Broken Monsters

Broken Monsters
Lauren Beukes


In the city that’s become a symbol for the death of the American dream, a nightmare killer is unravelling reality. The new thriller from Lauren Beukes, author of The Shining Girls.Detective Gabi Versado has hunted down many monsters during her eight years in Homicide. She’s seen stupidity, corruption and just plain badness. But she’s never seen anything like this.Clayton Broom is a failed artist, and a broken man. Life destroyed his plans, so he’s found new dreams – of flesh and bone made disturbingly, beautifully real.Detroit is the decaying corpse of the American Dream. Motor-city. Murder-city. And home to a killer opening doors into the dark heart of humanity.A killer who wants to make you whole again…























Copyright (#ulink_0a149493-2b00-5f62-a7b5-48539ce63b84)


Harper

An imprint of HarperCollinsPublishers

1 London Bridge Street

London, SE1 9GF

www.harpercollins.co.uk (http://www.harpercollins.co.uk)

First published in Great Britain by HarperCollinsPublishers 2014

Copyright © Lauren Beukes 2014

Cover design layout © HarperCollinsPublishers 2015

Background wall texture © Shutterstock.com (http://Shutterstock.com) Cover photograph of woman by Henry Steadman

Lauren Beukes asserts the moral right to be identified as the author of this work.

A catalogue record for this book is available from the British Library.

This is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Ebook Edition © JULY 2014 ISBN: 9780007464623

Version: 2015-03-30


Contents

Cover (#u97cc7a21-d9b1-5600-9a39-efc5cc2858ba)

Title Page (#ucdcf84dd-7e94-5bd9-a951-7df064493517)

Copyright (#u076a2208-2c01-5b08-b47c-78fddc96aeee)

I Dreamed About a Boy (#u289b900a-c351-5557-bd12-478b98c02f1b)

Sunday, November 9 (#u11e4b8f6-5b66-52d8-9514-b96683451945)

Bambi (#u19b10d5a-733f-5f78-965a-8d166d80e7c2)

Last Night a DJ Saved My Life (#ue460c092-f8f4-581e-bbe3-5ba17beae429)

Under the Table (#u0af9eac2-9914-56ef-a125-ecd5cdb8156f)

The Detective’s Daughter (#u2b3c4e18-a877-5928-a0f7-363addd59783)

Before (#ub8bd6096-acf7-5190-a6b3-1bac855ce1a5)

Traverse City (#ud5ea4f8f-c0cd-58f3-95f7-9506a40712a1)

I Dreamed I Was a Dream of a Dream (#u8e7e30ca-75cc-571a-8415-eafe2a8bac36)

Monday, November 10 (#u8492c547-6647-55e4-bada-d28cbae0f785)

Detroit Diamonds (#ub966b9e7-2191-54d3-b0ab-adc1436bb699)

Writings on the Whiteboard (#u36091736-1753-56a5-a096-ecf273017430)

Before (#u4478f8e3-ddde-546f-8ce8-a03fdb44c5c4)

History of Art (#ub10c75bf-8b63-5b05-a99f-6c6f9b0a5da3)

Trajectories (#uf0fffb45-3b51-5ad7-9acf-650505575f8d)

Studs and Holes (#ua89c2cf8-4b30-51ae-8efc-c32f12919c17)

I Dreamed I Was a Man (#ud5f5abc8-d2cb-52bd-8a1e-b03d5a836c76)

Tuesday, November 11 (#u78150c7b-e3be-5443-b08e-c3c3e61b1f99)

Scar Tissue (#ue498f269-5df6-5998-8bc3-fc25cc6ed87b)

The Skin You’re In (#u246ce627-4a8e-569d-a16c-78f099a53422)

Anywhereland (#ue37b2781-f80b-5002-8ad6-33431e875b56)

The Bright (#u0ae3cfa6-2db6-5f36-b047-87d01ca494c7)

Higher Power (#u08d3cc9d-ba11-5572-ab86-6075ffeccce2)

The Art of Fishing (#u7a27843f-b242-5841-9bbf-9bbdb2e30985)

Playing the Game (#u3f1d6462-c8b6-5e64-9c92-40147d4fb55f)

Wednesday, November 12 (#u395cfabc-d3ce-53ed-b4ba-ce4517c0ceca)

Branches of Enquiry (#u398863c8-3491-5d86-a2d8-d75a8b7fa43a)

Opening Up (#u34f09ff7-77bb-5624-9144-527818d58ba0)

Stuffed (#u680b620b-3c19-5bb7-9fab-c4f7560d2560)

Faygo and a Gun (#u842f1476-887e-5204-bdf0-c1d688f0a984)

Flavor of the Month (#u9a3b90c5-2e8a-51b7-85c7-0bdafc21ae99)

The Man Who Ate the World (#udfb5ce53-a27d-5998-9796-51336feb1ae0)

Botanica (#u7c75d8ca-1a97-53c4-b103-bf6a68de3675)

Walled Gardens (#u8f0c0216-e7cf-56c1-b6f8-c979d2f4cfe1)

Thursday, November 13 (#u704bb8ae-0c24-59d3-a87c-9b60460df554)

Open Wide (#u91928283-315e-5fea-9c9b-4cfae3b0ad78)

Catfish on the Menu (#ueafba14e-0c6c-51cd-90af-757415a8ef23)

Unseasonal Flowerings (#uc68857b5-6557-5733-895c-8d74f6872907)

Cheese Dreams (#uc95be689-4479-589e-a621-e6d72b8b6d60)

Friday, November 14 (#u914b5d6c-d8c0-58a1-98c3-7677181a2f78)

People Who Live in Gingerbread Houses (#uf6bd76a9-9af6-5001-8c01-6300b845538a)

The Suck (#ue7c08c64-0089-5c2f-9877-7aa710aa8c92)

Victimology (#u7956ea43-08ac-5f7a-b0f5-a19b1d1e7f70)

What’s Due (#u04992293-b363-5af2-bf9c-138ca037aa69)

Saturday, November 15 (#u876bae91-916c-5dd9-84d4-1394fea0db35)

The Mouth Feel of Secrets (#ubc2e7c93-68b7-52db-8021-7dcf42aca60d)

Can’t See the Would (#u74b7dae2-5163-526a-ba9d-0b4d59dfe7a6)

Chicken Coop (#u347c72f7-76c6-5126-8b78-3549ccfe8422)

Party People (#u9ed4027d-027f-5ac8-a390-9366561c1eae)

Unspeakable Things (#u74670b40-f7c3-502d-9f2c-96dea7db8557)

Curiouser and Curiouser (#uc5e790ae-d568-5909-ae5a-1c362eac37f1)

Making a Statement (#u75ecc86b-ff2a-586f-9d89-2f4d602c2796)

Honk Honk (#u12ed7c21-e783-5ffc-8304-43bc24772fe0)

Sunday, November 16 (#u4ce7f19c-64dc-542c-b302-0222ca6523b9)

The Shit Show (#uc743569d-0a08-50f7-82cc-854018698600)

Shaggy Dog (#ud34984d1-44e9-525c-b4b1-07052a35e9d8)

Viral Like Ebola (#uc90ebbe2-c1f6-5b4d-b491-d29194db8e9e)

Disciple (#ua4e95103-b53e-5ea9-a909-bce601710a1c)

Barking up Trees (#ub6162691-d6d0-5094-9b45-1ac14c6e8dfb)

Monday, November 17 (#u75b02aa5-e15b-516a-a44d-32bfc4efc548)

Blogger vs Cop (#u384b8f0c-09ba-593f-a7b2-759c3b18797c)

Teeth (#u2baabc24-ed1d-51a3-958e-e4cea69ed85c)

Mistakes that End Bloodily (#ud5c31ed4-fc4c-521e-9bd9-cc3b760fb41a)

Principles (#ued07a23c-6125-5726-9de6-d37447faf479)

Exile (#ud21fa084-360c-565b-a34c-8bee5717f24d)

Get Your Hat (#u74c1b8ed-7c95-5853-b0f0-a14682313cf8)

Anti-social (#ue13e1d57-fcd6-5111-b053-54ec749b2ea2)

Call Me Maybe (#u229d351b-235b-5ced-877c-40480b46df36)

BFF (#u1a1dfcbf-0af1-5e6b-b46d-c19efd9e8ee3)

Parlay (#u864a6578-24a4-5395-acdb-965fdf42071b)

Tuesday, November 18 (#ufbdd1611-b189-50bf-a749-e5d6f56e56bc)

Turning Over (#u3dc423d0-4298-5c28-85f9-443f7b05cf1d)

Finders Keepers (#u3548722e-51ab-5da4-987d-ed3d893d3141)

The Footage (#u0a97f01a-8f62-5bd4-94d5-9fc072626624)

Subreddit / Detroit Monster (#u6bb434fe-66ff-5a03-8f54-629eacf45911)

Breakdown (#uf12f0b34-6154-5f30-8e43-e257bf781307)

Call of Duty (#udae8cd6e-9f93-5c1e-a176-e89571f79b9d)

Words Like Wounds (#uc9cfb8c4-5fa9-5daa-915e-848201d2778d)

Hotline Transcripts (#u0641f7e9-c836-57d4-a774-bf79fac4d347)

Wednesday, November 19 (#u745ec4c6-6242-5310-b193-ab3654623ea6)

Come One, Come All (#u5d20d256-7501-516c-b221-73bf23006263)

Head Like a Hole (#ua2379c4c-9924-5e1a-9332-9aada165968a)

The Red Shoes (#u7fed8b26-a429-5af9-b3f1-22be14128b31)

Leaving on a Jet Plane (#ub397a26a-c09f-53fa-87a3-0042a39cc68b)

Butterflies in Your Stomach (#ubdad5e9b-922c-51e8-8e64-2fe993c901e4)

Like Meat (#u84f13b8e-9b86-5f04-b770-7e5642e4b1b1)

Brain Stew (#u28ef84ec-e611-5966-8a57-cbca16c97bed)

Abandonment Issues (#uda1bf6c3-3432-54f1-8dca-a3236fc98fd2)

The Inside Scoop (#u5a8fbe40-d2e7-5867-a146-5864cb81f2d1)

Nowhere but Up (#uc757cff0-85c4-5355-8762-9765ee7d546c)

Nothing’s Accidental (#ueb41c9f8-df10-58cb-b5b7-5adf72e9afc6)

Mechanical Animals (#u31b2653b-9e3d-5f79-a818-ee4c6c3edeca)

Assembling You (#ua0fa60d4-9225-52f6-ace7-f67efb922b29)

Labyrinth (#uace4c29a-d54b-5c8a-89f3-c8dd19e3264e)

Summonings (#u72c3275e-2f87-51b6-a071-38dba008ece9)

All that Sparkles (#u6a16d22c-8e59-56a5-b7bb-498feacf236f)

Baby it’s You (#u311a9a8b-2a1e-5737-a4ce-78410e6922f4)

Shoot to Kill (#u49ad879b-d565-5554-93dc-2de712a7a10a)

All Your Fears (#u3e198ac0-cd23-561f-a9a2-67933f9f4151)

Seeing/Believing (#u3aac2def-c180-52d1-b9fb-b129f9dedd1a)

All You Ever Dreamed (#u70ceea1a-ad28-5587-8d1a-78db23b0f889)

Everything to Everyone (#u318a8629-6c6d-53c0-a285-2e58adcf8947)

Open (#ue7cf9e0d-2f9d-56fa-8cd1-5d5f32eeda87)

After (#u3996be9f-3aad-5dc7-ba4c-18a83925a096)

Mind Bleach (#uf867d280-1f8f-5dce-8f24-00972b5d04f8)

The Things that Follow You (#u1e52dc1f-0479-50dc-8a4d-d5bfde8d6479)

Behind the scenes of Broken Monsters (#ud11b0b22-1130-593f-8f63-a4911769def3)

Photos from Lauren’s research trip to Detroit (#u1cdde7a0-e5d2-578b-9bde-6f11695f5706)

Reading Group Questions (#u06ca970c-84e3-5140-8ba2-8d47271aa2df)

An Interview with Lauren Beukes (#u92e31736-ae60-5d59-9b4c-1721d8dae036)

Acknowledgements (#u33afc33e-4fc7-5244-82f4-e7d9c32c12aa)

About the Author (#ua920db9e-68fc-59b3-a7da-d0a836f6b86d)

Also by Lauren Beukes (#u7161cdb2-6b91-5c54-9cf7-3c6c85eaf0f7)

About the Publisher (#ucc1432af-9370-5ef5-a0b3-285742ecc623)


I dreamed about a boy with springs for feet so he could jump high. So high I couldn’t catch him. But I did catch him. But then he wouldn’t get up again.

I tried so hard. I got him new feet. I made him something beautiful. More beautiful than you could imagine.

But he wouldn’t get up. And the door wouldn’t open.



SUNDAY, NOVEMBER 9 (#ulink_037b390b-4a20-5886-8543-595301146535)




Bambi (#ulink_0ba59bd3-a7b7-501c-891d-a5bcfeba9a45)


The body. The-body-the-body-the-body, she thinks. Words lose their meaning when you repeat them. So do bodies, even in all their variations. Dead is dead. It’s only the hows and whys that vary. Tick them off: Exposure. Gunshot. Stabbing. Bludgeoning with a blunt instrument, sharp instrument, no instrument at all when bare knuckles will do. Wham, bam, thank you, ma’am. It’s Murder Bingo! But even violence has its creative limits.

Gabriella wishes someone had told that to the sick fuck who did this. Because this one is Yoo-neeq. Which happens to be the name of a sex worker she let off with a warning last weekend. It’s most of what the DPD does these days. Hands out empty warnings in The. Most. Violent. City. In. America. Duh-duh-duh. She can just hear her daughter’s voice – the dramatic horror-movie chords Layla would use to punctuate the words. All the appellations Detroit carries. Dragging its hefty symbolism behind it like tin cans behind a car marked ‘Just Married’. Does anyone even do that any more, she wonders, tin cans and shaving cream? Did anyone ever? Or was it something they made up, like diamonds are forever, and Santa Claus in Coca-Cola red, and mothers and daughters bonding over fat-free frozen yogurts. She’s found that the best conversations she has with Layla are the ones in her head.

‘Detective?’ the uniform says. Because she’s just standing there staring down at the kid in the deep shadow of the tunnel, her hands jammed in the pockets of her jacket. She left her damn gloves in the car and her fingers are numb from the chill wind sneaking in off the river. Winter baring its teeth even though it’s only gone November. ‘Are you—’

‘Yeah, okay,’ she cuts him off, reading the name on his badge. ‘I’m thinking about the adhesive, Officer Jones.’ Because mere superglue wouldn’t do it. Holding the pieces together while the body was moved. This isn’t where the kid died. There’s not enough blood on the scene. And there’s no sign of his missing half.

Black. No surprise in this city. Ten years old, she’d guess. Maybe older if you factored in malnourishment and development issues. Say somewhere between ten and sixteen. Naked. As much of him as there is to be naked. It’s entirely possible the rest of him is wearing pants, with his wallet in the back pocket and a cell phone that won’t have any minutes, but which will make calling his momma a hell of a lot easier.

Wherever the rest of him is.

He’s lying on his side, his legs pulled up, eyes closed, face serene. The recovery position. Only he’s never going to recover and those aren’t his legs. Skinny as a beanpole. Beautiful skin, even if it’s gone yellow from blood loss. Pre-adolescent, she decides. No sign of acne. No scratches or bruises either, or any indications that he put up a fight or had anything bad happen to him at all. Above the waist.

Below the waist is a different story. Oh boy. That’s a whole other section of the book store. There’s a dark gash, right above where his hips should be, where he has been somehow … attached to the lower half of a deer, hooves and all. The white flick of the tail sticks up like a jaunty little flag. The brown fur is bristled with dried blood. The flesh appears melted together at the seam.

Officer Jones is hanging back. The smell is terrible. She’s guessing the intestines are severed, on both sets of bodies, leaking shit and blood into the conjoined cavities. Plus there’s the gamey reek of the deer’s scent glands. She pities the ME having to open up this mess. Better than the paperwork, though. Or dealing with the goddamn media. Or, worse, the mayor’s office.

‘Here,’ she offers, fishing a small red tub of lipgloss out of her pocket. Something she bought at the drugstore on a whim to appease Layla. A candy-flavored cosmetic – that’s sure to bridge the gap between them. ‘It’s not menthol, but it’s something.’

‘Thanks,’ he says, grateful, which marks him out as an FNG. Fucking New Guy. He dips his finger in and smears the greasy balm under his nose; cherry-flavored snot. With sparkles in it, Gabi notices for the first time, but does not point out. Small pleasures.

‘Don’t get any on the scene,’ she warns him.

‘No. No, I won’t.’

‘And don’t even think about taking any pictures on your phone to show your buddies.’ She looks around at the tunnel with the graffiti that grows on bare walls in this city like plaque, the weight of the pre-dawn darkness, the lack of traffic. ‘We’re going to contain this.’

They do not remotely contain it.




Last Night a DJ Saved My Life (#ulink_151a6d77-0e35-5f28-8fc8-4e27a8a8ad51)


Jonno is yanked from sleep’s deepest tar pits by an elbow to the jaw. He comes up flailing and disoriented, only to find himself fighting bed sheets. The girl from last night – Jen Q – rolls over, her arms flung above her head, revealing the sleeve of tattooed birds that runs up her chest and over her shoulder. She’s oblivious to having nearly concussed him. Her eyelids are flickering in REM, caught up in a dream that makes her breath jagged, similar to the panting delight he elicited from her earlier when she was riding him, his hands on her hips. When she came, she flung her head back, flicking her mane of braids. His bad luck to catch one in the eye, which called an abrupt halt to the proceedings as he teared up, blinking in pain.

‘Easy …’ he says, rubbing her back to bring her out of it. He can feel the dark corona of a hangover hovering around his head waiting to slam down. But not quite yet. Perversely, the pain from the elbow jab seems to be keeping it at bay.

‘Mmmgghff,’ she says, not properly awake. But he’s broken through the skin of her nightmare. He runs his palm down the curve of her waist, under the sheets. His cock stirs.

That’s twice in one night she’s hurt him. It’s entirely possible she’ll break his heart next. It was the way she kept saying afterwards, ‘Oh my gosh, I’m so sorry,’ but couldn’t hold back the giggles, collapsing onto his chest, crying with laughter while his eye streamed.

‘That’s not exactly a gesture of solidarity,’ he complained at the time, but the soft weight of her felt sweet, her whole body shaking with laughter.

‘Do you want to fuck again?’ he whispers into her ear now.

‘T’morrow,’ she mumbles, but parts her legs to accommodate his hand anyway. ‘S’nice. Keep doing that.’

She sighs and rolls over, so that he can move in behind her. He pushes his hard-on up against her ass, his fingers sliding over her clit until he realizes that her breathing has deepened because she’s gone back to sleep. Great.

He flops onto his back and looks around the room, but there’s not much in the way of clues. 1 × wooden ceiling fan. 1 × Scandi modern cupboard. Reedy blinds over the window. Their clothes all over the floor. No books, which is troubling if he intends to fall in love with her. Did he tell her that he’s a writer?

He wonders what the Q stands for. An actual last name or a DJ add-on? Jen X would have been too cutesy, he supposes. Not her style, based on what he has to go on. Which is, to summarize this in one of the easily digestible lists he churns out in lieu of making a respectable living:

1) The set she played last night at the so-called secret party, for which a hundred people showed in a studio in Eastern Market under a T-shirt shop. He can’t remember the music she was playing, but it was that time of the night when everything merges into doof-doof bass.

2) The way she danced, her braids twisted up on her head, to prevent exactly the kind of injury she had inflicted on him. The first thing he noticed. She moved like she was happy. And she smiled when he caught her eye. He liked that. Not too cool to smile.

3) The way she plucked the cigarette impatiently from his mouth when they were outside, still strangers, bound only by the camaraderie of being smokers, having to stand out in the cold with the fuzzy promise of emphysema in the distant future. They’d been talking about Motown and techno. That Rodriguez documentary. The bankruptcy. All the easy conversational set-pieces. He thought she was going to take a drag, and instead she kissed him.

4) Making out in her car. There are snapshots in his memory, Instagrams really, because they’re blurry round the edges: following her down a hedged-in alley round the side of a house to a detached cottage, kissing her neck while she messed around with the keys, the smell of her skin making him crazy, swearing, laughing, her sharp ‘shhhh’ as the door fell open and they tumbled inside.

5) The shapes of furniture in the darkness as she led him straight through to the bedroom. Both of them drunk. Or him, definitely. He could tell by the way the room went all tilt-a-whirl for a moment. Kissing, tugging off clothes. The way she felt inside.

Shit. Did they use a condom? The thought makes his stomach flop, but not for the reasons it would have a year ago.

She gives one little rabbit snore, and he ducks as she flings out her arm again. No good. He can tell by the clarity of his thoughts that he’s not going back to sleep. He has become an expert on his own insomnia. Usually it’s fear that jerks him awake in the middle of the night, heart racing. He leans over the side of the bed, fishing for his phone in his jacket pocket. Four forty-eight. That’s later than his average, which is usually around two in the morning. He should get laid more often. No shit, Sherlock.

Jonno does not check his inbox, even though the number above the little envelope insists that he has new messages. New voicemail too, according to the digit attached to the cartoon speech bubble. It used to be that the only icons that could inspire such terrible dread were plague signs. A black X over the door.

He opens the browser instead and looks up Jen Q. Only a couple of pages of search results, usually limited to a listing at a festival or a gig guide. A tiny profile on some music review site. But she’s social media-ed to the eyeballs. All the usual suspects and even a MySpace page, which means she’s probably a little older than he thought. He clicks through her selfies, inspirational quotes, self-promos. ‘Xcited 2b playing Coal Club 2nite. $5 cover!’ It’s all surface shit, posing for the world. He knows the feeling.

His hangover is settling in. He’s going to need something to keep it at bay.

He throws back the covers and swings his legs over the edge of the bed, waiting for the swirl of nausea to pass. Jen doesn’t stir. She has raccoon eyes from her mascara. Cate would never have gone to bed without taking off her makeup.

It’s freezing out here. He tucks the cover up over the birds on her shoulder, pulls his jacket on over his nakedness, and staggers in what he hopes is the direction of the bathroom to find something for the vice around his head.

He should write something. Anything. Take three steps in Detroit and you’re falling over a story. But they’ve all been done by the native sons. Fuck you and your Pulitzer, Charlie LeDuff, he thinks, patting down the wall to find the light switch.

He flinches against the halogen and the reflection in the medicine cabinet – it’s not even merciless, it’s plain mean. He examines his face. The puffiness will go away once he catches up on his sleep. George Clooney rules: crow’s feet on a man are sexy, and the patches of white in his six-day scruff of beard are a badge of experience. Jesus. Thirty-seven years old and sleeping with DJs.

Not bad going, he grins at himself. Ignoring his inner troll, which snipes, Yeah, but she’s no Cate, is she?

You don’t know that, he thinks. She could be. She could be really smart and deep and funny. I could follow her round the world, a new gig in a new city every night, write in hotel rooms.

Yeah, ’cos that’s working out so well for you right now.

‘Lost?’ Jen says, leaning on the door, wearing a hideous blue flannel dressing gown. Looking a little puffy herself – which is charming in its own way. She is idly rubbing at her collar bone, exposing a glimpse of smooth skin.

‘Oh hey. I was looking for an Advil. Or something.’

‘You try the medicine cabinet?’ Amused, she leans past him to pop it open on a clutter of cosmetics and medicine bottles, a packet of tampons that makes him avert his eyes like he’s twelve all over again, and, alarmingly, several needles still sealed in plastic. She reaches for a bottle and drops two aspirin into his hand. ‘You can use the glass by the sink. It’s clean. You coming back to bed?’

‘Yeah.’ He slugs the pills down, following her back into the bedroom.

She shrugs the horrible robe from her shoulders like a wrestler and climbs back into bed. ‘I saw your look. Don’t worry about it. I’ve got what my grandma used to call “the sugars”.’

‘Uh?’

‘The needles. I’m diabetic. They’re back-up in case I run out of pens. What, you thought you’d hooked up with some junkie?’

‘It crossed my mind for a millisecond.’

‘Aren’t you glad we used protection?’

‘Did we?’ He shoves away the pop of disappointment. ‘I’m a little fuzzy. Not that it matters. Seeing as you’re not, you know, um.’ He is aware of how idiotic he must look, with his jacket zipped up and his cock hanging out. Smooth operator.

‘You don’t remember?’ But she’s smiling, the covers tucked up under her chin. ‘You’re hurting my feelings.’

‘You might have to remind me.’

‘Get in here,’ she says, lifting the blanket, tilting her head at the pack of Durex on the bedside table. He’s the kind of guy who can take a hint.

‘What were you dreaming about?’ he whispers into the perfect curved shell of her ear as he enters her.

‘Does it matter?’ she arches her back up against him, and right now it really doesn’t.

‘C’mon, wake up. You gotta go.’

‘Mmmmf?’ Jonno manages as she shoves him out of bed. He is confused for a moment, then he remembers where the hell he is. Hot DJ girl. You had your cock inside her. Nice work if you can get it, boychick.

‘But it’s still dark,’ he protests through the sleep glaze, even as he’s pulling on his socks. He stands on one of their used condoms. Squelchy even through his sock.

‘Hustle. I mean it.’

‘Did they start the zombie apocalypse already?’ He tugs on his shirt and realizes it’s backwards. He yanks it off and starts again. She is sitting cross-legged on the bed, naked, watching him and smiling.

‘You’re a funny guy, Tommy.’

‘Jonno.’ It stings much more than it should.

Her hands fly to her mouth. ‘Oh jeez. Sorry.’ She starts giggling again. ‘Oh, that’s terrible. I’m so embarrassed.’ She tips forward, burying her head on her knees. She can’t stop laughing. ‘Sorry.’

‘The least you can do is buy me breakfast,’ he says in his best indignant voice. He pulls on his jeans and buttons his fly. At least he can’t screw that up.

‘All right. But only if you get out of here, right now.’

He lowers his voice. ‘Is it zombies? Because if that’s the case, I think we should be improvising weapons.’

‘Worse than that, doofus. It’s my dad.’

‘Wait.’ His brain is scrabbling like a dog with a small bladder at the door. He looks around again. Definitely not a teen pad. And that’s a woman’s body, right there. The fullness and softness and the smile lines. She sees the panic on his face and laughs harder, leaning on him, her hand on his stomach. He automatically sucks it in. She’s already seen you naked, genius.

‘You thought …’

‘Zombies I can deal with.’

‘I’m twenty-nine, you idiot.’

‘Well thank God for that.’ And that’s not true, he thinks. The profile he read last night said she was thirty-three.

‘I’m living at home. For now.’

‘And your dad thinks you don’t have sex?’

‘Not under his roof. Well, on his property.’

‘Ah.’

‘Yeah.’

‘I should probably get going then.’

‘You probably should.’ She is grinning madly. She nods her head at the door. ‘Same way you came in.’

‘But you’re still buying me breakfast.’

‘Not today. I’ve got family stuff.’

‘Tomorrow, then.’

She relents. ‘There’s a coffee place in Corktown. I’ll see you there at ten.’

‘That’s not very specific.’

‘You’ll find it.’

‘I’ll get a cab home, then. And see you tomorrow.’ He is trying not to sound desperate.

‘Okay.’ She’s beaming.

‘All right.’ He stands there a moment longer.

‘You should go.’

‘It seems like a very bad idea to leave you.’

‘But you should anyway.’

‘Okay. You know it’s cute that you don’t swear.’

‘Go! For Pete’s sake!’

He leans down and pulls her into a deep kiss. ‘Okay.’ He stalks down the corridor with great stealth and purpose, not looking back, reeking of eau de pussy. It’s no use.

‘Um,’ he says, poking his head round her bedroom door. She is lying with one arm cast above her head, her eyes closed, head tilted back, and her hand between her legs. ‘I’m really sorry to interrupt—?’

She sits up, not the slightest bit embarrassed. ‘Would you get out of here?’

‘I would. I just …’ he shrugs helplessly. ‘I don’t know where we are. It was dark when we came in. If you could give me a suburb at least?’




Under the Table (#ulink_01612e63-8f5e-57bf-81fe-d2987e1f0345)


TK wakes up under a table in a strange house. His feet are sticking out the end in his worn black boots. He pulled a pillow off the couch for his head, used one of the drapes for a blanket. Man has to improvise. When he was eleven, he could drink most grown men under the table, but this is not the case today. Twenty-three years living clean, and he’s got the AA medals to prove it, even if they’re in a cardboard box with the rest of his stuff up in Flint with his sister.

The dawn light is a drowsy gray through the table cloth. Like a shroud. No wonder he was dreaming about being buried alive. Staring up at the dark grain of the wood makes it feel like he’s lying in a coffin – the luxury model you gotta fork out extra for, with the creamy exterior and the gold-plate handles and the silk-lined space inside. Not the kind he buried his momma in. But that’s morbid thinking, and the day is bright and all laid out ahead of him and he’s got a whole house to go through.

A different man would have slept in one of the beds upstairs, but the family took the big mattress with them and it wouldn’t feel right to sleep in one of the little kids’ rooms. Besides, it’s one of his special talents. He’s got a knack for sleeping anywhere, anytime. Worked it up in the assembly line making screws, where if you were smart and motivated and very sneaky, you could take on the work of two men for an hour or two, while the other guy caught some shut-eye, and then switch it up. Bosses didn’t like it, but long as the work got done, what did they care? He finds he sleeps better if it’s really noisy. Conditioning, they call it. Drills and bolts and the whine of heavy machinery? That’s pure lullaby to him. The birds twittering outside to greet the sunrise don’t make the cut.

Something crashes in the kitchen. He bolts upright, smashing his head on the underside of the table. Damn. Shouldn’t have got complacent, even with the door locked behind him and a kind-of permission.

He tried to do it real polite. He stood on the corner across the way, while the family packed the car, loading everything into a station wagon and a U-Haul trailer. They strapped the mattress to the roof and a table to the mattress, upside down with its legs in the air like a dead bug. The kids went into the house and came out again, carrying boxes in relay, while the afternoon shadows stretched out. The wife kept glaring at him, like the foreclosed notice in a plastic folder taped to the door was somehow his fault. The kids, too. Shifty glances at him and then back at their folks, except for the toddler of course, who wanted to play in the boxes. Real cute little boy, getting underfoot like one of those wind-up toys that keeps going.

TK tried to be nonchalant about it. Taking his time to roll a cigarette and smoke it. He didn’t mean to make them freak out. But he couldn’t walk away and leave it to chance, either. Someone else might happen along. And sure, that seems unlikely in this neighborhood where theirs is the last house standing among overgrown lots and burned-out wrecks, and he only chanced on them because it’s what he does; wander the city looking for luck. TK is no stranger to terrible coincidence. Ask his momma, and her twin sister who got her killed.

‘Leave it alone,’ the husband muttered, pulling on the ropes to make sure everything was tight as. But it was boiling up inside her, the whole time he waited, trying to make it seem like he wasn’t.

‘No,’ she said, handing the toddler off to her man and striding toward TK across the yellow grass, her little fists balled up like she was a pro-footballer instead of five-foot nothing. The husband started after her, then realized she’d immobilized him by handing him the baby.

TK dropped the cigarette and ground it out. No manners in breathing your poison in someone else’s face. Nor in littering, nor wasting tobacco, even the cheap stuff. He picked up the stump and pocketed it. When he stood up again, she was in his face, hands on her hips, spitting outrage. Not really at him, but sometimes people need a stand-in. He’d seen it often enough, at the shelter, at meetings. He could be that for her.

‘Can’t you even wait till we’re out of here, you … vulture!’ Her voice cracked as she said it, but the insult bounced right off him. He doesn’t know much about vultures outside of what he’s seen on TV, hop-hopping to get at some dead carcass. If he’d had a choice, he’d have told her he’s more like one of the city’s stray dogs. Because they’re shameless opportunists and you can cuss them out much as you like, they’ve learned not to take it personally. The lone animals anyway. It’s when they pack together that you got a problem. Only takes one mean dog to wind up all the others into biting teeth and snarls. But he’s a solo mutt and he knows how to wag his tail a little.

‘I’m sorry to see you go, ma’am,’ TK said, calm, looking her in the eye. ‘Used to be that it was only the nice white families moving out of Detroit.’

He’d knocked the indignation right out of her sails. Good manners will do that; turn a situation around. You got to treat people like people. Something his momma taught him, along with how to use a gun, and what the minimum going rate for a whore was.

‘Yes, well,’ she said, angrily brushing at her eyes, ‘tell that to the bank.’

‘You don’t worry about your things, ma’am. I’ll make sure everything finds a good place and a purpose.’

‘Thank you. I guess.’ She sounded bitter. She shouted across at her husband, who was about to lock up, ‘Leave it! It doesn’t matter anyhow. Right?’ She looked at TK for confirmation, of more things than he suspected he was able to give. But he tried anyway.

‘Yes, ma’am,’ he said, solemn. ‘Good luck.’

‘Ha!’ she said. ‘You’re the one who’s staying.’

‘All right?’ the husband called over.

The car doors slammed, but they left the house open for the dusk to go creeping in – along with any shameless opportunists who happened to be hanging around.

TK waited until the U-Haul lights had disappeared round the corner before heading in and locking the door behind him. Flicked the light switch, but the electricity was already cut off and he took the executive decision, one he regrets now, with the noises coming from the kitchen, to wait till morning to see what was left.

Something shatters. Glass or crockery. Which makes TK think it’s not a looter. He doesn’t like to use that word. That implies theft, and he’s never stolen a thing in his life, not even when he was a kid and all fucked up. He’s in asset reclamation and redistribution. Also career consultation, IT support, peer counseling, recycling and, when he really has to, mopping up at the party store on Franklin. Which might seem like a strange place for a recovering alcoholic to work, but it keeps him honest, and he never accepts money from underage kids looking for someone to buy them a six-pack of Coors the way some homeless do. Or as he prefers to think of it: domestically challenged.

The noises in the kitchen sound clumsy. Scuffling. Maybe a drunk. Or something else. He crawls out from under the table, feeling for the pepper spray he carries with him. Expired, but you can’t always believe what you read on the side of the box. He has a blade hidden in his walking stick, a jerry-rigged thing he made himself, but pepper spray has always served him better, especially against feral dogs, long as you’re upwind and not backed into a dead end, which he has been in the past, but only once. Thomas Michael Keen learns his lessons quick.

He moves quietly toward the kitchen, flicking the safety off the spray nozzle, holding it up, facing the intruder. He peeks round the kitchen door. The kitchen is in a state. Cupboards hanging open. Food spilled all over the floor. No way the woman who told him off on her lawn would leave her house like this.

A furry bandit face pokes out from behind one of the cupboard doors, its mouth matted with bright blood. TK swears. And then the raccoon goes back to licking at the strawberry jelly on the floor, among the shattered remains of the jar that once contained it.

‘Go on! Shoo! Get outta here!’

The raccoon raises its head and looks at him. He runs at it, waving his arms and yelling. ‘Scoot your furry butt!’

It bristles, and then thinks better of it and dashes for the cat flap. With a swish of cold air and a thwack of plastic, it’s out into the dawn, running for its life. And they both have a story to tell.

Briefly, TK considers crawling back under the table and going back to sleep until the sun’s up proper, but he’s shot full of adrenaline from the damn critter.

Hoping against the obvious that it’s gas not electric, he checks the stove, so he can make a cup of coffee. Unfortunately, it’s electric – probably came installed with the house. Worth fifty bucks if he can disconnect it and figure a way to cart it to the junk store. He’s already cataloging in his head.

But a man’s got to have his caffeine fix, so he spoons in a mouthful of instant coffee mixed with brown sugar and washes it down with water. The faucet sputters and chugs ominously. The city’ll have turned that off too. House like this with three kids probably has a good-size cylinder, though, enough for him to have a wash and a shave and still be able to flush the toilet after he’s done the necessary. You got to live on the streets to appreciate the sheer decadence of that white porcelain flushing commode.

He was a landlord once upon a time, when he was thirteen and the most together of all the dopeheads. He moved into a deserted building, pulled down the boards, put up curtains, cut the grass, paid a nice Chinese lady a cut to come by once a week to take in the rent money, ’cos who was going to give it to a kid? He got an old electrician to teach him the basics of stealing power from the circuit box without frying himself like an egg, and every time the neighbors went out, they’d fill buckets with water from the garden hose. It worked fine as long as his tenants kept up appearances, looked after the place, but you can’t trust a bunch of dopeheads not to fuck up a good thing. Eventually, they’d started partying on the front lawn, and the neighbors caught on and called the cops, and they’d had to abandon their abandominium.

He was going to start up someplace else, but then his momma got herself killed, bled to death in his arms, and he got taken off the streets by the justice system. Ten years straight, and then on and off. Prison’s like booze, it’s a tough habit to break. He used to drown the memories with whatever he could get his hands on, which would get him in trouble all over again. Now he’s learned to block it out in his head, like windows boarded up with plywood.

TK digs in the kitchen cupboards until he finds a bunch of black plastic trash bags, and then heads upstairs to go through every room with care. They’ve packed in a rush, leaving clothes on hangers, others tossed on the floor. He folds everything up and puts it in the bags. A pile for him, one to send to Florrie, leftovers for Ramón to pick through, and the rest they’ll take down to the church.

He tries on a checked flannel shirt, but the arms are too short. Same with the suit jacket. That’s the trouble with being a big guy. But the red pair of kicks he finds in a box at the back of the closet fit him just fine. Nothing wrong with them either, practically brand-new, apart from the black oil smear over the right toe. He tucks them under his arm and piles up the old broken toys and baby wipes, a half-full tub of nappy-rash cream (everything’s half-full when you’re in asset reclamation), and dumps it in a bag.

All he needs is to strike it lucky. Find the one house with a suitcase full of money. He could probably buy this place off the bank for what, ten large? Maybe less in this neighborhood. Fix it up, move his sister in, fill it up with his friends, legitimate this time.

They say possessions tie you down, but maybe not tightly enough, if you look at this town. The sum total of his stuff fits into a shoe box. Photos, a map of Africa, a pair of reading glasses, his AA medals, and an old sixty-minute cassette tape with his family talking on it, made before his little brother died. Cassettes wear out eventually. He knows he should get it digitized. He knows a bit about computers, he’s a self-taught man, but Reverend Alan’s promised to send him on a real course, and that’s the first thing he’s gonna ask them to show him how to do. Photographs, voices – those things are what you pull close when you’re missing connections to people, not fancy sneakers and big-screen TVs.

The sudden hammering on the door downstairs nearly makes him crap his pants, and he hasn’t even had a chance to use the facilities yet. Maybe the family had a change of heart and called the cops on him. The cops are not kind to stray dogs, even loner ones with more bark than bite.

He could probably make out the back. He’s already calculating which bags are worth taking with him when he hears Ramón’s voice over the knocking: ‘Yo, let a brother in, it’s cold out!’

He opens the door on his friend, who looks especially squirrelly today, hunched over a battered shopping cart, glancing up and down the street. His face transforms from skittish mistrust to a huge grin when he sees TK, and he waves the free Tracker phone Obama gives away to people like them so they can apply for jobs. Good for making plans to raid a house too, although Ramón insists on sending elaborately neutral texts in case it does what it says on the box, and the government is tracking them.

‘Hey, Papi, got your message. Took me a little while to find a cart. Damn Whole Foods chains ’em up.’

‘That’s the problem with gentrification right there, brother. The power’s out, but I found some lunch meat and cheese in the icebox if you want a bite.’

Ramón peers into the interior of the house, fiddling with the rosary beads he keeps in his pocket. His eyes dart around, finally settling on TK and the red Chuck Taylors under his arm. They’re hard to miss. ‘Nice shoes,’ he says.

‘I think they’re my color. It brings out my eyes.’

Ramón looks confused.

‘They’re bloodshot,’ TK explains.

‘Right.’ He snorts out a laugh, but the envy leaks through anyway.

‘You know I’d give you the shirt off my back, Ramón,’ TK tries again, ‘but the shoes on my feet …’

‘Probably wouldn’t fit me anyhow.’ He shuffles on the step. Which only emphasizes his soles flapping as they pull away from the bottoms of his black lace-ups.

TK sighs. Sucker. ‘I never did like red shoes.’ Which is not true, but hell, Ramón’s face brightens like a lightbulb turned on inside it. ‘Now get your ass inside already. You’re letting all the cold in,’ he says, helping his friend wrangle the shopping cart up the porch stairs.




The Detective’s Daughter (#ulink_513a8d51-f0dd-5798-acf1-a41fc710750c)


Layla is late for her Sunday rehearsal. Blame her mother, shaking her awake at four in the morning because she has to go out to a scene and ‘don’t forget the code to the gun safe, beanie, just-in-case’. When she had two parents working different shifts, there was always someone home, and she didn’t need a just-in-case, and there was always someone to drive her to where she needed to be, like rehearsals on a Sunday, because she has a scene of her own to get to, thanks Mom. Instead she has to wait for an hour at the bus stop, bundled up against the cold and doodling in her notebook, resisting the temptation to scribble on the bench like so many others before her. She plans to leave her mark on the world in other ways.

Doing extramurals is supposed to help bring Layla out of her shell. Like she doesn’t know it’s cheap babysitting so her mom doesn’t have to feel guilty all the time. But she should feel guilty. It’s her fault they moved downtown after the divorce, her fault all Layla’s real friends live in Pleasant Ridge, which is only on the other side of Eight Mile, but might as well be a world away when you don’t have a car.

She shoves through the double doors of the Masque Theater School and gallops up two flights of stairs to the main stage area. She’s relieved to hear from the chanting – all echoey and strange in the stairwell – that they’re still doing warm-up exercises. She dumps her bag by the door and looks for Cas – not hard in a room full of black kids. She slips in beside her, and falls in with the chorus of tongue-twisting vowel sounds that rise and fall. Mrs. Westcott raises her eyebrows, half-hello, half-friendly warning.

Shawnia leads the circle, raising her fist in the air to indicate that they’re switching up the exercise. Black power, the speaking stick, all the rituals that count. They all stop dead and watch for their cue.

Shawnia starts flopping her body around, like she’s having a seizure, and they all follow suit, trying to let go of their bones, making their limbs limp as tentacles. Layla flops her body forward so that her unruly curls brush the ground. (Which are not a weave, thank you for asking. She got them the old-fashioned way, from her mom, and yeah, that means she’s a mixie and no, you can’t fucking touch my hair, what do you think this is, a human petting zoo?)

‘Couldn’t get a ride?’ Cassandra whispers. ‘Bet Dorian could have given you one.’

Layla accidentally on purpose tries to smack her. But Cas ducks, making it look like part of her movement.

‘Oh no, too slow!’ she whisper-mocks, both of them grinning.

‘Focus, please!’ Mrs. Westcott yells. She says drama came straight out of human sacrifice rituals. Some ancient prehistoric tribes used to kill their chieftain every winter solstice as an offering to the gods to ensure that the spring would return, until they figured out that killing off their smartest and brightest maybe wasn’t the best way to run a society. They started re-enacting the sacrifices wearing masks to fool the gods, to allow the chieftain to return as a new man, or close as.

You can inhabit a role, Layla thinks, you can reinvent yourself. She thought she could get away with it. Whole new school year, whole new school on the other side of the city, whole new Layla.

She played the divorce card on her dad to get him to buy her new clothes to fit in with the cool kids. But it was tough to keep up the act. Like dying your hair blonde, according to Cas. ‘Trust me. The maintenance is a nightmare.’

Besides, it turns out it’s harder to fool teenagers than old gods. Clothes maketh not the mean girl. Eventually you’re going to slip up and say something colossally dorky, like you read Shakespeare for fun.

It took a week before she decided it was too much effort and blew her cover on purpose so she could go back to wearing her usual uniform of jeans and geeky T-shirts. Hard enough being the in-between Afro-Latina, who can fit in with the white kids or the black kids, but not both at the same time. But it sucked being back where she started, on the outside, eating lunch alone in the gymnateria or cafenasium, whatever you want to call it, because like all well-intentioned charter schools, Hines High was short on funds.

That was before she made friends with Cassandra, or more likely the other way round, because, let’s face it, Cas is so out of her league. She’s super-hot, even though she never wears makeup, with her fine sandy-brown hair, big gray-blue eyes and freckles, and breasts that make boys do double-takes. And she doesn’t give a fuck about anything.

It’s how they became friends, when Cas called Ms. Combrink a bitch to her face and Layla covered for her, clumsily, yelling out, yeah, she had an itch too. It landed them both in detention, but they got to talking and she persuaded Cas to come along to audition at the theater school. She aced it without trying, even though she sings like a frog with emphysema. Life lesson: looks plus don’t-give-a-fuck confidence mean you can have anything you want – any guy, any friends. But Cas chose her. Which makes Layla infinitely grateful and paranoid. She’s told Cas she’s waiting for the day she dumps a bucket of pig’s blood on her head – Carrie-style.

‘Gross. I would never do that.’ Cas was dismissive. ‘If I was going to humiliate you in public, I’d be much more subtle and vicious.’

But it means she doesn’t push too hard when Cas changes the subject every time personal stuff comes up. It’s part of what she admires about her – that Cas is unknowable. Like Oz. But unlike that huckster wizard, you can’t just pull back the curtain on Cas, because all you’ll find are curtains behind curtains. It’s part of her ineffable cool. But Layla can’t tell her that because she’ll get a big head, and she already has big boobs to contend with. It would definitely throw her off balance.

Shawnia raises her fist again for the final exercise before they launch into rehearsals proper, the cycle of gratitude. Double-clap-stamp, round the circle. ‘I’m happy today,’ she starts, ‘because … I got an acceptance letter from U of M!’ Clap-clap-stamp. Everyone whoops.

Layla has her sights set further than that. When she graduates in three years’ time, she’s getting out of Michigan. She’s not naïve enough to think she’ll make NYU or Los Angeles, but there are other cities with great theater schools. Chicago, Austin, Pittsburgh.

‘I’m happy today because I got a date for prom,’ Jessie says. Clap-clap-stamp.

‘Did she pay him?’ Cas whispers and Layla tries to keep a straight face. Maybe because Jessie’s the only other white kid in theater group, it’s easier for Cas to pick on her. ‘By the way …’ Cas flashes her screen at her, to show her a tweet from Dorian. ‘Hitting the ramp l8r. Anyone up for a skate?’

The claps continue round the circle.

‘You stalker!’ Layla whispers, trying to hide her delight, already calculating who she can bum a ride with to get there.

‘I’m doing it for you, baby girl. For looo-ve.’

‘No phones, girls!’ Mrs. Westcott calls out from the stage.

‘I’m happy because it’s end of the weekend,’ David intones and gets answered with boos, but he just raises his voice, ‘which means I get to go to school tomorrow and see all my boys!’ Clap-clap-stamp.

‘I got a text from a boy who likes me,’ Chantelle says.

‘But do you like him?’ Mrs. Westcott teases.

‘Oh yeah.’ Chantelle looks smug.

Clap-clap-stamp.

‘I spoke to a boy I like,’ Keith says. Clap-clap-stamp, a wolf-whistle.

‘My little brother made the hockey team,’ Cas says. ‘More time at practice, less time to bug me.’ Clap-clap-stamp.

‘I’m happy because …’ Shit, Layla has had half the circle to think of something. ‘I’m seeing my boyfriend later.’ She flushes. Clap-clap-stamp. Saying it makes it true. Or commits her to trying, anyway.

She didn’t intend to get high. But after rehearsals, hanging around watching the boys in the skate park, the weed blunted the boredom of waiting for her mother, who kept texting to say she was held up, until everyone else had bailed to go home, including Cas, and it was only her and Dorian, who kept sliding away from her, and she had to get used to it.

He’s aiming for kid sister. She wants unsisterly things. It’s not that big an age difference. She’ll be sixteen in December. But he’s graduated already and taking a year out, crashing on the couches of some artist-musician friends down by Hubbard Farms while he decides if he wants to go to college. ‘In the right light, Detroit’s kinda like the new Bohemia,’ he told her, passing her the joint, taking care not to brush her fingers with his. She wanted to reply that in the right light, he could be the Florizel to her Perdita, except he probably hasn’t read The Winter’s Tale, and he’d think she was even more of a dork.

He’s not the only guy in her life who fundamentally doesn’t get it. Yesterday’s weekly scheduled phone call with her dad (like she’s in prison or something) went badly, and it’s been gnawing at her. She was telling him about her part in the play, the portable phone cradled to her ear, NyanCat a purring lump against her leg, and he was all hers for a moment, like they used to be. He even promised to fly out to see it if his schedule allowed, because the last live performance he saw was a bad remake of The Little Mermaid on ice, for God’s sake.

‘Yeah, how do you even skate on fins?’ she said, blocking out the sound of her step-sibs squealing in the background.

‘They managed,’ William said, and she could picture his brow crinkling in amused horror. ‘It was godawful, Lay, you have no idea.’

She laughed. ‘Maybe that’ll be me one day. The sea witch on skates.’ He was supposed to retort, Areyou kidding, you’d be the lead, honey. And then she would feign outrage and maybe she’d go on to mention this guy she met. It’s a comedy routine the two of them have, with established rules. But then his new life butted in, like elderly neighbors cutting the music at a house party.

‘Hang on a sec, Layla. No! Julie! Do not throw food on the floor! C’mon, you know you’re not supposed to do that, baby.’

‘Remind me again why I have to stay in Detroit?’ She meant for it to sound light-hearted, just to hook his attention back to her, but he started reeling off all the same old reasons, on auto-pilot. Just till you finish high school. Your mother needs you. I need to try to make this work. It’s not easy with little step-kids.

‘Yeah, the last thing you want is your teenage daughter from your previous marriage hanging around to remind you of how you screwed up the last one,’ she snapped. Which led to a long silence down the phone line.

‘Hello? You still there?’ She suddenly missed their DIY craft projects she threw out when they moved: the scientifically accurate mobile of glow-in-the-dark planets she and her dad hung together, the dreamcatcher he helped her weave when she was seven – inspired by the Ojibwe who hunted here, he told her – with dangling crystals that caught the light. She wondered what shiny bits of wisdom he was passing on to his new kids.

‘Earth to Dad?’ She tried for jokey.

He came back from very far away. ‘That was a terrible thing to say Layla. I’m really hurt.’ That pleading note entered his voice, the one she thinks of as PD: Post Divorce. Be reasonable. ‘Besides, you know your mother needs you.’

‘Bzzzzz! And that’s the incorrect answer! Thank you for playing!’ She hung up before he could say anything else. She waited for him to ring back. He didn’t. She’s not going to apologize, she thinks fiercely. Not this time.

She doesn’t notice the white Crown Vic pulling up very slowly alongside the skate ramp, cruising for trouble like only cops and gangs and bored teenagers do. She’s lost inside her weed-fuzzed head, intent on Dorian poised on the concrete lip in that perfect moment of potential, the streetlight flared behind his head in the dusk. He shades his eyes against the headlights. His beanie is pulled low over his sideburns. ‘Hey, Lay,’ he calls out to her. ‘I think it’s your mom.’ But it’s like overhearing the Iranian women gossiping at the corner store – sounds fraught with meaning that don’t have anything to do with her.

He tilts his board over the edge and lets gravity have its way with him. He glides down the curve and up the other side, tracing lazy parabolas through the gray slush of melted ice. If she slits her eyes, she can almost see contrails in his wake. It’s beautiful. Like art. Or music, she thinks, the zipper scrape of the wheels across the cement.

‘Lay,’ he arcs around, catching the trunk of the tree. His breath fogs out in a cartoon speech bubble in the cold. ‘Ley’ means ‘law’ in Spanish. This is her mom’s idea of an inside joke.

‘What?’ She’s annoyed with him for breaking the magic. And then the Crown Vic gives a single whoop-whoop of the siren, a flash of red and blue from the lights mounted in the grille. More subtle than the bubble they stick on top, but not by much.

‘Crap!’ She drops the joint from her fingers. God, she wishes her mom wouldn’t do that. She slides down from the tree, super-aware of her body, her limbs like foreign objects that aren’t quite ready to do what they’re told. She tucks her hands under her armpits, not only to hide the smell of the weed on her fingertips, but to prevent her arms floating off, because right now it feels like they might drift right out of her sleeves into the sky.

‘Wake up,’ Dorian pokes her in the ribs, totally busting her spacing out. He’s laughing at her. But not in a shitty way.

‘Okay, okay,’ she mumbles, her face going hot. She concentrates on the ridiculous choreography of putting one foot in front of the other. Who invented walking? Seriously.

He shakes his head and guides his board over to the car. He grabs on the side mirror to bring himself to a bumping stop and leans down to greet through the window. ‘Hola, Mrs. V.’

‘It’s Ms.’ her mother says. ‘And I prefer Detective Versado. Or ma’am. As in, “No, ma’am, that’s not marijuana you can smell coming off me like I’ve taken up residence inside a bong.”’

‘Legal in several states now,’ he grins.

‘So move to Colorado.’

‘Mom!’ Layla winces. ‘Leave off. Please.’ She opens the door to climb in the back.

‘Don’t you want to sit up front?’

‘Nah. This way I can pretend I’m one of your perps. You treat me like a criminal anyway.’

‘Well, if I catch you smoking that stuff …’

‘You won’t,’ Layla retorts. Catch her that is. Especially if she can lurk in the back seat and shut down the conversation. Then she can lie down in the back and watch the streamers of lights out the window, like she used to when she was a little kid when they went out for dinner and she fell asleep in the back and her dad would lift her out and carry her into the house to install her in her bed, smelling like cigarettes and sweat and the sharp aftershave he always wore for special occasions. She feels a burn of nostalgia for that little kid and that happy family.

‘Later,’ Dor says now, kicking away.

‘Bye,’ she says, going for casual disdain, which seems to work on boys like him, along with lots of eye-liner. And tits. And being three years older, and not such a colossal dork. God, she’s so screwed.

Her mother is watching her in the rear-view mirror, with that little crease tugging downwards at the corner of her mouth, the one that didn’t used to be there. It’s a PD thing. ‘You know, there are studies that show—’

‘Yeah, yeah, I know, Mom. Weed corrodes the brain, I’m gonna be sorry when the only job I can get is flipping burgers. Or worse. End up po-lice.’

‘Sure wouldn’t want that,’ her mother says mildly, but Layla knows she got to her by the way she pulls away, jerking the steering wheel into a hard U-turn toward the freeway.

‘I had a weird case today,’ she says. Opening gambit. Layla’s not falling for it. She engages super-surly mode from the drop-down menu of emotional options in her head.

‘I wish you wouldn’t talk to my friends.’

‘Don’t worry. The feeling’s mutual. Dorian, anyway. I like Cas, though.’

‘And don’t rate them either. This isn’t the friend Olympics. They don’t get a score out of ten.’

‘Do you want to walk home?’

‘Dorian could have given me a ride.’

‘I suppose he is cute, in that deadbeat stoner way.’

‘Mom!’ Layla dies inside. If it’s that transparent to her mother, then the whole world knows. Which means it’s obvious to Dorian as well, and that’s too hideous to contemplate.

‘All right, all right. Truce. I bought you some lipgloss.’

‘Swell.’ Layla says. She sits up, pulls out her phone and starts typing a text to Cas.

>Lay: Finally! 3 HOURS late!

>Cas: More time for loooo-oooobe with Dorian

>Lay: Excuse me?!?

>Cas: Aaargh! Loooooove. Love! Not lube! Autocorrect.

>Lay: Freud much?

>Cas: :) :) :)

‘I had to use some of it,’ her mother says. ‘Hope you don’t mind.’

‘Mom, this stuff’s a con. It dehydrates your skin so you have to keep applying it.’

But the thought of the soft, sweet slick of the gloss is suddenly very appealing. She presses her lips together to see how dry they are. Pretty dry. She runs her tongue along the edge of her incisors which makes her super-aware of how her teeth are part of her skull. She feels a little queasy at the thought of the exposed bone, right there in the open. The inside-out. She drags her mind back to the last thing her mom said through the warm blur of the weed. Lipgloss. Right. ‘What flavor is it?’

‘Cherry. Don’t you want to know what I used it for?’

‘Putting on your lips?’ Layla says. Drop-down menu: maximum sarcasm.

‘To cover the smell of a body.’

‘That doesn’t work. I saw it on the crime channel. Anyway, gross. I don’t want to hear about some dead person.’

>Lay: Disgusting cop stories #Yay #notyay

>Cas: U like it

>Lay: Little bit

‘You sure? Not even the part where I punked the rookie? Who, unlike you, does not watch the crime channel.’

‘If you’re so desperate to talk about it, go ahead.’

‘I shouldn’t tell you. It was messed-up.’

‘Or don’t. Whatever. I’m not your therapist.’

‘I’ll give him this. He turned green, but he didn’t spew.’

‘That’s pretty cold, Mom.’

>Lay: OMG. She’s SO immature

‘Poor guy. Guess he should watch more TV.’ She turns thoughtful. Enough for Layla to lower the phone. ‘Poor kid, too.’

‘It was a kid?’

‘Like I said, it was messed-up.’ Her mother glides away from the conversation like Dorian on his skateboard.

>Lay: Shit. Dead kid

>Cas: What! What!?!?!?!? All the deets. I wantz them

>Lay: Later

‘Someone I know?’

‘I don’t think so, baby. And you know we don’t talk shop.’

‘I thought we just were.’

‘Yeah, I know. That was indiscreet of me.’

‘So be indiscreet. Who am I gonna tell?’

‘Layla, we haven’t even notified the family yet.’

‘Fine. Whatever. You started it.’

‘It’s been a rough day. Sorry.’

‘Me too.’ She throws herself back in the seat and picks up her phone again. A force-shield against parental stupidity.



BEFORE (#ulink_17f70ac3-0bd1-51c7-8b06-15621aeba7d4)




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Broken Monsters Lauren Beukes

Lauren Beukes

Тип: электронная книга

Жанр: Триллеры

Язык: на английском языке

Издательство: HarperCollins

Дата публикации: 16.04.2024

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О книге: In the city that’s become a symbol for the death of the American dream, a nightmare killer is unravelling reality. The new thriller from Lauren Beukes, author of The Shining Girls.Detective Gabi Versado has hunted down many monsters during her eight years in Homicide. She’s seen stupidity, corruption and just plain badness. But she’s never seen anything like this.Clayton Broom is a failed artist, and a broken man. Life destroyed his plans, so he’s found new dreams – of flesh and bone made disturbingly, beautifully real.Detroit is the decaying corpse of the American Dream. Motor-city. Murder-city. And home to a killer opening doors into the dark heart of humanity.A killer who wants to make you whole again…

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