Sometimes I Lie: A psychological thriller with a killer twist you′ll never forget
Sometimes I Lie: A psychological thriller with a killer twist you'll never forget
Alice Feeney
‘Marvellous’ A. J. Finn’A bold and original voice’ Clare Mackintosh‘A brilliant thriller’ Ali LandMy name is Amber Reynolds. There are three things you should know about me.1. I’m in a coma2. My husband doesn’t love me any more3. Sometimes I lieUnnerving, twisted and utterly compelling, you won’t be able to put this thriller down. Perfect for fans of Behind Closed Doors, The Girl on the Train and The Woman in the Window.
ALICE FEENEY is a writer and journalist. She spent 16 years at the BBC, where she worked as a reporter, news editor, Arts and Entertainment producer and One O’clock News producer.
Alice is a Faber Academy graduate from the class of 2016. She has lived in London and Sydney and has now settled in the Surrey countryside, where she lives with her husband and dog.
Sometimes I Lie is her debut thriller and is being published around the world in 2017.
Copyright (#ulink_750f62be-4869-5b62-a7f3-b19585945933)
An imprint of HarperCollins Publishers Ltd
1 London Bridge Street
London SE1 9GF
First published in Great Britain by HQ in 2017
Copyright © Alice Feeney 2017
Alice Feeney asserts the moral right to be identified as the author of this work.
A catalogue record for this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Ebook Edition © March 2017 ISBN: 9780008225360
Version: 2018-06-28
For my Daniel. And for her.
My name is Amber Reynolds. There are three things you should know about me:
1. I’m in a coma.
2. My husband doesn’t love me any more.
3. Sometimes I lie.
Contents
Cover (#ufd6d8fe8-d31e-5018-9962-698095000a6b)
About the Author (#uf30e591f-3fd1-53a0-b356-d9774fadd24e)
Title Page (#u0807bb62-ef06-5833-ac22-92ddce46dd51)
Dedication (#ue8af51ff-6926-56dc-9f27-d0c2bec8d2dd)
Now: Boxing Day, December 2016 (#ulink_ec989aaf-d8f6-5713-9045-dd1627493aeb)
Then: One week earlier – Monday, 19th December 2016 (#ulink_8a1fc797-2c07-5f4a-bf4e-1544c55ea4fe)
Now: Boxing Day, December 2016 (#ulink_cc5c86ad-03b6-5199-be32-863eea1b279a)
Then: Monday, 19th December 2016 – Afternoon (#ulink_4ac9cbc1-085f-57b0-89a5-7d944592bc33)
Now: Boxing Day, December 2016 – Evening (#ulink_78bda4c6-7a65-5ed6-8e4a-74f837e6f1dd)
Then: Monday, 19th December 2016 – Evening
Before: Monday, 16th September 1991
Now: Tuesday, 27th December 2016
Then: Tuesday, 20th December 2016 – Morning
Before: Thursday, 24th October 1991
Then: Tuesday, 20th December – Afternoon
Now: Wednesday, 28th December 2016 – Morning
Then: Tuesday, 20th December 2016 – Evening
Before: Wednesday, 13th November 1991
Now: Wednesday, 28th December 2016
Then: Wednesday, 21st December 2016 – Morning
Before: Saturday, 7th December 1991
Now: Thursday, 29th December 2016
Then: Wednesday, 21st December 2016 – Afternoon
Before: Saturday, 14th December 1991
Now: Thursday, 29th December 2016
Then: Thursday, 22nd December 2016 – Morning
Then: Thursday, 22nd December 2016 – Morning
Before: Easter Sunday, 1992
Now: Thursday, 29th December 2016
Then: Thursday, 22nd December 2016 – Evening
Before: Wednesday, 14th October 1992
Now: Friday, 30th December 2016
Then: Friday, 23rd December 2016 – Morning
Before: Friday, 30th October 1992
Now: Friday, 30th December 2016
Then: Friday, 23rd December 2016 – Afternoon
Before: Friday, 11th December 1992
Now: Friday, 30th December 2016
Then: Friday, 23rd December 2016 – Late Afternoon
Then: Friday, 23rd December 2016 – Early Evening
Before: Tuesday, 15th December 1992
Now: New Year’s Eve, 2016
Then: Friday 23rd December 2016 – Evening
Before: Friday, 18th December 1992
Now: New Year’s Eve, 2016
Then: Christmas Eve 2016 – Morning
Then: Christmas Eve 2016 – Lunchtime
Before: Saturday, 19th December 1992
Now: New Year’s Eve, 2016
Then: Christmas Eve 2016 – Afternoon
Before: Monday, 21st December 1992
Now: New Year’s Eve, 2016
Then: Christmas Eve, 2016
Before: Christmas Eve, 1992
Then: Christmas Eve, 2016
Now: New Year’s Eve, 2016
Now: New Year’s Eve, 2016
Then: Christmas Day, 2016
Then: Christmas Day, 2016 – Early Evening
Before: Thursday, 7th January 1993
Now: Monday, 2nd January 2017
Then: Christmas Day, 2016 – Early Evening
Now: Tuesday, 3rd January, 2017
Then: Christmas Day 2016 – Evening
Now: Tuesday, 3rd January 2017
Before: Sunday, 14th February 1993
Then: Christmas Day, 2016 – Night
Now: Tuesday, 3rd January 2017
After: Six Weeks Later 15th February 2017
After: Wednesday, 15th February 2017 – 04.00
Later: Spring 2017
Acknowledgements
Reading Group Questions
Extract (#u61ed6e08-f1ae-5777-9c56-a3f84c5e8ae9)
Copyright (#ulink_75eb7d02-8182-5139-a355-d85bff209aa8)
Now (#ulink_6ce802d8-8a75-588b-80f7-09697ebb4131)
Boxing Day, December 2016 (#ulink_6ce802d8-8a75-588b-80f7-09697ebb4131)
I’ve always delighted in the free fall between sleep and wakefulness. Those precious few semi-conscious seconds before you open your eyes, when you catch yourself believing that your dreams might just be your reality. A moment of intense pleasure or pain, before your senses reboot and inform you who and where and what you are. For now, for just a second longer, I’m enjoying the self-medicated delusion that permits me to imagine that I could be anyone, I could be anywhere, I could be loved.
I sense the light behind my eyelids and my attention is drawn to the platinum band on my finger. It feels heavier than it used to, as though it is weighing me down. A sheet is pulled over my body, it smells unfamiliar and I consider the possibility that I’m in a hotel. Any memory of what I dreamt evaporates. I try to hold on, try to be someone and stay somewhere I am not, but I can’t. I am only ever me and I am here, where I already know I do not wish to be. My limbs ache and, I’m so tired I don’t want to open my eyes – until I remember that I can’t.
Panic spreads through me like a blast of icy-cold air. I can’t recall where this is or how I got here, but I know who I am: My name is Amber Reynolds; I am thirty-five years old; I’m married to Paul. I repeat these three things in my head, holding on to them tightly, as though they might save me, but I’m mindful that some part of the story is lost, the last few pages ripped out. When the memories are as complete as I can manage, I bury them until they are quiet enough inside my head to allow me to think, to feel, to try to make sense of it all. One memory refuses to comply, fighting its way to the surface, but I don’t want to believe it.
The sound of a machine breaks into my consciousness, stealing my last few fragments of hope and leaving me with nothing except the unwanted knowledge that I am in a hospital. The sterilised stench of the place makes me want to gag. I hate hospitals. They are the home of death and regrets that missed their slots, not somewhere I would ever choose to visit, let alone stay.
There were people here before, strangers, I remember that now. They used a word I chose not to hear. I recall lots of fuss, raised voices and fear, not just my own. I struggle to unearth more, but my mind fails me. Something very bad has happened, but I cannot remember what or when.
Why isn’t he here?
It can be dangerous to ask a question when you already know the answer.
He does not love me.
I bookmark that thought.
I hear a door open. Footsteps, then the silence returns but it’s spoiled, no longer pure. I can smell stale cigarette smoke, the sound of pen scratching paper to my right. Someone coughs to my left and I realise there are two of them. Strangers in the dark. I feel colder than before and so terribly small. I have never known a terror like the one that takes hold of me now.
I wish someone would say something. ‘Who is she?’ asks a woman’s voice.
‘No idea. Poor love, what a mess,’ replies another woman.
I wish they’d said nothing at all. I start to scream:
My name is Amber Reynolds! I’m a radio presenter! Why don’t you know who I am?
I shout the same sentences over and over, but they ignore me because, on the outside, I am silent. On the outside, I am nobody and I have no name.
I want to see the me they have seen. I want to sit up, reach out and touch them. I want to feel something again. Anything. Anyone. I want to ask a thousand questions. I think I want to know the answers. They used the word from before too, the one I don’t want to hear.
The women leave, closing the door behind them, but the word stays behind, so that we are alone together and I am no longer able to ignore it. I can’t open my eyes. I can’t move. I can’t speak. The word bubbles to the surface, popping on impact and I know it to be true…
Coma.
Then (#ulink_451b71db-6718-5569-837c-54a9533fb6d2)
One week earlier – Monday, 19th December 2016 (#ulink_451b71db-6718-5569-837c-54a9533fb6d2)
I tiptoe downstairs in the early morning darkness, careful not to wake him. Everything is where it ought to be and yet I’m sure something is missing. I pull on my heavy winter coat to combat the cold and walk through to the kitchen to begin my routine. I start with the back door and repeatedly turn the handle until I’m sure it is locked:
Up, down. Up, down. Up, down.
Next, I stand in front of the large range oven with my arms bent at the elbows, as though I am about to conduct the impressive orchestra of gas hobs. My fingers form the familiar shape; the index and middle finger finding the thumb on each hand. I whisper quietly to myself, while visually checking that all of the knobs and dials are switched off. I do a complete sweep three times, my fingernails clicking together to create a Morse code that only I can decipher. Once satisfied that everything is safe and secure, I go to leave the kitchen, lingering briefly in the doorway, wondering if today is a day when I might need to turn back and begin the whole routine again. It isn’t.
I creep across creaking floorboards into the hall, pick up my bag and check the contents. Phone. Purse. Keys. I close it, open it, then check again. Phone. Purse. Keys. I check a third time on my way to the front door. I stop for a moment and am shocked to see the woman inside the mirror staring back at me. I have the face of someone who might have been pretty once, I barely recognise her now. A mixed palette of light and dark. Long black lashes frame my large green eyes, sad shadows have settled beneath them, thick brown eyebrows above. My skin is a pale canvas stretched over my cheekbones. My hair is so brown it’s almost black, lazy straight strands rest on my shoulders for lack of a better idea. I brush it roughly with my fingers before scraping it back into a ponytail, securing the hair off my face with a band from my wrist. My lips part as though I am going to say something, but only air escapes my mouth. A face for radio stares back.
I remember the time and remind myself that the train won’t wait for me. I haven’t said goodbye, but I don’t suppose it matters. I switch off the light and leave the house, checking three times that the front door is locked, before marching down the moonlit garden path.
It’s early, but I’m already late. Madeline will be in the office by now, the newspapers will have been read, raped of any good stories. The producers will have picked through the paper carcasses, before being barked at and bullied into getting her the best interviews for this morning’s show. Taxis will be on their way to pick up and spit out overly excited and under-prepared guests. Every morning is different and yet has become completely routine. It’s been six months since I joined the Coffee Morning team and things are not going according to plan. A lot of people would think I have a dream job, but nightmares are dreams too.
I briefly stop to buy coffee for myself and a colleague in the foyer, then climb the stone steps to the fifth floor. I don’t like lifts. I fix a smile on my face, before stepping into the office, and remind myself that this is what I do best; changing to suit the people around me. I can do ‘Amber the friend’ or ‘Amber the wife’, but right now it’s time for ‘Amber from Coffee Morning’. I can play all the parts life has cast me in, I know all my lines; I’ve been rehearsing for a very long time.
The sun has barely risen but, as predicted, the small, predominately female team has already assembled. Three fresh-faced producers, powered by caffeine and ambition, sit hunched over their desks. Surrounded by piles of books, old scripts and empty mugs, they tap away on their keyboards as though their cats’ lives depend on it. In the far corner, I can see the glow of Madeline’s lamp in her own private office. I sit down at my desk and switch on the computer, returning the warm smiles and greetings from the others. People are not mirrors, they don’t see you how you see yourself.
Madeline has got through three personal assistants this year. Nobody lasts very long before she discards them. I don’t want my own office and I don’t need a PA, I like sitting out here with everyone else. The seat next to mine is empty. It’s unusual for Jo not to be here by now and I worry that something might be wrong. I look down at the spare coffee getting cold, then talk myself into taking it to Madeline’s office. Call it a peace offering.
I stop in the open doorway like a vampire waiting to be invited in. Her office is laughably small, literally a converted store cupboard because she refuses to sit with the rest of the team. There are framed photos of Madeline with celebrities squeezed onto every inch of the fake walls and a small shelf of awards behind her desk. She doesn’t look up. I observe the ugly short hair, grey roots making themselves known beneath the black spikes. Her chins rest on top of each other, while the rest of her rolled flesh is thankfully hidden beneath the baggy, black clothes. The desk lamp shines on the keyboard, over which Madeline’s ring adorned fingers hover. I know she can see me.
‘I thought you might need this,’ I say, disappointed with the simplicity of the words given how long it took me to find them.
‘Put it on the desk,’ she replies, her eyes not leaving the screen.
You’re welcome.
A small fan heater splutters away in the corner and the burnt-scented warmth snakes up around my legs, holding me in place. I find myself staring at the mole on her cheek. My eyes do that sometimes: focus on a person’s imperfections, momentarily forgetting that they can see me seeing the things they’d rather I didn’t.
‘Did you have a nice weekend?’ I venture.
‘I’m not ready to talk to people yet,’ she says. I leave her to it.
Back at my desk, I scan through the pile of post that has gathered since Friday: a couple of ghastly looking novels that I will never read, some fan mail and an invite to a charity gala, which catches my eye. I sip my coffee and daydream about what I might wear and whom I would take along if I went. I should do more charity work really, I just never seem to have the time. Madeline is the face of Crisis Child as well as the voice of Coffee Morning. I’ve always found her close relationship with the country’s biggest children’s charity slightly strange, given that she hates them and never had any of her own. She never even married. She’s completely alone in life but never lonely.
Once I’ve sorted the post, I read through the briefing notes for this morning’s programme, it’s always useful to have a bit of background knowledge before the show. I can’t find my red pen, so I head for the stationery cupboard.
It’s been restocked.
I glance over my shoulder and then back at the neatly piled shelves of supplies. I grab a handful of Post-it notes, then I take a few red pens, pushing them into my pockets. I keep taking them until they are all gone and the box is empty. I leave the other colours behind. Nobody looks up as I walk back to my desk, they don’t see me empty everything into my drawer and lock it.
Just as I’m starting to worry that my only friend here isn’t making an appearance today, Jo walks in and smiles at me. She’s dressed the same as always, in blue-denim jeans and a white top, like she can’t move on from the 90s. The boots she says she hates are worn down at the heel and her blonde hair is damp from the rain. She sits at the desk next to mine, opposite the rest of the producers.
‘Sorry I’m late,’ she whispers. Nobody apart from me notices.
The last to arrive is Matthew, the editor of the programme. This is not unusual. His skinny chinos are straining at the seams, worn low to accommodate the bulge around his middle. They’re slightly too short for his long legs, revealing colourful socks above his brown, shiny shoes. He heads straight to his tidy desk by the window without saying hello. Why a team of women who produce a show for women is managed by a man is beyond my comprehension. But then Matthew took a chance and gave me this job when my predecessor abruptly left, so I suppose I should be grateful.
‘Matthew, can you step into my office now you’re here?’ says Madeline from across the room.
‘And he thought his morning couldn’t get any worse,’ Jo whispers. ‘Are we still on for drinks after work?’
I nod, relieved that she isn’t going to disappear straight after the show again.
We watch Matthew grab his briefing notes and hurry into Madeline’s office, his flamboyant coat still flapping at his sides as though it wishes it could fly. Moments later, he storms back out, looking red-faced and flustered.
‘We better go through to the studio,’ says Jo, interrupting my thoughts. It seems like a good plan, given we’re on in ten minutes.
‘I’ll see if Her Majesty is ready,’ I reply, pleased to see that I’ve made Jo smile. I catch Matthew’s eye as he raises a neatly arched eyebrow in my direction. I should not have said that out loud.
As the clock counts down to the top of the hour, everyone moves into place. Madeline and I make our way to the studio, to resume our familiar positions on a darkened centre stage. We are observed through an enormous glass window from the safety of the gallery, like two very different animals mistakenly placed in the same enclosure. Jo and the rest of the producers sit in the gallery. It is bright and loud, with a million different-coloured buttons that look terribly complicated given the simplicity of what we actually do; talk to people and pretend to enjoy it. In contrast, the studio is dimly lit and uncomfortably silent. There is just a table, some chairs and a couple of microphones. Madeline and I sit in the gloom, quietly ignoring each other, waiting for the on air light to go red and the first act to begin.
‘Good morning and welcome to Monday’s edition of Coffee Morning, I’m Madeline Frost. A little later on today’s show, we’ll be joined by best-selling author E. B. Knight, but before that, we’ll be discussing the rising number of female breadwinners and, for today’s phone-in, we’re inviting you to get in touch on the subject of imaginary friends. Did you have one as a child? Perhaps you still do . . .’
The familiar sound of her on-air voice calms me and I switch to autopilot, waiting for my turn to say something. I wonder if Paul is awake yet. He hasn’t been himself lately: staying up late in his writing shed, coming to bed just before I get up, or not at all. He likes to call the shed a cabin. I like to call things what they are.
We spent an evening with E. B. Knight once, when Paul’s first novel took off. That was over five years ago now, not long after we first met. I was a TV reporter at the time. Local news, nothing fancy. But seeing yourself on screen does force you to make an effort with your appearance, unlike radio. I was slim then, I didn’t know how to cook; I didn’t have anyone to cook for before Paul and rarely made an effort just for myself. Besides, I was too busy working. I mostly did pieces about potholes or the theft of lead from church roofs, but one day, serendipity decided to intervene. Our showbiz reporter went sick and I was sent to interview some hotshot new author instead of her. I hadn’t even read his book. I was hungover and resented having to do someone else’s job for them, but that all changed when he walked in the room.
Paul’s publisher had hired a suite at the Ritz for the interview, it felt like a stage and I felt like an actress who hadn’t learned her lines. I remember feeling out of my depth, but when he sat down in the chair opposite me, I realised he was more nervous than I was. It was his first television interview and I somehow managed to put him at ease. When he asked for my card afterwards, I didn’t really think anything of it, but my cameraman took great pleasure commenting on our ‘chemistry’ all the way back to the car. I felt like a schoolgirl when he called that night. We talked and it was easy, as though we already knew each other. He said he had to go to a book awards ceremony the week after and didn’t have a date. He wondered if I might be free. I was. We sat on the same table as E. B. Knight for the ceremony, it was like having dinner with a legend and a very memorable first date. She was charming, clever and witty. I’ve been looking forward to seeing her again ever since I knew they had booked her as a guest.
‘Good to see you,’ I say, as the producer brings her into the studio.
‘Nice to meet you too,’ she replies, taking her seat. Not a flicker of recognition; how easy I am to forget.
Her trademark white bob frames her petite eighty-year-old face. She’s immaculate, even her wrinkles are neatly arranged. She looks soft around the edges, but her mind is sharp and fast. Her cheeks are pink with blusher and her blue eyes are wise and watchful, darting around the studio before fixing on their target. She smiles warmly at Madeline as though she is meeting a hero. Guests do that sometimes. It doesn’t bother me, not really.
After the show, we all shuffle into the meeting room for the debrief. We sit, waiting for Madeline, the room falling silent when she finally arrives. Matthew begins talking through the stories – what worked well, what didn’t. Madeline’s face isn’t happy, her mouth contorts so that it looks like she’s unwrapping toffees with her arse. The rest of us keep quiet and I allow my mind to wander once more.
Twinkle, twinkle, little star . . .
Madeline interjects with a frown.
How I wonder what you are.
She tuts, rolls her eyes.
Up above the world so high . . .
When Madeline has run out of unspoken criticisms, the team stand and begin to file out.
Like a diamond in the sky.
‘Amber, can I have a word?’ says Matthew, dragging me from my daydream. Judging by his tone, I don’t have a choice. He closes the meeting room door and I sit back down, searching his face for clues. As usual, he is impossible to read, void of emotion; his mother could have just died and you’d never know. He takes a biscuit from the plate we leave out for the guests and gestures for me to do the same. I shake my head. When Matthew wants to make a point, he always seems to take the scenic route. He tries to smile at me but soon tires from the effort and takes a bite of his biscuit instead. A couple of crumbs make themselves at home on his thin lips, which frequently part and snap shut like a goldfish, as he struggles to find the right words.
‘So, I could make small talk, ask how you are, pretend that I care, that sort of thing, or I can come straight to the point,’ he says. A knot of dread ties itself in my stomach.
‘Go on,’ I say, wishing that he wouldn’t.
‘How are things now with you and Madeline?’ he asks, taking another bite.
‘Same as always, she hates me,’ I reply too soon. My turn to wear the fake smile now, the label still attached so I can return it when I’m done.
‘Yes, she does, and that’s a problem,’ says Matthew. I shouldn’t be surprised by this and yet I am. ‘I know she didn’t make your life easy when you first joined the team, but it’s been hard for her too, adjusting to having you around. This tension between the two of you, it doesn’t seem to be improving. You might think people don’t pick up on it, but they do. The two of you having good chemistry is really important for the show and the rest of the team.’ He stares at me, waiting for a response I don’t know how to give. ‘Do you think you might be able to work on your relationship with her?’
‘Well, I suppose I can try . . .’
‘Good. I didn’t realise quite how unhappy the situation was making her until today. She’s delivered a bit of an ultimatum.’ He pauses, and clears his throat before carrying on. ‘She wants me to replace you.’
I wait for him to say more but he doesn’t. His words hang in the space between us while I try to make sense of them.
‘Are you firing me?’
‘No!’ he protests, but his face gives a different response while he considers what to say next. His hands come to meet each other in front of his chest, palms facing, just the fingertips touching, like a skin-coloured steeple or a halfhearted prayer. ‘Well, not yet. I’m giving you until the New Year to turn this around. I’m sorry that all this has come about just before Christmas, Amber.’ He uncrosses his long legs, as though it’s an effort, before his body retreats as far back from me as his chair will allow. His mouth reacts by twisting itself out of shape, as though he’s just tasted something deeply unpleasant while he waits for my response. I don’t know what to say to him. Sometimes I think it’s best to say nothing at all, silence cannot be misquoted. ‘You’re great, we love you, but you have to understand that Madeline is Coffee Morning, she’s been presenting it for twenty years. I’m sorry, but if I have to choose between the two of you, my hands are tied.’
Now (#ulink_9f679b64-02f9-55df-82d4-8e4fa3b9812f)
Boxing Day, December 2016 (#ulink_9f679b64-02f9-55df-82d4-8e4fa3b9812f)
I try to picture my surroundings. I’m not on a ward, it’s too quiet for that. I’m not in a mortuary; I can feel myself breathing, a slight pain in my chest each time my lungs inflate with oxygen and effort. The only thing I can hear is the muffled sound of a machine beeping dispassionately close by. It’s oddly comforting; my only company in an invisible universe. I start to count the beeps, collecting them inside my head, fearful they might end and unsure what that might mean.
I conclude that I am in a private room. I picture myself confined within my clinical cell, time slowly dripping down the four walls, forming puddles of dirty sludge that will slowly rise up to drown me. Until then, I am existing in an infinite space where delusion is married to reality. That is all I am doing right now, existing and waiting, for what, I do not know. I’ve been returned to my factory settings as a human being, rather than a human doing. Beyond the invisible walls, life goes on, but I am still, silent and contained.
The physical pain is real and demanding to be felt. I wonder how badly I am injured. A vice-like grip tightens around my skull, throbbing in time with my heartbeat. I begin to assess my body from top to bottom, searching in vain for an explanatory self-diagnosis. My mouth is being held open, I can feel a foreign object sandwiched between my lips, my teeth, pushing past my tongue and sliding down my throat. My body seems strangely unfamiliar, as though it might belong to someone else, but everything is accounted for, all the way down to my feet and toes. I can feel all ten of them and it brings such a sense of relief. I am all here in body and mind, I just need someone to switch me back on.
I wonder what I look like, whether someone has brushed my hair or cleaned my face. I’m not a vain person, I would rather be heard but not seen, preferably not noticed at all. I’m nothing special, I’m not like her. I’m more of a shadow really. A dirty little smudge.
Although I am frightened, some primal instinct tells me that I will get through this. I will be OK, because I have to be. And because I always am.
I hear a door open and the sound of footsteps coming towards the bed. I can see the shadows of movement shuffling behind my veiled vision. There are two of them. I smell their cheap perfume and hairspray. They are talking, but I can’t quite make out the words, not yet. For now, it is just noise, like a foreign film with no subtitles. One of them takes my left arm from beneath the sheet. It is a curious sensation, like when you pretend your limbs are floppy as a child. I flinch internally at the feel of her fingertips on my skin. I do not like to be touched by strangers. I do not like to be touched by anyone, not even him, not any more.
She wraps something around my upper left arm and I conclude it is a tourniquet as it tightens on my flesh. She gently puts my arm back down and walks around to the other side. The second nurse, I presume that’s who they are, stands at the end of my bed. I hear the sound of paper being manipulated by inquisitive fingers and I imagine that she is either reading a novel or my hospital file down there. The sounds sharpen themselves.
‘Last one to hand over, then you can skedaddle. What happened to this one?’ asks the woman closest to me.
‘Came in late last night. Some sort of accident,’ replies the other, she is moving as she speaks. ‘Let’s get some daylight in here, shall we, see if we can’t cheer things up a bit?’ I hear the scratchy sound of curtains being reluctantly drawn back and find myself enveloped in a brighter shade of gloom. Then, without warning, something sharp stabs my arm. It is an alien sensation and the pain pulls me inside of myself. I feel something cool swim beneath my skin, snaking into my body until it becomes a part of me. Their voices bring me back.
‘Have they called the next of kin?’ asks the older-sounding one.
‘There’s a husband. Tried several times, straight to voicemail,’ replies the other. ‘You’d think he’d have noticed his wife was missing on Christmas Day.’
Christmas Day.
I scan my library of memories, but too many of the shelves are empty. I don’t remember anything about Christmas. We normally spend it with my family.
Why is nobody with me?
I notice that my mouth feels terribly dry and I can taste stale blood. I’d give anything for some water and wonder how I can get their attention. I focus all of myself on my mouth, on forming a shape and making a dent, however tiny, in the deafening silence, but nothing comes. I am a ghost trapped inside myself.
‘Right, well, I’m off home, if you’re happy?’
‘See you later, say hi to Jeff.’
The door swings open and I can hear a radio in the distance. The sound of a familiar voice reaches my ears.
‘She works on Coffee Morning, by the way, they found her work pass in her bag when they brought her in,’ says the nurse who is leaving.
‘Does she now? Never heard of her.’
I can hear you!
The door swings shut, the silence returns and then I am gone, I am not there any more, I am silently screaming in the darkness that has swallowed me.
What has happened to me?
Despite my internal cries, on the outside I am voiceless and perfectly still. In real life I’m paid to talk on the radio but now I am silenced, now I am nothing. The darkness churns my thoughts until the sound of the door opening again makes everything stop. I presume that the second nurse is leaving me too and I want to shout out, to beg her to stay, to explain I’m just a little lost down the rabbit hole and need some help finding my way back. But she is not leaving. Someone else has entered the room. I can smell him, I can hear him crying and I sense his overwhelming terror at the sight of me.
‘I’m so sorry, Amber. I’m here now.’
He holds my hand a little too tightly. I am the one who has lost myself, he lost me years ago and now I will not be found. The remaining nurse departs, to give us space or privacy or perhaps just because she can sense the situation is too uncomfortable, that something is not as it should be. I don’t want her to go, I don’t want her to leave me alone with him, but I don’t know why.
‘Can you hear me? Please wake up,’ he says, over and over.
My mind recoils from the sound of his voice. The vice tightens around my skull once more, as though a thousand fingers are pushing at my temples. I can’t remember what happened to me, but I know, with unwavering certainty, that this man, my husband, had something to do with it.
Then (#ulink_281c81ff-d26a-570a-b60d-8f63c56b3ab2)
Monday, 19th December 2016 – Afternoon (#ulink_281c81ff-d26a-570a-b60d-8f63c56b3ab2)
I was grateful at first, when Matthew said I could take the rest of the day off. The team had already scattered for lunch, which meant I could avoid any questions or fake concern. It’s only now, as I make my way along Oxford Street, like a salmon swimming against a tide of tourists and shoppers, that I realise he did it for himself; no man wants to sit and stare at a woman’s tear-stained face, knowing that he’s responsible.
Despite being a December afternoon, the sky is bright blue, the sun pushing its way through the scattered unborn clouds to create the illusion of a nice day against a backdrop of haze and doubt. I just need to stop and think, so I do. Right in the middle of the crowded street to the annoyance of everyone else.
‘Amber?’
I look up at the smiling face of a tall man standing right in front of me. At first, nothing comes, but then a flicker of recognition, followed by a flood of memories: Edward.
‘Hi, how are you?’ I manage.
‘I’m great. It’s so good to see you.’
He kisses me on the cheek. I shouldn’t care what I look like, but I wrap my arms around myself as though I’m trying to hide. I notice he looks almost exactly the same. He’s hardly aged at all, despite the ten years it must have been since I last saw him. He’s tanned, as though he’s just come back from somewhere hot, flecks of blond in his brown hair, no hint of grey. He looks so healthy, clean, still uncommonly comfortable in his own bronzed skin. His clothes look new, expensive and I expect the suit beneath the long woollen coat is handmade. The world was always too small for him.
‘Are you OK?’ he asks.
I remember that I’ve been crying, I must look awful. ‘Yes. Well, no. Just had a bit of bad news, that’s all.’
‘I’m sorry to hear that.’
I nod while he waits for a conversation I don’t know how to have. All I can seem to remember is how badly I hurt him. I never really explained why I couldn’t see him any more, I just left his flat one morning, ignored his calls and completely cut him off. He was studying in London, we both were. I still lived at home so I stayed at his flat as often as I could, until it was over, then I never went back.
A woman texting as she walks collides into me. She shakes her head as though it is my fault she wasn’t looking where she was going. The jolt shakes some words from their hiding place.
‘Are you in London for Christmas?’ I ask.
‘Yes. I’ve just moved down here actually with my girlfriend, new job in the Big Smoke.’ My sense of relief is soon replaced by something else. But of course he’s moved on. I tell myself I’m happy for him and force my face to reply with a less than enthusiastic smile accompanied by a lacklustre nod.
‘I can see this isn’t a good time,’ he says. ‘But, look, here’s my card. It would be lovely to catch up at some point. I’m meeting someone and I’m late, but it’s great to see you, Amber.’ I take the card and have another attempt at smiling. He touches me on the shoulder and disappears back into the crowd. He couldn’t wait to get away.
I gather all the little pieces of myself together and switch to autopilot. My legs carry me to a small bar just off Oxford Street. I used to come here with Paul when we started dating. We don’t come here any more, I can’t remember the last time we went out. I thought the familiarity of the place would make me feel safe, but it doesn’t. I order a large glass of red wine and manoeuvre my way to the only free table near the open fire. There’s no guard. I move my chair a little further away from it, despite wanting to get warm. I stare at my glass of Malbec, successfully blocking out the seasonal chaos rushing around. I need to persuade a woman who doesn’t like anyone to like me, and if I stare at my drink for long enough, I’m hoping I’ll think of a solution. At the moment, I’ve got nothing.
I take a sip of the wine, just a small one. It’s good. I close my eyes, swallow it down and enjoy the sensation as it coats my throat. I’ve been so foolish. Everything was going well and now I’ve risked it all. I should have tried harder with Madeline, should have stuck to the plan. I can’t lose this job, not yet. There will be a solution, I’m just not convinced that I can come up with it on my own. I need her. I regret the thought and decide I need another drink instead.
When my glass is empty, I order another and pull my phone out of my bag while I wait. I dial Paul’s number. I should have called him straight away, don’t know why I didn’t. He doesn’t answer, so I try again. Nothing, just his voicemail. I don’t leave a message. My second glass of wine arrives and I take a sip, I need it to numb myself but I know I should slow down. I have to maintain a coherent state of mind if I’m going to get things back on track, which I will, because I have to. I should be able to deal with this on my own, but I can’t.
‘I see you’ve started without me,’ says Jo, unwrapping a ridiculously long scarf from around her neck and sliding into the chair opposite. Her smile vanishes when she takes a proper look at my face. ‘What’s wrong? You look like shit.’
‘You don’t know then?’
‘Know what?’
‘I had a chat with Matthew.’
‘That explains your depressive state,’ she says, glancing down at the wine list.
‘I think I’m going to lose my job.’
Jo stares at my face as though looking for something. ‘What the fuck are you talking about?’
‘Madeline has given him an ultimatum. Either I go or she will.’
‘And he’s told you you’re out? Just like that?’
‘Not quite. I have until the New Year to change her mind.’
‘So change her mind.’
‘How?’
‘I don’t know, but they can’t do this to you.’
‘My contract ends in January, so they can just not renew it without there being any mess. I wouldn’t have a leg to stand on. Plus, I suppose it gives them time to find a suitable replacement over the Christmas break.’ I watch Jo process everything I’ve said and I can see she’s reached the same conclusion I had a couple of hours ago.
‘Drama really follows you like a shadow, doesn’t it?’
‘I’m fucked, aren’t I?’
‘Not yet. We’ll think of something; but, first, we’re going to need more wine,’ she says.
‘Can I get another glass of this, please?’ I ask a passing waiter. I turn back to Jo. ‘I can’t lose this job.’
‘You won’t.’
‘I haven’t had time to do everything I needed to do.’ The waiter is still hovering nearby and gives me a look of concern. I smile. He nods politely and goes to get the wine. I glance around the bar and a straw poll of eyes confirm that I’m being too loud. It happens sometimes when I’m tired or drunk. I remind myself to be quiet.
As soon as the wine arrives, Jo tells me to take a notepad and pen out of my bag. She instructs me to write PROJECT MADELINE in big red letters across the top of a blank page, so I do, underlining the words for good measure. Jo is the kind of girl who likes to write everything down. Being like that can get you into trouble if you aren’t careful. She stares at the notepad and I drink some more of the wine, enjoying the feel of its warmth surging down through my body. I smile and Jo grins back, we’ve had the same idea at the same time, like we so often do. She tells me what to write and I furiously scribble every word on the pad, struggling to keep up with what I’m hearing. It’s a good idea.
‘She thinks they’ll never get rid of her, Madeline Frost is Coffee Morning,’ says Jo. I notice that she hasn’t touched her glass.
‘That’s exactly what Matthew said. Perhaps it could be a new jingle,’ I say, expecting her to smile. She doesn’t.
‘But she doesn’t know how your chat with Matthew went. So, maybe what we need to do is get Madeline to think they’ve had enough of her temper tantrums and that they are going to get rid of her,’ she says.
‘But they’d never do that.’
‘She doesn’t know that for sure. Nobody is irreplaceable any more and I’m starting to think if we plant enough seeds, the idea will start to grow. If she didn’t have that job, she’d be nothing. It’s her life, it’s all she has.’
‘Agreed. But how? There isn’t enough time, not now.’ I start to cry again. I can’t help it.
‘It’s OK. Cry if you need to, get it out of your system. Luckily, you’re a pretty crier.’
‘I’m not a pretty anything.’
‘Why do you do that? You’re beautiful. Admittedly, you could make more of an effort . . .’
‘Thanks.’
‘Sorry, but it’s true. Not wearing make-up doesn’t make you look pale and interesting, it just makes you look pale. You’ve got a nice figure but it’s like you’re always trying to hide beneath the same old clothes.’
‘I am trying to hide.’
‘Well stop it.’
She’s right, I’m a mess. My mind rewinds to Edward, he must have thought he’d had a lucky escape not ending up with me.
‘I just bumped into an ex on Oxford Street,’ I say, studying her face for a reaction.
‘Which one?’
‘There’s no need to say it like that, there weren’t that many.’
‘More than me. Who was it?’
‘It doesn’t matter. I just felt like such a frump, such a loser. I wish he hadn’t seen me looking like that, that’s all.’
‘Who cares? Right now you just need to focus on what matters. Go and buy yourself a new wardrobe; a few new dresses, some new shoes, something with a heel, and get some make-up while you’re at it. You need to look really happy and confident tomorrow, just stick it all on a credit card. Madeline knew he would tell you today, so she’ll be expecting you to be upset, probably doesn’t think you’ll come in at all, but you will. We’ll start some rumours on social media. We’ll take control of the situation. You know what you have to do.’
‘Yes, I do.’
‘So go shopping, then go home. Get an early night and come in tomorrow looking fabulous, as though you don’t have a care in the world.’
I do as I’m told, drain my glass and pay the bill. I’ve always stayed within the lines when colouring in my life, but now I’m prepared to let things get a bit messy. Before leaving the bar, I rip the Project Madeline page from my notebook, screw it up and throw it on the open fire, watching the white paper brown and burn.
Конец ознакомительного фрагмента.
Текст предоставлен ООО «ЛитРес».
Прочитайте эту книгу целиком, купив полную легальную версию (https://www.litres.ru/alice-feeney/sometimes-i-lie-a-psychological-thriller-with-a-killer-twist/) на ЛитРес.
Безопасно оплатить книгу можно банковской картой Visa, MasterCard, Maestro, со счета мобильного телефона, с платежного терминала, в салоне МТС или Связной, через PayPal, WebMoney, Яндекс.Деньги, QIWI Кошелек, бонусными картами или другим удобным Вам способом.
Alice Feeney
‘Marvellous’ A. J. Finn’A bold and original voice’ Clare Mackintosh‘A brilliant thriller’ Ali LandMy name is Amber Reynolds. There are three things you should know about me.1. I’m in a coma2. My husband doesn’t love me any more3. Sometimes I lieUnnerving, twisted and utterly compelling, you won’t be able to put this thriller down. Perfect for fans of Behind Closed Doors, The Girl on the Train and The Woman in the Window.
ALICE FEENEY is a writer and journalist. She spent 16 years at the BBC, where she worked as a reporter, news editor, Arts and Entertainment producer and One O’clock News producer.
Alice is a Faber Academy graduate from the class of 2016. She has lived in London and Sydney and has now settled in the Surrey countryside, where she lives with her husband and dog.
Sometimes I Lie is her debut thriller and is being published around the world in 2017.
Copyright (#ulink_750f62be-4869-5b62-a7f3-b19585945933)
An imprint of HarperCollins Publishers Ltd
1 London Bridge Street
London SE1 9GF
First published in Great Britain by HQ in 2017
Copyright © Alice Feeney 2017
Alice Feeney asserts the moral right to be identified as the author of this work.
A catalogue record for this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Ebook Edition © March 2017 ISBN: 9780008225360
Version: 2018-06-28
For my Daniel. And for her.
My name is Amber Reynolds. There are three things you should know about me:
1. I’m in a coma.
2. My husband doesn’t love me any more.
3. Sometimes I lie.
Contents
Cover (#ufd6d8fe8-d31e-5018-9962-698095000a6b)
About the Author (#uf30e591f-3fd1-53a0-b356-d9774fadd24e)
Title Page (#u0807bb62-ef06-5833-ac22-92ddce46dd51)
Dedication (#ue8af51ff-6926-56dc-9f27-d0c2bec8d2dd)
Now: Boxing Day, December 2016 (#ulink_ec989aaf-d8f6-5713-9045-dd1627493aeb)
Then: One week earlier – Monday, 19th December 2016 (#ulink_8a1fc797-2c07-5f4a-bf4e-1544c55ea4fe)
Now: Boxing Day, December 2016 (#ulink_cc5c86ad-03b6-5199-be32-863eea1b279a)
Then: Monday, 19th December 2016 – Afternoon (#ulink_4ac9cbc1-085f-57b0-89a5-7d944592bc33)
Now: Boxing Day, December 2016 – Evening (#ulink_78bda4c6-7a65-5ed6-8e4a-74f837e6f1dd)
Then: Monday, 19th December 2016 – Evening
Before: Monday, 16th September 1991
Now: Tuesday, 27th December 2016
Then: Tuesday, 20th December 2016 – Morning
Before: Thursday, 24th October 1991
Then: Tuesday, 20th December – Afternoon
Now: Wednesday, 28th December 2016 – Morning
Then: Tuesday, 20th December 2016 – Evening
Before: Wednesday, 13th November 1991
Now: Wednesday, 28th December 2016
Then: Wednesday, 21st December 2016 – Morning
Before: Saturday, 7th December 1991
Now: Thursday, 29th December 2016
Then: Wednesday, 21st December 2016 – Afternoon
Before: Saturday, 14th December 1991
Now: Thursday, 29th December 2016
Then: Thursday, 22nd December 2016 – Morning
Then: Thursday, 22nd December 2016 – Morning
Before: Easter Sunday, 1992
Now: Thursday, 29th December 2016
Then: Thursday, 22nd December 2016 – Evening
Before: Wednesday, 14th October 1992
Now: Friday, 30th December 2016
Then: Friday, 23rd December 2016 – Morning
Before: Friday, 30th October 1992
Now: Friday, 30th December 2016
Then: Friday, 23rd December 2016 – Afternoon
Before: Friday, 11th December 1992
Now: Friday, 30th December 2016
Then: Friday, 23rd December 2016 – Late Afternoon
Then: Friday, 23rd December 2016 – Early Evening
Before: Tuesday, 15th December 1992
Now: New Year’s Eve, 2016
Then: Friday 23rd December 2016 – Evening
Before: Friday, 18th December 1992
Now: New Year’s Eve, 2016
Then: Christmas Eve 2016 – Morning
Then: Christmas Eve 2016 – Lunchtime
Before: Saturday, 19th December 1992
Now: New Year’s Eve, 2016
Then: Christmas Eve 2016 – Afternoon
Before: Monday, 21st December 1992
Now: New Year’s Eve, 2016
Then: Christmas Eve, 2016
Before: Christmas Eve, 1992
Then: Christmas Eve, 2016
Now: New Year’s Eve, 2016
Now: New Year’s Eve, 2016
Then: Christmas Day, 2016
Then: Christmas Day, 2016 – Early Evening
Before: Thursday, 7th January 1993
Now: Monday, 2nd January 2017
Then: Christmas Day, 2016 – Early Evening
Now: Tuesday, 3rd January, 2017
Then: Christmas Day 2016 – Evening
Now: Tuesday, 3rd January 2017
Before: Sunday, 14th February 1993
Then: Christmas Day, 2016 – Night
Now: Tuesday, 3rd January 2017
After: Six Weeks Later 15th February 2017
After: Wednesday, 15th February 2017 – 04.00
Later: Spring 2017
Acknowledgements
Reading Group Questions
Extract (#u61ed6e08-f1ae-5777-9c56-a3f84c5e8ae9)
Copyright (#ulink_75eb7d02-8182-5139-a355-d85bff209aa8)
Now (#ulink_6ce802d8-8a75-588b-80f7-09697ebb4131)
Boxing Day, December 2016 (#ulink_6ce802d8-8a75-588b-80f7-09697ebb4131)
I’ve always delighted in the free fall between sleep and wakefulness. Those precious few semi-conscious seconds before you open your eyes, when you catch yourself believing that your dreams might just be your reality. A moment of intense pleasure or pain, before your senses reboot and inform you who and where and what you are. For now, for just a second longer, I’m enjoying the self-medicated delusion that permits me to imagine that I could be anyone, I could be anywhere, I could be loved.
I sense the light behind my eyelids and my attention is drawn to the platinum band on my finger. It feels heavier than it used to, as though it is weighing me down. A sheet is pulled over my body, it smells unfamiliar and I consider the possibility that I’m in a hotel. Any memory of what I dreamt evaporates. I try to hold on, try to be someone and stay somewhere I am not, but I can’t. I am only ever me and I am here, where I already know I do not wish to be. My limbs ache and, I’m so tired I don’t want to open my eyes – until I remember that I can’t.
Panic spreads through me like a blast of icy-cold air. I can’t recall where this is or how I got here, but I know who I am: My name is Amber Reynolds; I am thirty-five years old; I’m married to Paul. I repeat these three things in my head, holding on to them tightly, as though they might save me, but I’m mindful that some part of the story is lost, the last few pages ripped out. When the memories are as complete as I can manage, I bury them until they are quiet enough inside my head to allow me to think, to feel, to try to make sense of it all. One memory refuses to comply, fighting its way to the surface, but I don’t want to believe it.
The sound of a machine breaks into my consciousness, stealing my last few fragments of hope and leaving me with nothing except the unwanted knowledge that I am in a hospital. The sterilised stench of the place makes me want to gag. I hate hospitals. They are the home of death and regrets that missed their slots, not somewhere I would ever choose to visit, let alone stay.
There were people here before, strangers, I remember that now. They used a word I chose not to hear. I recall lots of fuss, raised voices and fear, not just my own. I struggle to unearth more, but my mind fails me. Something very bad has happened, but I cannot remember what or when.
Why isn’t he here?
It can be dangerous to ask a question when you already know the answer.
He does not love me.
I bookmark that thought.
I hear a door open. Footsteps, then the silence returns but it’s spoiled, no longer pure. I can smell stale cigarette smoke, the sound of pen scratching paper to my right. Someone coughs to my left and I realise there are two of them. Strangers in the dark. I feel colder than before and so terribly small. I have never known a terror like the one that takes hold of me now.
I wish someone would say something. ‘Who is she?’ asks a woman’s voice.
‘No idea. Poor love, what a mess,’ replies another woman.
I wish they’d said nothing at all. I start to scream:
My name is Amber Reynolds! I’m a radio presenter! Why don’t you know who I am?
I shout the same sentences over and over, but they ignore me because, on the outside, I am silent. On the outside, I am nobody and I have no name.
I want to see the me they have seen. I want to sit up, reach out and touch them. I want to feel something again. Anything. Anyone. I want to ask a thousand questions. I think I want to know the answers. They used the word from before too, the one I don’t want to hear.
The women leave, closing the door behind them, but the word stays behind, so that we are alone together and I am no longer able to ignore it. I can’t open my eyes. I can’t move. I can’t speak. The word bubbles to the surface, popping on impact and I know it to be true…
Coma.
Then (#ulink_451b71db-6718-5569-837c-54a9533fb6d2)
One week earlier – Monday, 19th December 2016 (#ulink_451b71db-6718-5569-837c-54a9533fb6d2)
I tiptoe downstairs in the early morning darkness, careful not to wake him. Everything is where it ought to be and yet I’m sure something is missing. I pull on my heavy winter coat to combat the cold and walk through to the kitchen to begin my routine. I start with the back door and repeatedly turn the handle until I’m sure it is locked:
Up, down. Up, down. Up, down.
Next, I stand in front of the large range oven with my arms bent at the elbows, as though I am about to conduct the impressive orchestra of gas hobs. My fingers form the familiar shape; the index and middle finger finding the thumb on each hand. I whisper quietly to myself, while visually checking that all of the knobs and dials are switched off. I do a complete sweep three times, my fingernails clicking together to create a Morse code that only I can decipher. Once satisfied that everything is safe and secure, I go to leave the kitchen, lingering briefly in the doorway, wondering if today is a day when I might need to turn back and begin the whole routine again. It isn’t.
I creep across creaking floorboards into the hall, pick up my bag and check the contents. Phone. Purse. Keys. I close it, open it, then check again. Phone. Purse. Keys. I check a third time on my way to the front door. I stop for a moment and am shocked to see the woman inside the mirror staring back at me. I have the face of someone who might have been pretty once, I barely recognise her now. A mixed palette of light and dark. Long black lashes frame my large green eyes, sad shadows have settled beneath them, thick brown eyebrows above. My skin is a pale canvas stretched over my cheekbones. My hair is so brown it’s almost black, lazy straight strands rest on my shoulders for lack of a better idea. I brush it roughly with my fingers before scraping it back into a ponytail, securing the hair off my face with a band from my wrist. My lips part as though I am going to say something, but only air escapes my mouth. A face for radio stares back.
I remember the time and remind myself that the train won’t wait for me. I haven’t said goodbye, but I don’t suppose it matters. I switch off the light and leave the house, checking three times that the front door is locked, before marching down the moonlit garden path.
It’s early, but I’m already late. Madeline will be in the office by now, the newspapers will have been read, raped of any good stories. The producers will have picked through the paper carcasses, before being barked at and bullied into getting her the best interviews for this morning’s show. Taxis will be on their way to pick up and spit out overly excited and under-prepared guests. Every morning is different and yet has become completely routine. It’s been six months since I joined the Coffee Morning team and things are not going according to plan. A lot of people would think I have a dream job, but nightmares are dreams too.
I briefly stop to buy coffee for myself and a colleague in the foyer, then climb the stone steps to the fifth floor. I don’t like lifts. I fix a smile on my face, before stepping into the office, and remind myself that this is what I do best; changing to suit the people around me. I can do ‘Amber the friend’ or ‘Amber the wife’, but right now it’s time for ‘Amber from Coffee Morning’. I can play all the parts life has cast me in, I know all my lines; I’ve been rehearsing for a very long time.
The sun has barely risen but, as predicted, the small, predominately female team has already assembled. Three fresh-faced producers, powered by caffeine and ambition, sit hunched over their desks. Surrounded by piles of books, old scripts and empty mugs, they tap away on their keyboards as though their cats’ lives depend on it. In the far corner, I can see the glow of Madeline’s lamp in her own private office. I sit down at my desk and switch on the computer, returning the warm smiles and greetings from the others. People are not mirrors, they don’t see you how you see yourself.
Madeline has got through three personal assistants this year. Nobody lasts very long before she discards them. I don’t want my own office and I don’t need a PA, I like sitting out here with everyone else. The seat next to mine is empty. It’s unusual for Jo not to be here by now and I worry that something might be wrong. I look down at the spare coffee getting cold, then talk myself into taking it to Madeline’s office. Call it a peace offering.
I stop in the open doorway like a vampire waiting to be invited in. Her office is laughably small, literally a converted store cupboard because she refuses to sit with the rest of the team. There are framed photos of Madeline with celebrities squeezed onto every inch of the fake walls and a small shelf of awards behind her desk. She doesn’t look up. I observe the ugly short hair, grey roots making themselves known beneath the black spikes. Her chins rest on top of each other, while the rest of her rolled flesh is thankfully hidden beneath the baggy, black clothes. The desk lamp shines on the keyboard, over which Madeline’s ring adorned fingers hover. I know she can see me.
‘I thought you might need this,’ I say, disappointed with the simplicity of the words given how long it took me to find them.
‘Put it on the desk,’ she replies, her eyes not leaving the screen.
You’re welcome.
A small fan heater splutters away in the corner and the burnt-scented warmth snakes up around my legs, holding me in place. I find myself staring at the mole on her cheek. My eyes do that sometimes: focus on a person’s imperfections, momentarily forgetting that they can see me seeing the things they’d rather I didn’t.
‘Did you have a nice weekend?’ I venture.
‘I’m not ready to talk to people yet,’ she says. I leave her to it.
Back at my desk, I scan through the pile of post that has gathered since Friday: a couple of ghastly looking novels that I will never read, some fan mail and an invite to a charity gala, which catches my eye. I sip my coffee and daydream about what I might wear and whom I would take along if I went. I should do more charity work really, I just never seem to have the time. Madeline is the face of Crisis Child as well as the voice of Coffee Morning. I’ve always found her close relationship with the country’s biggest children’s charity slightly strange, given that she hates them and never had any of her own. She never even married. She’s completely alone in life but never lonely.
Once I’ve sorted the post, I read through the briefing notes for this morning’s programme, it’s always useful to have a bit of background knowledge before the show. I can’t find my red pen, so I head for the stationery cupboard.
It’s been restocked.
I glance over my shoulder and then back at the neatly piled shelves of supplies. I grab a handful of Post-it notes, then I take a few red pens, pushing them into my pockets. I keep taking them until they are all gone and the box is empty. I leave the other colours behind. Nobody looks up as I walk back to my desk, they don’t see me empty everything into my drawer and lock it.
Just as I’m starting to worry that my only friend here isn’t making an appearance today, Jo walks in and smiles at me. She’s dressed the same as always, in blue-denim jeans and a white top, like she can’t move on from the 90s. The boots she says she hates are worn down at the heel and her blonde hair is damp from the rain. She sits at the desk next to mine, opposite the rest of the producers.
‘Sorry I’m late,’ she whispers. Nobody apart from me notices.
The last to arrive is Matthew, the editor of the programme. This is not unusual. His skinny chinos are straining at the seams, worn low to accommodate the bulge around his middle. They’re slightly too short for his long legs, revealing colourful socks above his brown, shiny shoes. He heads straight to his tidy desk by the window without saying hello. Why a team of women who produce a show for women is managed by a man is beyond my comprehension. But then Matthew took a chance and gave me this job when my predecessor abruptly left, so I suppose I should be grateful.
‘Matthew, can you step into my office now you’re here?’ says Madeline from across the room.
‘And he thought his morning couldn’t get any worse,’ Jo whispers. ‘Are we still on for drinks after work?’
I nod, relieved that she isn’t going to disappear straight after the show again.
We watch Matthew grab his briefing notes and hurry into Madeline’s office, his flamboyant coat still flapping at his sides as though it wishes it could fly. Moments later, he storms back out, looking red-faced and flustered.
‘We better go through to the studio,’ says Jo, interrupting my thoughts. It seems like a good plan, given we’re on in ten minutes.
‘I’ll see if Her Majesty is ready,’ I reply, pleased to see that I’ve made Jo smile. I catch Matthew’s eye as he raises a neatly arched eyebrow in my direction. I should not have said that out loud.
As the clock counts down to the top of the hour, everyone moves into place. Madeline and I make our way to the studio, to resume our familiar positions on a darkened centre stage. We are observed through an enormous glass window from the safety of the gallery, like two very different animals mistakenly placed in the same enclosure. Jo and the rest of the producers sit in the gallery. It is bright and loud, with a million different-coloured buttons that look terribly complicated given the simplicity of what we actually do; talk to people and pretend to enjoy it. In contrast, the studio is dimly lit and uncomfortably silent. There is just a table, some chairs and a couple of microphones. Madeline and I sit in the gloom, quietly ignoring each other, waiting for the on air light to go red and the first act to begin.
‘Good morning and welcome to Monday’s edition of Coffee Morning, I’m Madeline Frost. A little later on today’s show, we’ll be joined by best-selling author E. B. Knight, but before that, we’ll be discussing the rising number of female breadwinners and, for today’s phone-in, we’re inviting you to get in touch on the subject of imaginary friends. Did you have one as a child? Perhaps you still do . . .’
The familiar sound of her on-air voice calms me and I switch to autopilot, waiting for my turn to say something. I wonder if Paul is awake yet. He hasn’t been himself lately: staying up late in his writing shed, coming to bed just before I get up, or not at all. He likes to call the shed a cabin. I like to call things what they are.
We spent an evening with E. B. Knight once, when Paul’s first novel took off. That was over five years ago now, not long after we first met. I was a TV reporter at the time. Local news, nothing fancy. But seeing yourself on screen does force you to make an effort with your appearance, unlike radio. I was slim then, I didn’t know how to cook; I didn’t have anyone to cook for before Paul and rarely made an effort just for myself. Besides, I was too busy working. I mostly did pieces about potholes or the theft of lead from church roofs, but one day, serendipity decided to intervene. Our showbiz reporter went sick and I was sent to interview some hotshot new author instead of her. I hadn’t even read his book. I was hungover and resented having to do someone else’s job for them, but that all changed when he walked in the room.
Paul’s publisher had hired a suite at the Ritz for the interview, it felt like a stage and I felt like an actress who hadn’t learned her lines. I remember feeling out of my depth, but when he sat down in the chair opposite me, I realised he was more nervous than I was. It was his first television interview and I somehow managed to put him at ease. When he asked for my card afterwards, I didn’t really think anything of it, but my cameraman took great pleasure commenting on our ‘chemistry’ all the way back to the car. I felt like a schoolgirl when he called that night. We talked and it was easy, as though we already knew each other. He said he had to go to a book awards ceremony the week after and didn’t have a date. He wondered if I might be free. I was. We sat on the same table as E. B. Knight for the ceremony, it was like having dinner with a legend and a very memorable first date. She was charming, clever and witty. I’ve been looking forward to seeing her again ever since I knew they had booked her as a guest.
‘Good to see you,’ I say, as the producer brings her into the studio.
‘Nice to meet you too,’ she replies, taking her seat. Not a flicker of recognition; how easy I am to forget.
Her trademark white bob frames her petite eighty-year-old face. She’s immaculate, even her wrinkles are neatly arranged. She looks soft around the edges, but her mind is sharp and fast. Her cheeks are pink with blusher and her blue eyes are wise and watchful, darting around the studio before fixing on their target. She smiles warmly at Madeline as though she is meeting a hero. Guests do that sometimes. It doesn’t bother me, not really.
After the show, we all shuffle into the meeting room for the debrief. We sit, waiting for Madeline, the room falling silent when she finally arrives. Matthew begins talking through the stories – what worked well, what didn’t. Madeline’s face isn’t happy, her mouth contorts so that it looks like she’s unwrapping toffees with her arse. The rest of us keep quiet and I allow my mind to wander once more.
Twinkle, twinkle, little star . . .
Madeline interjects with a frown.
How I wonder what you are.
She tuts, rolls her eyes.
Up above the world so high . . .
When Madeline has run out of unspoken criticisms, the team stand and begin to file out.
Like a diamond in the sky.
‘Amber, can I have a word?’ says Matthew, dragging me from my daydream. Judging by his tone, I don’t have a choice. He closes the meeting room door and I sit back down, searching his face for clues. As usual, he is impossible to read, void of emotion; his mother could have just died and you’d never know. He takes a biscuit from the plate we leave out for the guests and gestures for me to do the same. I shake my head. When Matthew wants to make a point, he always seems to take the scenic route. He tries to smile at me but soon tires from the effort and takes a bite of his biscuit instead. A couple of crumbs make themselves at home on his thin lips, which frequently part and snap shut like a goldfish, as he struggles to find the right words.
‘So, I could make small talk, ask how you are, pretend that I care, that sort of thing, or I can come straight to the point,’ he says. A knot of dread ties itself in my stomach.
‘Go on,’ I say, wishing that he wouldn’t.
‘How are things now with you and Madeline?’ he asks, taking another bite.
‘Same as always, she hates me,’ I reply too soon. My turn to wear the fake smile now, the label still attached so I can return it when I’m done.
‘Yes, she does, and that’s a problem,’ says Matthew. I shouldn’t be surprised by this and yet I am. ‘I know she didn’t make your life easy when you first joined the team, but it’s been hard for her too, adjusting to having you around. This tension between the two of you, it doesn’t seem to be improving. You might think people don’t pick up on it, but they do. The two of you having good chemistry is really important for the show and the rest of the team.’ He stares at me, waiting for a response I don’t know how to give. ‘Do you think you might be able to work on your relationship with her?’
‘Well, I suppose I can try . . .’
‘Good. I didn’t realise quite how unhappy the situation was making her until today. She’s delivered a bit of an ultimatum.’ He pauses, and clears his throat before carrying on. ‘She wants me to replace you.’
I wait for him to say more but he doesn’t. His words hang in the space between us while I try to make sense of them.
‘Are you firing me?’
‘No!’ he protests, but his face gives a different response while he considers what to say next. His hands come to meet each other in front of his chest, palms facing, just the fingertips touching, like a skin-coloured steeple or a halfhearted prayer. ‘Well, not yet. I’m giving you until the New Year to turn this around. I’m sorry that all this has come about just before Christmas, Amber.’ He uncrosses his long legs, as though it’s an effort, before his body retreats as far back from me as his chair will allow. His mouth reacts by twisting itself out of shape, as though he’s just tasted something deeply unpleasant while he waits for my response. I don’t know what to say to him. Sometimes I think it’s best to say nothing at all, silence cannot be misquoted. ‘You’re great, we love you, but you have to understand that Madeline is Coffee Morning, she’s been presenting it for twenty years. I’m sorry, but if I have to choose between the two of you, my hands are tied.’
Now (#ulink_9f679b64-02f9-55df-82d4-8e4fa3b9812f)
Boxing Day, December 2016 (#ulink_9f679b64-02f9-55df-82d4-8e4fa3b9812f)
I try to picture my surroundings. I’m not on a ward, it’s too quiet for that. I’m not in a mortuary; I can feel myself breathing, a slight pain in my chest each time my lungs inflate with oxygen and effort. The only thing I can hear is the muffled sound of a machine beeping dispassionately close by. It’s oddly comforting; my only company in an invisible universe. I start to count the beeps, collecting them inside my head, fearful they might end and unsure what that might mean.
I conclude that I am in a private room. I picture myself confined within my clinical cell, time slowly dripping down the four walls, forming puddles of dirty sludge that will slowly rise up to drown me. Until then, I am existing in an infinite space where delusion is married to reality. That is all I am doing right now, existing and waiting, for what, I do not know. I’ve been returned to my factory settings as a human being, rather than a human doing. Beyond the invisible walls, life goes on, but I am still, silent and contained.
The physical pain is real and demanding to be felt. I wonder how badly I am injured. A vice-like grip tightens around my skull, throbbing in time with my heartbeat. I begin to assess my body from top to bottom, searching in vain for an explanatory self-diagnosis. My mouth is being held open, I can feel a foreign object sandwiched between my lips, my teeth, pushing past my tongue and sliding down my throat. My body seems strangely unfamiliar, as though it might belong to someone else, but everything is accounted for, all the way down to my feet and toes. I can feel all ten of them and it brings such a sense of relief. I am all here in body and mind, I just need someone to switch me back on.
I wonder what I look like, whether someone has brushed my hair or cleaned my face. I’m not a vain person, I would rather be heard but not seen, preferably not noticed at all. I’m nothing special, I’m not like her. I’m more of a shadow really. A dirty little smudge.
Although I am frightened, some primal instinct tells me that I will get through this. I will be OK, because I have to be. And because I always am.
I hear a door open and the sound of footsteps coming towards the bed. I can see the shadows of movement shuffling behind my veiled vision. There are two of them. I smell their cheap perfume and hairspray. They are talking, but I can’t quite make out the words, not yet. For now, it is just noise, like a foreign film with no subtitles. One of them takes my left arm from beneath the sheet. It is a curious sensation, like when you pretend your limbs are floppy as a child. I flinch internally at the feel of her fingertips on my skin. I do not like to be touched by strangers. I do not like to be touched by anyone, not even him, not any more.
She wraps something around my upper left arm and I conclude it is a tourniquet as it tightens on my flesh. She gently puts my arm back down and walks around to the other side. The second nurse, I presume that’s who they are, stands at the end of my bed. I hear the sound of paper being manipulated by inquisitive fingers and I imagine that she is either reading a novel or my hospital file down there. The sounds sharpen themselves.
‘Last one to hand over, then you can skedaddle. What happened to this one?’ asks the woman closest to me.
‘Came in late last night. Some sort of accident,’ replies the other, she is moving as she speaks. ‘Let’s get some daylight in here, shall we, see if we can’t cheer things up a bit?’ I hear the scratchy sound of curtains being reluctantly drawn back and find myself enveloped in a brighter shade of gloom. Then, without warning, something sharp stabs my arm. It is an alien sensation and the pain pulls me inside of myself. I feel something cool swim beneath my skin, snaking into my body until it becomes a part of me. Their voices bring me back.
‘Have they called the next of kin?’ asks the older-sounding one.
‘There’s a husband. Tried several times, straight to voicemail,’ replies the other. ‘You’d think he’d have noticed his wife was missing on Christmas Day.’
Christmas Day.
I scan my library of memories, but too many of the shelves are empty. I don’t remember anything about Christmas. We normally spend it with my family.
Why is nobody with me?
I notice that my mouth feels terribly dry and I can taste stale blood. I’d give anything for some water and wonder how I can get their attention. I focus all of myself on my mouth, on forming a shape and making a dent, however tiny, in the deafening silence, but nothing comes. I am a ghost trapped inside myself.
‘Right, well, I’m off home, if you’re happy?’
‘See you later, say hi to Jeff.’
The door swings open and I can hear a radio in the distance. The sound of a familiar voice reaches my ears.
‘She works on Coffee Morning, by the way, they found her work pass in her bag when they brought her in,’ says the nurse who is leaving.
‘Does she now? Never heard of her.’
I can hear you!
The door swings shut, the silence returns and then I am gone, I am not there any more, I am silently screaming in the darkness that has swallowed me.
What has happened to me?
Despite my internal cries, on the outside I am voiceless and perfectly still. In real life I’m paid to talk on the radio but now I am silenced, now I am nothing. The darkness churns my thoughts until the sound of the door opening again makes everything stop. I presume that the second nurse is leaving me too and I want to shout out, to beg her to stay, to explain I’m just a little lost down the rabbit hole and need some help finding my way back. But she is not leaving. Someone else has entered the room. I can smell him, I can hear him crying and I sense his overwhelming terror at the sight of me.
‘I’m so sorry, Amber. I’m here now.’
He holds my hand a little too tightly. I am the one who has lost myself, he lost me years ago and now I will not be found. The remaining nurse departs, to give us space or privacy or perhaps just because she can sense the situation is too uncomfortable, that something is not as it should be. I don’t want her to go, I don’t want her to leave me alone with him, but I don’t know why.
‘Can you hear me? Please wake up,’ he says, over and over.
My mind recoils from the sound of his voice. The vice tightens around my skull once more, as though a thousand fingers are pushing at my temples. I can’t remember what happened to me, but I know, with unwavering certainty, that this man, my husband, had something to do with it.
Then (#ulink_281c81ff-d26a-570a-b60d-8f63c56b3ab2)
Monday, 19th December 2016 – Afternoon (#ulink_281c81ff-d26a-570a-b60d-8f63c56b3ab2)
I was grateful at first, when Matthew said I could take the rest of the day off. The team had already scattered for lunch, which meant I could avoid any questions or fake concern. It’s only now, as I make my way along Oxford Street, like a salmon swimming against a tide of tourists and shoppers, that I realise he did it for himself; no man wants to sit and stare at a woman’s tear-stained face, knowing that he’s responsible.
Despite being a December afternoon, the sky is bright blue, the sun pushing its way through the scattered unborn clouds to create the illusion of a nice day against a backdrop of haze and doubt. I just need to stop and think, so I do. Right in the middle of the crowded street to the annoyance of everyone else.
‘Amber?’
I look up at the smiling face of a tall man standing right in front of me. At first, nothing comes, but then a flicker of recognition, followed by a flood of memories: Edward.
‘Hi, how are you?’ I manage.
‘I’m great. It’s so good to see you.’
He kisses me on the cheek. I shouldn’t care what I look like, but I wrap my arms around myself as though I’m trying to hide. I notice he looks almost exactly the same. He’s hardly aged at all, despite the ten years it must have been since I last saw him. He’s tanned, as though he’s just come back from somewhere hot, flecks of blond in his brown hair, no hint of grey. He looks so healthy, clean, still uncommonly comfortable in his own bronzed skin. His clothes look new, expensive and I expect the suit beneath the long woollen coat is handmade. The world was always too small for him.
‘Are you OK?’ he asks.
I remember that I’ve been crying, I must look awful. ‘Yes. Well, no. Just had a bit of bad news, that’s all.’
‘I’m sorry to hear that.’
I nod while he waits for a conversation I don’t know how to have. All I can seem to remember is how badly I hurt him. I never really explained why I couldn’t see him any more, I just left his flat one morning, ignored his calls and completely cut him off. He was studying in London, we both were. I still lived at home so I stayed at his flat as often as I could, until it was over, then I never went back.
A woman texting as she walks collides into me. She shakes her head as though it is my fault she wasn’t looking where she was going. The jolt shakes some words from their hiding place.
‘Are you in London for Christmas?’ I ask.
‘Yes. I’ve just moved down here actually with my girlfriend, new job in the Big Smoke.’ My sense of relief is soon replaced by something else. But of course he’s moved on. I tell myself I’m happy for him and force my face to reply with a less than enthusiastic smile accompanied by a lacklustre nod.
‘I can see this isn’t a good time,’ he says. ‘But, look, here’s my card. It would be lovely to catch up at some point. I’m meeting someone and I’m late, but it’s great to see you, Amber.’ I take the card and have another attempt at smiling. He touches me on the shoulder and disappears back into the crowd. He couldn’t wait to get away.
I gather all the little pieces of myself together and switch to autopilot. My legs carry me to a small bar just off Oxford Street. I used to come here with Paul when we started dating. We don’t come here any more, I can’t remember the last time we went out. I thought the familiarity of the place would make me feel safe, but it doesn’t. I order a large glass of red wine and manoeuvre my way to the only free table near the open fire. There’s no guard. I move my chair a little further away from it, despite wanting to get warm. I stare at my glass of Malbec, successfully blocking out the seasonal chaos rushing around. I need to persuade a woman who doesn’t like anyone to like me, and if I stare at my drink for long enough, I’m hoping I’ll think of a solution. At the moment, I’ve got nothing.
I take a sip of the wine, just a small one. It’s good. I close my eyes, swallow it down and enjoy the sensation as it coats my throat. I’ve been so foolish. Everything was going well and now I’ve risked it all. I should have tried harder with Madeline, should have stuck to the plan. I can’t lose this job, not yet. There will be a solution, I’m just not convinced that I can come up with it on my own. I need her. I regret the thought and decide I need another drink instead.
When my glass is empty, I order another and pull my phone out of my bag while I wait. I dial Paul’s number. I should have called him straight away, don’t know why I didn’t. He doesn’t answer, so I try again. Nothing, just his voicemail. I don’t leave a message. My second glass of wine arrives and I take a sip, I need it to numb myself but I know I should slow down. I have to maintain a coherent state of mind if I’m going to get things back on track, which I will, because I have to. I should be able to deal with this on my own, but I can’t.
‘I see you’ve started without me,’ says Jo, unwrapping a ridiculously long scarf from around her neck and sliding into the chair opposite. Her smile vanishes when she takes a proper look at my face. ‘What’s wrong? You look like shit.’
‘You don’t know then?’
‘Know what?’
‘I had a chat with Matthew.’
‘That explains your depressive state,’ she says, glancing down at the wine list.
‘I think I’m going to lose my job.’
Jo stares at my face as though looking for something. ‘What the fuck are you talking about?’
‘Madeline has given him an ultimatum. Either I go or she will.’
‘And he’s told you you’re out? Just like that?’
‘Not quite. I have until the New Year to change her mind.’
‘So change her mind.’
‘How?’
‘I don’t know, but they can’t do this to you.’
‘My contract ends in January, so they can just not renew it without there being any mess. I wouldn’t have a leg to stand on. Plus, I suppose it gives them time to find a suitable replacement over the Christmas break.’ I watch Jo process everything I’ve said and I can see she’s reached the same conclusion I had a couple of hours ago.
‘Drama really follows you like a shadow, doesn’t it?’
‘I’m fucked, aren’t I?’
‘Not yet. We’ll think of something; but, first, we’re going to need more wine,’ she says.
‘Can I get another glass of this, please?’ I ask a passing waiter. I turn back to Jo. ‘I can’t lose this job.’
‘You won’t.’
‘I haven’t had time to do everything I needed to do.’ The waiter is still hovering nearby and gives me a look of concern. I smile. He nods politely and goes to get the wine. I glance around the bar and a straw poll of eyes confirm that I’m being too loud. It happens sometimes when I’m tired or drunk. I remind myself to be quiet.
As soon as the wine arrives, Jo tells me to take a notepad and pen out of my bag. She instructs me to write PROJECT MADELINE in big red letters across the top of a blank page, so I do, underlining the words for good measure. Jo is the kind of girl who likes to write everything down. Being like that can get you into trouble if you aren’t careful. She stares at the notepad and I drink some more of the wine, enjoying the feel of its warmth surging down through my body. I smile and Jo grins back, we’ve had the same idea at the same time, like we so often do. She tells me what to write and I furiously scribble every word on the pad, struggling to keep up with what I’m hearing. It’s a good idea.
‘She thinks they’ll never get rid of her, Madeline Frost is Coffee Morning,’ says Jo. I notice that she hasn’t touched her glass.
‘That’s exactly what Matthew said. Perhaps it could be a new jingle,’ I say, expecting her to smile. She doesn’t.
‘But she doesn’t know how your chat with Matthew went. So, maybe what we need to do is get Madeline to think they’ve had enough of her temper tantrums and that they are going to get rid of her,’ she says.
‘But they’d never do that.’
‘She doesn’t know that for sure. Nobody is irreplaceable any more and I’m starting to think if we plant enough seeds, the idea will start to grow. If she didn’t have that job, she’d be nothing. It’s her life, it’s all she has.’
‘Agreed. But how? There isn’t enough time, not now.’ I start to cry again. I can’t help it.
‘It’s OK. Cry if you need to, get it out of your system. Luckily, you’re a pretty crier.’
‘I’m not a pretty anything.’
‘Why do you do that? You’re beautiful. Admittedly, you could make more of an effort . . .’
‘Thanks.’
‘Sorry, but it’s true. Not wearing make-up doesn’t make you look pale and interesting, it just makes you look pale. You’ve got a nice figure but it’s like you’re always trying to hide beneath the same old clothes.’
‘I am trying to hide.’
‘Well stop it.’
She’s right, I’m a mess. My mind rewinds to Edward, he must have thought he’d had a lucky escape not ending up with me.
‘I just bumped into an ex on Oxford Street,’ I say, studying her face for a reaction.
‘Which one?’
‘There’s no need to say it like that, there weren’t that many.’
‘More than me. Who was it?’
‘It doesn’t matter. I just felt like such a frump, such a loser. I wish he hadn’t seen me looking like that, that’s all.’
‘Who cares? Right now you just need to focus on what matters. Go and buy yourself a new wardrobe; a few new dresses, some new shoes, something with a heel, and get some make-up while you’re at it. You need to look really happy and confident tomorrow, just stick it all on a credit card. Madeline knew he would tell you today, so she’ll be expecting you to be upset, probably doesn’t think you’ll come in at all, but you will. We’ll start some rumours on social media. We’ll take control of the situation. You know what you have to do.’
‘Yes, I do.’
‘So go shopping, then go home. Get an early night and come in tomorrow looking fabulous, as though you don’t have a care in the world.’
I do as I’m told, drain my glass and pay the bill. I’ve always stayed within the lines when colouring in my life, but now I’m prepared to let things get a bit messy. Before leaving the bar, I rip the Project Madeline page from my notebook, screw it up and throw it on the open fire, watching the white paper brown and burn.
Конец ознакомительного фрагмента.
Текст предоставлен ООО «ЛитРес».
Прочитайте эту книгу целиком, купив полную легальную версию (https://www.litres.ru/alice-feeney/sometimes-i-lie-a-psychological-thriller-with-a-killer-twist/) на ЛитРес.
Безопасно оплатить книгу можно банковской картой Visa, MasterCard, Maestro, со счета мобильного телефона, с платежного терминала, в салоне МТС или Связной, через PayPal, WebMoney, Яндекс.Деньги, QIWI Кошелек, бонусными картами или другим удобным Вам способом.
Alice Feeney
Тип: электронная книга
Жанр: Современная зарубежная литература
Язык: на английском языке
Издательство: HarperCollins
Дата публикации: 16.04.2024
Отзывы: Пока нет Добавить отзыв
О книге: ‘Marvellous’ A. J. Finn’A bold and original voice’ Clare Mackintosh‘A brilliant thriller’ Ali LandMy name is Amber Reynolds. There are three things you should know about me.1. I’m in a coma2. My husband doesn’t love me any more3. Sometimes I lieUnnerving, twisted and utterly compelling, you won’t be able to put this thriller down. Perfect for fans of Behind Closed Doors, The Girl on the Train and The Woman in the Window.