Treasury of Greek Mythology: Classic Stories of Gods, Goddesses, Heroes & Monsters
Treasury of Greek Mythology: Classic Stories of Gods, Goddesses, Heroes & Monsters
Christina Balit
National Geographic Kids
Donna Jo Napoli
Published by the National Geographic Society
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Text copyright © 2011 Donna Jo Napoli
Illustrations copyright © 2011 Christina Balit
Compilation copyright © 2011 National Geographic Society
National Geographic Society would like to thank Rosaria Munson, professor of classics at Swarthmore College, for her thoughtful review throughout the process of creating this book. In addition, the Society would like to thank Deborah Roberts, professor of classics and comparative literature at Haverford College, for her generous assistance with resources for this title. The publisher gratefully acknowledges Frances Lincoln, Ltd., for their kindness in licensing several previously published pieces of artwork by Christina Balit.
eBook ISBN: 978-1-4263-1191-8
Hardcover ISBN: 978-1-4263-0844-4
Hardcover Library Binding ISBN: 978-1-4263-0845-1
Library of Congress Cataloging-in-Publication Data
Napoli, Donna Jo, 1948-
Treasury of Greek mythology : classic stories of gods, goddesses, heroes & monsters / by Donna Jo Napoli; illustrated by Christina Balit.
p. cm.
Includes bibliographical references and index.
ISBN 978-1-4263-0844-4 (hardcover : alk. paper) – ISBN 978-1-4263-0845-1 (library binding : alk. paper)
1. Mythology, Greek–Juvenile literature. I. Balit, Christina. II. Title.
BL783.N365 2011
398.20938–dc23
2011024327
Photo Credits
All artwork by Christina Balit unless otherwise noted below:
1 (#litres_trial_promo), keren-seg/ Shutterstock; 2 (#ulink_40189dee-7f39-599c-a652-4ba9ddabacff), Byron W.Moore/ Shutterstock; 3 (#ulink_dd101c11-3a9a-530f-b72d-bf0bad0ac795), jaimaa/ Shutterstock; 4 (#ulink_5ae2f0b4-b2ed-5ede-b611-d7e09c04d6d5), stoyanh/ Shutterstock; 5 (#litres_trial_promo), Christina Balit; 6 (#ulink_fab39d29-044d-5972-971e-3a576bda6630), Araldo de Luca/ Corbis; 7 (#ulink_d2c8063f-57cb-51f5-a319-a2628f57677e), Murat Taner/ Getty Images; 8 (#ulink_f2f45be7-9c2c-55a2-8102-9d226de2980c), Photolibrary.com (http://www.Photolibrary.com); 9 (#litres_trial_promo), Erich Lessing/ Art Resource, NY; 10 (#litres_trial_promo), Hunor Focze/ Shutterstock; 11 (#litres_trial_promo), Arte & Immagini srl/ Corbis; 12 (#litres_trial_promo), Stapleton Collection/ Corbis; 13 (#litres_trial_promo), Jose AS Reyes/ Shutterstock; 14 (#litres_trial_promo), The Bridgeman Art Library/ Getty Images; 15 (#litres_trial_promo), Kevin Carden/ Shutterstock; 16 (#litres_trial_promo), PoodlesRock/ Corbis; 17 (#litres_trial_promo), Sandro Vannini/ Corbis; 18 (#litres_trial_promo), Igor Kovalchuk/ Shutterstock; 19 (#litres_trial_promo), NASA 20 (#litres_trial_promo), Christopher Boswell/ Shutterstock; 21 (#litres_trial_promo), Bettmann/ Corbis; 22 (#litres_trial_promo), David Aguilar; 23 (#litres_trial_promo), Danilo Ascione/ Shutterstock; 24 (#litres_trial_promo), Erich Lessing/ Art Resource, NY; 25 (#litres_trial_promo), Bettmann/ Corbis; 26 (#litres_trial_promo), Mimmo Jodice/ Corbis
v3.1
Version: 2017-07-10
To the spirit of Margaret Reynolds and all classics teachers everywhere—DJN
For the newest member of the gang—Ethan Croucher—CB
Cover (#u0dca3e5a-c726-50f1-8982-4fab7eecf1be)
Title Page (#u25fe66df-bb2c-5cf3-86bf-33791aca6492)
Copyright (#uf7c0e0cd-8191-58e0-a6ea-bb26448c7526)
Dedication (#ubc6f1a16-362d-52e6-af6e-72e42055e17e)
Introduction (#uad9768e7-9934-5aa3-bdc9-b78377aee29c)
GAIA Mother Earth (#u6c1db0a8-f307-59d2-83cd-9915b5ab6ff9)
URANUS Father Heaven (#u8e04dbef-e57b-52e1-9700-f76c983a11f3)
CRONUS Titan King (#ue70b1c3e-1fc0-53f1-bf79-8e0d7f187a35)
ZEUS King of the Gods (#u1aa94f63-7dac-56e2-bee4-7b1c864ba969)
HESTIA Goddess of the Hearth (#u83c50495-42d4-59da-bf2d-a5aa7b30d4e0)
POSEIDON God of the Seas (#u2f06c1ef-f691-5557-9c01-e4f531a21a15)
ATHENA Goddess of Wisdom (#u00b0ec9b-387b-5b30-88e3-5cb28194d874)
HADES God of the Underworld (#litres_trial_promo)
DEMETER Goddess of the Harvest (#litres_trial_promo)
APOLLO God of Music (#litres_trial_promo)
ARTEMIS Goddess of the Hunt (#litres_trial_promo)
HERA Goddess of Marriage (#litres_trial_promo)
HEPHAESTUS God of Metalworking (#litres_trial_promo)
APHRODITE Goddess of Love & Beauty (#litres_trial_promo)
HERMES Messenger of the Gods (#litres_trial_promo)
ARES God of War (#litres_trial_promo)
HELIOS Sun God (#litres_trial_promo)
SELENE Goddess of the Moon (#litres_trial_promo)
DIONYSUS God of Wine (#litres_trial_promo)
PERSEUS The Ill-Fated Hero (#litres_trial_promo)
ORION The Hunter (#litres_trial_promo)
HERACLES The Hero Who Became Immortal (#litres_trial_promo)
JASON Wanderer of the Seas (#litres_trial_promo)
THESEUS The King of Athens (#litres_trial_promo)
HELEN The Lethal Beauty (#litres_trial_promo)
Map of Greece (#litres_trial_promo)
Time Line (#litres_trial_promo)
Cast of Characters (#litres_trial_promo)
Bibliographic Note (#litres_trial_promo)
Find Out More (#litres_trial_promo)
Index (#litres_trial_promo)
Some things about daily life can be counted on. The sun rises, crosses the sky, sets. Stars come out at night. Rivers flow toward the sea. The air and land and waters burst with life. These life-forms feed one another: Plants are eaten by animals, which are eaten by other animals. But there are also interruptions: volcanoes, earthquakes, tsunamis, storms. Life on Earth is complex.
From our earliest records of human activity, we can conclude that people recognized this complexity and wanted to explain it. So far as we know, humans are the only creatures who entertain a wide variety of questions about the nature of existence. The questions that people from different societies raise are often quite similar, but the answers they give and the relative importance they assign to these answers can be significantly different. And those answers define the human values of our societies. They are at once based on intellect, experience, and emotion. And from them, we draw our ethics, our rituals, and our storytelling.
In this book we find answers offered by the ancient Greeks to many of the questions humans long to understand. But we also find gods, goddesses, heroes, and monsters who love and hate and grow jealous and get duped; they are blessed and cursed with all the emotions that enrich and plague ordinary humans. In reading the myths, we begin to understand that the ancient Greeks must have wanted more than just the big answers from their gods. They must have also wanted their gods to be a reflection that could help them understand themselves.
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From the earliest nothingness came air and water and earth, all churning and whirling until they were inextricably bound and life became inevitable: A tree sprouted and grew strong and unruly, fruited with gods and goddesses whose powers thrived under the sun and moon and stars, stretching into every corner of the universe. That tree would nourish and confound the lives of the simple mortals yet to come.
How do you get something from nothing? Not easily, it would seem.
From empty Chaos, somehow sea and earth and air appeared. They drifted around, pieces of each getting lost in the other. No water was swimmable, no land was walkable, no gas was breathable. Anything hot could quickly turn cold. Anything cold could burst into flames. Shapes shifted, textures shifted. Objects merged one into the other effortlessly, then suddenly—slam! One or both turned inexplicably hard. What was heavy became weightless. What was weightless crashed through earth and sea and air, shattering and splattering and scattering bits of everything and nothing.
Rules of nature? They didn’t operate. Indeed, there was no nature. There was nothing reliable in this turmoil except lack of order. And lack is the essence of need.
Out of that original need came the mother force, Gaia. All on her own. Need can do that.
Gaia sucked up heat and stored it in her heart. She wrapped herself round and round with anything solid she could reach, growing firmer with each layering. She pulled together her glassy sands, lifting them, grain by grain—free of air, to form deserts; free of water, to form beaches. She pushed together gigantic plates of rock until her mountains rose high, so far from her scalding heart that snow settled on their peaks.
As Gaia disentangled herself from the waters and the gases, the seas fell together in giant puddles, the heavens arched over it all. In this way the emergence of Gaia led to both the wholeness of the seas, called Pontus, and the wholeness of the heavens, called Uranus.
Gaia is the flowing circle of heat, whose energy allowed land and sea and air to gather and welcome life. She’s known as Mother Earth.
But Gaia was generous, as a mother should be. She opened her veins so water could rush through rivers and creeks, and pool together in large low lakes and small hidden ponds. She yielded here and there to the gases, allowing crevices to cradle them. One in particular was huge and gaping: the waiting hole for the dead. But at this point she didn’t know that. She knew things only as they happened, like a child encountering everything for the first time. She created the hole almost as though she understood instinctually all the gain and loss that would follow from her generosity.
The seas learned from Gaia and welcomed islands. The skies learned from Gaia and welcomed stars. And then the seas and skies went further and worked together to cycle water from the salty seas to the skies, then fresh and sweet to the lands, who returned it once more to the seas.
But Gaia was not the only child of the enormous original need; there were two others. One was Tartarus, the Underworld. The other was Eros, the god of love. Then Chaos gave a giant yawn and out flowed the total darkness of Night as well as Erebus. Erebus, like Gaia, was a place as well as a force, seeking to fill crannies. Erebus settled into the hole for the dead and became the upper part of the Underworld.
Eros was beautiful, but not ordinary beautiful. Eros’ beauty made the others quiver. It made them dream of being enveloped in warm caresses. Of getting drunk on thick creamy honey. Of swooning from ambrosia. Of whirling to tinkling music. Of being dazzled by sparkles in this lightless world.
So Night and Erebus fell in love, and Night gave birth to Day. And with light, in the lushness of fresh and salty water and in the expansiveness of air, life on Earth began. Grasses and vines wound their way around the globe. Bushes gently bloomed.
Gaia watched Night and Erebus with envy. She felt so alone. She was the cause of all this wonder, yet none of it satisfied her. She was hungry, longing, needy. And so she turned to the heavens and the seas—Uranus and Pontus. She loved them both, of course. But Uranus seemed soothing, while Pontus seemed raging. So she chose Uranus as her husband.
Let There Be LIGHT
Around the world, stories of the creation of life appear. Usually the sun plays an important role in these stories, which is no surprise, given how important the sun is to life on Earth. Greek mythology is different in a strange way, though: Daylight appears early in the creation story, but daylight is not connected to the sun, at least not initially. Interestingly, in the Book of Genesis the appearance of light also precedes the appearance of the sun.
A light-burst shines bright in space.
Uranus was the god of heaven. He was the brother of the sea god Pontus. And the earth goddess Gaia chose him for her husband.
Uranus spread himself over Gaia, enveloping her in that comforting way that the sky has on warm spring and summer nights. He dazzled her with stars, fulfilling the dreams that Eros had given her. He swirled through her trees, setting leaves atremble. He wafted across her meadows, freeing milkweed seeds to float everywhere, everywhere. He was tender. That’s what she loved the most. That’s what made earth and sky harmonious.
They inspired each other, and then Pontus, as well. The three were partners. Soon the lands ran with all manner of wild beasts, the skies hovered with hummingbirds and swooped with falcons, the seas teemed with gleaming fish. Under the beneficent smiles of Gaia and Uranus and Pontus, life in the universe pulsed and whispered and sang.
In those songs, Gaia bore Uranus children, so many children. A flood of sons and daughters—12 in all.
Uranus was overwhelmed. These children were strong and large. And he feared they’d take over the far reaches of the universe. One wanted to play in the deepest swirls of the water. One wanted to shine from on high even brighter than Uranus himself. One wanted to play in the darkest corners of the Underworld.
Distant Planet
The planet Uranus moves slowly and is dim. It consists of icy water, ammonia, and methane gas, surrounded by clouds of mostly hydrogen with a thin outer layer of methane. The outer layer makes Uranus appear blue-green. Winds race across its liquid surface at dizzying speeds. This cold planet is tilted so that its axis of rotation nearly faces the sun. When we look at it through a telescope, its many moons resemble circles around the bull’s-eye of a target.
An artist’s depiction of the planet Uranus
On top of that, they were unruly. One asked questions incessantly. One acted all high-and-mighty and righteous. One behaved as though she were more motherly than even her bounteous mother Gaia—what presumption! These children were driving Uranus half crazy.
They were too strong. They were too many.
He called them the Titans, which meant “stretchers,” because they wanted to stretch themselves in every direction. They wanted power. That was it! That was exactly it. And if they should decide to conspire against him …
Uranus shuddered in fear. They were his own children, but his heart turned cold at the very thought of them.
And so he trapped them inside their mother, deep within the recesses of the Earth.
Yet Gaia loved Uranus. She bore him more children, but Uranus’ fear poisoned them. They were three sons—strong, yes strapping in fact. But each had only one eye, set in the very middle of his forehead. Uranus called them the Cyclopes, which meant “wheel eyes,” and the very sight of them made his mouth go sour. Still Gaia loved Uranus. She bore him more children. By this point Uranus’ fear had turned to hatred. The children of such a father couldn’t help but be misshapen in hideous ways. They were three more sons, of exceptional power, but each had fifty heads and one hundred arms shooting from his shoulders. Uranus turned his head away, his stomach roiling.
And so Uranus kept them all—all his progeny with Gaia—imprisoned within the crevasses and caverns of the Earth.
Uranus’ fear of his Titan children poisoned him so much that his later children were all monstrous, from having only one eye to having a hundred arms and fifty heads.
Gaia moaned in pain. Her children were thwarted when they should have been thriving. What had happened to tenderness? Where had mercy gone? Her husband had become monstrous.
And so Gaia swallowed her sobs and picked up a great curved blade—the sharpest sickle. She spoke to the children within her. “Your father is evil. Listen to me. Do as I say. Then you can lead free lives.”
The children, large as they were, strong as they were, many as they were, huddled together, uncertain. How could their mother say such things? Uranus was their father.
But the youngest Titan, Cronus, didn’t huddle. “Mother, I will do the deed.” He took the sickle.
Cronus, the Titan son of Gaia, Mother Earth, and Uranus, Father Heaven, lived deep in the Earth, where his father had locked him and his brothers and sisters. While the others quaked in fear at their father and hid in the shadows of their mother, Cronus just watched and listened.
Gaia suffered. The cruelty of this father toward his children was unbearable. She tore her hair, she gnashed her teeth. And in the end, she offered her children an adamantine sickle—lustrous and unbreakable—to confront their father with. Horrified, the children retreated. All but Cronus. Where his courage came from, he didn’t know, but he never hesitated. He waited until nightfall, when his father was asleep. Then silently, stealthily, he struck. Wicked Uranus—his fear became a self-fulfilling prophecy. Cruelty is the snake that bites its own tail.
The blow was powerful. Not lethal—no, the old man lived on. But withering—he became a shadow of himself, his strength a memory. An immortal god humiliated for all time.
The blood of Uranus splattered across Gaia. Gaia spun and spun. Yes, she had wanted freedom for her children, yes and yes. But, oh, the cost was so dear. She could do nothing but spin through the whole year. And as she spun the blood drops seeped deep within her. From them sprang three more groups of children.
The furious Erinyes immediately took to the air and flew above Gaia, screaming for vengeance. They were their father’s daughters. They wept blood as their serpent hair snapped at the winds.
The giants lumbered forth heavily armed, with breastplates and spears at the ready. They looked around, dazed by their sudden existence, knowing nothing about who was at fault—mother or father, who could know? But one thing was for sure: They had to find a way to wage battle.
The numerous nymphs didn’t hesitate; they were their mother’s daughters. They ran over the boundless earth, hiding in streams and woodland glades and cool grottoes. They laughed and played, confident already that they would bring delight to a world that so clearly pined for them.
Parts of Uranus splattered across the seas, as well, and thus sprang up the very last child that he would ever father, riding on the sea foam: Aphrodite, who even as a child caused those who viewed her to fall to their knees in wonderment at her beauty.
THE RULE of the Titans
Gaia and Uranus had 12 Titan children. Cronus was leader, with Rhea as wife. Oceanus encircled the world in water, while Tethys was mother to land rivers. Hyperion was lord of light, with Theia shining beside him. The other Titans were important mostly because their descendants were remarkable. Titans ruled in the Golden Age but were overthrown by younger gods—the Olympians. One Titan, though—Themis—had lasting importance throughout Greek mythology. She was goddess of right and wrong, embodiment of justice.
The sun rising over the horizon
Not every little thing was right with the universe, but all was far better than it had been for Cronus and his brothers and sisters; they were free. Cronus crowed at his victory. Both his mother and father looked at him with fear. Each parent, separate and hushed, prophesied to him that he would be stripped of his power by his own son.
The prophecy ate at him, for no one knew better than Cronus the destruction that a child could wreak. He grew sleepless, wild-eyed. Cronus, who had felt no fear as a child, now felt nothing but fear. He distrusted at random, and for no reason at all locked his brothers, the Cyclopes and the hundred-handed ones, in the deepest part of the Underworld, dark Tartarus. He could tolerate the company only of his fellow Titans.
Then his Titan sister Rhea caught his eye. She was too lovely to resist. So he took her as his wife. But each time she gave birth— producing glorious children, the daughters Hestia and Demeter and Hera, the sons Hades and Poseidon—he panicked and swallowed them. Cannibal? No. No no. He told himself this was simply self-protection.
Rhea, like Gaia before her, felt herself drowning in grief. And, like Gaia before her, she finally reached the dreadful conclusion, the only conclusion: She must stop the brutality. When she recognized the first stirrings of a new baby within her, she asked her parents, Gaia and Uranus, for help. They shepherded her off to the island of Crete, where she gave birth in secrecy to her son Zeus.
Then she left her newborn son for her mother to raise, swaddled a stone, and hurried home to Cronus, who quickly seized the false babe and swallowed it. Wretched Cronus, completely duped, completely ignorant that his son Zeus lived, completely doomed.
Cronus’ fear of his children transformed his body into their prison—swallow, swallow, five times. But the sixth time he swallowed the swaddled stone and began his own demise.
Young Zeus clambered up the rocks behind a billy goat. He walked the mountain ridge and stopped on the highest peak of Crete to look out over the salt-white sea that stretched to Africa. He turned and there was Gaia, his grandmother, who had raised him.
“You’re strong enough,” she said. “It’s your turn.”
Zeus’ heartbeat raced. It filled his head. It filled his whole self. He needed no further information or encouragement. His father, Cronus, had swallowed his brothers and sisters at their births. Zeus had escaped only because his mother, Rhea, had fooled the fear-crazed man into swallowing a stone instead. The boy had grown strong, fearsome, clever. He now went quickly to meet his father for the first time. He was primed for this. Armed. This was the moment of defeat or victory, yet his nerves were steady. He felt strangely elated.
While Zeus journeyed, Gaia reached out to Cronus and crooned in rocking tones that penetrated in that deep way only a mother’s voice can. The suggestion was too powerful; Cronus doubled over. The stone and children within spewed forth from his mouth, landing at the feet of the newly arrived Zeus.
The five older children of Cronus—Hestia, Poseidon, Hades, Demeter, and Hera—aligned themselves with Zeus against their father. What else could they do? Zeus meant freedom, a delicious new idea.
But Cronus had brothers and sisters, too. He called the Titans to his side.
War began. And continued, as wars will do. For ten years the battle scorched the earth, smoked the skies, sullied the waters. Bitter as bile, it wore away at everyone’s spirits. Until Gaia, the earth mother who had started all life, told Zeus he would win if he liberated her other children—his misshapen uncles and his one-eyed uncles—that Cronus had cast into Tartarus, the Underworld.
WARS of Ancient Greece
Mythological wars might reflect stories about real prehistoric wars. The war between the Titans and Olympians lasted ten years, according to the ancient Greek poet Hesiod. Another great war, between Greece and Troy, also lasted ten years, according to the poet Homer. (Poets were often the historians of their age.) We have no information about actual wars from before or during the lives of these poets.
An ancient Greek soldier
Zeus never wasted a moment on second thoughts. He freed the three brothers with fifty heads and one hundred hands each. He freed the three Cyclopes. In surprised gratitude, the Cyclopes gave Zeus the spitting lightning bolt and deafening thunder with which to split the skies and flame the earth. They gave his brothers gifts, too. On Poseidon they bestowed a sharp, gleaming trident with which to smite the seabeds and raise massive waves. To Hades they gave a helmet of invisibility with which to disappear.
These hundred-handed and one-eyed brothers fought beside their nieces and nephews, all against the Titans. And the nephews let loose with their newly gained ferocity. No longer was the battle simply hurling rocks and spears, and crushing the enemy with axes. Oh, no. Zeus hurled bolts, burned the forests, and left them smoldering. He cast flames so hot the seas boiled and parts of the Earth melted. Poseidon shook the Earth so rivers crashed through their sidewalls. Hades raced unseen among all, stabbing, smashing, maiming.
As Zeus saw it, the war amounted to old against young, and the young gods won, as they had to. That is the nature of things. By the end of the war, both sets of gods fought from mountaintops—the Titans from Mount Othrys, the young gods from Mount Olympus. So after the war the young gods were known as the Olympians.
Zeus had the Titans sealed in Tartarus with the hundred-handed ones as guards. Gaia was flummoxed. What was the point of locking away the Titans? Why did Zeus have to be as vengeful as his father? And so she gave birth to her last child, the monster Typhon. From his shoulders sprang a hundred serpentine heads with flickering black tongues uttering every noise imaginable—human, bestial, thunderous. Typhon’s eyes flashed fire. Everyone fell back in terror. Except Zeus. He had lightning, a force unsurpassed. He burned off Typhon’s heads and banished him to become wild winds that cursed sailors on the high seas. Zeus was the undisputed king.
Gaia gave birth to the monster Typhon, hoping he could stand up to his bully brother Zeus. But the weapon of the thunderbolt allowed Zeus to conquer Typhon’s hundred heads.
The Olympian brothers divided up rulership of the universe. Poseidon took the seas; Hades, the Underworld; Zeus, everything else. The division wasn’t equal, and the Olympian sisters were left out entirely. But that was typical of Zeus. He was brought up to believe he was entitled. Nothing ever changed his mind.
Hestia’s first memory was of blackness. And stifling heat. Then something tumbled in beside her, all wiggly. And another wiggly something. And two more. And, finally, a giant lump. She was crowded, poked and prodded, cramped. And so breathlessly, unrelentingly hot. She didn’t know she was trapped in her father Cronus’ belly. She didn’t know the wiggly somethings around her were her sisters Demeter and then Hera, and her brothers Hades and then Poseidon. She didn’t know the lump was a stone her father had been duped into swallowing in place of his sixth child. She knew only great discomfort and an undefined lack that gnawed at her spirit. Something was supposed to be happening. Someone was supposed to be there. Somehow everything was wrong, everything hurt. A vague fear lodged in her heart.
Then came a constriction so tight and forceful, Hestia screamed, there in the place with no air. Silent and pained, she screamed and screamed until her throat was raw, and she was pushed up and up and out. She lay, disgorged on the ground, with brothers and sisters and that one stone, blinking at the rude light of day, shrinking from the edginess of the noises carried through the air, wet and shivering and shocked to be separate from the four other wiggly bodies and the lump of a stone.
GENTLE Goddess
Hestia is a mysterious figure; she appears only as the goddess prayed to about family matters. The ancient Greeks seemed to hold family concerns private, separate from the usual squabbles of their stories. The earliest records of family law in Greece are the codes of Gortyn in Crete in 450 B.C., which concern finances; they don’t tell how an ordinary family should behave at home. Probably the father ruled, given how royal households in Greek mythology behaved. But that’s just a guess.
A temple dedicated to Hestia, illustrated on an ancient coin
Her brother Zeus had freed them, strange thing that he was, all tanned and muscular and accustomed to everything Hestia found so foreign. He freed them, only to tell them they must fight at his side against their father Cronus and his sister and brother Titans. Rocks, spears, axes. Shouts, cries, howls. Freed into a war? This was freedom? Was the world insane?
Hestia cringed. She picked up rocks in both hands and feigned interest whenever others watched her, but, fortunately, they rarely did. She climbed trees and peeked through their thick foliage, hoping for a glimpse of her mother Rhea, of the arms that had never cradled her, the hands that had never caressed her. She built a mound of stones with a pit in the middle and sat there hidden, wondering when the sweat and blood and tears would ever stop, and, if they did, who she would then be. For up to this point, she had been no one, really.
And then it ended. But not because the animosity had run its course. No. It ended because her brother Zeus got the help of strange men with fifty heads and a hundred arms, and because other strange men with a single eye in the middle of their foreheads gave Zeus the lightning bolt—the great cheat. That’s how the war ended—with one side getting a weapon the other had no equal of. Cheat cheat cheat.
Hestia’s brothers were impressed with Zeus’ power. Poseidon was only too happy to rule the seas, Hades was only too happy to rule the Underworld, and both were only too happy to leave the rest to Zeus.
Hestia’s sisters were impressed with Zeus’ tanned skin and muscled legs and arms and chest and back. Each looked at him with flirty eyes.
Only Hestia saw Zeus as a frightful maniac. She kept her distance from him and all other males, like a shy spider.
She looked everywhere, and she saw the families the Titans had formed over the years, and she saw the families their children were forming and the families their grandchildren were forming, and she saw a kind of love that made her ache. They sat around the hearth eating and talking and teasing with one another. They hugged and laughed. That love—that was what Hestia wanted to foster in the world. And so Hestia became the goddess of hearth and home, and in her quiet, still way she finally banished the fear from her heart and found a gentle, soothing peace.
Ancient Greek families took consolation from knowing Hestia watched over their daily home life in the gentlest of ways. And Hestia found peace in giving that consolation.
Poseidon, along with his brother Hades, and his sisters Hestia and Demeter and Hera, was swallowed at birth by his father Cronus. Then a sixth child, Zeus, who was never swallowed, and thus had never known humiliation, freed them. Poseidon sized things up: Zeus was a force to be reckoned with—that was the guy to follow.
For ten long years, the six brothers and sisters fought their father and aunts and uncles—the mighty Titans. It was a nasty war, but what war isn’t? Poseidon gritted his teeth and did his part. He was no coward, after all. He donned armor and went dutifully into battle. He never lagged.
But now and then there was a lull in the battle, perhaps because Zeus got distracted or because the Titans, despite their huge size, needed a rest. Who knew? No one ever explained things to Poseidon. Whatever the case, Poseidon was grateful, and in those moments he took refuge in visiting Pontus, the ancient god of all the waters, the partner to his grandmother Gaia, Mother Earth, and his grandfather Uranus, Father Heaven. He swam in Pontus’ waters, and, despite how badly his life had gone so far, despite all the time locked up in his father’s belly, despite all the long years of savage war, he was happy. He found joy in the buoyancy of diving whales, he found beauteous rhythm in the undulating wake of eels, he found humor in the scuttling of crabs.
Best of all, Poseidon found a friend in the oldest son of Pontus and Gaia. His name was Nereus, and he loved the watery depths as much as Poseidon did. Together they plunged to the corals and sponges that lived on the seabed. They rode on the backs of turtles. They flapped their arms like the rays they followed, then let them hang with their legs moving at the whim of the currents like the tentacles of the nearly transparent jellyfish.
But then it was back to war, until the glorious moment when the hundred-handed sons of Gaia joined the battle on Zeus’ side, and then the Cyclopes gave Zeus the thunderbolt and Hades the helmet that made him invisible and Poseidon the trident. It worked, that trident. It worked splendidly. Poseidon struck it on the ground and the earth shook, boulders tumbled to the sea, rivers overflowed their banks. Ha! The Olympian gods won.
And Zeus appointed Poseidon ruler of the seas. Poseidon knew his brother felt the seas were an inferior realm to rule. Ha again! Nothing could have pleased Poseidon more.
WATER Gods
Many gods ruled the waters beside Pontus, Nereus, and Poseidon. Poseidon’s son Triton trumpeted the noises of moving water. His son Proteus changed shape at will—as seas seemed to do to the ancient Greeks. The Titan Oceanus was a continuous water loop: the connected system of the Earth’s five oceans. Then there were saltwater nymphs (Nereids), freshwater nymphs (Naiads), and three mortals who became sea divinities. The variety of gods may reflect ancient Greek knowledge of the complexities of the water systems.
The sea god Triton at the Trevi Fountain in Rome
With his black mane flying out behind him, he swam the seas in search of those who might need his help. It was a welcome antidote to that tedious war. And when he wasn’t patrolling, he let himself be absorbed in the watery mysteries.
That’s when he discovered the finest mystery ever. She was the granddaughter of Pontus and Gaia, and the daughter of the lordly sea god Phorcys and the lovely cheeked sea goddess Ceto. That heritage made her the perfect wife in Poseidon’s eyes. She was one of three sisters, called the Gorgons. The other two sisters were immortal, like the gods. But Medusa, as she was called, was mortal.
Poseidon found her mortality that much more alluring. She was vulnerable. How amazing to know someone vulnerable. He put his arms out and let the serpents of her hair swarm around them. Good! Those serpents could bite and poison—good protection. He gingerly touched the wings that jutted from her shoulder blades. Good good! Those wings could carry her far from an attacker. He stroked her scales. Ah, very good indeed! They were harder than armor. And most assuring of all, she had a special power: Anything mortal that looked directly at her face would turn instantly to stone. That should do it.
And so Poseidon felt almost safe in loving Medusa. They reveled together in his sea kingdom. At least for a while.
Humans who viewed Medusa’s ugly face turned to stone. Yet Poseidon found her wonderful and fell passionately in love, caressed by her serpent hair in the deep ocean waters.
During the period when Cronus ruled the world, the Titans lived large, some on the land and some in the seas. The deepest oceans were the haunt of Oceanus, a Titan brimming with the need to spread his waters everywhere. His sister Tethys swam beside him, lithe, graceful, and white-haired. Not gray—she was not aged. Not silver—she was not a source of light. True white. Pure as mother’s milk. It was that white hair that had captured Oceanus. He took Tethys as his wife.
Together they created so many sons, all strong rivers, from the great Nile of Egypt, to the famous Skamander of Troy, to the many that emptied into the friendly Black Sea. They swirled in eddies, they rippled with gusto, they rushed over cliffs and fell in loud, energetic sheets to the rocks below.
Then Oceanus and Tethys created so many daughters, all water nymphs, some inhabiting pools in foothills, some splashing in springs, some slipping through swamps. Each nymph was unique: one rosy, one nimble, one soft-eyed, one knowing—all charming.
When Zeus, the youngest son of Cronus, deposed his father and took his place on the throne as king of the universe, his eye fell on one of these nymphs, and he was indeed charmed. Metis, known as the wise one, seemed to flow like water to Zeus, cool and soothing. Watching her was like swimming in a clear, bubbling spring. He was smitten. And since he was king and felt he deserved anything he wanted, he simply took her as his wife. Metis soon had a child growing within her.
BIRTHPLACE of Democracy
Athena gave the olive tree to a special city, thereafter named Athens. Around 500 B.C., Athens decided citizens should vote. Democracy was born! But women were not included. Men had many powers unique to them. The only power unique to women was childbearing. In the Athena myth, Athena is born from Zeus’ forehead. Certainly the Greeks knew men don’t give birth. But maybe they wished men did, for Uranus, Cronus, and Zeus, each in his own way, tried to take this power from womanhood.
Olive trees in front of ancient ruins in Athens, Greece
That’s when Zeus’ grandmother Gaia and grandfather Uranus gave him the ugly warning that, by now, he almost expected: Metis would bear him a daughter and then a son, and the son would be invincible. That splendid son, that wretched and hateful son, he would overcome his father. The curse felt never-ending: Uranus was overcome by his son Cronus, Cronus was overcome by his son Zeus, and now Zeus would be overcome by the son that Metis was fated to bear him.
Zeus would have none of it. His grandfather Uranus had tried to prevent his overthrow by imprisoning his children inside their mother Gaia. A failed attempt. His father Cronus had tried to prevent his overthrow by imprisoning his children inside himself. Another failed attempt. Zeus was smarter than either of them. He opened his mouth wide and drank Metis—simply drank her, like a glass of the best sparkling water in the world. So long as she was trapped inside him, he could never make a son with her, so the prophecy was null and void.
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Christina Balit
National Geographic Kids
Donna Jo Napoli
Published by the National Geographic Society
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Text copyright © 2011 Donna Jo Napoli
Illustrations copyright © 2011 Christina Balit
Compilation copyright © 2011 National Geographic Society
National Geographic Society would like to thank Rosaria Munson, professor of classics at Swarthmore College, for her thoughtful review throughout the process of creating this book. In addition, the Society would like to thank Deborah Roberts, professor of classics and comparative literature at Haverford College, for her generous assistance with resources for this title. The publisher gratefully acknowledges Frances Lincoln, Ltd., for their kindness in licensing several previously published pieces of artwork by Christina Balit.
eBook ISBN: 978-1-4263-1191-8
Hardcover ISBN: 978-1-4263-0844-4
Hardcover Library Binding ISBN: 978-1-4263-0845-1
Library of Congress Cataloging-in-Publication Data
Napoli, Donna Jo, 1948-
Treasury of Greek mythology : classic stories of gods, goddesses, heroes & monsters / by Donna Jo Napoli; illustrated by Christina Balit.
p. cm.
Includes bibliographical references and index.
ISBN 978-1-4263-0844-4 (hardcover : alk. paper) – ISBN 978-1-4263-0845-1 (library binding : alk. paper)
1. Mythology, Greek–Juvenile literature. I. Balit, Christina. II. Title.
BL783.N365 2011
398.20938–dc23
2011024327
Photo Credits
All artwork by Christina Balit unless otherwise noted below:
1 (#litres_trial_promo), keren-seg/ Shutterstock; 2 (#ulink_40189dee-7f39-599c-a652-4ba9ddabacff), Byron W.Moore/ Shutterstock; 3 (#ulink_dd101c11-3a9a-530f-b72d-bf0bad0ac795), jaimaa/ Shutterstock; 4 (#ulink_5ae2f0b4-b2ed-5ede-b611-d7e09c04d6d5), stoyanh/ Shutterstock; 5 (#litres_trial_promo), Christina Balit; 6 (#ulink_fab39d29-044d-5972-971e-3a576bda6630), Araldo de Luca/ Corbis; 7 (#ulink_d2c8063f-57cb-51f5-a319-a2628f57677e), Murat Taner/ Getty Images; 8 (#ulink_f2f45be7-9c2c-55a2-8102-9d226de2980c), Photolibrary.com (http://www.Photolibrary.com); 9 (#litres_trial_promo), Erich Lessing/ Art Resource, NY; 10 (#litres_trial_promo), Hunor Focze/ Shutterstock; 11 (#litres_trial_promo), Arte & Immagini srl/ Corbis; 12 (#litres_trial_promo), Stapleton Collection/ Corbis; 13 (#litres_trial_promo), Jose AS Reyes/ Shutterstock; 14 (#litres_trial_promo), The Bridgeman Art Library/ Getty Images; 15 (#litres_trial_promo), Kevin Carden/ Shutterstock; 16 (#litres_trial_promo), PoodlesRock/ Corbis; 17 (#litres_trial_promo), Sandro Vannini/ Corbis; 18 (#litres_trial_promo), Igor Kovalchuk/ Shutterstock; 19 (#litres_trial_promo), NASA 20 (#litres_trial_promo), Christopher Boswell/ Shutterstock; 21 (#litres_trial_promo), Bettmann/ Corbis; 22 (#litres_trial_promo), David Aguilar; 23 (#litres_trial_promo), Danilo Ascione/ Shutterstock; 24 (#litres_trial_promo), Erich Lessing/ Art Resource, NY; 25 (#litres_trial_promo), Bettmann/ Corbis; 26 (#litres_trial_promo), Mimmo Jodice/ Corbis
v3.1
Version: 2017-07-10
To the spirit of Margaret Reynolds and all classics teachers everywhere—DJN
For the newest member of the gang—Ethan Croucher—CB
Cover (#u0dca3e5a-c726-50f1-8982-4fab7eecf1be)
Title Page (#u25fe66df-bb2c-5cf3-86bf-33791aca6492)
Copyright (#uf7c0e0cd-8191-58e0-a6ea-bb26448c7526)
Dedication (#ubc6f1a16-362d-52e6-af6e-72e42055e17e)
Introduction (#uad9768e7-9934-5aa3-bdc9-b78377aee29c)
GAIA Mother Earth (#u6c1db0a8-f307-59d2-83cd-9915b5ab6ff9)
URANUS Father Heaven (#u8e04dbef-e57b-52e1-9700-f76c983a11f3)
CRONUS Titan King (#ue70b1c3e-1fc0-53f1-bf79-8e0d7f187a35)
ZEUS King of the Gods (#u1aa94f63-7dac-56e2-bee4-7b1c864ba969)
HESTIA Goddess of the Hearth (#u83c50495-42d4-59da-bf2d-a5aa7b30d4e0)
POSEIDON God of the Seas (#u2f06c1ef-f691-5557-9c01-e4f531a21a15)
ATHENA Goddess of Wisdom (#u00b0ec9b-387b-5b30-88e3-5cb28194d874)
HADES God of the Underworld (#litres_trial_promo)
DEMETER Goddess of the Harvest (#litres_trial_promo)
APOLLO God of Music (#litres_trial_promo)
ARTEMIS Goddess of the Hunt (#litres_trial_promo)
HERA Goddess of Marriage (#litres_trial_promo)
HEPHAESTUS God of Metalworking (#litres_trial_promo)
APHRODITE Goddess of Love & Beauty (#litres_trial_promo)
HERMES Messenger of the Gods (#litres_trial_promo)
ARES God of War (#litres_trial_promo)
HELIOS Sun God (#litres_trial_promo)
SELENE Goddess of the Moon (#litres_trial_promo)
DIONYSUS God of Wine (#litres_trial_promo)
PERSEUS The Ill-Fated Hero (#litres_trial_promo)
ORION The Hunter (#litres_trial_promo)
HERACLES The Hero Who Became Immortal (#litres_trial_promo)
JASON Wanderer of the Seas (#litres_trial_promo)
THESEUS The King of Athens (#litres_trial_promo)
HELEN The Lethal Beauty (#litres_trial_promo)
Map of Greece (#litres_trial_promo)
Time Line (#litres_trial_promo)
Cast of Characters (#litres_trial_promo)
Bibliographic Note (#litres_trial_promo)
Find Out More (#litres_trial_promo)
Index (#litres_trial_promo)
Some things about daily life can be counted on. The sun rises, crosses the sky, sets. Stars come out at night. Rivers flow toward the sea. The air and land and waters burst with life. These life-forms feed one another: Plants are eaten by animals, which are eaten by other animals. But there are also interruptions: volcanoes, earthquakes, tsunamis, storms. Life on Earth is complex.
From our earliest records of human activity, we can conclude that people recognized this complexity and wanted to explain it. So far as we know, humans are the only creatures who entertain a wide variety of questions about the nature of existence. The questions that people from different societies raise are often quite similar, but the answers they give and the relative importance they assign to these answers can be significantly different. And those answers define the human values of our societies. They are at once based on intellect, experience, and emotion. And from them, we draw our ethics, our rituals, and our storytelling.
In this book we find answers offered by the ancient Greeks to many of the questions humans long to understand. But we also find gods, goddesses, heroes, and monsters who love and hate and grow jealous and get duped; they are blessed and cursed with all the emotions that enrich and plague ordinary humans. In reading the myths, we begin to understand that the ancient Greeks must have wanted more than just the big answers from their gods. They must have also wanted their gods to be a reflection that could help them understand themselves.
A note to ebook readers: We hope you find the art in this book as enchanting as we do. To experience it in more detail, you may be able to enlarge it. In most reading systems, you can double tap on the image to bring up a full-screen viewer with zoom and pan functionality.
From the earliest nothingness came air and water and earth, all churning and whirling until they were inextricably bound and life became inevitable: A tree sprouted and grew strong and unruly, fruited with gods and goddesses whose powers thrived under the sun and moon and stars, stretching into every corner of the universe. That tree would nourish and confound the lives of the simple mortals yet to come.
How do you get something from nothing? Not easily, it would seem.
From empty Chaos, somehow sea and earth and air appeared. They drifted around, pieces of each getting lost in the other. No water was swimmable, no land was walkable, no gas was breathable. Anything hot could quickly turn cold. Anything cold could burst into flames. Shapes shifted, textures shifted. Objects merged one into the other effortlessly, then suddenly—slam! One or both turned inexplicably hard. What was heavy became weightless. What was weightless crashed through earth and sea and air, shattering and splattering and scattering bits of everything and nothing.
Rules of nature? They didn’t operate. Indeed, there was no nature. There was nothing reliable in this turmoil except lack of order. And lack is the essence of need.
Out of that original need came the mother force, Gaia. All on her own. Need can do that.
Gaia sucked up heat and stored it in her heart. She wrapped herself round and round with anything solid she could reach, growing firmer with each layering. She pulled together her glassy sands, lifting them, grain by grain—free of air, to form deserts; free of water, to form beaches. She pushed together gigantic plates of rock until her mountains rose high, so far from her scalding heart that snow settled on their peaks.
As Gaia disentangled herself from the waters and the gases, the seas fell together in giant puddles, the heavens arched over it all. In this way the emergence of Gaia led to both the wholeness of the seas, called Pontus, and the wholeness of the heavens, called Uranus.
Gaia is the flowing circle of heat, whose energy allowed land and sea and air to gather and welcome life. She’s known as Mother Earth.
But Gaia was generous, as a mother should be. She opened her veins so water could rush through rivers and creeks, and pool together in large low lakes and small hidden ponds. She yielded here and there to the gases, allowing crevices to cradle them. One in particular was huge and gaping: the waiting hole for the dead. But at this point she didn’t know that. She knew things only as they happened, like a child encountering everything for the first time. She created the hole almost as though she understood instinctually all the gain and loss that would follow from her generosity.
The seas learned from Gaia and welcomed islands. The skies learned from Gaia and welcomed stars. And then the seas and skies went further and worked together to cycle water from the salty seas to the skies, then fresh and sweet to the lands, who returned it once more to the seas.
But Gaia was not the only child of the enormous original need; there were two others. One was Tartarus, the Underworld. The other was Eros, the god of love. Then Chaos gave a giant yawn and out flowed the total darkness of Night as well as Erebus. Erebus, like Gaia, was a place as well as a force, seeking to fill crannies. Erebus settled into the hole for the dead and became the upper part of the Underworld.
Eros was beautiful, but not ordinary beautiful. Eros’ beauty made the others quiver. It made them dream of being enveloped in warm caresses. Of getting drunk on thick creamy honey. Of swooning from ambrosia. Of whirling to tinkling music. Of being dazzled by sparkles in this lightless world.
So Night and Erebus fell in love, and Night gave birth to Day. And with light, in the lushness of fresh and salty water and in the expansiveness of air, life on Earth began. Grasses and vines wound their way around the globe. Bushes gently bloomed.
Gaia watched Night and Erebus with envy. She felt so alone. She was the cause of all this wonder, yet none of it satisfied her. She was hungry, longing, needy. And so she turned to the heavens and the seas—Uranus and Pontus. She loved them both, of course. But Uranus seemed soothing, while Pontus seemed raging. So she chose Uranus as her husband.
Let There Be LIGHT
Around the world, stories of the creation of life appear. Usually the sun plays an important role in these stories, which is no surprise, given how important the sun is to life on Earth. Greek mythology is different in a strange way, though: Daylight appears early in the creation story, but daylight is not connected to the sun, at least not initially. Interestingly, in the Book of Genesis the appearance of light also precedes the appearance of the sun.
A light-burst shines bright in space.
Uranus was the god of heaven. He was the brother of the sea god Pontus. And the earth goddess Gaia chose him for her husband.
Uranus spread himself over Gaia, enveloping her in that comforting way that the sky has on warm spring and summer nights. He dazzled her with stars, fulfilling the dreams that Eros had given her. He swirled through her trees, setting leaves atremble. He wafted across her meadows, freeing milkweed seeds to float everywhere, everywhere. He was tender. That’s what she loved the most. That’s what made earth and sky harmonious.
They inspired each other, and then Pontus, as well. The three were partners. Soon the lands ran with all manner of wild beasts, the skies hovered with hummingbirds and swooped with falcons, the seas teemed with gleaming fish. Under the beneficent smiles of Gaia and Uranus and Pontus, life in the universe pulsed and whispered and sang.
In those songs, Gaia bore Uranus children, so many children. A flood of sons and daughters—12 in all.
Uranus was overwhelmed. These children were strong and large. And he feared they’d take over the far reaches of the universe. One wanted to play in the deepest swirls of the water. One wanted to shine from on high even brighter than Uranus himself. One wanted to play in the darkest corners of the Underworld.
Distant Planet
The planet Uranus moves slowly and is dim. It consists of icy water, ammonia, and methane gas, surrounded by clouds of mostly hydrogen with a thin outer layer of methane. The outer layer makes Uranus appear blue-green. Winds race across its liquid surface at dizzying speeds. This cold planet is tilted so that its axis of rotation nearly faces the sun. When we look at it through a telescope, its many moons resemble circles around the bull’s-eye of a target.
An artist’s depiction of the planet Uranus
On top of that, they were unruly. One asked questions incessantly. One acted all high-and-mighty and righteous. One behaved as though she were more motherly than even her bounteous mother Gaia—what presumption! These children were driving Uranus half crazy.
They were too strong. They were too many.
He called them the Titans, which meant “stretchers,” because they wanted to stretch themselves in every direction. They wanted power. That was it! That was exactly it. And if they should decide to conspire against him …
Uranus shuddered in fear. They were his own children, but his heart turned cold at the very thought of them.
And so he trapped them inside their mother, deep within the recesses of the Earth.
Yet Gaia loved Uranus. She bore him more children, but Uranus’ fear poisoned them. They were three sons—strong, yes strapping in fact. But each had only one eye, set in the very middle of his forehead. Uranus called them the Cyclopes, which meant “wheel eyes,” and the very sight of them made his mouth go sour. Still Gaia loved Uranus. She bore him more children. By this point Uranus’ fear had turned to hatred. The children of such a father couldn’t help but be misshapen in hideous ways. They were three more sons, of exceptional power, but each had fifty heads and one hundred arms shooting from his shoulders. Uranus turned his head away, his stomach roiling.
And so Uranus kept them all—all his progeny with Gaia—imprisoned within the crevasses and caverns of the Earth.
Uranus’ fear of his Titan children poisoned him so much that his later children were all monstrous, from having only one eye to having a hundred arms and fifty heads.
Gaia moaned in pain. Her children were thwarted when they should have been thriving. What had happened to tenderness? Where had mercy gone? Her husband had become monstrous.
And so Gaia swallowed her sobs and picked up a great curved blade—the sharpest sickle. She spoke to the children within her. “Your father is evil. Listen to me. Do as I say. Then you can lead free lives.”
The children, large as they were, strong as they were, many as they were, huddled together, uncertain. How could their mother say such things? Uranus was their father.
But the youngest Titan, Cronus, didn’t huddle. “Mother, I will do the deed.” He took the sickle.
Cronus, the Titan son of Gaia, Mother Earth, and Uranus, Father Heaven, lived deep in the Earth, where his father had locked him and his brothers and sisters. While the others quaked in fear at their father and hid in the shadows of their mother, Cronus just watched and listened.
Gaia suffered. The cruelty of this father toward his children was unbearable. She tore her hair, she gnashed her teeth. And in the end, she offered her children an adamantine sickle—lustrous and unbreakable—to confront their father with. Horrified, the children retreated. All but Cronus. Where his courage came from, he didn’t know, but he never hesitated. He waited until nightfall, when his father was asleep. Then silently, stealthily, he struck. Wicked Uranus—his fear became a self-fulfilling prophecy. Cruelty is the snake that bites its own tail.
The blow was powerful. Not lethal—no, the old man lived on. But withering—he became a shadow of himself, his strength a memory. An immortal god humiliated for all time.
The blood of Uranus splattered across Gaia. Gaia spun and spun. Yes, she had wanted freedom for her children, yes and yes. But, oh, the cost was so dear. She could do nothing but spin through the whole year. And as she spun the blood drops seeped deep within her. From them sprang three more groups of children.
The furious Erinyes immediately took to the air and flew above Gaia, screaming for vengeance. They were their father’s daughters. They wept blood as their serpent hair snapped at the winds.
The giants lumbered forth heavily armed, with breastplates and spears at the ready. They looked around, dazed by their sudden existence, knowing nothing about who was at fault—mother or father, who could know? But one thing was for sure: They had to find a way to wage battle.
The numerous nymphs didn’t hesitate; they were their mother’s daughters. They ran over the boundless earth, hiding in streams and woodland glades and cool grottoes. They laughed and played, confident already that they would bring delight to a world that so clearly pined for them.
Parts of Uranus splattered across the seas, as well, and thus sprang up the very last child that he would ever father, riding on the sea foam: Aphrodite, who even as a child caused those who viewed her to fall to their knees in wonderment at her beauty.
THE RULE of the Titans
Gaia and Uranus had 12 Titan children. Cronus was leader, with Rhea as wife. Oceanus encircled the world in water, while Tethys was mother to land rivers. Hyperion was lord of light, with Theia shining beside him. The other Titans were important mostly because their descendants were remarkable. Titans ruled in the Golden Age but were overthrown by younger gods—the Olympians. One Titan, though—Themis—had lasting importance throughout Greek mythology. She was goddess of right and wrong, embodiment of justice.
The sun rising over the horizon
Not every little thing was right with the universe, but all was far better than it had been for Cronus and his brothers and sisters; they were free. Cronus crowed at his victory. Both his mother and father looked at him with fear. Each parent, separate and hushed, prophesied to him that he would be stripped of his power by his own son.
The prophecy ate at him, for no one knew better than Cronus the destruction that a child could wreak. He grew sleepless, wild-eyed. Cronus, who had felt no fear as a child, now felt nothing but fear. He distrusted at random, and for no reason at all locked his brothers, the Cyclopes and the hundred-handed ones, in the deepest part of the Underworld, dark Tartarus. He could tolerate the company only of his fellow Titans.
Then his Titan sister Rhea caught his eye. She was too lovely to resist. So he took her as his wife. But each time she gave birth— producing glorious children, the daughters Hestia and Demeter and Hera, the sons Hades and Poseidon—he panicked and swallowed them. Cannibal? No. No no. He told himself this was simply self-protection.
Rhea, like Gaia before her, felt herself drowning in grief. And, like Gaia before her, she finally reached the dreadful conclusion, the only conclusion: She must stop the brutality. When she recognized the first stirrings of a new baby within her, she asked her parents, Gaia and Uranus, for help. They shepherded her off to the island of Crete, where she gave birth in secrecy to her son Zeus.
Then she left her newborn son for her mother to raise, swaddled a stone, and hurried home to Cronus, who quickly seized the false babe and swallowed it. Wretched Cronus, completely duped, completely ignorant that his son Zeus lived, completely doomed.
Cronus’ fear of his children transformed his body into their prison—swallow, swallow, five times. But the sixth time he swallowed the swaddled stone and began his own demise.
Young Zeus clambered up the rocks behind a billy goat. He walked the mountain ridge and stopped on the highest peak of Crete to look out over the salt-white sea that stretched to Africa. He turned and there was Gaia, his grandmother, who had raised him.
“You’re strong enough,” she said. “It’s your turn.”
Zeus’ heartbeat raced. It filled his head. It filled his whole self. He needed no further information or encouragement. His father, Cronus, had swallowed his brothers and sisters at their births. Zeus had escaped only because his mother, Rhea, had fooled the fear-crazed man into swallowing a stone instead. The boy had grown strong, fearsome, clever. He now went quickly to meet his father for the first time. He was primed for this. Armed. This was the moment of defeat or victory, yet his nerves were steady. He felt strangely elated.
While Zeus journeyed, Gaia reached out to Cronus and crooned in rocking tones that penetrated in that deep way only a mother’s voice can. The suggestion was too powerful; Cronus doubled over. The stone and children within spewed forth from his mouth, landing at the feet of the newly arrived Zeus.
The five older children of Cronus—Hestia, Poseidon, Hades, Demeter, and Hera—aligned themselves with Zeus against their father. What else could they do? Zeus meant freedom, a delicious new idea.
But Cronus had brothers and sisters, too. He called the Titans to his side.
War began. And continued, as wars will do. For ten years the battle scorched the earth, smoked the skies, sullied the waters. Bitter as bile, it wore away at everyone’s spirits. Until Gaia, the earth mother who had started all life, told Zeus he would win if he liberated her other children—his misshapen uncles and his one-eyed uncles—that Cronus had cast into Tartarus, the Underworld.
WARS of Ancient Greece
Mythological wars might reflect stories about real prehistoric wars. The war between the Titans and Olympians lasted ten years, according to the ancient Greek poet Hesiod. Another great war, between Greece and Troy, also lasted ten years, according to the poet Homer. (Poets were often the historians of their age.) We have no information about actual wars from before or during the lives of these poets.
An ancient Greek soldier
Zeus never wasted a moment on second thoughts. He freed the three brothers with fifty heads and one hundred hands each. He freed the three Cyclopes. In surprised gratitude, the Cyclopes gave Zeus the spitting lightning bolt and deafening thunder with which to split the skies and flame the earth. They gave his brothers gifts, too. On Poseidon they bestowed a sharp, gleaming trident with which to smite the seabeds and raise massive waves. To Hades they gave a helmet of invisibility with which to disappear.
These hundred-handed and one-eyed brothers fought beside their nieces and nephews, all against the Titans. And the nephews let loose with their newly gained ferocity. No longer was the battle simply hurling rocks and spears, and crushing the enemy with axes. Oh, no. Zeus hurled bolts, burned the forests, and left them smoldering. He cast flames so hot the seas boiled and parts of the Earth melted. Poseidon shook the Earth so rivers crashed through their sidewalls. Hades raced unseen among all, stabbing, smashing, maiming.
As Zeus saw it, the war amounted to old against young, and the young gods won, as they had to. That is the nature of things. By the end of the war, both sets of gods fought from mountaintops—the Titans from Mount Othrys, the young gods from Mount Olympus. So after the war the young gods were known as the Olympians.
Zeus had the Titans sealed in Tartarus with the hundred-handed ones as guards. Gaia was flummoxed. What was the point of locking away the Titans? Why did Zeus have to be as vengeful as his father? And so she gave birth to her last child, the monster Typhon. From his shoulders sprang a hundred serpentine heads with flickering black tongues uttering every noise imaginable—human, bestial, thunderous. Typhon’s eyes flashed fire. Everyone fell back in terror. Except Zeus. He had lightning, a force unsurpassed. He burned off Typhon’s heads and banished him to become wild winds that cursed sailors on the high seas. Zeus was the undisputed king.
Gaia gave birth to the monster Typhon, hoping he could stand up to his bully brother Zeus. But the weapon of the thunderbolt allowed Zeus to conquer Typhon’s hundred heads.
The Olympian brothers divided up rulership of the universe. Poseidon took the seas; Hades, the Underworld; Zeus, everything else. The division wasn’t equal, and the Olympian sisters were left out entirely. But that was typical of Zeus. He was brought up to believe he was entitled. Nothing ever changed his mind.
Hestia’s first memory was of blackness. And stifling heat. Then something tumbled in beside her, all wiggly. And another wiggly something. And two more. And, finally, a giant lump. She was crowded, poked and prodded, cramped. And so breathlessly, unrelentingly hot. She didn’t know she was trapped in her father Cronus’ belly. She didn’t know the wiggly somethings around her were her sisters Demeter and then Hera, and her brothers Hades and then Poseidon. She didn’t know the lump was a stone her father had been duped into swallowing in place of his sixth child. She knew only great discomfort and an undefined lack that gnawed at her spirit. Something was supposed to be happening. Someone was supposed to be there. Somehow everything was wrong, everything hurt. A vague fear lodged in her heart.
Then came a constriction so tight and forceful, Hestia screamed, there in the place with no air. Silent and pained, she screamed and screamed until her throat was raw, and she was pushed up and up and out. She lay, disgorged on the ground, with brothers and sisters and that one stone, blinking at the rude light of day, shrinking from the edginess of the noises carried through the air, wet and shivering and shocked to be separate from the four other wiggly bodies and the lump of a stone.
GENTLE Goddess
Hestia is a mysterious figure; she appears only as the goddess prayed to about family matters. The ancient Greeks seemed to hold family concerns private, separate from the usual squabbles of their stories. The earliest records of family law in Greece are the codes of Gortyn in Crete in 450 B.C., which concern finances; they don’t tell how an ordinary family should behave at home. Probably the father ruled, given how royal households in Greek mythology behaved. But that’s just a guess.
A temple dedicated to Hestia, illustrated on an ancient coin
Her brother Zeus had freed them, strange thing that he was, all tanned and muscular and accustomed to everything Hestia found so foreign. He freed them, only to tell them they must fight at his side against their father Cronus and his sister and brother Titans. Rocks, spears, axes. Shouts, cries, howls. Freed into a war? This was freedom? Was the world insane?
Hestia cringed. She picked up rocks in both hands and feigned interest whenever others watched her, but, fortunately, they rarely did. She climbed trees and peeked through their thick foliage, hoping for a glimpse of her mother Rhea, of the arms that had never cradled her, the hands that had never caressed her. She built a mound of stones with a pit in the middle and sat there hidden, wondering when the sweat and blood and tears would ever stop, and, if they did, who she would then be. For up to this point, she had been no one, really.
And then it ended. But not because the animosity had run its course. No. It ended because her brother Zeus got the help of strange men with fifty heads and a hundred arms, and because other strange men with a single eye in the middle of their foreheads gave Zeus the lightning bolt—the great cheat. That’s how the war ended—with one side getting a weapon the other had no equal of. Cheat cheat cheat.
Hestia’s brothers were impressed with Zeus’ power. Poseidon was only too happy to rule the seas, Hades was only too happy to rule the Underworld, and both were only too happy to leave the rest to Zeus.
Hestia’s sisters were impressed with Zeus’ tanned skin and muscled legs and arms and chest and back. Each looked at him with flirty eyes.
Only Hestia saw Zeus as a frightful maniac. She kept her distance from him and all other males, like a shy spider.
She looked everywhere, and she saw the families the Titans had formed over the years, and she saw the families their children were forming and the families their grandchildren were forming, and she saw a kind of love that made her ache. They sat around the hearth eating and talking and teasing with one another. They hugged and laughed. That love—that was what Hestia wanted to foster in the world. And so Hestia became the goddess of hearth and home, and in her quiet, still way she finally banished the fear from her heart and found a gentle, soothing peace.
Ancient Greek families took consolation from knowing Hestia watched over their daily home life in the gentlest of ways. And Hestia found peace in giving that consolation.
Poseidon, along with his brother Hades, and his sisters Hestia and Demeter and Hera, was swallowed at birth by his father Cronus. Then a sixth child, Zeus, who was never swallowed, and thus had never known humiliation, freed them. Poseidon sized things up: Zeus was a force to be reckoned with—that was the guy to follow.
For ten long years, the six brothers and sisters fought their father and aunts and uncles—the mighty Titans. It was a nasty war, but what war isn’t? Poseidon gritted his teeth and did his part. He was no coward, after all. He donned armor and went dutifully into battle. He never lagged.
But now and then there was a lull in the battle, perhaps because Zeus got distracted or because the Titans, despite their huge size, needed a rest. Who knew? No one ever explained things to Poseidon. Whatever the case, Poseidon was grateful, and in those moments he took refuge in visiting Pontus, the ancient god of all the waters, the partner to his grandmother Gaia, Mother Earth, and his grandfather Uranus, Father Heaven. He swam in Pontus’ waters, and, despite how badly his life had gone so far, despite all the time locked up in his father’s belly, despite all the long years of savage war, he was happy. He found joy in the buoyancy of diving whales, he found beauteous rhythm in the undulating wake of eels, he found humor in the scuttling of crabs.
Best of all, Poseidon found a friend in the oldest son of Pontus and Gaia. His name was Nereus, and he loved the watery depths as much as Poseidon did. Together they plunged to the corals and sponges that lived on the seabed. They rode on the backs of turtles. They flapped their arms like the rays they followed, then let them hang with their legs moving at the whim of the currents like the tentacles of the nearly transparent jellyfish.
But then it was back to war, until the glorious moment when the hundred-handed sons of Gaia joined the battle on Zeus’ side, and then the Cyclopes gave Zeus the thunderbolt and Hades the helmet that made him invisible and Poseidon the trident. It worked, that trident. It worked splendidly. Poseidon struck it on the ground and the earth shook, boulders tumbled to the sea, rivers overflowed their banks. Ha! The Olympian gods won.
And Zeus appointed Poseidon ruler of the seas. Poseidon knew his brother felt the seas were an inferior realm to rule. Ha again! Nothing could have pleased Poseidon more.
WATER Gods
Many gods ruled the waters beside Pontus, Nereus, and Poseidon. Poseidon’s son Triton trumpeted the noises of moving water. His son Proteus changed shape at will—as seas seemed to do to the ancient Greeks. The Titan Oceanus was a continuous water loop: the connected system of the Earth’s five oceans. Then there were saltwater nymphs (Nereids), freshwater nymphs (Naiads), and three mortals who became sea divinities. The variety of gods may reflect ancient Greek knowledge of the complexities of the water systems.
The sea god Triton at the Trevi Fountain in Rome
With his black mane flying out behind him, he swam the seas in search of those who might need his help. It was a welcome antidote to that tedious war. And when he wasn’t patrolling, he let himself be absorbed in the watery mysteries.
That’s when he discovered the finest mystery ever. She was the granddaughter of Pontus and Gaia, and the daughter of the lordly sea god Phorcys and the lovely cheeked sea goddess Ceto. That heritage made her the perfect wife in Poseidon’s eyes. She was one of three sisters, called the Gorgons. The other two sisters were immortal, like the gods. But Medusa, as she was called, was mortal.
Poseidon found her mortality that much more alluring. She was vulnerable. How amazing to know someone vulnerable. He put his arms out and let the serpents of her hair swarm around them. Good! Those serpents could bite and poison—good protection. He gingerly touched the wings that jutted from her shoulder blades. Good good! Those wings could carry her far from an attacker. He stroked her scales. Ah, very good indeed! They were harder than armor. And most assuring of all, she had a special power: Anything mortal that looked directly at her face would turn instantly to stone. That should do it.
And so Poseidon felt almost safe in loving Medusa. They reveled together in his sea kingdom. At least for a while.
Humans who viewed Medusa’s ugly face turned to stone. Yet Poseidon found her wonderful and fell passionately in love, caressed by her serpent hair in the deep ocean waters.
During the period when Cronus ruled the world, the Titans lived large, some on the land and some in the seas. The deepest oceans were the haunt of Oceanus, a Titan brimming with the need to spread his waters everywhere. His sister Tethys swam beside him, lithe, graceful, and white-haired. Not gray—she was not aged. Not silver—she was not a source of light. True white. Pure as mother’s milk. It was that white hair that had captured Oceanus. He took Tethys as his wife.
Together they created so many sons, all strong rivers, from the great Nile of Egypt, to the famous Skamander of Troy, to the many that emptied into the friendly Black Sea. They swirled in eddies, they rippled with gusto, they rushed over cliffs and fell in loud, energetic sheets to the rocks below.
Then Oceanus and Tethys created so many daughters, all water nymphs, some inhabiting pools in foothills, some splashing in springs, some slipping through swamps. Each nymph was unique: one rosy, one nimble, one soft-eyed, one knowing—all charming.
When Zeus, the youngest son of Cronus, deposed his father and took his place on the throne as king of the universe, his eye fell on one of these nymphs, and he was indeed charmed. Metis, known as the wise one, seemed to flow like water to Zeus, cool and soothing. Watching her was like swimming in a clear, bubbling spring. He was smitten. And since he was king and felt he deserved anything he wanted, he simply took her as his wife. Metis soon had a child growing within her.
BIRTHPLACE of Democracy
Athena gave the olive tree to a special city, thereafter named Athens. Around 500 B.C., Athens decided citizens should vote. Democracy was born! But women were not included. Men had many powers unique to them. The only power unique to women was childbearing. In the Athena myth, Athena is born from Zeus’ forehead. Certainly the Greeks knew men don’t give birth. But maybe they wished men did, for Uranus, Cronus, and Zeus, each in his own way, tried to take this power from womanhood.
Olive trees in front of ancient ruins in Athens, Greece
That’s when Zeus’ grandmother Gaia and grandfather Uranus gave him the ugly warning that, by now, he almost expected: Metis would bear him a daughter and then a son, and the son would be invincible. That splendid son, that wretched and hateful son, he would overcome his father. The curse felt never-ending: Uranus was overcome by his son Cronus, Cronus was overcome by his son Zeus, and now Zeus would be overcome by the son that Metis was fated to bear him.
Zeus would have none of it. His grandfather Uranus had tried to prevent his overthrow by imprisoning his children inside their mother Gaia. A failed attempt. His father Cronus had tried to prevent his overthrow by imprisoning his children inside himself. Another failed attempt. Zeus was smarter than either of them. He opened his mouth wide and drank Metis—simply drank her, like a glass of the best sparkling water in the world. So long as she was trapped inside him, he could never make a son with her, so the prophecy was null and void.
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Christina Balit и National Kids
Тип: электронная книга
Жанр: Детская проза
Язык: на английском языке
Издательство: HarperCollins
Дата публикации: 16.04.2024
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О книге: Treasury of Greek Mythology: Classic Stories of Gods, Goddesses, Heroes & Monsters, электронная книга авторов Christina Balit и National Kids на английском языке, в жанре детская проза