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Fighter Boys: Saving Britain 1940
Patrick Bishop
The Battle of Britain is one of the most crucial battles ever fought, and the victory of Fighter Command over the Luftwaffe has always been celebrated as a classic feat of arms. But, as Patrick Bishop shows in this superb history, it was also a triumph of the spirit in which the attitudes of the pilots themselves played a crucial part.Reaching beyond the myths to convey the fear and exhilaration of life on this most perilous of frontlines, Patrick Bishop offers an intimate and compelling account that is a soaring tribute to the exceptional young men of Fighter Command.Note that it has not been possible to include the same picture content that appeared in the original print version.



Fighter Boys
Saving Britain 1940
Patrick Bishop




Copyright (#ulink_2a0b4fcf-3bd8-520a-a622-33d9a5cfc275)
HarperCollinsPublishers 77–85 Fulham Palace Road, Hammersmith, London W6 8JB
www.harpercollins.co.uk (http://www.harpercollins.co.uk)
First published in Great Britain by
HarperCollinsPublishers 2003
Copyright © Patrick Bishop 2003
Portrait © Max Arthur 2004

The Author asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

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Source ISBN: 9780006532040
Ebook Edition © NOVEMBER 2011 ISBN: 9780007381180
Version: 2014–09–11

Dedication (#ulink_d120ad0a-d5b0-5257-86aa-153552b92182)
To Kelly and Bill

Table of Contents
Cover Page (#u232877be-da48-50bc-9989-7480bba86a8c)
Title Page (#u3b13026e-14ff-5f65-99c4-c3f0c0795b0c)
Copyright (#u3028db6f-8651-5e7b-9d83-626bf4d637dc)
Dedication (#ua43bdbfe-e310-5509-87f4-130fb15f8a43)
Preface (#u5e6b08fe-59bb-5def-b6b6-19040eb510fe)
Prologue: The White Hart (#u4a02c8af-476d-5c69-94b6-75e0508def6d)
1 Sportsmen and Butchers (#u84a529f5-4059-59a2-9d5d-d7cc5e95fd59)
2 Fighters versus Bombers (#ued80a914-cf2c-5d81-ac0e-d5ca44ec78c0)
3 ‘Free of Boundaries, Free of Gravity, Free of Ties’ (#u95afc4a7-5ef1-5cc8-b0ea-afdec20a5296)
4 The Fatal Step (#uaf64dbe5-2e74-58be-a142-d6d175c7d24e)
5 Winter of Uncertainty (#ua805251d-22ff-5d58-bffe-8acf83a40cf1)
6 Return to the Western Front (#uc3b6c54e-eeb9-5f68-b72b-5c15fcbd7f90)
7 The Battle of France (#uce300217-e822-5ff9-a7ea-ecf58d4c9aa7)
8 Dunkirk (#u9b705ba8-de99-538a-ae26-d42258b1df0e)
9 Doing It (#u6aacd745-5da4-5024-98ff-5be5005fb848)
10 Before the Storm (#u4b691aaa-3080-5811-bf6a-4155723d9c87)
11 The Channel Battle (#uf99c89ab-b307-52b9-9072-36c5bf1bcd8f)
12 The Hun (#u2083a9a1-20b9-5c1b-96c8-49708fa30b79)
13 Hearth and Home (#u07ea1b0c-804e-5ecb-bdff-3028a595023b)
14 Attrition (#u17a3c8b2-3b73-5eaa-8cf9-b50913b025a2)
15 Brotherhood (#uf9bab8cd-d0c6-53a5-b17d-a9a0f0d8b7ae)
16 ‘The Day Had Been a Year’ (#u430f9cd5-c160-5785-bd80-1661733f4aea)
17 Autumn Sunset (#u2b979e21-6d16-5c2e-9080-5e362ed8d4d3)
18 Rhubarbs and Circuses (#u1087b10d-1672-590e-801d-eb8c55245463)
Epilogue: The Last Note (#u900b786a-d129-5de5-8207-99114c7586de)
Keep Reading (#u9a7f90c6-63b6-538f-9a31-fb1b9b6ef9ff)
Notes and References (#uc8a82a30-ae0e-54d4-98ff-efe65fa185f3)
Index (#u78a99e08-8fb8-51ea-93af-635ac5c5d3d4)
P.S. (#u559ec8ea-1b01-5c77-8ea1-d40376d16afd)
About the author (#ua65d1fbd-750e-5809-8b26-59b794f646f2)
Portrait (#u7f2f0d67-effd-5cab-99cf-cb1c95d5e813)
Snapshot (#ub87c2f0d-90fd-5cc5-aa8d-e70723bf098b)
Top Ten Favourite Reads (#u5e33a8b9-2fa8-5ea7-8472-226dbb4ef858)
Life Drawing (#u4721f3a1-f562-591f-a591-29a6fc3d2b32)
About the book (#udcfceb2e-b50d-5b74-ad90-e8099422861e)
A Critical Eye (#u42b9edad-0056-50ec-acd4-5c04f898cd4c)
The Bigger Picture (#u00b244b9-ba55-50c3-8ba3-628e3845be73)
Read on (#u5133e14f-e60a-548b-bd32-e5883cc38a74)
Have You Read? (#ud9f61891-d878-5846-a0a0-85b8120a6dfe)
If You Loved This, You’ll Like… (#u9867f8cb-cba3-5842-a2aa-f9ace77ec2a0)
Find Out More (#ue737184e-0297-57a1-93b8-07703160272a)
About the Author (#ub3df9f07-1b2a-5664-982f-63810fc5c47a)
Praise for Fighter Boys (#u6f0e9488-2d0d-5572-aed9-4d9c1e4553c9)
About the Publisher (#ue07d49a0-436d-5e91-b06e-5bbe78577c24)

Preface (#ulink_e802a29b-7375-5650-af0a-0cb9fdf7b712)
This book is an attempt to answer a question that has fascinated me since I was a child. I grew up in Kent and London in the late 1950s and early 1960s, when the Second World War was still a real presence. There were daily reminders of it in the weed-choked gaps between houses where German bombs had fallen and the muddy Anderson shelters that could still be found in suburban back gardens.
My first years were spent in the village of Charing. One of my earliest memories is of walking with my father, mother and sister through a ground mist of bluebells in Long Beech woods on the ridge above the village, close to the Pilgrim’s Way. Not long before the skies overhead had been a battleground. Occasionally my playmates and I found cartridge cases rusting underneath the ferns that we imagined had tumbled from the heavens during the fighting. Later I learned that a fighter pilot had crashed in flames into Long Beech after being shot down in the autumn of 1940.
We boys knew all about the Battle of Britain from small, square comic books, describing the great events of the war, that we bought eagerly as soon as they appeared in the village newsagent. They were our first history books. There, for the first time, we met heroes other than our fathers. It was the fighter pilots who hijacked our imaginations. We acted out their deeds in our games and dreamed about being them when we grew up. Their style and dash made them much more glamorous than the earthbound drudges of the infantry. Adults seemed to think so too. The Battle of Britain was mythologised before it was even over and those who took part in it were bathed in the glow of the legend.
At adolescence you shed your old heroes and get a new set. For a while it was slightly embarrassing to recall the passion that the silhouette of a Hurricane or the smudged snapshot of a young pilot once provoked. The grown-ups also seemed to have moved on. This was the Sixties. Men in uniform were now the targets of mockery.
Then, in the funny way that the recent past becomes suddenly almost as remote as the Dark Ages, the pilots slipped into history. There were plenty of books about the battles they fought and their crucial importance to the twentieth century. But they themselves grew obscure, blurred and monochrome like the photographs they took of each other, always smiling, as they hung about at dispersal, waiting to take off.
In the pages that follow I have tried to colour in the picture and to answer the question: What were the Fighter Boys really like? My researches have been helped by the generosity of many people. I am particularly grateful to Malcolm Smith of the Battle of Britain Fighter Association for pointing me to the veterans whose reminiscences enrich this story and answering many queries with his celebrated kindness, good humour and patience. The survivors are men of their time. Everyone I approached was unfailingly courteous, helpful and hospitable. Meetings were invariably a pleasure. The Fighter Boys retain their joie de vivre. The contribution of individuals is made clear in the text, and to each of them I give my thanks. Without them the book could not have been written. I would like to make special acknowledgment to Group Captain Billy Drake, Air Commodore Peter Brothers and Air Chief Marshal Sir Christopher Foxley-Norris for the repeated calls I made on them. Group Captain John Cunningham, Hugh Heron, Squadron Leader Jocelyn Millard, Group Captain Anthony O’Neill, Wing Commander Harbourne Stephen and Flight Lieutenant William Walker were also generous with their time.
I was fortunate to be given access to several unpublished texts. Among them was Tim Vigors’s splendid autobiography, which has yet to appear in print, a situation which I hope will soon be rectified. I am also grateful to the Beaumont family for allowing me to see S. G. Beaumont’s Reminiscences, to the Fenwick family for sending me Charles Fenwick’s account of a young pilot’s life, Dear Mother, and to Michael Butterworth for enabling me to see Group Captain Frank Carey’s personal history. Squadron Leader Dennis Armitage supplemented his talk with me with his written account of the summer of 1940. Edith Kup was kind enough to spend a wintry afternoon filling in some of the gaps in the story of her love affair with Denis Wissler and to allow me to see his letters. Valerie Preston shared with me some of her souvenirs of the White Hart and Robin Appleford has allowed me to reproduce some glimpses of off-duty life in 66 squadron.
I would also like to thank Mrs Lesley Kingcome, her mother Sheila, her daughter Samantha and her son Gavin for their hospitality in Devon and for their memories of the late Brian Kingcome, as well as for permission to quote from his memoir, A Willingness to Die. I am grateful, too, to Sarah Quill for talking to me about her father Jeffery and for showing me letters from the family archive, and to Yvonne Agazarian for sketching in some details of her brother, Noel.
Our understanding of the ethos of Fighter Command has been helped greatly by the work of the Imperial War Museum, which more than 20 years ago set out to record the testimony of many of those engaged in the air battles of 1940 and preserve them in its sound archive. These interviews have provided much fascinating material and I am grateful for permission to reproduce extracts. The staffs of the Sound Archive, Department of Documents and Printed Books, Photograph Archive and Film and Video Archive were always helpful and efficient. I also want to thank Gordon Leith and his team at the Department of Research and Information Services at the RAF Museum, Hendon and the staff of the Public Record Office in Kew for their patience and the hard work they did on my behalf. Jean Buckberry was a gracious guide to the Royal Air Force College, Cranwell and its library. The staff of RAF, Benson, provided me with the records of the Oxford University Air Squadron in the interwar years.
In another, very different, area of research, I would like to thank Rod Dean, himself a former RAF fighter pilot, for taking me through the basic manoeuvres of a dogfight in a Harvard trainer in the skies above Tangmere and for explaining the principles of air fighting.
My task would have been much more difficult if it were not for the work done by several aviation historians of the period. I am indebted to Ken Wynn for the definitive research contained in Men of the Battle of Britain and to Christopher Shores and Clive Williams for the wealth of detail found in their two-volume Aces High. The chronology was greatly aided by reference to Francis K. Mason’s Battle Over Britain. The writings of Norman Franks, H. Montgomery Hyde, John James, Dr Tony Mansell, Dilip Sarkar, Richard C. Smith and John Terraine were always illuminating.
Thanks are due to the Grub Street team, who continue to ensure that the voices of those who fought the Second World War are heard, for permission to quote from Dennis David’s My Biography, and Shot Down In Flames by Geoffrey Page, to Hutchinson for extracts from Flying Start by Hugh Dundas, reprinted by permission of the Random House Group Ltd, who also allowed me to use passages from Alan Deere’s memoir Nine Lives. Wing Commander Paddy Barthropp allowed me to make use of his autobiography Paddy. I am also grateful to Cassell Military for letting me reproduce parts of Paul Richey’s classic, Fighter Pilot.
Franziska Thomas put me in touch with German Luftwaffe veterans and was a skilful translator of my talks with them. My friend Sophia Coudenhove was a model researcher, a shrewd and indefatigable toiler in the archives and a source of cheer. Nick Farrell, Harry de Quetteville and Hugh Schofield gave encouragement and ideas when the going got heavy. Charles Moore, Editor of the Daily Telegraph, and Alec Russell, Foreign Editor, were generous and understanding bosses. My gratitude is due to Leslie Bonham Carter for providing a wonderful working environment at Bussento at a crucial stage of writing.
In closing I would like to mention my late father, Ernest Bishop, himself an RAF man, in whose endlessly-leafed through wartime photograph albums the germ of this project perhaps lies. It would have lain dormant, however, were it not for the intervention of my agent David Godwin, who devoted his great talent and energy to getting Fighter Boys airborne. The process was helped enormously by the professionals at HarperCollins. I would like to thank Michael Fishwick for his enthusiasm and backing, Kate Johnson for her intelligent appreciation of the subject, Mary Ore and Peter Ford for their meticulous editing and Melanie Haselden for the care she took over the picture selection.
The last acknowledgement should really have come first. My eternal gratitude, Marie darling, for your support and – how shall I put this? – tolerance. Now it is your turn.



Prologue: The White Hart (#ulink_5e43b12c-68a2-5f6d-a4aa-d84a5b0bba16)
At 9 p.m. on Thursday, 15 August 1940, in a low-beamed, tile-hung pub in the Kentish village of Brasted, the conversation faded as a radio was switched on and the familiar pulse of the electronic time signal counted down the seconds to the main BBC news broadcast of the evening.
The voice of the announcer was calm but the events he described could not have been more dramatic. Throughout the day huge formations of German bombers, protected by large numbers of fighter escorts, had been crossing the Channel unloading cargoes of high explosive on military and industrial targets across south-east England.
The report was heard in silence until the newsreader revealed the day’s score. At least 182 enemy aircraft had been destroyed, he claimed, against British losses of only 34 fighters. There was a burst of cheering and a surge to the bar for celebratory drinks. As the radio was switched off the noise in the pub’s stone-flagged bars climbed back up to its normal convivial level.
Most of the men in the White Hart Hotel that evening were pilots from the fighter station at Biggin Hill, seven miles away through ragged, dusty-green lanes, across wheat fields ripened to the colour of wet sand. Watching them was an American journalist who had driven down from London that afternoon. In his report he wrote that he ‘found it incredible that these noisy youngsters were in fact front-line troops, even then in the thick of battle’.
It was true. The boisterous young men, tankards and cigarettes in hand, the top buttons of their slate-blue uniform tunics undone to show the world they were fighter pilots, had been on duty since the first light of what had been an unusually misty summer morning. Some had been in action three times.
The day had seen the most intense air fighting in history. The pilots had won a remarkable victory, though not as great a one as the official figures suggested. In fact seventy-eight German aircraft had been knocked down. It was less than half the number claimed, but there was no doubt that the Luftwaffe had been made to suffer.
Half of the men were from 32 Squadron. At the centre of the crowd was the new commander, Flight Lieutenant Michael Crossley, thin and dark-haired, with deep-set humorous eyes, who at six foot two was half a head taller than the other pilots. Before leading the men off, as the dusk thickened, for pints of the warm sudsy Page & Overton bitter that the White Hart’s landlady Kath Preston served from wooden casks, he had recorded the events of the day.
Down to Hawkinge 1 p.m. and from then on had a remarkably blitzy afternoon. Chased something up to Harwich and got mixed up with 109s going home. Got none. They got Grubby Grice instead who descended into the sea…back to Biggin to refuel. Off to Portsmouth and attacked thousands of 88s and 110s, got three. Refuel again and attack thousands of 17s who were beating up and bombing Croydon. Slapped down seven. ‘Polly’ Flinders took training flight out and he and Humph slapped down one each. Day’s bag twelve.

The 109s mentioned in this laconic entry were the Messerschmitt fighter escorts shepherding the fleets of raiders that arrived in successive waves from late morning. The ‘88s’ were Junkers 88s, twin-engined medium bombers. The ‘110s’ were Messerschmitt 110s, twin-engined fighters, and ‘17s’ were Dornier 17s, another medium bomber. The Germans had come in unprecedented numbers, launching attacks across an 800-mile front that reached from Edinburgh to Exeter in an effort to overwhelm Britain’s air defences and prepare the way for invasion.
The main engagement of 32 Squadron came late in the day. Shortly after 6 p.m., as the sun slipped westward, a force of Me 110s and 109s crossed the Kent coast near Dungeness and raced towards what they thought to be the RAF base at Kenley, a vital station in the RAF defensive system. A mistake in navigation meant they dropped their bombs on Croydon aerodrome instead. The effect was devastating. The bombs crashed between buildings. The blast rolled back and forth to maximum destructive effect. The passenger terminal, which before the war had been a symbol of all that was hopeful and positive about the new world of aviation, was wrecked. Sixty-eight people were killed, all but six of them civilians. There had been no warning. The air-raid sirens sounded fifteen minutes after the attack began.
The streets around the aerodrome were full of people. Newspapers had warned that morning that the air fighting of the previous few days had been only a prelude to the real battle. Invasion fears were excited by the discovery of parachutes scattered across the Midlands and Scotland – but no parachutists. The sight of the bombers sent people running to the earth-and-corrugated-iron shelters they had dug in their back gardens. Others were too absorbed in the drama to take cover. Mr H. J. Edgerton of Couldson watched the Messerschmitts flash past, seemingly only a few feet over the roof of his mock-Tudor home, as ‘about 20 Hurricanes and Spitfires streaked after them. Our fellows attacked them from below and roared up under them in terrific power climbs.’ It was strangely exciting. The engines were ‘screaming deafeningly’. The aeroplanes flew perilously close to each other and ‘time after time I thought the RAF were going to ram the bombers but they swept past them’.

On leaving, the Luftwaffe raked its nails across Croydon’s homely, lower-middle-class face. Bombs tumbled into the streets, ripping up tarmac, blowing out windows and tearing off roofs. A woman emerged from her shelter to find nappies drying on the line shredded by machine-gun bullets. A doomed bomber piled into a row of semis, peeling away the walls, putting on display the modest lives being lived inside.
The Hurricanes of 32 Squadron and Spitfires of 610 Squadron had been unable to block the attack, though they shot down several of the raiders as they ran for home. Despite the deaths and the devastation there were few recriminations about the lack of warning or the level of protection the anti-aircraft defences and the air force had been able to provide. On the contrary, there was intense pride in the sight of the fighters charging in to attack. It seemed to Mr Edgerton that the British pilots had deliberately held their fire for several minutes, ‘because of the danger of bringing the bombers down on the thickly populated district’.
In fact no such restraints were imposed either by the controllers directing the defences or by the pilots themselves. The assumption of selflessness was revealing. Already, after only a few weeks of the air war over Britain, the pilots of Fighter Command were bathed in the light of nobility. The organization was just four years old. Before the spring of 1940 fighter pilots were known as a small, vaguely glamorous elite. Their role in the fighting in France had been peripheral, and, in the great drama of the Dunkirk evacuation, somewhat contentious. Now, with Britain facing possible extinction, they were at the centre of the national consciousness, turning day by day into the heroes of a salvation legend. When people spoke about them it was in an increasingly proprietorial way touched with familial affection. First they were ‘our boys’. Then, by midsummer, they were ‘fighter boys’. The name conveyed everything: their youth, their job, their dash – and the warm regard in which they were held. ‘Stuffy’ Dowding, the pilots’ austere commander, was the first to use it officially, writing in June a letter of congratulation to his ‘dear Fighter Boys’.
By the end of the summer everyone in Britain was in love with them. The air battles of 1940 were intimate affairs. Unlike any external war Britain had been engaged in in the previous thousand years, this one was fought in the sight of the inhabitants of the island, over the territory the pilots were giving their lives to defend. Combat took place above the monotonous roofs of London suburbs, the old market towns and villages of Kent, Sussex and East Anglia, the fields and orchards of the Home Counties. Those below had only to look up to see an unprecedented spectacle: huge masses of bombers and fighters skidding across the cerulean summer sky, scribbling white vapour trails on its placid surface and stitching the blue with the red and gold of cannon and tracer. It was thrilling, and from a distance beautiful and unreal. Then a Heinkel would falter, stagger out of formation, slide into a stricken dive; a Hurricane would spurt flame, roll on to its back and spin down in frantic spirals, and with a final flash and boom the violence reached earth in an ugly tangle of scorched metal and roasted bodies.
The pilots fighting the battles lived among those they were defending. At 6.40 p.m. that Thursday, just outside Sevenoaks, Michael Crossley caught up with one of the Me 110s that had raided Croydon and set it on fire, sending it crashing down near the pleasant village of Ightham. Two hours later he was accepting drinks from locals in the pub, a few miles from where workers were clearing the wreckage and retrieving the corpses of the dead.
The Battle of Britain had many of the characteristics of a siege. Everyone inside the enclave, active or passive, soldier or civilian, was a defender. The closeness this engendered could sometimes be almost unbearable. The girlfriend of Flying Officer Douglas Grice, the ‘Grubby’ of Crossley’s report, was a Waaf at Biggin Hill. The buzz that her man had ‘gone in’ reached her in a break between driving pilots out to their aircraft. Grice was badly burned but recovered. There were much worse stories. On a later occasion another Waaf, Edith Heap, who worked in the Debden control room, froze as a voice over the Tannoy reported ‘Blue Four’ was falling into the sea in flames. She knew, without waiting for confirmation, that the man she loved and was about to marry was dead.
Looking up at the wheeling Spitfires and Hurricanes, ordinary people imagined their own sons or brothers at the controls. Sometimes it was true. The mother of Tim Elkington, a young pilot with 1 Squadron, watched from the balcony of her flat on Hayling Island as he was shot down, baled out and drifted perilously over the sea before finally landing safely.
But you did not need ties of blood or romance to feel a particular bond with the Fighter Boys. The backgrounds of the few thousand pilots flying Hurricanes and Spitfires in the summer of 1940 reflected the social composition of the nation, a point that was emphasized by official and unofficial propagandists. ‘The most striking thing about the fighter pilots is their ordinariness,’ wrote a war artist who spent months among them. ‘Just you, I, us and co.; ordinary sons of ordinary parents from ordinary homes.’
Fighter Command was perhaps the most motley elite ever to exist in the British military. In 32 Squadron, Crossley had been at Eton. John Proctor had left school at fourteen to become an RAF apprentice. Many of those standing in the pub had been in the RAF reserve before the war, training in their spare time from their often mundane jobs. Oliver Houghton had been a fitter in a Coventry factory. William Higgins was a teacher in a Derbyshire village school.
Their interests and attitudes were as broad as their backgrounds. Fighter pilots might be philistines or intellectuals, bon vivants or ascetics, pious or godless, cynical or trusting. There were some whose dominant trait of recklessness or aggression or amiability made them stand out, but most were too ordinarily complex to be pigeonholed. Fighter squadrons were collections of individuals. The nature of the fighting made it so. Once combat began, a pilot was usually on his own, beyond the control of his commander and making fateful decisions alone.
There were, though, strong affinities and common characteristics that bound the bunch together. The most potent was a love of flying. Speaking about flying, and when occasionally they wrote about it, the pilots dropped their usual clipped understatement for the language of passion. It was an obsession and an addiction and aeroplanes were far more than simply machines. They had quasi-human qualities. They could be brutish and heavy or beautiful, fragile and sensitive. If it was love, it was nearly always love at first sight. The pilots’ reminiscences are full of lyrical memories of the first encounter, when the flying circus arrived in town or a mysterious figure floated out of the sky to land in the field next door.
Charles Fenwick was a little boy in the Kentish village of Harbledown when Sir Alan Cobham’s troupe of itinerant flyers passed through. His aunt took him to see them.
‘Would you like to go for a flip?’
What a stupendous question! I was on my way to the plane as fast as I could go. I was small for my age and flopped into the rear cockpit. The plane was an early Avro, an aerial marvel quite beautiful to behold. Well, my idea of beauty, all struts and wires and canvas with that intoxicating smell compounded from dope and fuel and hot oil. But to beat it all she was alive. She was roaring like a lion and rattling. I was heading for heaven.

Flying requires courage. Going solo in any aeroplane is alarming. Most aviators never lose a faint feeling of insecurity, no matter how great their experience. Flying with an instructor for the first time in a light aircraft, trainees noted queasily how thin the fuselage seemed, how flimsy the wings, how easy it might be to tip out in a turn. The sensations got more alarming as they progressed to more powerful machines. The Harvard trainer, whose 600-horsepower engine provides only half the thrust of the Merlins of the Hurricanes and Spitfires, is disconcerting enough. Clamping into a tight turn, the most basic manoeuvre of dog-fighting, G forces drag your guts to the sump of your stomach and press your head down on your chest as if you are being crushed by a giant hand. A simple half-roll sends the world spinning incomprehensibly, earth and sky alternating in a blur.
When I experienced this as a passenger, fear never felt far away. It is hard to imagine how pilots were able to fling their aeroplanes around in this way without succumbing to disorientation or panic. It is harder still to understand how they could shoot at, and hit, other aeroplanes while they were doing so. To have the reflexes and eyesight needed to do these things you had to be young. Most pilots were aged between nineteen and twenty-six. They tended to be young in their outlook as well. They liked the latest music, films and fashions and spiced their talk with Americanisms, creating a Hollywood-meets-public-school slang.
The Fighter Boys belonged firmly to contemporary Britain, ideal warriors in what was being shaped as a people’s war. To the public it seemed that their technological skill was, comfortingly, fused to old values and traditions. The pilots’ fathers had fought and died in a war that had traumatized Europe and stimulated a wave of pacifist, and then defeatist, feeling. Yet the sons were accepting their duty willingly, almost cheerfully, and confronting the horror again.
On that August night, as the blackout shutters were fitted into the leaded windows of the White Hart, as last orders were called and the banter and laughter subsided, unwelcome thoughts of tomorrow edged in. The fighting of the day had brought only an interim victory, one that would have to be won over and over again. No one present, airman or civilian, was now in any doubt that they were in the middle of a struggle which would determine whether or not Britain would survive as a free country. Winston Churchill had set the stakes even higher. The battle, he said, would decide the fate of the civilized world. Many elements were involved in determining the outcome. Chief among them was the skill, morale and courage of the Fighter Boys. It was an extraordinary responsibility. Not since classical times had such a tiny band of warriors been asked to bear such a heavy burden. It was the pilots, though, who seemed the least concerned as they finished the dregs from their pewter mugs and stepped out into the cool, hop-scented Kent night.

1 Sportsmen and Butchers (#ulink_8c63e0f9-d822-516c-9fe7-c264d51c8d3c)
In the summer of 1940 the art of air fighting was only twenty-six years old. In that time, aeroplanes had moved from the extreme periphery to the centre of modern warfare. The invention of aircraft made air wars inevitable. Innovators moved with depressing speed to fit guns to flying machines. The air shows at Hendon, Brooklands and Rheims held before the First World War emphasized the potential destructive power of the thing they were celebrating, with aviators dropping flour bombs on the outlines of warships traced in chalk on the ground. Writers frightened readers with stories of airships bombarding cities, a prophecy whose accuracy was soon to be confirmed.
For the military, though, it was the information-gathering potential of aeroplanes that first attracted interest. The first aircraft were used as observation platforms. In the war game played in September 1912 at the annual British army manoeuvres, Red Force and Blue Force were each equipped with a supporting air component. Early on, two airborne officers from Blue Force spotted a concentration of opposition troops and correctly guessed their direction. The information helped their side to win.
The victorious commander, Lieutenant-General Sir James Grierson, drew an important conclusion from the exercise. ‘So long as hostile aircraft are hovering over one’s troops,’ he wrote, ‘all movements are likely to be seen and reported. Therefore the first step in war will be to get rid of hostile aircraft.’

This was how combat in the air was to develop in the four years of the Great War. The essential role of aeroplanes was to lift the roof off the battlefield, allowing commanders to peer into the enemy’s territory, detecting his movements and trying to divine his intentions. At the same time, spotters hovering perilously over the front lines helped to direct the artillery barrages that occupied much of the effort of both sides.
The rival pilots, from the outset, tried to kill each other. One of the first recorded encounters took place on 25 August 1914. Lieutenant C. E. C. Rabagliati of the Royal Flying Corps was cruising with an observer on a reconnaissance mission over northern France when they came across a lone German aeroplane. Rabagliati’s aircraft was unarmed, but he had with him a .303 service rifle. The German carried a Mauser pistol, fitted with a wooden shoulder stock. The two machines approached each other and circled, coming within feet of colliding. Rabagliati fired a hundred rounds without success. Then, he reported afterwards, ‘to my intense joy, I saw the German pilot fall forward on his joystick and the machine tipped up and went down’.

Such encounters were to be repeated thousands of times in the following years. Technological advances, accelerated by the demands of warfare, meant that the aircraft became faster, more nimble and more sturdy, and the weapons they carried more deadly. But the purpose of aerial fighting remained the same. No bomber heavy enough to make a significant difference on the battlefield or in the rear had emerged by the end of the war. The main function of military flying remained observing the enemy, and trying to prevent the enemy from observing you.
These activities grew to be increasingly important as the war progressed. The RFC went to France with sixty-two aircraft. In April 1918 it became, together with the Navy’s air arm, a service in its own right, the Royal Air Force. It finished the war with 1,799 aeroplanes. This transformation was presided over by a particularly forceful and energetic commander, Hugh Trenchard. There were others who played a crucial part in the creation of a separate air force, but Trenchard’s passion made him stand out. He became known as ‘The Father of the RAF’, a label he claimed to detest. The designation had some truth in it, though. He loved the air force with the fierce love of a father; a Victorian father who would not flinch from sending his boy to his death if duty demanded it.
Trenchard combined nineteenth-century mores with a twentieth-century appreciation of the new. He was born on 3 February 1873 in the West Country, and had a difficult childhood. His sister died of diphtheria, his solicitor father was bankrupted and he failed several attempts to enter military schools before scraping a commission as a second-lieutenant in the Royal Scots Fusiliers and being posted to India. He spent the first decade of the new century in southern and western Africa. In October 1900 he was shot in the chest while trying to capture Boers and was expected to die. Trenchard, who ‘hated sick people’, pulled through, recovering in characteristic fashion by hurtling down the Cresta run at St Moritz.
He was tall, bony, with mournful eyes that seemed to search for faults and slights. His personality was similarly angular: quarrelsome, morose and dissatisfied, ill at ease in the genial atmosphere of mess and gymkhana club. By 1912 it was clear that his career was going nowhere. He was approaching forty, unmarried and not much loved. His salvation came in a letter from one of his few friends, Captain Eustace Loraine, who was learning to fly at the RFC aviation school on Salisbury Plain. ‘You’ve no idea what you’re missing,’ Loraine wrote excitedly. ‘Come and see men crawling like ants.’

Trenchard was not a natural pilot. His tall, long-legged frame looked ridiculous crammed into the narrow seats of the primitive Blériots and Farmans that were used to give instruction to trainees. What fascinated him was not flying itself, but its potential. He sensed he had finally made his rendezvous with destiny and joined the RFC. Three years later, in August 1915, he became its commander.
Trenchard tried to make the RFC indispensable, straining to satisfy every demand made on it by the army no matter how unreasonable, or how limited his resources. The aim was to obtain and maintain control of the air over the trenches. The balance of power shifted constantly as the technological and tactical advantage swung back and forth between the sides. The level of fighting was kept high. The RFC’s main business was reconnaissance. Trenchard decided early on that the best way of defending the spotter aircraft and ensuring a steady flow of intelligence to the army was to go on the offensive, reaching over the lines into enemy air space. This was, at best, a logical response to the three-dimensional nature of aerial warfare in which there were no fixed lines to defend and to wait for the enemy to attack was to cede a moral advantage. At times, though, it could seem like an echo of the numb thinking of the terrestrial generals, who, literally stuck in the mud, threw more and more troops into futile attacks because they could think of nothing better to do.
Trenchard did not hesitate to sacrifice men to fulfil the RFC’s obligations to the army and maintain the momentum of aggression. The losses among pilots during the great offensives of 1916 and 1917 came close, in proportionate terms, to matching those on the ground. During the Battle of the Somme pilots were in the air for five or six hours a day. The gaps were often filled by novices coming straight from flying school. Cecil Lewis, eighteen years old, was asked by a senior officer when he arrived at No. 1 Aircraft Depot at St Omer how many hours’ flying experience he had.
‘Fourteen hours.’
‘Fourteen! It’s absolutely disgraceful to send pilots overseas with so little flying. You don’t stand a chance…Another fifty hours and you might be quite decent; but fourteen! My God, it’s murder.’

The aeroplanes which carried the war to the Germans became known as fighters. The machines were constantly being refined and improved. These efforts produced steady rather than startling increases in performance. The Bristol Scout, in service in 1915, had a top speed of 86.5 m.p.h. at 10,000 feet, to which level it could climb in twenty-one minutes. The Sopwith Camel, one of the most ubiquitous types in the closing stages of the war, could in ten minutes reach 10,000 feet, where it could travel at 112 m.p.h. Aircraft armaments similarly became heavier and more accurate as interrupter devices were refined to allow bullets to pass through the arc of the propeller.
Fighter pilots came to exemplify the character and spirit of the new air force, even though their role was essentially secondary. They were a godsend to propagandists charged with conjuring romance out of the horror of mechanized warfare. They operated in the clean medium of the air, detached from the vileness of the trenches. The nature of their work made it inevitable that they would be linked to an older, nobler fighting tradition. Some aviators believed this themselves, at least at the beginning. ‘To be alone,’ wrote Cecil Lewis, fresh from flying school, ‘to have your life in your own hands, to use your own skill, single-handed against the enemy. It was like the lists in the Middle Ages, the only sphere in modern warfare where a man saw his adversary and faced him in mortal combat, the only sphere where there was still chivalry and honour.’

What was true was that to be a successful fighter pilot required different qualities from those that made a good infantry officer. In the air you were on your own. The business was entirely new. There was no one to teach it, no textbooks to refer to. To survive, the pilot had to make his own decisions and develop his own tactics. The new air service attracted men who were independent-minded, adventurous, often unusual, sometimes to the point of eccentricity. Among the first to emerge on the British side was Albert Ball, in whom the values of the playing field jostled unhappily with the neurosis of the battlefield. Ball was brought up in a middle-class home in Nottingham where his father hauled himself up the class ladder, starting his working life as a plumber and ending up mayor of the city. He was educated at a local fee-paying school, founded to promote Anglican principles and a sense of patriotic duty. There were cold baths, perpetual exercise and an emphasis on technology.
Like tens of thousands of other young men, he joined up as soon as he was able, and was posted to the infantry. Frustrated at the delay in being sent to the front he took private flying lessons to improve his chances of entering the RFC. Ball fell instantly in love with flying, despite the hazards. ‘It is rotten to see the smashes,’ he wrote in one of his frequent letters home. ‘Yesterday a ripping boy had a smash and when we got up to him he was nearly dead. He had a two-inch piece of wood right through his head and died this morning.’ He added, without apparent irony, that he would be ‘pleased to take you up any time you wish’, if his parents felt like a flip.

He arrived in France, now a lieutenant in the RFC, in time for the great Somme offensive. He flew a French Nieuport, one of the new generation of single-seater scouts. His methods marked him out immediately. He would fly straight into packs of enemy aircraft, getting in as close as he could, firing off a Lewis gun at point-blank range, breaking off an inconclusive attack only to change the ammunition drum and bore in again. It was simple, effective and desperately dangerous. He would return from sorties with his machine shredded by enemy fire.
On the ground his behaviour struck his fellow officers as odd. At his first base, Savy Aubigny aerodrome, north-west of Arras, he turned down a billet in the village, preferring first a tent, then a wooden hut he built for himself at the edge of the airfield, two miles from the squadron mess. He sent home for packets of seeds to plant marrows, lettuce, carrots, cress and flowers. He spent hours in the hangars, chatting with the riggers and fitters, making constant adjustments to his aeroplane to improve its capabilities, yet he seemed less interested in flying for its own sake than as a means of fighting. The camaraderie of the mess held little interest for him. Nor did women.
His main relaxation was the violin, which he would play after dinner while walking around a red magnesium flare. Another fellow pilot, Roderic Hill, described him sitting outside his hut, playing his gramophone and brooding. ‘He had but one idea: that was to kill as many Huns as possible, and he gave effect to it with a swiftness and certainty that seemed to most of us uncanny. He nearly always went out alone; in fact he would not let anyone fly with him, and was intolerant of proffered assistance.’

For all his oddness, he was respected. A young New Zealander pilot, Keith Caldwell, saw him as ‘a hero…and he looked the part too; young, alert, ruddy complexion, dark hair and eyes. He was supposed to be a “loner”, but we found him to be friendly…One felt that it could only be a matter of time before he “bought it”, as he was shot about so often.’

Looking now at the photographs of Ball, at the thick, glossy hair and the black eyes set in the taut, uncreased skin, one senses fatalism behind the easy smile. Almost from the beginning the mild bragging in the letters home is matched by disgust at what duty had led him into. By the end of August he was yearning for home. ‘I do so want to leave all this beastly killing for a time,’ he sighed in a letter.
Yet even when complaining of nerves he would still take every possible opportunity to get airborne.
In October his superiors ordered him back to England for a rest and a new posting as an instructor. He was already famous, the most successful pilot in the RFC, with an MC, DSO and bar. The prime minister, Lloyd George, invited him to breakfast. He went to Buckingham Palace, where King George V presented him with his medals.
Despite the peace and the nearness to family that he had yearned for when in France, he was restless and unhappy and soon agitating to go back. The pressure worked. In February he was posted to 56 Squadron, which was being formed as an élite unit to fly the new SE5 fighters against the best of the German air force. While waiting he fell in love, with an eighteen-year-old florist called Flora Young, who an old friend had brought with him when he drove over to visit him at the base. The attraction was instantaneous. He offered to take her up in an aeroplane and she gamely accepted. That night he was writing to thank her for ‘the topping day I have had with you. I am simply full of joy to have met you.’
On 7 April 1917 the squadron left England. Ball’s tour was supposed to be for a month only. He sent daily letters to Flora detailing his successes and setting himself a target. Once he had overtaken the German champion Oswald Boelcke, he would come home.
At 5.30 p.m. on Monday, 7 May, he lead a squadron of SE5s on an offensive sweep aimed at seeking out enemy fighters, believed to be led by the German ace Manfred von Richthofen, who were operating in the Arras area.
Cecil Lewis described the chocolate-coloured fighters flying into a ‘May evening…heavy with threatening masses of cumulus cloud, majestic skyscrapes, solid-looking as snow mountains, fraught with caves and valleys, rifts and ravines’.
Suddenly, high over the Cambrai-Douai road, out of these clouds came the Albatross D111 scouts they were looking for. Richthofen was not among the pilots, but his brother Lothar was. The formations rounded on each other in a confused mêlée of individual combats. Lewis described how Ball ‘flew straight into the white face of an enormous cloud. I followed. But when I came out the other side, he was nowhere to be seen.’ Four German officers on the ground heard aircraft engines and looked up to see Ball’s machine slip out from low cloud upside down with its propeller stopped and trailing black smoke. It disappeared behind a stand of trees and crashed into a shoulder of farmland. By the time the officers reached the wreckage a young Frenchwoman had pulled the pilot clear. There were no marks on the fresh features, but Ball was dead.
Lothar von Richthofen claimed the victory, though no one on the British side believed him. The most likely explanation was that Ball became disoriented inside the cloud – a common hazard – and emerged to find he was flying upside down too low and too late to correct the error.
‘The mess was very quiet that night,’ Lewis wrote. They held a singsong in a nearby barn to try and raise morale. The squadron band played and the men sang the hits of the time: ‘There’s a Long, Long Trail’, ‘Way Down upon the Swanee River’, ‘Pack Up Your Troubles’. Then Lewis sang the Robert Louis Stevenson ‘Requiem’.
Under the wide and starry sky,
Dig the grave and let me lie.
Glad did I live and gladly die,
And I laid me down with a will.
A month after Ball’s death the London Gazette announced the award of a posthumous VC, noting that ‘in all Captain Ball has destroyed forty-three German aeroplanes and one balloon and has always displayed most exceptional courage, determination and skill’.
A new hero was already emerging from the ranks of the RFC by the time of Ball’s demise, a man of very different background and character. Edward ‘Mick’ Mannock had been in France for just over five weeks when Ball crashed. He knew all about him. Ball’s exploits, read about in the newspapers, had been one of the reasons he had applied to transfer to the RFC from the Royal Engineers. By the time he arrived at the main depot in St Omer he was already twenty-seven, oldish to be a pilot. He had reached the air force by an erratic route. He was born on 21 May 1889 to Irish parents. His father had been a non-commissioned officer in the Second Inniskilling Dragoons, who drank, beat his wife and disappeared, leaving her with two sons and two daughters who she brought up in poverty in Canterbury. Mannock left school at fourteen to work as a clerk. His hard early life converted him to socialism and throughout his military career he enjoyed alarming conventional comrades with his views about class and privilege. He was also an Irish nationalist.
When the war came he was working as a labour supervisor in Turkey with a cable-laying company. He was interned until the Red Cross intervened, returned to England and, with his technical background, ended up in the Royal Engineers with an ambition to be a tunnelling officer. But the training bored him and he was irritated by his fellow officers and their talk of cricket, girls and dances. No one was sorry when he applied for the RFC and went off to learn to fly, managing to bluff his way through the medical despite being blind in one eye from a childhood illness.
By the summer of 1917 the brief period of air superiority the RFC had enjoyed during the Somme offensive, when it had been operating with greater numbers of aircraft and using better tactics, was over. Once again the Germans had taken the technological lead with a new breed of Albatros aircraft grouped into Jagdgeschwaders tasked with achieving control of the sky in whichever sectors commanders selected. Richthofen lead Jagdgeschwader 1. The leading pilots painted their machines in glaring colours – blood red for Richthofen – and decorated them with ancient symbols and devices, including the swastika, which had yet to lose its innocence. Some advertised their identity in huge letters on the top wing. One had inscribed underneath his name, Kennscht mi noch? – ‘Don’t you remember me?’
On 7 June Mannock was helping to escort a bombing mission over Lille when ‘we met Huns. My man gave me an easy mark. I was only ten yards away from him so I couldn’t miss! A beautifully coloured insect he was – red, blue, green and yellow. I let him have sixty rounds at that range, so there wasn’t much left of him. I saw him go spinning and slipping down from fourteen thousand. Rough luck but it’s war and they’re Huns.’ On 19 August he ran into one of the leading German pilots, Leutnant von Bartrap, a holder of the Iron Cross. ‘He came over for one of our balloons…and I cut him off going back…The scrap took place at two thousand feet up, well within view of the whole front. And the cheers! It took me five minutes to get him to go down and I had to shoot him before he would land. I was very pleased that I did not kill him.’

On other occasions he was less considerate. Caldwell remembered watching Mannock chasing a German two-seater trying to reach the safety of its own lines. ‘The Hun crashed but not badly, and most people would have been content with this – but not Mick Mannock. He dived half a dozen times at the machine, spraying bullets at the pilot and observer, who were still showing signs of life…On being questioned as to his wild behaviour after we had landed, he heatedly replied, “the swines are better dead – no prisoners for me!”’

Mannock was full of such contradictions, mixing vindictiveness with bouts of remorse. He seemed to genuinely enjoy air fighting, writing about it unabashedly as ‘fun’ and ‘sport’ in the manner of the day. But he also worried constantly that he was going to crack up. Towards the end he became convinced his death would be a fiery one. It was a common sight to see an aeroplane plunging earthwards, trailing an oily wake of smoke. Fifty-five of eighty machines shot down by Richthofen were registered as gebrannt (burned). On most aircraft the fuel tank was fitted in the nose, close to the engine. In the event of fire the backwash from the propeller blew the flames into the pilot seated behind. Once an aircraft was alight there was no escape. Efficient parachutes existed but pilots were not allowed to have them. The staff view was that possession of a parachute might weaken a pilot’s nerve when in difficulties so that he abandoned his valuable aeroplane before he had to. Anyway, one general reasoned, aeroplanes went down so swiftly there was really no time to jump.

Mannock carried a revolver in the cockpit ‘to finish myself as soon as I see the first sign of flames’.
The sight of his victims catching fire upset him – ‘a horrible sight and made me feel sick’, he confided to his diary after shooting down a BFW biplane on 5 September. But he referred to the victory in the mess as ‘my first flamerino’.
‘Flamerinoes’ became an obsession. One day after shooting down his fourth German in twenty-four hours he arrived back in high spirits. ‘He bounced into the mess shouting: “All tickets please! Please pass right down the car. Flamerinoes – four! Sizzle-sizzle wonk!”’
It seemed to be a case of making light of that which he most feared. In London on leave in June 1918 he fell sick with influenza and spent several days in bed in the RFC club, unable to sleep because of the nightmares of burning aircraft that swamped in every time he closed his eyes. He visited friends in Northamptonshire. When he talked about his experiences he subsided into tears and said he wanted to die.
He returned to France as commander of 85 Squadron. On the evening of July 25 he bumped into a friend from 74 Squadron, Lieutenant Ira Jones, who asked him how he was feeling. ‘I don’t feel I shall last much longer, Taffy old lad,’ he replied. ‘If I’m killed I shall be in good company. You watch yourself. Don’t go following any Huns too low or you’ll join the sizzle brigade with me.’

The following day he set off at dawn with a novice pilot, Lieutenant Donald Inglis, who had yet to shoot anything down, to show him how it was done. They ran into a two-seater over the German lines. Mannock began shooting, apparently killing the observer, and left the coup de grâce for his pupil, who set it on fire. Instead of climbing away as his own rules demanded, Mannock turned back over the burning aircraft, flying at only 200 feet. Inglis ‘saw a flame come out of the right hand side of his machine after which he apparently went down out of control. I went into a spiral down to fifty feet and saw the machine go straight into the ground and burn.’

Mannock’s self-prophecy had been fulfilled. The bullets that brought him down appear to have come from the ground, a danger he had constantly warned against. He was credited with destroying seventy-four German aircraft by the time he died, nearly reaching the eighty victims recorded by his German opposite number, Richthofen.
Where Mannock and Ball manifested in their own separate ways certain facets of Britishness, Manfred von Richthofen was, to the point of caricature, a paradigm of Prussian maleness. He explained himself with jovial arrogance in an autobiography, The Red Air Fighter, which appeared in 1917. The von Richthofens were aristocrats, though not particularly martial ones. Manfred joined the 1st Regiment of Uhlans after cadet school and was twenty-two when the war broke out. Stationed on a quiet sector of the Western Front, he got bored and applied to join the flying service. After a mere fortnight’s training he was sent to Russia, flying as an observer. By March 1916 he had qualified as a pilot and began operating over Verdun before being transferred back to Russia, where, he confessed, ‘It gave me tremendous pleasure bombing those fellows from above’.

Richthofen impressed Boelcke, who was on a visit to the Eastern Front looking for candidates for the new Jasta fighter units, and brought him back to the West. On 17 September 1916 he claimed his first English victim, flying in ‘a large machine painted in dark colours. Apparently he was no beginner, for he knew exactly that his last hour had arrived at the moment I got at the back of him.’ Richthofen was ‘animated by a single thought: “the man in front of me must come down whatever happens”.
At last a favourable moment arrived. My opponent had apparently lost sight of me. Instead of twisting and turning he flew straight along. In a fraction of a second I was at his back with my excellent machine. I gave a short burst with my machine-gun. I had gone so close that I was afraid I might dash into the Englishman. Suddenly I nearly yelled with joy, for the propeller of the enemy machine had stopped turning. Hurrah! I had shot his engine to pieces.’
He had also mortally wounded the two occupants. Richthofen ‘honoured the fallen enemy by placing a stone on his beautiful grave’.

So Richthofen’s memoir continues, like the reminiscences of some grotesque big-game hunter, constantly noting his score, always on the lookout for opportunities to increase the bag. He was a ‘sportsman’ by nature rather than a ‘butcher’. ‘When I have shot down an Englishman, my hunting passion is satisfied for a quarter of an hour,’ he wrote. ‘Therefore I do not succeed in shooting two Englishmen in succession. If one of them comes down I have the feeling of complete satisfaction. Only much later have I overcome my instinct and have become a butcher.’
As a sportsman he was keen on trophies and the mess of his ‘Flying Circus’ was hung with the debris of his victims’ aircraft. It was a habit he shared with Mannock, another inveterate crash-site scavenger. In keeping with the hunter’s philosophy, he admired his prey and had strong ideas about what quarry was worthy of him. Between the ‘French tricksters’ and ‘those daring fellows, the English’, he preferred the English, though he believed that frequently what the latter took to be bravery ‘can only be described as stupidity’. Richthofen, of course, subscribed to the courtly view of air fighting – ‘the last vestige of knightly individual combat’. But he was sensible about how it should be practised. ‘The great thing in air fighting is that the decisive factor does not lie in trick flying but solely in the personal ability and energy of the aviator. A flying man may be able to loop and do all the tricks imaginable and yet he may not succeed in shooting down a single enemy. In my opinion, the aggressive spirit is everything.’
It was an observation that was to prove equally valid when the two sides met again in the air twenty-three years later.
Richthofen’s caution meant that in a long fighting career he sustained only one injury before the end. It came on 21 April 1918 when his red Fokker triplane crashed into a beet field at Vaux-sur-Somme. As with Mannock and Ball, the exact circumstances of his death are confused. The credit for it was contested. Captain Roy Brown of 209 Squadron plausibly claimed to have been shooting at Richthofen when he went in. So, too, did an Australian machine-gun battery in the vicinity. The body was removed from the wreckage and taken to Poulainville airfield fifteen kilometres away. Richthofen was laid out in a hangar on a strip of corrugated metal, staring upwards, in unconscious imitation of the effigy of a medieval knight. In the night soldiers and airmen came in and rifled his pockets for souvenirs.
The notion of ‘aces’ placed Richthofen, Mannock, Ball and perhaps a dozen others at the pinnacle of their weird profession. Beneath them were thousands of other aviators who, though mostly anonymous, none the less regarded themselves as special. The faces that look back from the old RFC photographs are bold and open. The men have modern looks and modern smiles. Unlike the army types, whose stilted sepia portraits require an effort of imagination to bring to life, you can visualize the flesh and blood. The images pulse with confidence.
Unorthodox, even louche, though the pilots seemed to the military establishment, the ethos of the RFC was public school. Cecil Lewis, on applying to join, was interviewed by a staff officer, Lord Hugh Cecil.
‘So you were at Oundle?’
‘Yes, sir.’
‘Under the great Sanderson?’
‘Er – yes, sir.’
‘Play any games?’
‘Yes, sir. I got my school colours at fives, and I captained the house on the river.’
‘Fives, you say? You should have a good eye, then.’
After a brief discussion as to whether his six foot three inches would be a major handicap, Lewis was in.

But there were plenty of pilots who knew nothing of the school close or the college eight. James McCudden, one of the RFC’s greatest pilots, started his career as a boy bugler in the Royal Engineers before transferring to the RFC as a mechanic. Once inside, though, class was always waiting to pounce. John Grider, an American serving with 85 Squadron, recounted how his fellow pilots objected to having McCudden as their commanding officer, ‘because he was once a Tommy and his father was a sergeant-major in the old army. I couldn’t see that that was anything against him but the English have great ideas of caste.’
The technical ability that flying demanded meant that the RFC could not afford to be exclusive, even though some of the attitudes struck by the pilots seemed in the spirit of a cavalry regiment of another, more raffish time.
The airmen liked alcohol and women, though there were notable exceptions. Ball was teetotal, and had no girlfriend until his meeting with Flora. Mannock drank little and seems to have shown a courtly restraint towards females. Like Ball, he was planning marriage before his death, to a Sister Flanagan who was nursing in France. For Lewis and many like him, though, the bar and the brothel provided fun and relief after the appalling strain. Their playful attitude was summed up in a 1915 drinking song, describing the finale to a day in which the squadron has only narrowly escaped a mauling by an Albatros Jasta.
But safely at the ‘drome once more, we feel quite gay and bright.
We’ll take a car to Amiens and have dinner there tonight.
We’ll swank along the boulevards and meet the girls of France.
To hell with the Army Medical! We’ll take our ruddy chance!
In the cafés of Amiens there seemed to be a large supply of young women happy to entertain Allied pilots who were undeterred by the risk of a dose of clap. Then, as later, wings on a tunic exercised a strong attraction, as Lewis discovered (describing the incident rather coyly in the third person) when he removed his greatcoat after returning with an eighteen-year-old to her room and its vast black iron-and-brass bed.
‘Ah! Tu es pilote! Que j’aime les pilotes!’
‘Yes?’
‘Yais! Yais!’ she imitated, deftly catching a handful of his hair and tugging at it. ‘Tue es beau, tu sais.’ She was on his knee again, and under her open blouse the hollow of her young shoulder seemed infinite in its promise.

Squadrons would lay on spectacular ‘drunks’ at which the participants sucked on a sponge soaked in a cocktail of whisky and champagne, mixed in a bucket. It was drinking to forget. Insouciance was obligatory. Each death in Mannock’s diary is recorded in the same carefully offhand way – ‘poor old Shaw went West’, ‘We’ve lost poor old Davis’, etc. Trenchard had a policy of ‘no empty chairs at breakfast’ to discourage brooding, replacing pilots instantly, often with greenhorns who were themselves propelled straight to death. During the bad times, the mess at nightfall could be a very melancholy place.
In such an atmosphere you grew fatalistic, and as time went by and left you unscathed, like a batsman who has played himself in, you began to take liberties with the bowling, [Lewis wrote]. You took unnecessary risks, you volunteered for dangerous jobs, you provoked enemy aircraft to attack you. You were invulnerable: nothing could touch you. Then, when one of the old hands, as seemingly invulnerable as yourself, went West, you suddenly got cold feet. It wasn’t possible to be sure – even of yourself. At this stage it required most courage to go on – a sort of plodding fatalism, a determination, a cold-blooded effort of will. And always alone! No friends right and left, no crowd morale.

Crack-ups were routine. Pilots got to recognize the signs in each other and were sympathetic. Mannock, who was hard on anyone he suspected of hanging back, was kindly towards those he saw were reaching the end of their tether, and in contrast to the trenches a certain humanity seems to have guided posting policy so the bad cases were sent to less arduous duties.
Whatever their personal dreads, the pilots were always grateful they were not on the ground. They looked down at the ‘poor little maggoty men’ toiling in the churned and polluted earth below and blessed their luck. From time to time, they saw the lines at close quarters and the reality was sickeningly brought home. The 20th of July 1917 was a bad day for Mannock. Having shot down a two-seater, he went to inspect the wreckage and discovered a ‘little black and tan terrier – dead – in the observer’s seat. I felt exactly like a murderer. The journey to the trenches was rather nauseating – dead men’s legs sticking through the sides with putties and boots still on – bits of bones and skulls with the hair peeling off, and tons of equipment and clothing lying about. This sort of thing, together with the strong graveyard stench and the dead and mangled body of the pilot (an NCO), combined to upset me for a few days.’

By the last two years of the war, whatever faint notions of nobility and romance may have clung to the business of air fighting had faded. The headlong style of Ball had given way to cold stalking tactics. The general slowness of the aircraft and the narrowness of the speed margins meant that the attacker approached gradually, leaving plenty of time to reflect on what he was doing as he overhauled his prey.
The most successful pilots spent hours synchronizing their guns and sights. McCudden would seek out the sluggish two-seaters on reconnaissance and, taking great care not to be seen, approach slowly to attack from the blind spot behind the enemy plane, finishing the job with a single carefully aimed burst. ‘My system was always to attack the Hun at his disadvantage if possible,’ he wrote before his death in a crash.

Mannock dinned into his pilots a basic rule of survival: always above; seldom on the same level; never underneath. The huge tactical advantage of invisibility, gained by having the sun at your back, was quickly understood by both sides, but all light conditions carried their advantages and disadvantages. Allied pilots would lurk in the dusk falling in the east to catch Germans on their way home.
Richthofen, despite his fantasies of knightly combat, made sure he had every advantage possible when he went out to deliver death, protected by his fellow pilots when the odds were in the German favour, allowing him to attack without fear of ambush and breaking off if he felt his opponent was getting the upper hand.
It was all a long way from Rabagliati’s gentlemanly airborne duel in August 1914. Yet when the end came the survivors felt a sort of regret at the passing of what they already saw as aerial warfare’s heroic era. Cecil Lewis was in a village near Ypres when the news of the Armistice came through. ‘So it was over. I confess to a feeling of anticlimax…when you have been living a certain kind of life for four years, living as part of a single-minded and united effort, its sudden cessation leaves your roots in the air, baffled and, for the moment, disgruntled. But the readjustment was rapid and soon we began to explore the possibilities of peace. Where should we go? What should we do?’


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