Adele
Adele
Sean Smith
Adele touches the hearts of millions of people who love her for her music and share the real and honest emotion she brings to each and every song. In a cynical age, she is a phenomenon.In Adele, bestselling biographer Sean Smith talks to those close to her as he follows her astonishing journey to fame that began on the gritty streets of Tottenham. Through compelling new research and interviews, he reveals that there is far more to Adele than the superstar we all think we know.He uncovers the story of her complex family relationships; the ill-starred love affair between her mother and father; her devastation at the untimely death of her grandfather; and her seemingly unpromising future in a gang-ravaged area of South London.She found salvation at the BRIT School before a series of unhappy love affairs provided the inspiration for her record-breaking albums. He describes how she conquered America and how it all could have been ended by a dramatic vocal injury. Instead, she has made an amazing comeback and found personal happiness in a new relationship and becoming a mum.Intimate and revealing, Adele is the uplifting story of the woman with the most glorious voice in the world.
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Copyright (#u69dbb1fd-ad65-5818-9da6-528946a7b08f)
HarperCollinsPublishers
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First published by HarperCollinsPublishers 2016
FIRST EDITION
Text © Sean Smith 2016, 2017
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Front cover photograph © Mike Marsland/WireImage/Getty Images
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Source ISBN: 9780008155612
Ebook Edition © November 2016 ISBN: 9780008155629
Version: 2017-03-16
Also by Sean Smith (#u69dbb1fd-ad65-5818-9da6-528946a7b08f)
Kim
Tom Jones: The Life
Kylie
Gary
Alesha
Tulisa
Kate
Robbie
Cheryl
Victoria
Justin: The Biography
Britney: The Biography
J. K. Rowling: A Biography
Jennifer: The Unauthorized Biography
Royal Racing
The Union Game
Sophie’s Kiss (with Garth Gibbs)
Stone Me! (with Dale Lawrence)
Dedication (#u69dbb1fd-ad65-5818-9da6-528946a7b08f)
To Michael and Anna
Contents
Cover (#u9a8c8f49-1106-5d0a-a185-c8efa1e893e7)
Title Page (#u5357535f-0d3d-5d35-a81a-ff4635f0f9f6)
Copyright (#u31dbb62a-dda8-5aa7-9008-0f763006ea69)
Also by Sean Smith (#u83702bd2-2806-5de4-91ad-011f1b9152f0)
Dedication (#uf983d25e-4bfd-556e-bda4-9473f3d8ff54)
Introduction (#u3d3c3c06-f377-5702-80bc-bb6703dd7462)
Part One: When She Was Young (#uecdee5d0-0e4a-5c3f-b47f-209160400618)
1 A Surprise Announcement (#u2347db7c-b6cb-54db-b93d-86902354912a)
2 Spice World (#u55c8a202-f85a-5deb-859a-6ffa6e8adaaf)
3 The Miseducation of Adele Adkins (#u5602a4b2-abc5-5c6a-bb31-a61722ff6d36)
4 True Brit (#ufbc66b83-47e2-583b-9f8a-a31973fc6fe5)
5 Missing the Train (#u4a9fc2bf-95cb-5381-91c2-cb58e917fb00)
6 Daydreamer (#ubec21cb6-cc8a-54e4-9eaf-1a19d496fd4d)
Part Two: Sometimes It Hurts (#u3f58b1c5-1909-559f-9938-7c2bc616fdaf)
7 XL Calling (#uf0beeb19-f87e-5604-8fc8-0e9f48c012f8)
8 Heartbreak Soul (#ueec42e17-3a72-5ccd-a00d-6b7062b00a8e)
9 Later … with Adele (#u32308b79-43f0-5ca0-a3f5-a7fab49bbf41)
10 Chasing the Dream (#u84dd563c-6667-5707-b0f8-c6fcc6dc5b2b)
11 At Joe’s Pub (#ue0a38e5e-4695-5f47-9dd6-289f98dc753e)
12 Early Life Crisis (#ufc5846fb-dd5e-57e4-870e-d0daca7631e5)
13 En Vogue (#uc83c4276-fbcc-590c-837e-d7508b3cc3d6)
Part Three: Feel My Love (#u90d5e7f0-ca12-569b-b1f3-82d6ee9060cf)
14 The Guard Dog (#ubaff1b45-49e3-5629-a2ac-a8345797278a)
15 Rolling With It (#ucfad8597-e5a1-5040-925f-6ef1bffe0baa)
16 Vocal Discord (#u1cf53860-a324-5b65-9138-2d70fbcd33c1)
17 A Pregnant Pause (#u7dff17bc-ef47-553a-b498-98de3671f779)
18 Skyfall (#ud2d157cb-97fb-5098-bc04-7367fe309a2f)
19 Hello Again (#u8f172b63-b972-55b3-8d8a-81da7ed5e0a8)
20 The Biggest Star on the Planet (#u625130cc-8399-580a-8960-71d3bf562615)
Last Thoughts (#u80b13072-7fbb-51bd-ac02-93608b7f7411)
Adele’s Stars (#u33ecb58a-858f-52b8-90d2-b4b912be43fc)
Life and Times (#uaa8b3cf2-78b3-5339-b521-8214730c8d15)
Acknowledgements (#uc7a41c0d-1836-564f-96c0-6679d24fbcae)
Select Bibliography (#u4d7c9fdd-0502-5e6f-ab93-1272f6a0ef8f)
List of Searchable Terms (#u9b6f7f82-9eea-5ab4-9c86-59e58672e961)
Picture Section (#ub743607c-cb75-58f0-9485-fd9968801d90)
Also available by Sean Smith (#u357eab97-254e-513f-b9c1-ecb4092819be)
About the Publisher (#uced15d8a-b0ef-5987-a01d-8c59a3003791)
Introduction
The O2, London, Monday, 21 March 2016 (#u69dbb1fd-ad65-5818-9da6-528946a7b08f)
A picture of Adele’s immaculately made-up eyes, tightly closed, with a striking pair of false lashes, illuminates an enormous screen behind the stage. Suddenly, without warning, the lights go down and the eyes open wide, creating a maelstrom of excitement and cheering. The Adele roar shakes the foundations.
‘Hello … It’s me!’ And there she is, a formidable presence, six feet in heels. She appears not on the main stage, but on a small circular platform in the centre of the audience. 20,000 people are already on their feet. Her black silk Burberry gown is speckled with hand-woven floral sequins that are instantly lit by what seem like a million mobile phones as she launches into her iconic comeback song.
How did an ordinary girl from Tottenham inspire such adulation and acclaim, mixed with a generous helping of affection? My row is full of friendly and chatty Americans, who thought it would be ‘fun’ to fly over and see her, even though she will be touring the US throughout the year. I wonder idly if there is anyone from her old neighbourhood here tonight.
Everyone seems to know the words to ‘Hello’. It’s a wall of sound, but her voice is as big as ever, refusing to be overwhelmed by the backing music or our sing-along. The track has already broken so many records. The figures are mind-boggling in an age when there’s so much choice. I read that it topped the iTunes chart in 102 countries when it was released in November 2015. I can’t name 102 countries! The problem with this song is that it will always have to be the first number at her concerts. ‘Hello’ seems a bit ridiculous as an encore anthem.
She is flanked by her security as she walks to the main stage and launches into ‘Hometown Glory’. The picture of her Dusty Springfield eyes on the big screen gives way to photographs of London. It’s a simple song, the first she ever completed, aged sixteen, and powerful in its youthful underlying message of nostalgia and empowerment.
Before we can draw breath, the blockbuster beginning continues with ‘One and Only’, arguably the best track from the record-breaking album 21. It’s smoky and soulful. Close your eyes and you can imagine one of the great divas of the past singing it in a jazz club … maybe Ella Fitzgerald or Sarah Vaughan or, best of all, Adele’s favourite singer, Etta James.
I’ve been listening to Etta a lot while I work on this book and her peerless recordings remind me so much of Adele. ‘Fool That I Am’ was on Adele’s set list when she started out, and part of me wishes it still was, but, for me, ‘One and Only’ carries the hallmark of Etta. Adele is one of those great artists who carry their influences around with them like a favourite handbag.
She needs to pause after three power songs in a row. She takes a swig from a mug containing a honey drink to soothe her voice, and starts to engage her audience in that natural, easy manner she has. It’s as if you were standing next to her in a checkout queue at Asda – although I suspect she shops at Waitrose these days.
Banter and interaction with the fans have become a feature of this tour. She started off in Belfast helping a female fan make a leap-year marriage proposal to her boyfriend. Unsurprisingly, he said yes and the story went round the world. In Manchester, she invited a twelve-year-old girl with autism to come on stage and sing ‘Someone Like You’. She was brilliant.
Tonight she invites two little girls, aged seven and eight, on to the stage and has to apologise for using the F-word. I can’t think of another star who does this. Later she asks a girl celebrating her sixteenth birthday to join her to sing a duet of the Bob Dylan classic ‘Make You Feel My Love’ from the 19 album. Adele is gracious, ‘It was really lovely to share that with you. Well done.’ This is the first time I personally have seen Adele duet.
As she says later, this is a show and not just a gig. In some ways, it’s old-fashioned entertainment, like a summertime holiday special on Great Yarmouth pier starring the late Paul Daniels, or perhaps a Christmas pantomime in which the much-missed Cilla Black would continually chat to the audience. I can imagine Adele asking us what she should do with one of her ghastly ex-boyfriends. ‘Feed him to the crocodile,’ we would shout.
She has a rare gift among modern artists of making a connection with her audience. ‘As soon as I say “Oscar”, I sound like a dickhead,’ she announces, before telling us how ‘Skyfall’ came about. At the time, she confides, she was trying to breastfeed, or ‘pumping and dumping’, as she describes it. She even encourages a Mexican wave, which is about as uncool as you can get, but emphasises her feel-good factor.
Having made sure we are on her side and part of her world, she launches into the song itself – the majesty of her voice contrasting sharply with her girl-from-Tottenham persona, all F-words and cackling laughter. I find myself looking forward to the Adele moments between the songs. She admits, ‘I’ve made a living holding onto a grudge’, and we all laugh.
She explains how she wrote ‘Million Years Ago’, one of the power ballads on 25, immediately after visiting an old friend who still lives in Tulse Hill, a mile down the road from where Adele spent her teenage years in West Norwood. She was reminded about how, every night after school, she would hang out with her friends in Brockwell Park, just off the Norwood Road, and ‘talk rubbish’. Looking back made her so sad, she wrote the song literally in minutes when she got home.
Perhaps the key moment of Adele sharing comes when she mentions Angelo, her young son, who was born in 2012: ‘He has given me so much joy, so much purpose. It has changed my life.’ I could feel she genuinely meant it.
The songs that form such an important backdrop to modern living continued, with ‘Don’t You Remember’ and ‘Chasing Pavements’ standing out. Five years ago, she tells us, things changed overnight with the performance of ‘Someone Like You’ at the BRITs. Then, it was spine-tingling. Now, it seems strangely comforting, still poignant, but with that comfy familiarity songs have when they obtain classic status. Adele says the song was her friend at a bad time. ‘It saved my life,’ she declares.
‘Fire to the Rain’ closes the main set, with Adele, thanks to special effects, caught in a downpour without an umbrella. In the old pre-mobile days, we would all have got our lighters out and let them flicker away while she sang. Struggling to light a cigarette is supposed to have given her the inspiration for the number.
The encore begins with her popping up on the small stage again. Unseen, she is carted by roadies between the two stages in a sort of wheelie bin. She starts with ‘All I Ask’, my favourite track on 25 and certainly the saddest. Fortunately, there is no sign of the sound issues that marred her performance of the song at the 2016 Grammys. It’s a breathtakingly difficult song to sing and, for me, the best of the night.
Before she sends us home happy with ‘Rolling in the Deep’, she sings another great ballad off the latest album. ‘When We Were Young’ is accompanied on the big screen by a selection of sweet, nostalgic photographs of Adele as a child – a toothless grin, a shot with her mother on the beach in South Wales.
It’s a rare glimpse of the girl who grew up to be the biggest star in the world. The pictures are just snapshots, but what was she really like, both then as a child and now as a mum?
Part One
1
A Surprise Announcement (#u69dbb1fd-ad65-5818-9da6-528946a7b08f)
The live video for Adele’s 2016 single ‘When We Were Young’ is a relaxed and informal affair. She is dressed in a chic black outfit and sings the nostalgic power ballad perfectly in front of her band at The Church Studios, a state-of-the-art complex in an old Victorian church in fashionable Crouch End, North London. One hundred yards away stands The King’s Head pub, a popular local boozer where, coincidentally, the Adele Adkins story begins.
These days the studios are owned by the acclaimed producer and long-time Adele collaborator Paul Epworth, with whom she co-wrote two of her best-loved songs, ‘Rolling in the Deep’ and ‘Skyfall’. Back in the 1980s, however, the studios were put on the music map of London by Annie Lennox and Dave Stewart. As Eurythmics, they recorded their debut album, Sweet Dreams, on the top floor. They went on to become one of the most successful acts of the decade, eventually buying the building and playing host to many top names, including Bob Dylan, Depeche Mode and Elvis Costello.
Down the street, on the corner of Crouch Hill, The King’s Head, which was also founded in Victorian times, became a popular and trendy bar for a young crowd keen to rub shoulders with musicians or perhaps catch a glimpse of someone famous nursing a drink in the corner. Downstairs was one of those tight, atmospheric rooms for comedy nights or for up-and-coming bands. If you were lucky, back in the day, you might have caught Dave and Annie jamming. You can imagine that Adele might have played there if she had been starting out then.
It was just the sort of place to attract an eighteen-year-old art student called Penny Adkins. She had travelled there on the bus from her parents’ house in Tottenham for a night out with friends one summer night in 1987.
Penny was tall, slender, raven-haired and stood out from the crowd. She caught the eye of most of the young men in the upstairs bar, including a broad-shouldered, handsome blond window-cleaner called Marc Evans, who had moved to London from South Wales and was carving out a good living with his round in the upwardly mobile neighbourhood.
It wasn’t love at first sight, but there was definitely some lust in the air as Marc sauntered over confidently for some light conversation and Penny’s phone number. Marc, who was twenty-five, had all the chat as a young man and enjoyed a very high success rate charming young ladies during the year he had been in London.
He and his younger brother Richard had been brought up in the popular Welsh resort of Penarth, nowadays more a Cardiff suburb than the popular seaside town it was then. Their father, John, had spotted the need for a self-employed plumber and soon was so successful he was able to buy his family a five-bedroom Victorian townhouse. ‘My parents always owned their own house through good old-fashioned graft,’ observes Marc proudly.
Marc’s mother, Rose, was a devout Christian and for many years has been a respected member of the Tabernacle Baptist Church choir. Marc was a choirboy as a youngster – ‘an Aled Jones-type until the old schmoogers dropped’. He sang at All Saints, Penarth, in Victoria Square, a ten-minute walk away. As a teenager, he harboured ambitions to sing and act and even wrote off to drama schools, but, in the end, went to a technical college in Llandaff for formal training as a plumber before joining his father’s business. Richard, meanwhile, chose a career in the police force.
Marc was enjoying the life of a Penarth playboy with a sky-blue MG roadster and a gorgeous girlfriend. When that romance went sour, his best friend, Nigel, who was studying for a degree in London, invited him to stay. Nigel’s parents were quite well off, so he wasn’t living in halls of residence but had his own place.
The two-bedroom flat in Turnpike Lane was conveniently situated a couple of miles from Crouch End in one direction and Tottenham in the other. Marc soon found work as a shop-floor manager in the Edmonton branch of Wickes, the home-improvement chain.
One day an elderly man came in and asked him for some ‘scrim’, the durable cloth used to polish windows. They got talking and the man told Marc he was earning a ‘fucking fortune’ cleaning the windows of yuppie house owners. The conversation gave Marc the germ of an idea and a few days later, on a pleasant summer evening, dressed smartly in a shirt and tie, ladder on his shoulder, he was knocking on the doors of suitable houses in Crouch End and nearby Highgate. ‘Good evening, sir. Good evening, madam, would you like your windows cleaned?’
It was £10 or £15 for twenty-minutes’ work cleaning the windows of a two-up, two-down property. By the time he met Penny later that summer, he was well on his way to earning £20,000 a year, which was a tidy sum for a young man in the 1980s.
Penny was a North London girl, not originally from Tottenham at all, but from Islington, and lived in Chalfont Road, a mile from the old Highbury football ground that closed in 2006. Her large family were, unsurprisingly, big Arsenal supporters, even though her mother and father, Doreen and John, eventually moved into a council house on the Tower Gardens Estate, off the busy Lordship Lane in Tottenham.
John Adkins was earning his living as a lorry driver when Penny, the youngest of five children, was born, but by the time their daughter was at senior school, he and his wife were working on a fruit and vegetable stall at the New Covent Garden Market in Nine Elms.
Penny was an artistic girl who showed an early talent for drawing and painting. She was never happier than when sketching in her bedroom or playing her trusty acoustic guitar. She was determined to use her gifts by studying art at university and, as many students do, she enrolled in a one-year foundation diploma in art and design at a college in Barnet.
While Penny’s family were very much working-class North Londoners, she didn’t have the rough edges. Marc explained, ‘Penny doesn’t have that sort of cockney twang. She could walk into a pub anywhere and you wouldn’t know she was from London. It’s not so much that she is posher – she is more reserved.’
Even though he had a girlfriend at the time, Marc sensed there was real chemistry between himself and the teenager. ‘She was a very, very attractive girl. She had lovely long dark hair, legs up to her neck and, what can I say, Bob’s your uncle.’
He wasted no time in ringing her to arrange a date a few days later at his favourite pub, the Punch and Judy in Covent Garden. Although it was a chance to get to know one another properly, Marc quickly realised that she wasn’t the sort of girl to jump into bed on the first date. ‘She wasn’t like that,’ he recalled.
‘It was not a big love story,’ he added. However, they continued to meet at the pub, which became ‘their’ place. Over the next few weeks, things between them got more serious and Penny agreed to stay the night at the flat in Turnpike Lane.
About two months after they met, they were passing the time at the Punch and Judy, when Penny suddenly blurted out, ‘Marc, I’m pregnant.’ He was shell-shocked at the news, but put on a brave face for his eighteen-year-old girlfriend: ‘All right, babe. No worries. We’ll sort it out.’
Despite her young age, Penny was to prove hugely resilient. There was never any question, or even discussion, about the possibility of her not keeping the child. The most pressing concern was telling Penny’s parents, who, at this point, hadn’t even met their daughter’s new boyfriend.
Despite his bravado, Marc had been brought up traditionally and insisted that he would be there when she broke the news. Penny arranged for him to join them for a Sunday lunch. ‘I told myself to “man up”, and so I went along and explained to them that I was the father. They were shocked, obviously, and asked me what I intended to do. I told them I didn’t know.’
A week later, he had made up his mind. Back at the pub, he asked Penny what she was doing for the next thirty years. ‘Do you fancy getting hitched?’ Despite being eighteen and pregnant, she said no, telling him they were too young. It was an early indication of her strength of character. Marc observed simply, ‘She was a very tenacious young girl, a very strong woman. If she’d wanted to marry me, she would have said, “Right, you’ve asked me, now let’s do it.” It wasn’t in the stratosphere, you know. She wasn’t even thinking about it. She probably saw me as a bit of a Jack the Lad and thought that this wasn’t going to work out.’
Marc still had the job of telling his own parents that they would be grandparents for the first time. He took the train back to Penarth and told them he had met a girl called Penny, who was now pregnant. His father John, a strong-minded, masculine man, wasn’t a touchy-feely chap, but took it well enough.
During the next nine months, Marc and, particularly, Penny had some important decisions to make. He moved into a shared house in Crouch End, nearer his round, when his pal Nigel got a job as a surveyor with Tower Hamlets and moved to Chingford in North East London. Penny, meanwhile, decided to give up her college course and become a full-time mum. Fiercely independent, she left home and moved into emergency accommodation for unmarried mothers on Queen’s Drive, an unappealing street near Finsbury Park Station. She also received support from the National Childbirth Trust (NCT) charity.
Marc saw her regularly, but it would be stretching it to suggest they were a devoted couple. He wasn’t the sort of man to hold her hand while she practised her breathing at antenatal classes.
Two weeks before the baby was due, he was eating breakfast at home in Crouch End when the phone rang. It was Penny’s mum Doreen. ‘Congratulations, Marc. You are the father of a baby girl.’ Despite being premature, there were no complications and the baby weighed a healthy 5lb 10½oz.
Marc dashed to the florists, bought an extravagant bunch of flowers and hopped on a bus to the North Middlesex Hospital in Edmonton, just off the North Circular Road, to see his daughter for the first time. It was 5 May 1988.
The new parents needed to decide on a name for their baby. Marc suggested Blue, his favourite colour. It was nothing to do with enjoying blues music; he just really liked the name. Penny considered that for a second or two before replying firmly, ‘I’m not calling her Blue.’
She had, in fact, already made up her mind that her daughter would be called Adele. It was an unusual choice, which perhaps was the point. In literature, Adele features in the classic novel Jane Eyre as Rochester’s young French ward. Jane takes the girl under her wing when she is employed as her governess. An art student might know that the Countess Adele was the mother of the Post-Impressionist master Toulouse-Lautrec.
For her second name, Penny chose Laurie, something suitable for either a boy or a girl. As a sop to Marc, she agreed that her third name could be Blue. He was delighted. Penny didn’t appreciate it, however, when Marc started calling his daughter Blue. She would snap, ‘Don’t call her that. Her name’s Adele.’ Penny never shortened it to Addie or Della. It was unusual in both their families for someone to have three first names. Adele Laurie Blue was certainly something to remember.
Fortunately, Penny, who had been kept in hospital for only a day, didn’t have to stay long in Queen’s Drive either. She was rehoused in a two-bedroom council flat in Shelbourne Road, Tottenham. If the wind was blowing in the right direction, she could hear the Saturday roar from the crowd at White Hart Lane. The famous Spurs ground was less than a mile away down the ironically named Park Lane, which bears no resemblance to the famous West End thoroughfare that is a byword for opulence.
The sight of football fans wearing the black and white scarves of Tottenham Hotspur as they strode to the match was a familiar sight throughout Adele’s childhood and helped generate a feeling of community in what was a drab neighbourhood. On match days, Shelbourne Road and the surrounding streets would be turned into one enormous car park.
The football club was somewhat in the shadow of neighbours Arsenal, but back in 1988 the prospects for the future seemed brighter with the signing of Paul Gascoigne from Newcastle for £2.2 million. Gazza helped them to finish sixth that season, but the champions were once again their North London rivals – much to the delight of the Adkins family.
Tottenham, at that time, would have won votes in a contest to decide the least attractive place to live in England. Much of the negativity came from the fallout from the notorious Broadwater Farm riots in October 1985. Penny was still a schoolgirl when the disenchanted young black men of the neighbourhood took to the streets following the death of local mum Cynthia Jarrett. She died from a heart attack when four police officers arrived unannounced to search her home in nearby Thorpe Road. During the subsequent unrest, which included the use of guns and petrol bombs, a policeman, PC Keith Blakelock, was hacked to death.
Marc helped Penny move in to an upstairs unfurnished flat in a street that had little to recommend it. It would be home to her and her daughter for the next nine years. An elderly couple, Henry and Jane Barley, lived downstairs and, in the years to come, they would watch Adele if her mother had to pop out. Marc wasn’t living there at first. About a month after they had settled in, he gave up his own place and joined them.
Together the new family took the train to Penarth to introduce Adele to her Welsh grandparents. Penny could be forgiven for being apprehensive. She had never met Marc’s parents before and here she was arriving on the doorstep with a baby in her arms. His mother, however, had a natural empathy with her. She’d had Marc when she was eighteen and understood perfectly what it was like to be a teenage mum. His father, too, appreciated the difficulties of being young parents starting out in life.
Marc recalled, ‘My mum was very gooey about the baby, while my father was more like, “Oh, very nice”, because all babies look the same, don’t they? It was very daunting for Penny, as you can imagine, but they are very easy-going and laid-back people and they made her very welcome. She was relaxed within an hour and they were the best of friends from then on.’
South Wales would be a home from home for Adele over the coming years. Her Welsh grandparents were important people in her life and the frequent trips across the Severn Bridge were among the best times of her childhood.
Back in London, Penny set about turning the flat into the home she wanted, grabbing unwanted furniture from her sisters or searching vintage shops for a bargain. Adele has often described her mother as ‘arty’ and their flat reflected her taste. It helped that she could fill the wall space with her own work. Marc had his window-cleaning round and, in the early years, Penny claimed the benefits she was entitled to. Adele didn’t go short of the things that every baby needs. As Marc observed, ‘Penny was never skint. She had a huge family, she had me, she had my parents and she didn’t want for anything.’
Penny is particularly close to her sisters, Kim and Nita, who have seven children between them. She also has two brothers, Gary and John Anthony. In total, Adele had something like thirteen cousins living in the Tottenham area, so there were always playmates growing up. She has often joked that she would visit her relations and enjoy the chaos of so many children playing together and then go home to her neat bedroom, where everything was in its place. Her room was never that tidy though.
Everyone clubbed together to buy Penny an old Citroën 2CV, one of those timeless designs with the roll-top roof, which perfectly suited a young woman with bohemian tastes. She could strap her baby in and be round at her mum’s or elder sisters’ houses in a couple of minutes.
Marc was proud to be the dad of such a sweet baby, who didn’t give her parents many sleepless nights. He liked nothing better than to come home and find Penny playing lullabies on her guitar to her sleeping daughter. ‘She was very talented with a guitar,’ he recalled.
All should have been set fair for the couple, but the reality was that they were two young people thrown together more by fate than compatibility. ‘I loved Penny,’ said Marc, ‘but after a few months the chemistry began to go.’ Eventually, when Adele was nine months old, they split up.
It had never been a secret that Marc was Adele’s dad, but he wasn’t named as the father on Adele’s birth certificate. Penny told him she had left the space blank. A practical woman, she may or may not have been influenced by her need to move quickly up the housing ladder. Her decision didn’t have an impact on their break-up in any way; in fact, it probably made it easier for them to resume separate lives. They remained on good terms with one another.
Marc didn’t go far. He moved into a house share near The Flask pub in Highgate. He would still see plenty of Penny and Adele and would frequently stay over in Shelbourne Road. He never had a formal agreement with Penny about supporting her. If he had a good week, he would hand over a wad of cash or come bearing gifts of clothes and toys. And his father, who was quite well off by this time, gave Penny a monthly allowance to help out.
When Adele was a bit older, Marc would take her to the London Zoo in Regent’s Park, which she loved. He recalled, ‘She loved the monkeys most of all. To a child, they are naughty, aren’t they?’ Marc used to tease his daughter: ‘I shall never forget one day at the zoo when she went to the loo, came out and saw that I had a scratch on my hand.’
‘What happened to you, Dad?’ asked Adele.
He replied, ‘Well, the lion jumped over the fence and had me.’
‘She looked at me, eyes wide, and said, “Oh did he, Dad?”’
There was never any question of Penny and Marc getting back together. He started going out with a school teacher and their relationship quickly became serious. When Adele was two, Marc’s father asked him to go back to South Wales for the summer and help him run a takeaway outlet that he had taken for the season on Barry Island, a few miles along the coast from Penarth. Where Marc and his father were based later became famous as the setting for the popular comedy series Gavin and Stacey. Holidaymakers would queue up at one of three counters for burgers, hot dogs, ice cream, candy floss or sticks of rock and then eat them strolling along the front.
The first year was not a success, perhaps because of the decline in visitors to the resort, so at the end of the summer season Marc went back to London to be close to Adele and his friends. He also kept in close touch with his brother Richard, who was happily settled in the capital. They used to meet most weeks for a pint and a catch-up at the Punch and Judy. The following summer, Marc’s father decided they should have another go with the Barry venture. The lease cost £18,000 for the season, so it wasn’t something to be undertaken lightly. He asked Marc to take charge while he continued to run the plumbing business.
Penny brought her daughter down to see everyone and they stayed at the house in Penarth. Adele, who was now three, loved playing along the promenade or going to Rabaiotti’s for one of their renowned knickerbocker glories. It was a huge treat for a little girl living in Tottenham. If he had the time, Marc would take her swimming. He had already taught her to swim at the local leisure centre, within walking distance of Shelbourne Road, and it’s the one sport she enjoyed.
At the end of the summer, Marc decided not to return to London this time. He wanted to see how things would work out in South Wales. Life had moved on for both him and Penny. She now had a steady boyfriend, so the days of casually dropping in to see his ex and his daughter were at end. Penny was still only twenty-one and had her whole life in front of her. She was determined that having Adele to care for wasn’t going to stop her living her life. They were a team.
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Sean Smith
Adele touches the hearts of millions of people who love her for her music and share the real and honest emotion she brings to each and every song. In a cynical age, she is a phenomenon.In Adele, bestselling biographer Sean Smith talks to those close to her as he follows her astonishing journey to fame that began on the gritty streets of Tottenham. Through compelling new research and interviews, he reveals that there is far more to Adele than the superstar we all think we know.He uncovers the story of her complex family relationships; the ill-starred love affair between her mother and father; her devastation at the untimely death of her grandfather; and her seemingly unpromising future in a gang-ravaged area of South London.She found salvation at the BRIT School before a series of unhappy love affairs provided the inspiration for her record-breaking albums. He describes how she conquered America and how it all could have been ended by a dramatic vocal injury. Instead, she has made an amazing comeback and found personal happiness in a new relationship and becoming a mum.Intimate and revealing, Adele is the uplifting story of the woman with the most glorious voice in the world.
(#u69dbb1fd-ad65-5818-9da6-528946a7b08f)
Copyright (#u69dbb1fd-ad65-5818-9da6-528946a7b08f)
HarperCollinsPublishers
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First published by HarperCollinsPublishers 2016
FIRST EDITION
Text © Sean Smith 2016, 2017
Cover layout design © HarperCollinsPublishers 2016
Front cover photograph © Mike Marsland/WireImage/Getty Images
A catalogue record of this book is available from the British Library
While every effort has been made to trace the owners of copyright material reproduced herein and secure permissions, the publishers would like to apologise for any omissions and will be pleased to incorporate missing acknowledgements in any future edition of this book.
Sean Smith asserts the moral right to be identified as the author of this work
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Source ISBN: 9780008155612
Ebook Edition © November 2016 ISBN: 9780008155629
Version: 2017-03-16
Also by Sean Smith (#u69dbb1fd-ad65-5818-9da6-528946a7b08f)
Kim
Tom Jones: The Life
Kylie
Gary
Alesha
Tulisa
Kate
Robbie
Cheryl
Victoria
Justin: The Biography
Britney: The Biography
J. K. Rowling: A Biography
Jennifer: The Unauthorized Biography
Royal Racing
The Union Game
Sophie’s Kiss (with Garth Gibbs)
Stone Me! (with Dale Lawrence)
Dedication (#u69dbb1fd-ad65-5818-9da6-528946a7b08f)
To Michael and Anna
Contents
Cover (#u9a8c8f49-1106-5d0a-a185-c8efa1e893e7)
Title Page (#u5357535f-0d3d-5d35-a81a-ff4635f0f9f6)
Copyright (#u31dbb62a-dda8-5aa7-9008-0f763006ea69)
Also by Sean Smith (#u83702bd2-2806-5de4-91ad-011f1b9152f0)
Dedication (#uf983d25e-4bfd-556e-bda4-9473f3d8ff54)
Introduction (#u3d3c3c06-f377-5702-80bc-bb6703dd7462)
Part One: When She Was Young (#uecdee5d0-0e4a-5c3f-b47f-209160400618)
1 A Surprise Announcement (#u2347db7c-b6cb-54db-b93d-86902354912a)
2 Spice World (#u55c8a202-f85a-5deb-859a-6ffa6e8adaaf)
3 The Miseducation of Adele Adkins (#u5602a4b2-abc5-5c6a-bb31-a61722ff6d36)
4 True Brit (#ufbc66b83-47e2-583b-9f8a-a31973fc6fe5)
5 Missing the Train (#u4a9fc2bf-95cb-5381-91c2-cb58e917fb00)
6 Daydreamer (#ubec21cb6-cc8a-54e4-9eaf-1a19d496fd4d)
Part Two: Sometimes It Hurts (#u3f58b1c5-1909-559f-9938-7c2bc616fdaf)
7 XL Calling (#uf0beeb19-f87e-5604-8fc8-0e9f48c012f8)
8 Heartbreak Soul (#ueec42e17-3a72-5ccd-a00d-6b7062b00a8e)
9 Later … with Adele (#u32308b79-43f0-5ca0-a3f5-a7fab49bbf41)
10 Chasing the Dream (#u84dd563c-6667-5707-b0f8-c6fcc6dc5b2b)
11 At Joe’s Pub (#ue0a38e5e-4695-5f47-9dd6-289f98dc753e)
12 Early Life Crisis (#ufc5846fb-dd5e-57e4-870e-d0daca7631e5)
13 En Vogue (#uc83c4276-fbcc-590c-837e-d7508b3cc3d6)
Part Three: Feel My Love (#u90d5e7f0-ca12-569b-b1f3-82d6ee9060cf)
14 The Guard Dog (#ubaff1b45-49e3-5629-a2ac-a8345797278a)
15 Rolling With It (#ucfad8597-e5a1-5040-925f-6ef1bffe0baa)
16 Vocal Discord (#u1cf53860-a324-5b65-9138-2d70fbcd33c1)
17 A Pregnant Pause (#u7dff17bc-ef47-553a-b498-98de3671f779)
18 Skyfall (#ud2d157cb-97fb-5098-bc04-7367fe309a2f)
19 Hello Again (#u8f172b63-b972-55b3-8d8a-81da7ed5e0a8)
20 The Biggest Star on the Planet (#u625130cc-8399-580a-8960-71d3bf562615)
Last Thoughts (#u80b13072-7fbb-51bd-ac02-93608b7f7411)
Adele’s Stars (#u33ecb58a-858f-52b8-90d2-b4b912be43fc)
Life and Times (#uaa8b3cf2-78b3-5339-b521-8214730c8d15)
Acknowledgements (#uc7a41c0d-1836-564f-96c0-6679d24fbcae)
Select Bibliography (#u4d7c9fdd-0502-5e6f-ab93-1272f6a0ef8f)
List of Searchable Terms (#u9b6f7f82-9eea-5ab4-9c86-59e58672e961)
Picture Section (#ub743607c-cb75-58f0-9485-fd9968801d90)
Also available by Sean Smith (#u357eab97-254e-513f-b9c1-ecb4092819be)
About the Publisher (#uced15d8a-b0ef-5987-a01d-8c59a3003791)
Introduction
The O2, London, Monday, 21 March 2016 (#u69dbb1fd-ad65-5818-9da6-528946a7b08f)
A picture of Adele’s immaculately made-up eyes, tightly closed, with a striking pair of false lashes, illuminates an enormous screen behind the stage. Suddenly, without warning, the lights go down and the eyes open wide, creating a maelstrom of excitement and cheering. The Adele roar shakes the foundations.
‘Hello … It’s me!’ And there she is, a formidable presence, six feet in heels. She appears not on the main stage, but on a small circular platform in the centre of the audience. 20,000 people are already on their feet. Her black silk Burberry gown is speckled with hand-woven floral sequins that are instantly lit by what seem like a million mobile phones as she launches into her iconic comeback song.
How did an ordinary girl from Tottenham inspire such adulation and acclaim, mixed with a generous helping of affection? My row is full of friendly and chatty Americans, who thought it would be ‘fun’ to fly over and see her, even though she will be touring the US throughout the year. I wonder idly if there is anyone from her old neighbourhood here tonight.
Everyone seems to know the words to ‘Hello’. It’s a wall of sound, but her voice is as big as ever, refusing to be overwhelmed by the backing music or our sing-along. The track has already broken so many records. The figures are mind-boggling in an age when there’s so much choice. I read that it topped the iTunes chart in 102 countries when it was released in November 2015. I can’t name 102 countries! The problem with this song is that it will always have to be the first number at her concerts. ‘Hello’ seems a bit ridiculous as an encore anthem.
She is flanked by her security as she walks to the main stage and launches into ‘Hometown Glory’. The picture of her Dusty Springfield eyes on the big screen gives way to photographs of London. It’s a simple song, the first she ever completed, aged sixteen, and powerful in its youthful underlying message of nostalgia and empowerment.
Before we can draw breath, the blockbuster beginning continues with ‘One and Only’, arguably the best track from the record-breaking album 21. It’s smoky and soulful. Close your eyes and you can imagine one of the great divas of the past singing it in a jazz club … maybe Ella Fitzgerald or Sarah Vaughan or, best of all, Adele’s favourite singer, Etta James.
I’ve been listening to Etta a lot while I work on this book and her peerless recordings remind me so much of Adele. ‘Fool That I Am’ was on Adele’s set list when she started out, and part of me wishes it still was, but, for me, ‘One and Only’ carries the hallmark of Etta. Adele is one of those great artists who carry their influences around with them like a favourite handbag.
She needs to pause after three power songs in a row. She takes a swig from a mug containing a honey drink to soothe her voice, and starts to engage her audience in that natural, easy manner she has. It’s as if you were standing next to her in a checkout queue at Asda – although I suspect she shops at Waitrose these days.
Banter and interaction with the fans have become a feature of this tour. She started off in Belfast helping a female fan make a leap-year marriage proposal to her boyfriend. Unsurprisingly, he said yes and the story went round the world. In Manchester, she invited a twelve-year-old girl with autism to come on stage and sing ‘Someone Like You’. She was brilliant.
Tonight she invites two little girls, aged seven and eight, on to the stage and has to apologise for using the F-word. I can’t think of another star who does this. Later she asks a girl celebrating her sixteenth birthday to join her to sing a duet of the Bob Dylan classic ‘Make You Feel My Love’ from the 19 album. Adele is gracious, ‘It was really lovely to share that with you. Well done.’ This is the first time I personally have seen Adele duet.
As she says later, this is a show and not just a gig. In some ways, it’s old-fashioned entertainment, like a summertime holiday special on Great Yarmouth pier starring the late Paul Daniels, or perhaps a Christmas pantomime in which the much-missed Cilla Black would continually chat to the audience. I can imagine Adele asking us what she should do with one of her ghastly ex-boyfriends. ‘Feed him to the crocodile,’ we would shout.
She has a rare gift among modern artists of making a connection with her audience. ‘As soon as I say “Oscar”, I sound like a dickhead,’ she announces, before telling us how ‘Skyfall’ came about. At the time, she confides, she was trying to breastfeed, or ‘pumping and dumping’, as she describes it. She even encourages a Mexican wave, which is about as uncool as you can get, but emphasises her feel-good factor.
Having made sure we are on her side and part of her world, she launches into the song itself – the majesty of her voice contrasting sharply with her girl-from-Tottenham persona, all F-words and cackling laughter. I find myself looking forward to the Adele moments between the songs. She admits, ‘I’ve made a living holding onto a grudge’, and we all laugh.
She explains how she wrote ‘Million Years Ago’, one of the power ballads on 25, immediately after visiting an old friend who still lives in Tulse Hill, a mile down the road from where Adele spent her teenage years in West Norwood. She was reminded about how, every night after school, she would hang out with her friends in Brockwell Park, just off the Norwood Road, and ‘talk rubbish’. Looking back made her so sad, she wrote the song literally in minutes when she got home.
Perhaps the key moment of Adele sharing comes when she mentions Angelo, her young son, who was born in 2012: ‘He has given me so much joy, so much purpose. It has changed my life.’ I could feel she genuinely meant it.
The songs that form such an important backdrop to modern living continued, with ‘Don’t You Remember’ and ‘Chasing Pavements’ standing out. Five years ago, she tells us, things changed overnight with the performance of ‘Someone Like You’ at the BRITs. Then, it was spine-tingling. Now, it seems strangely comforting, still poignant, but with that comfy familiarity songs have when they obtain classic status. Adele says the song was her friend at a bad time. ‘It saved my life,’ she declares.
‘Fire to the Rain’ closes the main set, with Adele, thanks to special effects, caught in a downpour without an umbrella. In the old pre-mobile days, we would all have got our lighters out and let them flicker away while she sang. Struggling to light a cigarette is supposed to have given her the inspiration for the number.
The encore begins with her popping up on the small stage again. Unseen, she is carted by roadies between the two stages in a sort of wheelie bin. She starts with ‘All I Ask’, my favourite track on 25 and certainly the saddest. Fortunately, there is no sign of the sound issues that marred her performance of the song at the 2016 Grammys. It’s a breathtakingly difficult song to sing and, for me, the best of the night.
Before she sends us home happy with ‘Rolling in the Deep’, she sings another great ballad off the latest album. ‘When We Were Young’ is accompanied on the big screen by a selection of sweet, nostalgic photographs of Adele as a child – a toothless grin, a shot with her mother on the beach in South Wales.
It’s a rare glimpse of the girl who grew up to be the biggest star in the world. The pictures are just snapshots, but what was she really like, both then as a child and now as a mum?
Part One
1
A Surprise Announcement (#u69dbb1fd-ad65-5818-9da6-528946a7b08f)
The live video for Adele’s 2016 single ‘When We Were Young’ is a relaxed and informal affair. She is dressed in a chic black outfit and sings the nostalgic power ballad perfectly in front of her band at The Church Studios, a state-of-the-art complex in an old Victorian church in fashionable Crouch End, North London. One hundred yards away stands The King’s Head pub, a popular local boozer where, coincidentally, the Adele Adkins story begins.
These days the studios are owned by the acclaimed producer and long-time Adele collaborator Paul Epworth, with whom she co-wrote two of her best-loved songs, ‘Rolling in the Deep’ and ‘Skyfall’. Back in the 1980s, however, the studios were put on the music map of London by Annie Lennox and Dave Stewart. As Eurythmics, they recorded their debut album, Sweet Dreams, on the top floor. They went on to become one of the most successful acts of the decade, eventually buying the building and playing host to many top names, including Bob Dylan, Depeche Mode and Elvis Costello.
Down the street, on the corner of Crouch Hill, The King’s Head, which was also founded in Victorian times, became a popular and trendy bar for a young crowd keen to rub shoulders with musicians or perhaps catch a glimpse of someone famous nursing a drink in the corner. Downstairs was one of those tight, atmospheric rooms for comedy nights or for up-and-coming bands. If you were lucky, back in the day, you might have caught Dave and Annie jamming. You can imagine that Adele might have played there if she had been starting out then.
It was just the sort of place to attract an eighteen-year-old art student called Penny Adkins. She had travelled there on the bus from her parents’ house in Tottenham for a night out with friends one summer night in 1987.
Penny was tall, slender, raven-haired and stood out from the crowd. She caught the eye of most of the young men in the upstairs bar, including a broad-shouldered, handsome blond window-cleaner called Marc Evans, who had moved to London from South Wales and was carving out a good living with his round in the upwardly mobile neighbourhood.
It wasn’t love at first sight, but there was definitely some lust in the air as Marc sauntered over confidently for some light conversation and Penny’s phone number. Marc, who was twenty-five, had all the chat as a young man and enjoyed a very high success rate charming young ladies during the year he had been in London.
He and his younger brother Richard had been brought up in the popular Welsh resort of Penarth, nowadays more a Cardiff suburb than the popular seaside town it was then. Their father, John, had spotted the need for a self-employed plumber and soon was so successful he was able to buy his family a five-bedroom Victorian townhouse. ‘My parents always owned their own house through good old-fashioned graft,’ observes Marc proudly.
Marc’s mother, Rose, was a devout Christian and for many years has been a respected member of the Tabernacle Baptist Church choir. Marc was a choirboy as a youngster – ‘an Aled Jones-type until the old schmoogers dropped’. He sang at All Saints, Penarth, in Victoria Square, a ten-minute walk away. As a teenager, he harboured ambitions to sing and act and even wrote off to drama schools, but, in the end, went to a technical college in Llandaff for formal training as a plumber before joining his father’s business. Richard, meanwhile, chose a career in the police force.
Marc was enjoying the life of a Penarth playboy with a sky-blue MG roadster and a gorgeous girlfriend. When that romance went sour, his best friend, Nigel, who was studying for a degree in London, invited him to stay. Nigel’s parents were quite well off, so he wasn’t living in halls of residence but had his own place.
The two-bedroom flat in Turnpike Lane was conveniently situated a couple of miles from Crouch End in one direction and Tottenham in the other. Marc soon found work as a shop-floor manager in the Edmonton branch of Wickes, the home-improvement chain.
One day an elderly man came in and asked him for some ‘scrim’, the durable cloth used to polish windows. They got talking and the man told Marc he was earning a ‘fucking fortune’ cleaning the windows of yuppie house owners. The conversation gave Marc the germ of an idea and a few days later, on a pleasant summer evening, dressed smartly in a shirt and tie, ladder on his shoulder, he was knocking on the doors of suitable houses in Crouch End and nearby Highgate. ‘Good evening, sir. Good evening, madam, would you like your windows cleaned?’
It was £10 or £15 for twenty-minutes’ work cleaning the windows of a two-up, two-down property. By the time he met Penny later that summer, he was well on his way to earning £20,000 a year, which was a tidy sum for a young man in the 1980s.
Penny was a North London girl, not originally from Tottenham at all, but from Islington, and lived in Chalfont Road, a mile from the old Highbury football ground that closed in 2006. Her large family were, unsurprisingly, big Arsenal supporters, even though her mother and father, Doreen and John, eventually moved into a council house on the Tower Gardens Estate, off the busy Lordship Lane in Tottenham.
John Adkins was earning his living as a lorry driver when Penny, the youngest of five children, was born, but by the time their daughter was at senior school, he and his wife were working on a fruit and vegetable stall at the New Covent Garden Market in Nine Elms.
Penny was an artistic girl who showed an early talent for drawing and painting. She was never happier than when sketching in her bedroom or playing her trusty acoustic guitar. She was determined to use her gifts by studying art at university and, as many students do, she enrolled in a one-year foundation diploma in art and design at a college in Barnet.
While Penny’s family were very much working-class North Londoners, she didn’t have the rough edges. Marc explained, ‘Penny doesn’t have that sort of cockney twang. She could walk into a pub anywhere and you wouldn’t know she was from London. It’s not so much that she is posher – she is more reserved.’
Even though he had a girlfriend at the time, Marc sensed there was real chemistry between himself and the teenager. ‘She was a very, very attractive girl. She had lovely long dark hair, legs up to her neck and, what can I say, Bob’s your uncle.’
He wasted no time in ringing her to arrange a date a few days later at his favourite pub, the Punch and Judy in Covent Garden. Although it was a chance to get to know one another properly, Marc quickly realised that she wasn’t the sort of girl to jump into bed on the first date. ‘She wasn’t like that,’ he recalled.
‘It was not a big love story,’ he added. However, they continued to meet at the pub, which became ‘their’ place. Over the next few weeks, things between them got more serious and Penny agreed to stay the night at the flat in Turnpike Lane.
About two months after they met, they were passing the time at the Punch and Judy, when Penny suddenly blurted out, ‘Marc, I’m pregnant.’ He was shell-shocked at the news, but put on a brave face for his eighteen-year-old girlfriend: ‘All right, babe. No worries. We’ll sort it out.’
Despite her young age, Penny was to prove hugely resilient. There was never any question, or even discussion, about the possibility of her not keeping the child. The most pressing concern was telling Penny’s parents, who, at this point, hadn’t even met their daughter’s new boyfriend.
Despite his bravado, Marc had been brought up traditionally and insisted that he would be there when she broke the news. Penny arranged for him to join them for a Sunday lunch. ‘I told myself to “man up”, and so I went along and explained to them that I was the father. They were shocked, obviously, and asked me what I intended to do. I told them I didn’t know.’
A week later, he had made up his mind. Back at the pub, he asked Penny what she was doing for the next thirty years. ‘Do you fancy getting hitched?’ Despite being eighteen and pregnant, she said no, telling him they were too young. It was an early indication of her strength of character. Marc observed simply, ‘She was a very tenacious young girl, a very strong woman. If she’d wanted to marry me, she would have said, “Right, you’ve asked me, now let’s do it.” It wasn’t in the stratosphere, you know. She wasn’t even thinking about it. She probably saw me as a bit of a Jack the Lad and thought that this wasn’t going to work out.’
Marc still had the job of telling his own parents that they would be grandparents for the first time. He took the train back to Penarth and told them he had met a girl called Penny, who was now pregnant. His father John, a strong-minded, masculine man, wasn’t a touchy-feely chap, but took it well enough.
During the next nine months, Marc and, particularly, Penny had some important decisions to make. He moved into a shared house in Crouch End, nearer his round, when his pal Nigel got a job as a surveyor with Tower Hamlets and moved to Chingford in North East London. Penny, meanwhile, decided to give up her college course and become a full-time mum. Fiercely independent, she left home and moved into emergency accommodation for unmarried mothers on Queen’s Drive, an unappealing street near Finsbury Park Station. She also received support from the National Childbirth Trust (NCT) charity.
Marc saw her regularly, but it would be stretching it to suggest they were a devoted couple. He wasn’t the sort of man to hold her hand while she practised her breathing at antenatal classes.
Two weeks before the baby was due, he was eating breakfast at home in Crouch End when the phone rang. It was Penny’s mum Doreen. ‘Congratulations, Marc. You are the father of a baby girl.’ Despite being premature, there were no complications and the baby weighed a healthy 5lb 10½oz.
Marc dashed to the florists, bought an extravagant bunch of flowers and hopped on a bus to the North Middlesex Hospital in Edmonton, just off the North Circular Road, to see his daughter for the first time. It was 5 May 1988.
The new parents needed to decide on a name for their baby. Marc suggested Blue, his favourite colour. It was nothing to do with enjoying blues music; he just really liked the name. Penny considered that for a second or two before replying firmly, ‘I’m not calling her Blue.’
She had, in fact, already made up her mind that her daughter would be called Adele. It was an unusual choice, which perhaps was the point. In literature, Adele features in the classic novel Jane Eyre as Rochester’s young French ward. Jane takes the girl under her wing when she is employed as her governess. An art student might know that the Countess Adele was the mother of the Post-Impressionist master Toulouse-Lautrec.
For her second name, Penny chose Laurie, something suitable for either a boy or a girl. As a sop to Marc, she agreed that her third name could be Blue. He was delighted. Penny didn’t appreciate it, however, when Marc started calling his daughter Blue. She would snap, ‘Don’t call her that. Her name’s Adele.’ Penny never shortened it to Addie or Della. It was unusual in both their families for someone to have three first names. Adele Laurie Blue was certainly something to remember.
Fortunately, Penny, who had been kept in hospital for only a day, didn’t have to stay long in Queen’s Drive either. She was rehoused in a two-bedroom council flat in Shelbourne Road, Tottenham. If the wind was blowing in the right direction, she could hear the Saturday roar from the crowd at White Hart Lane. The famous Spurs ground was less than a mile away down the ironically named Park Lane, which bears no resemblance to the famous West End thoroughfare that is a byword for opulence.
The sight of football fans wearing the black and white scarves of Tottenham Hotspur as they strode to the match was a familiar sight throughout Adele’s childhood and helped generate a feeling of community in what was a drab neighbourhood. On match days, Shelbourne Road and the surrounding streets would be turned into one enormous car park.
The football club was somewhat in the shadow of neighbours Arsenal, but back in 1988 the prospects for the future seemed brighter with the signing of Paul Gascoigne from Newcastle for £2.2 million. Gazza helped them to finish sixth that season, but the champions were once again their North London rivals – much to the delight of the Adkins family.
Tottenham, at that time, would have won votes in a contest to decide the least attractive place to live in England. Much of the negativity came from the fallout from the notorious Broadwater Farm riots in October 1985. Penny was still a schoolgirl when the disenchanted young black men of the neighbourhood took to the streets following the death of local mum Cynthia Jarrett. She died from a heart attack when four police officers arrived unannounced to search her home in nearby Thorpe Road. During the subsequent unrest, which included the use of guns and petrol bombs, a policeman, PC Keith Blakelock, was hacked to death.
Marc helped Penny move in to an upstairs unfurnished flat in a street that had little to recommend it. It would be home to her and her daughter for the next nine years. An elderly couple, Henry and Jane Barley, lived downstairs and, in the years to come, they would watch Adele if her mother had to pop out. Marc wasn’t living there at first. About a month after they had settled in, he gave up his own place and joined them.
Together the new family took the train to Penarth to introduce Adele to her Welsh grandparents. Penny could be forgiven for being apprehensive. She had never met Marc’s parents before and here she was arriving on the doorstep with a baby in her arms. His mother, however, had a natural empathy with her. She’d had Marc when she was eighteen and understood perfectly what it was like to be a teenage mum. His father, too, appreciated the difficulties of being young parents starting out in life.
Marc recalled, ‘My mum was very gooey about the baby, while my father was more like, “Oh, very nice”, because all babies look the same, don’t they? It was very daunting for Penny, as you can imagine, but they are very easy-going and laid-back people and they made her very welcome. She was relaxed within an hour and they were the best of friends from then on.’
South Wales would be a home from home for Adele over the coming years. Her Welsh grandparents were important people in her life and the frequent trips across the Severn Bridge were among the best times of her childhood.
Back in London, Penny set about turning the flat into the home she wanted, grabbing unwanted furniture from her sisters or searching vintage shops for a bargain. Adele has often described her mother as ‘arty’ and their flat reflected her taste. It helped that she could fill the wall space with her own work. Marc had his window-cleaning round and, in the early years, Penny claimed the benefits she was entitled to. Adele didn’t go short of the things that every baby needs. As Marc observed, ‘Penny was never skint. She had a huge family, she had me, she had my parents and she didn’t want for anything.’
Penny is particularly close to her sisters, Kim and Nita, who have seven children between them. She also has two brothers, Gary and John Anthony. In total, Adele had something like thirteen cousins living in the Tottenham area, so there were always playmates growing up. She has often joked that she would visit her relations and enjoy the chaos of so many children playing together and then go home to her neat bedroom, where everything was in its place. Her room was never that tidy though.
Everyone clubbed together to buy Penny an old Citroën 2CV, one of those timeless designs with the roll-top roof, which perfectly suited a young woman with bohemian tastes. She could strap her baby in and be round at her mum’s or elder sisters’ houses in a couple of minutes.
Marc was proud to be the dad of such a sweet baby, who didn’t give her parents many sleepless nights. He liked nothing better than to come home and find Penny playing lullabies on her guitar to her sleeping daughter. ‘She was very talented with a guitar,’ he recalled.
All should have been set fair for the couple, but the reality was that they were two young people thrown together more by fate than compatibility. ‘I loved Penny,’ said Marc, ‘but after a few months the chemistry began to go.’ Eventually, when Adele was nine months old, they split up.
It had never been a secret that Marc was Adele’s dad, but he wasn’t named as the father on Adele’s birth certificate. Penny told him she had left the space blank. A practical woman, she may or may not have been influenced by her need to move quickly up the housing ladder. Her decision didn’t have an impact on their break-up in any way; in fact, it probably made it easier for them to resume separate lives. They remained on good terms with one another.
Marc didn’t go far. He moved into a house share near The Flask pub in Highgate. He would still see plenty of Penny and Adele and would frequently stay over in Shelbourne Road. He never had a formal agreement with Penny about supporting her. If he had a good week, he would hand over a wad of cash or come bearing gifts of clothes and toys. And his father, who was quite well off by this time, gave Penny a monthly allowance to help out.
When Adele was a bit older, Marc would take her to the London Zoo in Regent’s Park, which she loved. He recalled, ‘She loved the monkeys most of all. To a child, they are naughty, aren’t they?’ Marc used to tease his daughter: ‘I shall never forget one day at the zoo when she went to the loo, came out and saw that I had a scratch on my hand.’
‘What happened to you, Dad?’ asked Adele.
He replied, ‘Well, the lion jumped over the fence and had me.’
‘She looked at me, eyes wide, and said, “Oh did he, Dad?”’
There was never any question of Penny and Marc getting back together. He started going out with a school teacher and their relationship quickly became serious. When Adele was two, Marc’s father asked him to go back to South Wales for the summer and help him run a takeaway outlet that he had taken for the season on Barry Island, a few miles along the coast from Penarth. Where Marc and his father were based later became famous as the setting for the popular comedy series Gavin and Stacey. Holidaymakers would queue up at one of three counters for burgers, hot dogs, ice cream, candy floss or sticks of rock and then eat them strolling along the front.
The first year was not a success, perhaps because of the decline in visitors to the resort, so at the end of the summer season Marc went back to London to be close to Adele and his friends. He also kept in close touch with his brother Richard, who was happily settled in the capital. They used to meet most weeks for a pint and a catch-up at the Punch and Judy. The following summer, Marc’s father decided they should have another go with the Barry venture. The lease cost £18,000 for the season, so it wasn’t something to be undertaken lightly. He asked Marc to take charge while he continued to run the plumbing business.
Penny brought her daughter down to see everyone and they stayed at the house in Penarth. Adele, who was now three, loved playing along the promenade or going to Rabaiotti’s for one of their renowned knickerbocker glories. It was a huge treat for a little girl living in Tottenham. If he had the time, Marc would take her swimming. He had already taught her to swim at the local leisure centre, within walking distance of Shelbourne Road, and it’s the one sport she enjoyed.
At the end of the summer, Marc decided not to return to London this time. He wanted to see how things would work out in South Wales. Life had moved on for both him and Penny. She now had a steady boyfriend, so the days of casually dropping in to see his ex and his daughter were at end. Penny was still only twenty-one and had her whole life in front of her. She was determined that having Adele to care for wasn’t going to stop her living her life. They were a team.
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Sean Smith
Тип: электронная книга
Жанр: Кинематограф, театр
Язык: на английском языке
Издательство: HarperCollins
Дата публикации: 16.04.2024
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О книге: Adele touches the hearts of millions of people who love her for her music and share the real and honest emotion she brings to each and every song. In a cynical age, she is a phenomenon.In Adele, bestselling biographer Sean Smith talks to those close to her as he follows her astonishing journey to fame that began on the gritty streets of Tottenham. Through compelling new research and interviews, he reveals that there is far more to Adele than the superstar we all think we know.He uncovers the story of her complex family relationships; the ill-starred love affair between her mother and father; her devastation at the untimely death of her grandfather; and her seemingly unpromising future in a gang-ravaged area of South London.She found salvation at the BRIT School before a series of unhappy love affairs provided the inspiration for her record-breaking albums. He describes how she conquered America and how it all could have been ended by a dramatic vocal injury. Instead, she has made an amazing comeback and found personal happiness in a new relationship and becoming a mum.Intimate and revealing, Adele is the uplifting story of the woman with the most glorious voice in the world.