantage if—if—there has been foul play.’
‘Rubbish!’ cried Lawrence angrily. ‘In my opinion the whole thing is a mare’s nest of Bauerstein’s! Wilkins hadn’t an idea of such a thing, until Bauerstein put it into his head. But, like all specialists, Bauerstein’s got a bee in his bonnet. Poisons are his hobby, so of course, he sees them everywhere.’
I confess that I was surprised by Lawrence’s attitude. He was so seldom vehement about anything.
John hesitated.
‘I can’t feel as you do, Lawrence,’ he said at last. ‘I’m inclined to give Hastings a free hand, though I should prefer to wait a bit. We don’t want any unnecessary scandal.’
‘No, no,’ I cried eagerly, ‘you need have no fear of that. Poirot is discretion itself.’
‘Very well, then, have it your own way. I leave it in your hands. Though, if it is as we suspect, it seems a clear enough case. God forgive me if I am wronging him!’
I looked at my watch. It was six o’clock. I determined to lose no time.
Five minutes’ delay, however, I allowed myself. I spent it in ransacking the library until I discovered a medical book which gave a description of strychnine poisoning.

CHAPTER 4 (#ulink_d36897db-60b4-534d-a76b-2a59aeb2fc3d)
Poirot Investigates (#ulink_d36897db-60b4-534d-a76b-2a59aeb2fc3d)
The house which the Belgians occupied in the village was quite close to the park gates. One could save time by taking a narrow path through the long grass, which cut off the detours of the winding drive. So I, accordingly, went that way. I had nearly reached the lodge, when my attention was arrested by the running figure of a man approaching me. It was Mr Inglethorp. Where had he been? How did he intend to explain his absence?
He accosted me eagerly.
‘My God! This is terrible! My poor wife! I have only just heard.’
‘Where have you been?’ I asked.
‘Denby kept me late last night. It was one o’clock before we’d finished. Then I found that I’d forgotten the latchkey after all. I didn’t want to arouse the household, so Denby gave me a bed.’
‘How did you hear the news?’ I asked.
‘Wilkins knocked Denby up to tell him. My poor Emily! She was so self-sacrificing—such a noble character. She overtaxed her strength.’
A wave of revulsion swept over me. What a consummate hypocrite the man was!
‘I must hurry on,’ I said, thankful that he did not ask me whither I was bound.
In a few minutes I was knocking at the door of Leastways Cottage.
Getting no answer, I repeated my summons impatiently. A window above me was cautiously opened, and Poirot himself looked out.
He gave an exclamation of surprise at seeing me. In a few brief words, I explained the tragedy that had occurred, and that I wanted his help.
‘Wait, my friend, I will let you in, and you shall recount to me the affair whilst I dress.’
In a few moments he had unbarred the door, and I followed him up to his room. There he installed me in a chair, and I related the whole story, keeping back nothing, and omitting no circumstance, however insignificant, whilst he himself made a careful and deliberate toilet.
I told him of my awakening, of Mrs Inglethorp’s dying words, of her husband’s absence, of the quarrel the day before, of the scrap of conversation between Mary and her mother-in-law that I had overheard, of the former quarrel between Mrs Inglethorp and Evelyn Howard, and of the latter’s innuendoes.
I was hardly as clear as I could wish. I repeated myself several times, and occasionally had to go back to some detail that I had forgotten. Poirot smiled kindly on me.
‘The mind is confused? Is it not so? Take time, mon ami. You are agitated; you are excited—it is but natural. Presently, when we are calmer, we will arrange the facts, neatly, each in his proper place. We will examine—and reject. Those of importance we will put on one side; those of no importance, pouf!’—he screwed up his cherub-like face, and puffed comically enough—‘blow them away!’
‘That’s all very well,’ I objected, ‘but how are you going to decide what is important, and what isn’t? That always seems the difficulty to me.’
Poirot shook his head energetically. He was now arranging his moustache with exquisite care.
‘Not so. Voyons! One fact leads to another—so we continue. Does the next fit in with that? A merveille! Good! We can proceed. This next little fact—no! Ah, that is curious! There is something missing—a link in the chain that is not there. We examine. We search. And that little curious fact, that possibly paltry little detail that will not tally, we put it here!’ He made an extravagant gesture with his hand. ‘It is significant! It is tremendous!’
‘Y–es—’
‘Ah!’ Poirot shook his forefinger so fiercely at me that I quailed before it. ‘Beware! Peril to the detective who says: “It is so small—it does not matter. It will not agree. I will forget it.” That way lies confusion! Everything matters.’
‘I know. You always told me that. That’s why I have gone into all the details of this thing whether they seemed to me relevant or not.’
‘And I am pleased with you. You have a good memory, and you have given me the facts faithfully. Of the order in which you present them, I say nothing—truly, it is deplorable! But I make allowances—you are upset. To that I attribute the circumstance that you have omitted one fact or paramount importance.’
‘What is that?’ I asked.
‘You have not told me if Mrs Inglethorp ate well last night.’
I stared at him. Surely the war had affected the little man’s brain. He was carefully engaged in brushing his coat before putting it on, and seemed wholly engrossed in the task.
‘I don’t remember,’ I said. ‘And, anyway, I don’t see—’
‘You do not see? But it is of the first importance.’
‘I can’t see why,’ I said, rather nettled. ‘As far as I can remember, she didn’t eat much. She was obviously upset, and it had taken her appetite away. That was only natural.’
‘Yes,’ said Poirot thoughtfully, ‘it was only natural.’
He opened a drawer, and took out a small dispatch case, then turned to me.
‘Now I am ready. We will proceed to the château, and study matters on the spot. Excuse me, mon ami, you dressed in haste, and your tie is on one side. Permit me.’ With a deft gesture, he rearranged it.
‘Ça y est! Now, shall we start?’
We hurried up the village, and turned in at the lodge gates. Poirot stopped for a moment, and gazed sorrowfully over the beautiful expanse of park, still glittering with morning dew.
‘So beautiful, so beautiful, and yet, the poor family, plunged in sorrow, prostrated with grief.’
He looked at me keenly as he spoke, and I was aware that I reddened under his prolonged gaze.
Was the family prostrated by grief? Was the sorrow at Mrs Inglethorp’s death so great? I realized that there was an emotional lack in the atmosphere. The dead woman had not the gift of commanding love. Her death was a shock and a distress, but she would not be passionately regretted.
Poirot seemed to follow my thoughts. He nodded his head gravely.
‘No, you are right,’ he said, ‘it is not as though there was a blood tie. She has been kind and generous to these Cavendishes, but she was not their own mother. Blood tells—always remember that—blood tells.’
‘Poirot,’ I said, ‘I wish you would tell me why you wanted to know if Mrs Inglethorp ate well last night? I have been turning it over in my mind, but I can’t see how it has anything to do with the matter.’
He was silent for a minute or two as we walked along, but finally he said:
‘I do not mind telling you—though, as you know, it is not my habit to explain until the end is reached. The present contention is that Mrs Inglethorp died of strychnine poisoning, presumably administered in her coffee.’
‘Yes?’
‘Well, what time was the coffee served?’
‘About eight o’clock.’
‘Therefore she drank it between then and half past eight—certainly not much later. Well, strychnine is a fairly rapid poison. Its effects would be felt very soon, probably in about an hour. Yet, in Mrs Inglethorp’s case, the symptoms do not manifest themselves until five o’clock the next morning: nine hours! But a heavy meal, taken at about the same time as the poison, might retard its effects, though hardly to that extent. Still, it is a possibility to be taken into account. But, according to you, she ate very little for supper, and yet the symptoms do not develop until early the next morning! Now that is a curious circumstance, my friend. Something may arise at the autopsy to explain it. In the meantime, remember it.’
As we neared the house, John came out and met us. His face looked weary and haggard.
‘This is a very dreadful business, Monsieur Poirot,’ he said. ‘Hastings has explained to you that we are anxious for no publicity?’
‘I comprehend perfectly.’
‘You see, it is only suspicion so far. We have nothing to go upon.’
‘Precisely. It is a matter of precaution only.’
John turned to me, taking out his cigarette-case, and lighting a cigarette as he did so.
‘You know that fellow Inglethorp is back?’
‘Yes. I met him.’
John flung the match into an adjacent flower bed, a proceeding which was too much for Poirot’s feelings. He retrieved it, and buried it neatly.
‘It’s jolly difficult to know how to treat him.’
‘That difficulty will not exist long,’ pronounced Poirot quietly.
John looked puzzled, not quite understanding the portent of this cryptic saying. He handed the two keys which Dr Bauerstein had given him to me.
‘Show Monsieur Poirot everything he wants to see.’
‘The rooms are locked?’ asked Poirot.
‘Dr Bauerstein considered it advisable.’
Poirot nodded thoughtfully.
‘Then he is very sure. Well, that simplifies matters for us.’
We went up together to the room of the tragedy. For convenience I append a plan of the room and the principal articles of furniture in it.


Poirot locked the door on the inside, and proceeded to a minute inspection of the room. He darted from one object to the other with the agility of a grasshopper. I remained by the door, fearing to obliterate any clues. Poirot, however, did not seem grateful to me for my forbearance.
‘What have you, my friend?’ he cried, ‘that you remain there like—how do you say it?—ah, yes, the stuck pig?’
I explained that I was afraid of obliterating any footmarks.
‘Footmarks? But what an idea! There has already been practically an army in the room! What footmarks are we likely to find? No, come here and aid me in my search. I will put down my little case until I need it.’
He did so, on the round table by the window, but it was an ill-advised proceeding; for, the top of it being loose, it tilted up, and precipitated the dispatch case on to the floor.
‘En voilà une table!’ cried Poirot. ‘Ah, my friend, one may live in a big house and yet have no comfort.’
After which piece of moralizing, he resumed his search.
A small purple dispatch case, with a key in the lock, on the writing table, engaged his attention for some time. He took out the key from the lock, and passed it to me to inspect. I saw nothing peculiar, however. It was an ordinary key of the Yale type, with a bit of twisted wire through the handle.
Next, he examined the framework of the door we had broken in, assuring himself that the bolt had really been shot. Then he went to the door opposite leading into Cynthia’s room. That door was also bolted, as I had stated. However, he went to the length of unbolting it, and opening and shutting it several times; this he did with the utmost precaution against making any noise. Suddenly something in the bolt itself seemed to rivet his attention. He examined it carefully, and then, nimbly whipping out a pair of small forceps from his case, he drew out some minute particle which he carefully sealed up in a tiny envelope.
On the chest of drawers there was a tray with a spirit lamp and a small saucepan on it. A small quantity of a dark fluid remained in the saucepan, and an empty cup and saucer that had been drunk out of stood near it.
I wondered how I could have been so unobservant as to overlook this. Here was a clue worth having. Poirot delicately dipped his finger into the liquid, and tasted it gingerly. He made a grimace.
‘Cocoa—with—I think—rum in it.’
He passed on to the debris on the floor, where the table by the bed had been overturned. A reading-lamp, some books, matches, a bunch of keys, and the crushed fragments of a coffee cup lay scattered about.
‘Ah, this is curious,’ said Poirot.
‘I must confess that I see nothing particularly curious about it.’
‘You do not? Observe the lamp—the chimney is broken in two places; they lie there as they fell. But see, the coffee cup is absolutely smashed to powder.’
‘Well,’ I said wearily. ‘I suppose someone must have stepped on it.’
‘Exactly,’ said Poirot, in an odd voice. ‘Someone stepped on it.’
He rose from his knees, and walked slowly across to the mantelpiece, where he stood abstractedly fingering the ornaments, and straightening them—a trick of his when he was agitated.
‘Mon ami,’ he said, turning to me, ‘somebody stepped on that cup, grinding it to powder, and the reason they did so was either because it contained strychnine or—which is far more serious—because it did not contain strychnine!’
I made no reply. I was bewildered, but I knew that it was no good asking him to explain. In a moment or two he roused himself, and went on with his investigations. He picked up the bunch of keys from the floor, and twirling them round in his fingers finally selected one, very bright and shining, which he tried in the lock of the purple despatch-case. It fitted, and he opened the box, but after a moment’s hesitation, closed and relocked it, and slipped the bunch of keys, as well as the key that had originally stood in the lock, into his own pocket.
‘I have no authority to go through these papers. But it should be done—at once!’
He then made a very careful examination of the drawers of the washstand. Crossing the room to the left-hand window, a round stain, hardly visible on the dark brown carpet, seemed to interest him particularly. He went down on his knees, examining it minutely—even going so far as to smell it.
Finally, he poured a few drops of the cocoa into a test tube, sealing it up carefully. His next proceeding was to take out a little notebook.
‘We have found in this room,’ he said, writing busily, ‘six points of interest. Shall I enumerate them, or will you?’
‘Oh, you,’ I replied hastily.
‘Very well, then. One, a coffee cup that has been ground into powder; two, a dispatch case with a key in the lock; three, a stain on the floor.’
‘That may have been done some time ago,’ I interrupted.
‘No, for it is still perceptibly damp and smells of coffee. Four, a fragment of some dark green fabric—only a thread or two, but recognizable.’
‘Ah!’ I cried. ‘That was what you sealed up in the envelope.’
‘Yes. It may turn out to be a piece of one of Mrs Inglethorp’s own dresses, and quite unimportant. We shall see. Five, this!’ With a dramatic gesture, he pointed to a large splash of candle grease on the floor by the writing table. ‘It must have been done since yesterday, otherwise a good housemaid would have at once removed it with blotting paper and a hot iron. One of my best hats once—but that is not to the point.’
‘It was very likely done last night. We were very agitated. Or perhaps Mrs Inglethorp herself dropped her candle.’
‘You brought only one candle into the room?’
‘Yes. Lawrence Cavendish was carrying it. But he was very upset. He seemed to see something over here’—I indicated the mantelpiece—‘that absolutely paralysed him.’
‘That is interesting,’ said Poirot quickly. ‘Yes, it is suggestive’—his eye sweeping the whole length of the wall—‘But it was not his candle that made this great patch, for you perceive that this is white grease; whereas Monsieur Lawrence’s candle, which is still on the dressing table, is pink. On the other hand, Mrs Inglethorp had no candlestick in the room, only a reading lamp.’
‘Then,’ I said, ‘what do you deduce?’
To which my friend only made a rather irritating reply, urging me to use my own natural faculties.
‘And the sixth point?’ I asked. ‘I suppose it is the sample of cocoa.’
‘No,’ said Poirot thoughtfully, ‘I might have included that in the six, but I did not. No, the sixth point I will keep to myself for the present.’
He looked quickly round the room. ‘There is nothing more to be done here, I think, unless’—he stared earnestly and long at the dead ashes in the grate. ‘The fire burns—and it destroys. But by chance—there might be—let us see!’
Deftly, on hands and knees, he began to sort the ashes from the grate into the fender, handling them with the greatest caution. Suddenly, he gave a faint exclamation.
‘The forceps, Hastings!’
I quickly handed them to him, and with skill he extracted a small piece of half-charred paper.
‘There, mon ami!’ he cried. ‘What do you think of that?’
I scrutinized the fragment. This is an exact reproduction of it:


I was puzzled. It was unusually thick, quite unlike ordinary notepaper. Suddenly an idea struck me.
‘Poirot!’ I cried. ‘This is a fragment of a will!’
‘Exactly.’
I looked at him sharply.
‘You are not surprised?’
‘No,’ he said gravely, ‘I expected it.’
I relinquished the piece of paper, and watched him put it away in his case, with the same methodical care that he bestowed on everything. My brain was in a whirl. What was this complication of a will? Who had destroyed it? The person who had left the candle grease on the floor? Obviously. But how had anyone gained admission? All the doors had been bolted on the inside.
‘Now, my friend,’ said Poirot briskly, ‘we will go. I should like to ask a few questions of the parlourmaid—Dorcas, her name is, is it not?’
We passed through Alfred Inglethorp’s room, and Poirot delayed long enough to make a brief but fairly comprehensive examination of it. We went out through that door, locking both it and that of Mrs Inglethorp’s room as before.
I took him down to the boudoir which he had expressed a wish to see, and went myself in search of Dorcas.
When I returned with her, however, the boudoir was empty.
‘Poirot,’ I cried, ‘where are you?’
‘I am here, my friend.’
He had stepped outside the French window, and was standing, apparently lost in admiration, before the various shaped flower beds.
‘Admirable!’ he murmured. ‘Admirable! What symmetry! Observe that crescent; and those diamonds—their neatness rejoices the eye. The spacing of the plants, also, is perfect. It has been recently done; is it not so?’
‘Yes, I believe they were at it yesterday afternoon. But come in—Dorcas is here.’
‘Eh bien, eh bien! Do not grudge me a moment’s satisfaction of the eye.’
‘Yes, but this affair is more important.’
‘And how do you know that these fine begonias are not of equal importance?’
I shrugged my shoulders. There was really no arguing with him if he chose to take that line.
‘You do not agree? But such things have been. Well, we will come in and interview the brave Dorcas.’
Dorcas was standing in the boudoir, her hands folded in front of her, and her grey hair rose in stiff waves under her white cap. She was the very model and picture of a good old-fashioned servant.
In her attitude towards Poirot, she was inclined to be suspicious, but he soon broke down her defences. He drew forward a chair.
‘Pray be seated, mademoiselle.’
‘Thank you, sir.’
‘You have been with your mistress many years, is it not so?’
‘Ten years, sir.’
‘That is a long time, and very faithful service. You were much attached to her, were you not?’
‘She was a very good mistress to me, sir.’
‘Then you will not object to answering a few questions. I put them to you with Mr Cavendish’s full approval.’
‘Oh, certainly, sir.’
‘Then I will begin by asking you about the events of yesterday afternoon. Your mistress had a quarrel?’
‘Yes, sir. But I don’t know that I ought—’ Dorcas hesitated.
Poirot looked at her keenly.
‘My good Dorcas, it is necessary that I should know every detail of that quarrel as fully as possible. Do not think that you are betraying your mistress’s secrets. Your mistress lies dead, and it is necessary that we should know all—if we are to avenge her. Nothing can bring her back to life, but we do hope, if there has been foul play, to bring the murderer to justice.’
‘Amen to that,’ said Dorcas fiercely. ‘And, naming no names, there’s one in this house that none of us could ever abide! And an ill day it was when first he darkened the threshold.’
Poirot waited for her indignation to subside, and then, resuming his business-like tone, he asked:

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