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Ma’am Darling: 99 Glimpses of Princess Margaret
Craig Brown
WINNER OF THE SOUTH BANK SKY ARTS LITERATURE AWARD 2018A GUARDIAN BOOK OF THE YEAR • A TIMES BOOK OF THE YEAR • A SUNDAY TIMES BOOK OF THE YEAR • A DAILY MAIL BOOK OF THE YEAR‘A masterpiece’ Mail on Sunday‘I honked so loudly the man sitting next to me dropped his sandwich’ ObserverShe made John Lennon blush and Marlon Brando clam up. She cold-shouldered Princess Diana and humiliated Elizabeth Taylor.Andy Warhol photographed her. Jack Nicholson offered her cocaine. Gore Vidal revered her. John Fowles hoped to keep her as his sex-slave. Dudley Moore propositioned her. Francis Bacon heckled her. Peter Sellers was in love with her.For Pablo Picasso, she was the object of sexual fantasy. “If they knew what I had done in my dreams with your royal ladies” he confided to a friend, “they would take me to the Tower of London and chop off my head!”Princess Margaret aroused passion and indignation in equal measures. To her friends, she was witty and regal. To her enemies, she was rude and demanding.In her 1950’s heyday, she was seen as one of the most glamorous and desirable women in the world. By the time of her death, she had come to personify disappointment. One friend said he had never known an unhappier woman.The tale of Princess Margaret is pantomime as tragedy, and tragedy as pantomime. It is Cinderella in reverse: hope dashed, happiness mislaid, life mishandled.Combining interviews, parodies, dreams, parallel lives, diaries, announcements, lists, catalogues and essays, Ma’am Darling is a kaleidoscopic experiment in biography, and a witty meditation on fame and art, snobbery and deference, bohemia and high society.‘Brown has been our best parodist and satirist for decades now … Ma’am Darling is, as you would expect, very funny; also, full of quirky facts and genial footnotes. Brown has managed to ingest huge numbers of royal books and documents without losing either his judgment or his sanity. He adores the spectacle of human vanity’ Julian Barnes, Guardian



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COPYRIGHT (#ubebacbea-06c5-570e-9c15-1d256ab24093)
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DEDICATION (#ubebacbea-06c5-570e-9c15-1d256ab24093)
For my mother, Jennifer, born five days later; with love

EPIGRAPH (#ubebacbea-06c5-570e-9c15-1d256ab24093)
My dreams
Watching me said
One to the other:
‘This life has let us down.’
Paul Potts
Boredom: the desire for desires.
Leo Tolstoy
The love of place, and precedency, it rocks us in our cradles, it lies down with us in our graves.
John Donne

CONTENTS
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Acknowledgements (#u2ab631d0-d261-5afe-b8b4-629625deb008)
Sources (#u0ed1a00e-468b-52e2-ba5a-cf84f8cecf9c)
Other Books by Craig Brown (#u0be3d7cf-5146-5d97-8b77-d5e7067f452a)
About the Author (#ucdaf2d87-3784-5bbd-bae4-ba46ad462891)
About the Publisher (#ue14675a6-ef9c-5fee-b3a1-a561cf636662)

1 (#ubebacbea-06c5-570e-9c15-1d256ab24093)
21 August 1930
‘Her Royal Highness The Duchess of York gave birth to a daughter this evening. Both Her Royal Highness and the infant Princess are making very satisfactory progress.’
31 October 1955
‘I would like it to be known that I have decided not to marry Group Captain Peter Townsend. I have been aware that, subject to my renouncing my rights of succession, it might have been possible for me to contract a civil marriage. But mindful of the Church’s teachings that Christian marriage is indissoluble, and conscious of my duty to the Commonwealth, I have resolved to put these considerations before others. I have reached this decision entirely alone, and in doing so I have been strengthened by the unfailing support and devotion of Group Captain Townsend. I am deeply grateful for the concern of all those who have constantly prayed for my happiness.’
21 May 1958
‘The Press Secretary to the Queen is authorised to say that the report in the Tribune de Genève concerning a possible engagement between Princess Margaret and Group Captain Peter Townsend is entirely untrue. Her Royal Highness’s statement of 1955 remains unaltered.’
26 February 1960
‘It is with the greatest pleasure that Queen Elizabeth the Queen Mother announces the betrothal of her beloved daughter The Princess Margaret to Mr Antony Charles Robert Armstrong-Jones, son of Mr R.O.L. Armstrong-Jones Q.C., and the Countess of Rosse, to which union the Queen has gladly given her consent.’
19 March 1976
‘HRH The Princess Margaret, Countess of Snowdon, and the Earl of Snowdon have mutually agreed to live apart. The Princess will carry out her public duties and functions unaccompanied by Lord Snowdon. There are no plans for divorce proceedings.’
10 May 1978
‘Her Royal Highness The Princess Margaret, Countess of Snowdon, and the Earl of Snowdon, after two years of separation have agreed that their marriage should formally be ended. Accordingly Her Royal Highness will start the necessary legal proceedings.’
9 February 2002
‘The Queen, with great sadness, has asked for the following announcement to be made immediately. Her beloved sister, Princess Margaret, died peacefully in her sleep this morning at 6.30 in the King Edward VII Hospital. Her children, Lord Linley and Lady Sarah Chatto, were at her side. Princess Margaret suffered a further stroke yesterday afternoon. She developed cardiac problems during the night and was taken from Kensington Palace to the King Edward VII Hospital at 2.30 a.m. Lord Linley and Lady Sarah were with her and the Queen was kept fully informed throughout the night. Queen Elizabeth, the Queen Mother, and other members of the Royal Family are being informed.’
For Immediate Release
Monday, 10 April 2006
London – Christie’s announces that jewellery and works of art from the Collection of Her Royal Highness The Princess Margaret, Countess of Snowdon, will be sold in London on 13 and 14 June 2006. This important and unparalleled historic sale will celebrate and pay tribute to Princess Margaret’s renowned beauty, style and taste. Comprising over eight hundred items, with estimates ranging from under £100 to over £500,000, the auction will feature a superb selection of jewellery and Fabergé as well as a broad range of furniture, silver, works of art and decorative objects.

2 (#ubebacbea-06c5-570e-9c15-1d256ab24093)
Yet, perhaps, in the secret chambers of consciousness, she had her thoughts, too. Perhaps her fading mind called up once more the shadows of the past to float before it, and retraced, for the last time, the vanished visions of that long history – passing back and back, through the cloud of years, to older and even older memories – to the warm clasp of Crawfie, so full of do’s and don’ts; to Sir Roy Strong’s strange clothes and high demeanour; and her last afternoon tea with Peter; and Tony dancing attendance on her mother; and Roddy emerging from the sea at Mustique in his brand-new trunks; and the audience hooting with laughter at Dusty Springfield’s impertinent aside; and President Johnson steering her into dinner in the White House, his right palm lingering perhaps a little too long on her royal behind; and the old Queen, her grandmother, reprimanding her for erratic behaviour with a bouncing ball; and Lilibet’s voice down the telephone reassuring her once more that no harm had been done; and her mother laughing and saying ‘Such fun!’ before giving her that pitying look, and her father on his final evening bidding her good night, and see you in the morning.

3 (#ubebacbea-06c5-570e-9c15-1d256ab24093)
Yoo-hoo!
Coo-EEEE!
She shows up without warning, popping her head around the door of every other memoir, biography and diary written in the second half of the twentieth century. Everyone seems to have met her at least once or twice, even those who did their best to avoid her.
I first noticed her ubiquity when I was researching another book. Wherever I looked, up she popped. Can you spot her here, in the index to Andy Warhol’s diaries?
Mansfield, Jayne
Manson, Charles
Mao Zedong
Mao Zedong, Mrs see Chiang Ching
Mapplethorpe, Robert
Marciano, Sal
Marcos, Ferdinand
Marcos, Imelda
Marcovicci, Andrea
Marcus, Stanley
Margaret, Princess
Marianne (Interview staff)
Marilyn (Boy George’s friend)
Or here, in the diaries of Richard Crossman?
Malta, withdrawal from
Management Committee
Manchester water supply
Manchester Junior Chamber of Commerce
Margach, James
Margaret, Princess
Marina, Princess
Marquand, David
Marre, Sir Alan
Marriott, Peter
It is like playing ‘Where’s Wally?’, or staring at clouds in search of a face. Leave it long enough, and she’ll be there, rubbing shoulders with philosophers, film stars, novelists, politicians.
I spy with my little eye, something beginning with M!
Here she is, sitting above Marie Antoinette in Margaret Drabble’s biography of Angus Wilson:
Maraini, Dacia
Marchant, Bill (Sir Herbert)
Maresfield Park
Margaret, Princess
Marie Antoinette
Market Harborough
And here, in the diaries of Kenneth Williams:
Manson, Charles
March, David
March, Elspeth
Margaret, Princess
Margate
Margolyes, Miriam
Would she rather have been sandwiched for eternity between Maresfield Park and Marie Antoinette, or Elspeth March and Margate? I’d guess the latter was more her cup of tea, though as luck would have it, there is a Princess Margaret Avenue in Margate,* (#ulink_a9dcccac-fec5-536b-9102-f4448a05b5ea) named in celebration of her birth in 1930, so, like it or not, her name, rendered both topographical and tongue-twisting, will be forever linked to Margate.
Why is she in all these diaries and memoirs? What is she doing there? In terms of sheer quantity, she could never hope to compete with her sister, HM Queen Elizabeth II, who for getting on for a century of brief encounters (‘Where have you come from?’ ‘How long have you been waiting?’) must surely have met more people than anyone else who ever lived. Yet, miraculously, the Queen has managed to avoid saying anything striking or memorable to anyone. This is an achievement, not a failing: it was her duty and destiny to be dull, to be as useful and undemonstrative as a postage stamp, her life dedicated to the near-impossible task of saying nothing of interest. Once, when Gore Vidal was gossiping with Princess Margaret, he told her that Jackie Kennedy had found the Queen ‘pretty heavy going’.
‘But that’s what she’s there for,’ explained the Princess.
* (#ulink_aeef2a2a-20d4-51ff-bc6e-2dc8ca1d65cc) At present the headquarters of the mobile hairdresser ‘Haircare at Home by Sharon’. As it happens, HRH Princess Margaret was fond of visiting her own hairdresser, almost to the point of addiction, often popping in twice in one day.

4 (#ubebacbea-06c5-570e-9c15-1d256ab24093)
In her distrust of the unexpected, the Queen has taken a leaf from her grandfather’s book. King George V liked only what was predictable, regarding everything else as an infernal nuisance. A typical diary entry begins with an account of the weather (‘a nice bright morning, but strong wind’), accompanied, where appropriate, by a frost report (‘seven degrees frost this morning’). It then chronicles the exact time he had breakfast (‘up at 6.45, breakfast at eight with May’), and briefly mentions anyone notable he has encountered, and any advances he has made with his 325 stamp albums (‘The Prime Minister came to see me and we had a long talk. Spent the afternoon with Bacon choosing more stamps’). And that’s it. He disdains any sort of detail, telling or otherwise, about people and places. World events play second fiddle to stamps, clocks, barometers and bedtime. ‘The poor archduke and his wife were assassinated this morning in Serbia. They were in a motorcar. Terrible shock for the Emperor …’ he writes on the evening of 28 June 1914. He then adds: ‘Stamps after lunch, bed at 11.30.’
Few people have ever transcribed a conversation with his eldest granddaughter. Some remember what they said to the Queen, but have no memory of what she said to them, or indeed if she said anything at all. Gyles Brandreth is one of the few exceptions. At a drinks party in 1990, he found himself alone with her in a corner of the room. ‘There was no obvious means of escape for either of us, and neither of us could think of anything very interesting to say.’
But he didn’t leave it there. When he got home, he recorded their exchange in his diary:
GB (GETTING THE BALL ROLLING): Had a busy day, Ma’am?
HM (WITH A SMALL SIGH): Yes, very.
GB: At the Palace?
HM (SUCKING IN HER LIPS): Yes.
GB: A lot of visitors?
HM (APPARENTLY BITING THE INSIDE OF HER LOWER LIP): Yes.
(PAUSE)
GB (BRIGHTLY): The Prime Minister? (John Major)
HM: Yes.
(PAUSE)
GB: He’s very nice.
HM (NODDING): Yes, very.
(LONG PAUSE)
GB (STRUGGLING): The recession’s bad.
HM (LOOKING GRAVE): Yes.
GB (TRYING TO JOLLY THINGS ALONG): I think this must be my third recession.
HM (NODDING): We do seem to get them every few years … and none of my governments seems to know what to do about them.
(A MOMENT OF TINKLY LAUGHTER FROM HM, A HUGE GUFFAW FROM GB, THEN TOTAL SILENCE)
GB (SUDDENLY FRANTIC): I’ve been to Wimbledon today.
HM (BRIGHTENING BRIEFLY): Oh, yes?
GB (DETERMINED): Yes.
HM: I’ve been to Wimbledon, too.
GB (NOW WE’RE GETTING SOMEWHERE): Today?
HM: No.
GB (OH WELL, WE TRIED): No, of course not. (PAUSE) I wasn’t at the tennis.
HM: No?
GB: No, I was at the theatre. (LONG PAUSE) Have you been to the theatre in Wimbledon?
(PAUSE)
HM: I imagine so.
(INTERMINABLE PAUSE)
GB (A LAST, DESPERATE ATTEMPT): You know, Ma’am, my wife’s a vegetarian.
HM (WHAT WILL SHE SAY?): That must be very dull.
GB (WHAT NEXT?): And one of my daughters is a vegetarian, too.
HM (OH NO!): Oh, dear.
Her technique is to let others do the talking. Often – perhaps more often than not – the dizzying experience of talking to a stranger more instantly recognisable than your own mother, a stranger the back of whose miniaturised face you have licked countless times, is enough to start you spouting a stream of gibberish. While you do so, Her Majesty may occasionally say, ‘Oh, really?’ or ‘That must be interesting,’ but most of the time she says nothing at all.
As a drama student in the mid-seventies, I found myself presented to her at a party, quite unexpectedly. Our host – who later explained that he thought she might want to meet one of the younger generation – told Her Majesty that I had recently had an article published in Punch, and then left us to it. ‘That must be interesting,’ she said. This was more than enough to convince me of her thirst to know more. Within seconds I was regaling her with my various complex and no doubt impenetrable theories of humour, while every now and then she was urging me on with an ‘Oh, really?’ or a ‘That must be interesting,’ and from there I proceeded to remind her of Bertolt Brecht’s theories of alienation (‘Oh, really?’), with particular reference to their application to comedy (‘That must be interesting’).
I have learned since that the way the Queen signals the end of a conversation is to take one step backwards, but I did not know this at the time. Friends who witnessed our meeting from the other side of the room told me that, during the final half of my discourse on Brecht, Her Majesty took first one step back, then another, then another, then another, but still found herself trapped: for each of her steps back I took a step forward.
Throughout her life, the Queen’s technique of giving nothing away has paid dividends. Nowadays, everyone seems content to interpret her silence as wisdom. The less she says, the more we believe she has something to say. Peter Morgan’s play The Audience and his film The Queen are both predicated on this paradox: her advisers and her prime ministers may prattle away, but, Buddha-like, it is Her Majesty the Queen, with her How long have you been heres? and her Have you come fars?, who remains the still, small voice of calm, radiating common sense.
But her younger sister was another matter. As the second-born, the also-ran, she was denied the Chauncey Gardiner option. She could never have been another whitewashed wall, there for people to see in her whatever they chose to see. To impress on people that she was royal, Princess Margaret had to take the only other path available to her: to act imperiously, to make her presence felt, to pull well-wishers up short, to set strangers at their unease. If I had tried to tell Margaret about Bertolt Brecht she would have interrupted me – ‘Too tiresome!’ – before I had got to the end of the ‘Bert –’. Like a grand guignol version of her elder sister, she took a perverse pleasure in saying the wrong thing, ruffling feathers, disarming, disdaining, making her displeasure felt. One socialite remembers seeing her at a party at Sotheby’s in 1997. By that stage, people were so reluctant to be snapped at by her that there was a sort of compulsory rota system in operation. A senior Sotheby’s figure told the socialite that he would guarantee him an invitation to every future Sotheby’s party attended by Princess Margaret if he would promise to talk to her for five minutes on each occasion.
Compare the Queen’s conversation with Brandreth to Princess Margaret’s dinner-party conversation, as witnessed by Edward St Aubyn and recreated in his wonderfully beady novel, Some Hope.
As the main course arrives, the Princess asks her host, Sonny, ‘Is it venison? It’s hard to tell under this murky sauce.’ A few minutes later, the French ambassador, sitting next to her, accidentally flicks globules of the sauce over the front of the Princess’s blue tulle dress.
‘The Princess compressed her lips and turned down the corners of her mouth, but said nothing. Putting down the cigarette holder into which she had been screwing a cigarette, she pinched her napkin between her fingers and handed it to Monsieur d’Alantour.
‘“Wipe!” she said with terrifying simplicity.’
While the ambassador is on his knees, dipping his napkin in a glass of water and rubbing the spots of sauce on her dress, the Princess lights a cigarette and turns back to her host.
‘I thought I couldn’t dislike the sauce more when it was on my plate.’
The ambassador’s wife offers to help.
‘He spilled it, he should wipe it up!’ replies the Princess. She points to a spot the ambassador has missed. ‘Go on, wipe it up!’ She then complains about ‘being showered in this revolting sauce’. At this point, the table falls silent.
‘“Oh, a silence,” declared Princess Margaret. “I don’t approve of silences. If Noël were here,” she said, turning to Sonny, “he’d have us all in stitches.”’
Before long, Sonny’s seven-year-old daughter appears, having found it hard to get to sleep. Her mother asks the Princess if she may present her.
‘“No, not now, I don’t think it’s right,” said the Princess. “She ought to be in bed, and she’ll just get overexcited.”’

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More often than not, the presence of
Margaret, HRH the Princess
in an index signals yet another tale of haughty behaviour. In the autobiography of Cherie Blair she comes between Mandela, Nelson and May, Brian. The brittle wife of the former prime minister recalls the occasion she was talking to Princess Margaret at a gala performance at the Royal Opera House when the secretary of state for culture came over.
‘Have you met Chris Smith, our culture secretary, Ma’am?’ asked Mrs Blair. ‘And this is his partner …’
‘Partner for what?’ said the Princess.
At this point, writes Cherie Blair, ‘I took a breath.’
‘Sex, Ma’am.’
This reply proved unwelcome. ‘She stalked off.’ But Mrs Blair remains unapologetic. ‘She knew exactly what kind of partner I meant. She was just trying to catch me out.’
Most of the stories follow another arc: the Princess arrives late, delaying dinner to catch up with her punishing schedule of drinking and smoking. At the table, she grows more and more relaxed; by midnight, it dawns on the assembled company that she is in it for the long haul, which means that they will be too, since protocol dictates that no one can leave before she does. Then, just as everyone else is growing more chatty and carefree, the Princess abruptly remounts her high horse and upbraids a hapless guest for over-familiarity: ‘When you say my sister, I imagine you are referring to Her Majesty the Queen?’
At such moments it is as though she has been released by alcohol from the constrictions of informality. After a succession of drinks she is able to enter a stiffer, grander, more subservient world, a world in which people still know their place: the world as it used to be.
She had a thirst for the putdown, particularly where food and drink were concerned. Kenneth Rose,* (#ulink_04a70d5a-f092-56cf-8234-39bbd7434f62) the biographer of King George V, recorded her curt response when Lord Carnarvon offered her a glass of his very rare and precious 1836 Madeira: ‘Exactly like petrol.’ The author and photographer Christopher Simon Sykes remembers her arrival at his parents’ house one teatime. Full of excitement, the staff had prepared a scrumptious array of cakes, scones and sandwiches. The Princess glanced at this magnificent spread, said ‘I HATE tea!’ and swanned past.
In the 1980s she paid an official visit to Derbyshire in order to open the new district council offices in Matlock. Among those on hand to receive her was Matthew Parris, at that time the local Conservative MP. ‘It was 10 a.m.,’ he recalled. ‘I drank instant coffee. She drank gin and tonic.’
Having opened the offices, she was driven to the north of the constituency to open some sheltered bungalows for old people. A dish of coronation chicken had been specially cooked for her. ‘This looks like sick,’ she said.
The mighty and the glamorous were by no means excluded from these rebuffs. In 1970 the producer of Love Story, Robert Evans, and its star, his wife Ali MacGraw, flew to London to attend the Royal Command Performance in the presence of HM Queen Elizabeth the Queen Mother and HRH the Princess Margaret.
‘All of us stood in a receiving line as Lord Somebody introduced us, one by one, to Her Majesty and her younger daughter. It was a hell of a thrill, abruptly ending when the lovely princess shook my hand.
‘“Tony saw Love Story in New York. Hated it.”
‘“Fuck you too,” I said to myself, smiling back.’
It was almost as though, early in life, she had contracted a peculiarly royal form of Tourette’s Syndrome, causing the sufferer to be seized by the unstoppable urge to say the wrong thing. When the model Twiggy and her then boyfriend, Justin de Villeneuve, were invited to dinner by the Marquis and Marchioness of Dufferin in the 1960s, their hostess warned them that Princess Margaret would be among the guests. Before the royal arrival, the marquis instructed them in royal protocol. ‘We were tipped off to stand if she stood, and to call her Ma’am. Fine, no probs,’ recalled de Villeneuve.
Sitting close to the Princess, de Villeneuve was shocked to find that her smoking was seamless. ‘When we started to eat, she lit a ciggie and then continued to chainsmoke, lighting one ciggie off another, throughout the meal. Where’s the protocol in that?’
The Princess ignored Twiggy – at that time one of the most famous women in Britain – until the very last moment. She then turned and asked her what her name was.
‘Lesley, Ma’am. But my friends call me Twiggy.’
‘How unfortunate,’ replied the Princess, and turned her back on her once more.
At this point, Lord Snowdon, never the most loyal husband, leaned over towards de Villeneuve. ‘You will get this with the upper classes,’ he sighed.
‘Well, I think it’s a charming name,’ chipped in the Marquis of Dufferin.
* (#ulink_02fba0b4-6b45-5540-ade1-d1c57f193421) Often known as ‘The Climbing Rose’.

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The Princess liked to one-up. I have heard from a variety of people that she would engineer the conversation around to the subject of children’s first words, asking each of her fellow guests what their own child’s first words had been. Having listened to responses like ‘Mama’ and ‘doggy’, she would say, ‘My boy’s first word was “chandelier”.’
But her strong competitive streak was not always matched by ability. A regular fellow guest recalled one particular fit of bad sportsmanship. ‘We were playing Trivial Pursuit, and the question was the name of a curried soup. She said, “It’s just called curried soup. There isn’t any other name for it. It’s curried soup!” Our host said, “No, Ma’am – the answer is ‘Mulligatawny’.” And she said, “No – it’s curried soup!” And she got so furious that she tossed the whole board in the air, sending all the pieces flying everywhere.’
Her snappiness was instinctive and unstoppable, like a nervous twitch. ‘I hear you’ve completely ruined my mother’s old home,’ she said to the architect husband of an old friend who had been working on Glamis Castle. To the same man, who had been disabled since childhood, she said, ‘Have you ever looked at yourself in the mirror and seen the way you walk?’ Her more sympathetic friends managed to overlook such cruel remarks, believing them to be almost involuntary, or at least misguided. ‘I think she was trying to be cheeky. She thought she was trying to reach a kind of intimacy,’ says one. ‘But she suffered from a perpetual identity crisis. She didn’t know who she was. She never knew whether she was meant to be posh or to be matey, and so she swung between the two, and it was a disaster.’
In the 1990s, two senior representatives from Sotheby’s, one tall and thin, the other rather more portly, came to Kensington Palace to assess her valuables. The Princess asked them what they thought.
‘Well –’ began the tall man.
‘No, not you – the fat one,’ snapped the Princess.
The rebuke became her calling card, like Frank Ifield’s yodel or Tommy Cooper’s fez. Who wanted to sit through her analysis of current affairs, or her views on twentieth-century literature? No one: the connoisseurs wanted to see her getting uppity; it was what she did best. If you were after perfect manners, an early night and everything running like clockwork, then her sister would oblige. But if you were in search of an amusing tale with which to entertain your friends, you’d opt for the immersive Margaret experience: a late night and a show of stroppiness, all ready to jot down in your diary the moment she left, her high-handedness transformed, as if by magic, into anecdote.
Hoity-toity is what was wanted. For most recipients, hosts and guests alike, it was part of a package deal: once she had finally gone and the dust had settled, they were left with a suitably outrageous story – the ungracious royal! the bad Princess! – to last a lifetime. She had a small circle of lifelong friends, loyal to the last. Though they forgave her faults, they also liked to store them up, ready for repetition to others less loyal. ‘Princess Margaret’s friends are devoted to her,’ wrote A.N. Wilson in 1993. ‘But one seldom meets any of them after they have had the Princess to stay, without hearing a tale of woe – how she has kept the company up until four in the morning (it is supposedly not allowed to withdraw from a room until a royal personage has done so); or insisted on winning at parlour games, even those such as Trivial Pursuit which require a degree of knowledge which she simply did not possess; how she has expected her hostess to act as a lady-in-waiting, drawing back the curtains in the morning, and so forth.’
Ever discreet, Kenneth Rose would amuse his friends with the tale of the vintage Madeira (‘Exactly like petrol!’), but would bide his time before putting it into print, for fear of losing his friendship with the Princess. His oleaginous discretion was assured, and this was how he remained a frequent visitor to Kensington Palace. This discretion extended to the moment of Princess Margaret’s death, at which point he employed the anecdote to lend spice to her obituary in the Sunday Telegraph. Her death unleashed many such tales, rising like so many phoenixes from the ashes. For instance, in a diary for the New Statesman, the comedian John Fortune recalled an encounter with her at the BBC Television Centre in the early seventies.
First, he introduced her to his producer, Denis Main Wilson. ‘She asked him what he did. He stood up very straight and said: “Ma’am, I have the honour to produce a little show called Till Death Us Do Part.” The Princess replied: “Isn’t that that frightfully dreary thing in the East End?”
‘After a few more minutes of conversation, I found myself saying: “Well, it was a pleasure to meet you, Princess Margaret, but I have someone waiting for me downstairs and I have to go.”
‘She fixed me with a beady look. “No you don’t,” she said. “No one leaves my presence until I give them permission to do so.”’
But, for all her haughtiness, Fortune detected ‘a look of mischief in her eyes’. ‘At that moment, I knew she didn’t mean it. Had she, perhaps, been waiting all her life for someone to tell her they had to go?’
Fortune felt that if he had replied, ‘Well, that’s too bad, I’m off anyway,’ then nothing would have happened. But he wasn’t prepared to take the risk. A formal conversation continued for a few more minutes, and then she said, ‘I’m very bored here. Isn’t there somewhere else in this place we can go and have a drink?’
He knew of a bar in Light Entertainment that stayed open late, so he raced down two floors, only to find the barman pulling the metal grille down. ‘“Stop, stop,” I cried, “open up again. Quick, Princess Margaret is coming.”’
‘Pull the other one …’ said the sceptical barman.
At that moment they saw what Fortune described as ‘the pocket battleship’ bearing down on them.
Fortune ordered two gin and tonics, one for himself and one for Princess Margaret. He then spotted a director of The Old Grey Whistle Test slumped against the bar, so he presented him to the Princess. ‘I think he must have been Australian, because within minutes the talk was of Sydney Harbour, convicts and the penalties for stealing a loaf of bread in the eighteenth century.
‘And what made it perfect,’ enthused the Princess, not getting the point of the story, ‘was that it was STALE bread!’ Within minutes, Fortune had made his excuses and left.

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Throughout her adult life, Princess Margaret was happy to be tempted away from her solid bedrock of tweedy friends towards the more glittering world of bohemia. She leaned towards the artistic, the camp and the modish, even going so far as to marry a man at the centre of that particular Venn diagram. Her royal presence was enough to gratify the snobbish tendencies of the bohemians, while her snooty behaviour let them laugh at her behind her back, thus exonerating themselves from the charge of social climbing. Hers was a name to drop, generally to the sound of a tut-tut or a titter.


(Popperfoto/Getty Images)
The Princess was drawn to theatrical types, and they to her; they detected something camp in her, something of the pantomime dame, some element of irony in the way she adopted her royal airs, as though with a wink and a nudge she might at any moment reveal her haughty persona to have been no more than a theatrical tease. She enjoyed playing with the boundaries of being royal, popping out from under the red silk rope, and then, just as abruptly, popping back beneath it, returning to her familiar world of starch and vinegar. The Princess would draw bohemians to her with a smoky, nightclub worldliness, mischievously at odds with her position. Then, having enticed them in and helped them loosen up, she would suddenly and without warning snap at them, making it clear that by attempting to engage with her on equal terms they were guilty of a monstrous presumption.
A keen theatregoer, she went to see Derek Jacobi as Richard II at the Phoenix Theatre in 1988, sending word asking him to remain onstage at the end of the performance, so that she could meet him.
‘I did, and she kept me waiting,’ he remembered. ‘She had gone to hospitality, had a couple of whiskies, and then tottered through to say hello onstage half an hour later.’
After another show, she invited him to dine with her and some ballet friends at Joe Allen’s restaurant in Covent Garden. ‘There were eight of us and I sat next to her. She smoked continuously, not even putting out her cigarette when the soup arrived, but instead leaning it up against the ashtray. We got on terribly well, very chummy, talking about her mum and her sister, and she really made me feel like I was a friend, until she got a cigarette out and I picked up a lighter and she snatched it out of my hand and gave it to a ballet dancer called David Wall.
‘“You don’t light my cigarette, dear. Oh no, you’re not that close.”’
Bohemian society in sixties London was formed of an unresolved mix of egalitarianism and snobbery. Kenneth Tynan was as devoted to Princess Margaret as he was to the British working class, though he took care to keep the two enthusiasms separate. Tracy Tynan remembers her father arguing that her birthday party should be postponed because Princess Margaret would be out of town. But her presence at his arty get-togethers was unsettling. An actress who was sometimes a guest told me that the assembled iconoclasts – actors, writers, artists, musicians – would kowtow to Her Royal Highness while she was present, only to make fun of her the moment she left, imitating her squeaky, high-pitched voice, her general ignorance, her cackhanded opinions, her lofty putdowns, her air of entitlement. If a fellow guest’s over-familiarity had prompted her to execute one of her ‘Off with his head!’ reprimands, then they would have something extra to giggle about. The presence of the Princess would endow a party with grandeur; her departure would be the signal for mimicry to commence. Beside these laughing sophisticates, the Princess could often appear an innocent.

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The baby had been expected any time between 6 and 12 August 1930. The mother, HRH the Duchess of York, planned to give birth to this, her second child, at her family seat, Glamis Castle. This was disappointing news for the home secretary, J.R. Clynes, who had been looking forward to a family holiday in Brighton in the first weeks of August. A socialist who had started work in a cotton mill at the age of ten, Clynes now found himself bound by law to be at hand for the royal birth.
Some had suggested that Clynes could make a last-minute dash from London to Scotland the moment news of the first contractions came through, but his stuffy ceremonial secretary, Harry Boyd, was having none of it: if the birth was not properly witnessed by the home secretary, then the baby’s relatively high place in the line of succession – third for a boy, fourth for a girl – would be placed in jeopardy. Nothing should be left to chance.
So, like it or not, Boyd and Clynes boarded the train to Scotland in good time, arriving at Cortachy Castle, where they would be staying, promptly on the morning of 5 August. A special telephone wire had been installed from Glamis to Cortachy, with a dispatch rider at hand in case the wire broke down.
The two men were to have a long wait. Clynes, quiet and retiring, occupied his time with long walks, sometimes in the company of his hostess, Lady Airlie. Boyd, on the other hand, was more worked-up; he preferred to stay indoors, fearful lest he miss the vital phone call. Nor did he rule out the possibility of an accident, or some sort of muddle-up, or even sabotage. Had he spent too long out East? ‘I could not help feeling that his long residence in China was inclining him to view the situation in too oriental a light,’ Lady Airlie recalled in her memoirs.
On the 11th, the three of them – the home secretary, the countess, the civil servant – were on red alert, sitting up all night, ‘sustained by frequent cups of coffee’, but it was a false alarm. On the 14th, Boyd lost his temper when Clynes said he was thinking of going sightseeing with Lady Airlie; on the morning of the 21st, ‘wild-eyed and haggard after sitting up all night’, Boyd telephoned Glamis for any news, and was told there was none. Unable to contain his nerves, he stomped out into the garden and started kicking stones.
That same evening, just as they were dressing for dinner, the call from Glamis at last came through. Boyd, wearing only a blue kimono, a souvenir from his China days, was caught on the hop. ‘What? In an hour? We must start at once!’ With that, he leapt into his suit and rushed downstairs, where he found Clynes already waiting in his coat and Homburg. ‘Just look at that, Boyd!’ said Clynes, pointing to the sunset. ‘In such a night stood Dido …’ But Boyd was in no mood for an impromptu Shakespeare recital, and pushed Clynes headlong into the waiting car.
They arrived at Glamis with barely half an hour to spare. At 9.22 p.m., attended by her three doctors, the Duchess gave birth to a baby girl. Once the baby had been weighed (6lbs 3oz), the home secretary was ushered into the bedroom to bear witness. ‘I found crowded round the baby’s cot the Duke of York, Lord and Lady Strathmore and Lady Rose Leveson-Gower, the Duchess’s sister. They at once made way for me, and I went to the cot and peeping in saw a fine chubby-faced little girl lying wide awake.’
The news that the King had another grandchild – his fourth – was greeted with forty-one-gun salutes from the Royal Horse Artillery in both Hyde Park and the Tower of London, together with the ringing of the bells of St Paul’s Cathedral and Westminster Abbey. The following evening, 4,000 people gathered in the Glamis village square and followed the Glamis Pipe Band up Hunter’s Hill as it played boisterous renditions of ‘The Duke of York’s Welcome’, ‘Highland Laddie’ and ‘The Earl of Strathmore’s Welcome’. With everyone gathered at the summit, two young villagers lit a six-hundred-foot-high brushwood beacon. Within minutes, its flames could be seen from miles around.

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Princess Margaret was born in 1930, the same year as air hostess and newscaster entered the language, and died in 2002, when googling, selfie, blogger and weapons of mass destruction first appeared.
Is it just me, or do a remarkably high proportion of the words that share her birthday also reflect something of her character? Blasé first made the Channel crossing in 1930, subtly altering its meaning on the way: in its home country of France, it meant ‘sated by enjoyment’, while here in Britain it meant something closer to ‘bored or unimpressed through over-familiarity’. Also from France, or eighteenth-century France, came negligée, with that extra ‘e’ to show that it now meant a lacy, sexy dressing gown rather than an informal gown worn by men and women alike.
Inventions that first came on the market in 1930, thus introducing new words to the language, included bulldozer, electric blanket and jingle, all of which have a faint echo of Margaret about them. The Gibson – a martini-like cocktail consisting of gin and vermouth with a cocktail onion – was introduced to fashionable society. In All About Eve (1950), Bette Davis serves her guests Gibsons, saying, ‘Fasten your seatbelts. It’s going to be a bumpy night.’
Then again, learner-driver, washing-up machine and snack bar also came into being in 1930, yet it’s hard to relate any of them to Princess Margaret, who never learned to drive, nor to operate a washing-up machine. And, as far as I know, she never entered a snack bar.
Also making their first entries that year were to bale out, meaning to make an emergency parachute jump, to feel up, meaning to grope or fondle, and sick-making, meaning to make one either feel queasy, or vomit, depending on the force of one’s reaction. Each of these three has something Margaret-ish about it, as do crooner and eye shadow and the adjective luxury.
Two concepts dear to any biographer, but perhaps particularly dear to biographers of Princess Margaret, entered the language in the year of her birth: guesstimate and whodunnit.
There also came a word that had been around for several centuries, but which, as a direct result of the birth of the little Princess in 1930, was to take on a life of its own.
Horoscope.

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At his office in Fleet Street, John Gordon, the editor of the Sunday Express, was struggling to come up with a fresh angle on the news of another royal birth. Then it came to him: why not ask Cheiro,* (#ulink_bfcc6e43-88f1-5516-9e28-548728149e4d) the most famous astrologer of the day, to predict what life might have in store for her? Cheiro had, in his time, given personal readings to, among others, Oscar Wilde, General Kitchener, Mark Twain and King Edward VII. The little Princess would surely be a doddle.
Gordon telephoned Cheiro’s office, only to be informed by his assistant, R.H. Naylor, that the great man was unavailable. Instead, Naylor put himself forward for the task. His article, ‘What the Stars Foretell for the New Princess’, duly appeared the following Sunday.
Naylor foretold that Princess Margaret Rose would have ‘an eventful life’, a prediction that was possibly on the safe side, since few lives are without any event whatsoever. Moreover, it would be decades before anyone could confidently declare it to have been entirely uneventful, and by that time people’s minds would have been distracted by other, more eventful, things. More particularly, Naylor predicted that ‘events of tremendous importance to the Royal Family and the nation will come about near her seventh year’.
The article proved a huge success, so much so that Gordon proceeded to commission Naylor to write forecasts for the months ahead. As luck – or chance, or fate – would have it, one of his predictions was that ‘a British aircraft will be in danger between October 8th and 15th’. He was just three days out: on 5 October, on its maiden overseas flight, the passenger airship R101 crashed in Beauvais, France, killing forty-eight of the fifty-four people on board.
Naylor’s reputation was made. John Gordon now hit on the idea of asking him to write a weekly column making predictions for all Sunday Express readers according to their birthdays. Naylor puzzled for some time over how to incorporate 365 different forecasts into a single column, and eventually devised a more off-the-peg system by dividing the sun’s 360-degree transit into twelve zones, each of them spanning thirty degrees. He then named each of the twelve zones after a different celestial constellation, and offered blocks of predictions for each birth sign. This was how the modern horoscope came into being.
In the Princess’s seventh year, 1936, a series of events of tremendous significance to the Royal Family did indeed come about, exactly as predicted: the death of King George V, the abdication of King Edward VIII, and the accession of King George VI. Small wonder that Naylor was now regarded as something of a genius; before long he was receiving up to 28,000 letters a week from his bedazzled readers, anxious to know what fate had up its sleeve for them.
By now, every other popular newspaper had taken to employing a resident astrologer; according to Mass-Observation, ‘nearly two-thirds of the adult population glance at or read some astrological feature more or less regularly’.
One of the beauties of the horoscope, from the point of view of the astrologer, is that its followers are more than willing to forget or ignore any prediction that turns out to be wrong. In future, Naylor would be the beneficiary of this impulse to turn a blind eye. At the beginning of 1939, for instance, he confidently declared that ‘Hitler’s horoscope is not a war horoscope … if and when war comes, not he but others will strike the first blow.’ He also pinpointed the likely danger areas as ‘the Mediterranean, the Near East and Ireland’. Furthermore, he declared that the causes of any potential conflict would be: ‘1) The childless marriage; 2) The failure of agriculturalists … to understand the ways of nature and conserve the fertility of the soil.’
Within months, all these predictions had gone awry, but Naylor’s reputation remained rock-solid. Nearly ninety years on, the horoscope is quite possibly the most formidable legacy of HRH the Princess Margaret, who shared her birthday, 21 August, and her star sign Leo, with a varied list of famous characters, including Count Basie, King William IV, Kenny Rogers, Aubrey Beardsley, Dame Janet Baker and Joe Strummer of the Clash.
* (#ulink_9ffc2d95-8d34-5b15-91be-309299e61fbd) Born William John Warner (1866–1936), he also went by the name of Count Louis Hamon. Cheiro combined his careers as a clairvoyant, numerologist and palmist with running both a champagne business and a chemical factory, though not from the same premises.

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In my biographer’s delirium, as I looked at the list of Princess Margaret’s fellow 21 August Leos I began to notice spooky similarities, and then to think that, actually, she was just like them in every way: after all, King William IV was family, and Dame Janet Baker looked a bit like her, as well as being a near-contemporary (b.1933). The two of them were chummy, too: Dame Janet remembers the Princess saying, ‘Good luck, Janet – be an angel,’ to her before she sang the part of the Angel in Elgar’s The Dream of Gerontius in Westminster Abbey. Moreover, the Princess was a great fan of Count Basie, and vice versa: in 1957 Basie and his orchestra recorded ‘H.R.H.’, a song dedicated to her. Margaret also shared a louche, camp, decadent streak with Aubrey Beardsley, and might have identified with Kenny Rogers’ songs about being disappointed by love: ‘You picked a fine time to leave me, Tony’. And as for Joe Strummer, if the Margaret/Townsend romance were to be set to music, could there ever be a more perfect keynote duet than this?
PETER TOWNSEND: Darling, you got to let me know
Should I stay or should I go?
PRINCESS MARGARET: If you say that you are mine
I’ll be here ’til the end of time
BOTH: So you got to let me know
Should I stay or should I go?
By now I was hallucinating. The Princess was everywhere and nowhere. It seemed as though everyone I bumped into had met her at one time or another, and had a story to tell, generally about her saying something untoward and an uneasy atmosphere ensuing. At the same time my brain was becoming entangled with the spaghetti-like argy-bargy of the Townsend affair, as knotted and impenetrable as the causes of the First World War.
I would spend hours puzzling over the same not-very-interesting anecdote told about her by different people, each contradicting the other. Should I go for the most likely, the funniest, the most interesting, or even, as part of my noble effort to write a serious book, the dullest? And which was which? I found it increasingly hard to judge. Should I favour one version of events over the other, or should I risk boring the reader by doggedly relaying every variant?
Just as the writers of the four gospels of the New Testament offer contrasting views of the same event, so do those who bear witness to the life and times of Princess Margaret. To pick just one example, here are two different versions of a quite humdrum little story about Lord Snowdon, Princess Margaret, a cigarette and a cushion. I have put them side by side, for the purposes of compare and contrast.
The first is from Of Kings and Cabbages (1984), a memoir by Peter Coats, former ADC to General Wavell,* (#ulink_7a3826ff-f8ec-5d85-b625-e940b1d51940) boyfriend of Chips Channon, and editor of House and Garden magazine, widely known by the nickname ‘Petti-Coats’:
Tony Snowdon was having a mild argument with his wife, Princess Margaret, and, having lit a cigarette, flicked the match towards an ashtray and it fell into Princess Margaret’s brocaded lap. HRH brushed it off quickly and, rather annoyed, said, ‘Really, Tony, you might have burned my dress.’ To which came the reply, ‘I don’t care. I never did like that material.’ The princess drew herself up and said very grandly, ‘Material is a word we do not use.’
I admit to having told this story several times, and it always arouses a storm-in-a-cocktail-glass of discussion. What other word? Stuff, perhaps?
So there we are. Now take a look at this second version of the same event, which comes from Redeeming Features (2009), an enjoyably baroque memoir by the interior decorator and socialite Nicky Haslam:
We joined a party at Kate and Ivan Moffat’s, where the growing distance and determined one-upmanship between Princess Margaret and Tony Snowdon was all too evident. Bored, Tony played with a box of matches, flicking them, lit, at his wife. ‘Oh, do stop,’ she said. ‘You’ll set fire to my dress.’ Tony glowered. ‘Good thing too. I hate that material.’ Princess Margaret stiffened. ‘We call it stuff.’
Which to pick? The Coats version is milder, the Haslam version more extreme. Coats has Snowdon lighting a cigarette and flicking a single match with the intention of making it land in an ashtray; Haslam has him playing with an entire box of matches out of boredom, and aiming and flicking the lit matches, one by one, at Princess Margaret. According to Coats, the Princess says,
‘Material is a word we do not use.’
Coats then speculates about a feasible substitute. But Haslam makes no mention of her declaring ‘Material is a word we do not use’; he simply has her observing,
‘We call it stuff.’
We will never know which version is true, or truer, or if both are false, or half-true and half-false. If you could whizz back in time and corner both men as they left the Moffats’ house, I imagine that each would swear by his own story, and someone else emerging from the same party – Lord Snowdon, or Princess Margaret, or one of the Moffats, for instance – would say that both of them had got it wrong, and the truth was more mundane, or more civilised, or more outrageous. To me, as the self-appointed theologian of that particular contretemps, Coats’ version sounds marginally the more probable. A succession of lit matches flicked across a sofa strikes me as a little too chancy and hazardous, particularly if flicked in someone else’s house. Moreover, ‘Material is a word we do not use’ sounds more imperiously Princess Margaret than ‘We call it stuff.’ On the other hand, Nicky Haslam is a keen observer of human behaviour, and has a knack for detail.
Even if we agree to settle for a judicious mish-mash of the two accounts, we are still obliged to embark on a discussion of late-twentieth-century royal linguistics. Both accounts agree that ‘material’ was a word offensive to Princess Margaret, and perhaps even to the entire (‘we’) Royal Family. But why? As words go, it has a perfectly good pedigree: it dates back to 1380, and was employed by Geoffrey Chaucer. On the other hand, though ‘stuff’ may sound more aggressively modern, coarse and general, it in fact predates ‘material’ by forty years. ‘Stuff’ originally meant fabric – in particular the quilted fabric worn under chain mail. It was centuries before it was demoted into a catch-all term applied to anything you couldn’t quite remember the right name for. So the Princess’s etymological instinct turns out to have been spot-on.
Or – forgive me – was her preference for ‘stuff’ over ‘material’ an unconscious throwback to her family’s Germanic roots? The German for material is ‘stoff’, so it’s possible the Royal Family’s liking for ‘stoff’ has been handed down from generation to generation, its basis lost in time.
So much for that. As you can see, when push comes to shove, even the most humdrum royal anecdote can open up any number of different avenues of enquiry. For instance, who on earth were the Moffats? It would be easy to find out, and a true scholar would probably include their CVs either in the text itself or in a learned footnote. But there is only so much a reader can take. Does anyone really need to know?* (#ulink_2fe9ac0c-13e2-5436-b402-1e2e3d741615)
And what about all the other words Princess Margaret didn’t like? Should I squeeze them in too? After all, she could take fierce exception to words she considered common – but she chose those words pretty much at random, so that people who weren’t on the alert would utter one of them, and set off a booby trap, with the shrapnel of indignation flying all over the place. The Princess strongly objected to the word ‘placement’, for example, yet it’s just the kind of word her friends and acquaintances would have instinctively used while dithering over who to place where around a dining table, probably thinking the word was rather classy. But no! The moment anyone said ‘placement’ – ka-boom! – all hell would break loose. ‘Placement is what maids have when they are engaged in a household!’ Princess Margaret would snap, insisting on the expression ‘place à table’ instead. And the nightmare wouldn’t end there. Even those who had managed to shuffle to their allocated seats without uttering the dread word were liable to be caught out the next morning, at breakfast time, when the Princess would reel back in horror if she heard the phrase ‘scrambled eggs’, declaring irritably, ‘WE call them “buttered eggs”!’
And so a biography of Princess Margaret is always set to expand, like the universe itself, or, in more graspable terms, a cheese soufflé, every reference breeding a hundred more references, every story a thousand more stories, each with its own galaxy of additions, contradictions and embellishments. You try to make a haybale, but you end up with a haystack. And the needle is nowhere to be seen.
* (#ulink_e02f85ea-e550-521e-a75d-16088a9fcb29) Field Marshal Wavell (1883–1950) once sat next to Princess Margaret over lunch. Tongue-tied at the best of times, he struggled to think of something to say. At last, he was seized by an idea!
‘Do you like Alice in Wonderland, Ma’am?’
‘No.’
* (#ulink_3207a864-c066-5709-952b-6f3a5cc4da9b) Oddly enough, the answer is probably yes. As it happens, Ivan Moffat was a film producer and screenwriter (A Place in the Sun, The Great Escape, Giant). Born in Cuba in 1918, he was the son of the actor-manager Sir Herbert Beerbohm Tree, the nephew of Sir Max Beerbohm, and the uncle of Oliver Reed. In Paris in the forties, Moffat was friends with Sartre and de Beauvoir, and he had affairs with two notable women who appear elsewhere in this book – Lady Caroline Blackwood and Elizabeth Taylor. Kate, his second wife, was a direct descendant of the founder of W.H. Smith, and a lady-in-waiting to the Queen Mother. So now you know.

12 (#ubebacbea-06c5-570e-9c15-1d256ab24093)
In 1993, the sixty-two-year-old Princess Margaret stood by a dustbin piled with letters and documents, while her chauffeur put a match to them.
David Griffin had been a professional driver for many years – double-decker buses, lorries, the 3 a.m. coach for Harrow Underground workers – before, one day in 1976, spotting a newspaper advertisement for a royal chauffeur. He leapt at it. ‘I wouldn’t say I was an absolute royalist. I just thought they were the ultimate people to work for, the pinnacle of the chauffeur world.’
He was to spend most of the next twenty-six years driving Princess Margaret around. He once calculated that he spent more time with her than with his own mother, though he spoke to her very rarely. ‘She was part of the old school and she never changed from day one. She was very starchy, no jokey conversation. She called me Griffin and I called her Your Royal Highness.’ By the end of a typical trip to Sandringham, she would have uttered a total of two words: ‘Good’ and ‘morning’.
‘There was no need to say more, she knew I knew the way. I saw myself as part of the car, an extension of the steering wheel. A proper royal servant is never seen and never heard. We preferred to work in total silence, so we didn’t have to be friendly. We never used to try and chat. They used to say Princess Margaret could freeze a daisy at four feet by just looking at it.’
During this time, the Princess owned a Rolls-Royce Silver Wraith (fitted with a specially raised floor to make her look taller), a Mercedes Benz 320 for private use, a small Daihatsu runabout, and a Ford Transit minibus for ferrying friends around. As Griffin describes it, ‘Six or seven people would pile in and shout: “Orf we go on our outing.”’ The Princess herself had never taken a driving test. Why bother?
Griffin’s day began at 8 a.m., when he gave the cars a thorough polish, inside and out. He then collected any letters to be delivered, a category that included anything of the slightest importance and quite a few of no importance at all. These would be handed to him by the Princess’s private secretary or a lady-in-waiting, or, every now and then, by Her Royal Highness in person. Occasionally he had to take a letter to her former husband, Lord Snowdon (‘very pleasant and nice with impeccable manners’), who would invariably ask him to wait while he composed a reply. But if Snowdon telephoned Kensington Palace to ask whether Griffin could collect a message for Princess Margaret, the Princess would usually reply, ‘No, he’s got other things to do.’
As long as she had no official duties, her daily routine remained unvaried. Shortly after 11 a.m., Griffin would drive her to her hairdresser, latterly David and Joseph in South Audley Street. ‘Then she would go out for lunch at a nice restaurant. Then she’d come back to the palace and have a rest.’ Around 4.30 p.m. he would drive her to Buckingham Palace for a swim in the pool. ‘Then she’d go to the hairdresser’s for the second time in one day. Then I’d drive her to pre-theatre drinks, then to the theatre, then a post-theatre dinner. And I’d finish about 3 a.m. Sometimes this would happen every night. And I’d always be up at 8 a.m. At the weekend, I’d drive her to the country. If she travelled to Europe, I’d get there first and pick her up at the airport in Prague, for example, so she never thought anything was different.’
On a number of occasions, the Princess asked Griffin to drive her to Clarence House. After a couple of hours she would emerge with a large binbag filled with letters, which she would hand to him. Back at Kensington Palace, she would put on a pair of yellow rubber gloves and help him bundle the letters, still in their bags, into a metal garden dustbin in the garage before ordering him to set light to them. ‘We did it several times over a period of years,’ says Griffin. ‘A lot of it was old, going back donkeys’ years, but I saw letters from Diana among them. We must have destroyed thousands of letters. I could see what it was we were burning. She made it very clear it was the highly confidential stuff that we burned. The rest was shredded in her office.’

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