Summer Morning, Summer Night
Summer Morning, Summer Night
Ray Douglas Bradbury
One of Ray Bradbury’s classic short story collections, available in ebook for the first time.SUMMER MORNING, SUMMER NIGHT is a collection of short stories and vignettes based in Green Town, Illinois, the fictionalised version of Ray Bradbury’s native Waukegan, which also served as the setting for his modern classics DANDELION WINE, SOMETHING WICKED THIS WAY COMES, and FAREWELL SUMMER.Among them are stories about a pair of elderly sisters who concoct a love potion with unexpected consequence; the careful affection between a teacher and her young student; the fireflies in the night who spark a conversation about life between a young boy and his grandfather. This is a beautifully woven tapestry of stories that illuminates some of Green Town’s hidden corners, and reaffirms Bradbury’s position as an undisputed master of fiction.One of the greatest writers of the twentieth century, Bradbury is also the author of the iconic FAHRENHEIT 451, THE ILLUSTRATED MAN and THE MARTIAN CHRONICLES. He published some five hundred short stories, novels and plays over his lifetime.
SUMMER MORNING, SUMMER NIGHT
Ray Bradbury
Copyright (#ulink_def1623b-0bc3-5561-a4fc-33e89453a7ad)
HarperVoyager An imprint of HarperCollinsPublishers Ltd. 77–85 Fulham Palace Road Hammersmith, London, W6 8JB
www.harpercollins.co.uk (http://www.harpercollins.co.uk)
Copyright © Ray Bradbury 2008
Cover design by Mike Topping.
Cover layout design © HarperCollinsPublishers 2014 Cover photographs © Shutterstock.com
Ray Bradbury asserts the moral right to be identified as the author of this work.
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
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HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication.
Ebook Edition © JULY 2013 ISBN: 9780007539840
Version: 2013–07–10
Dedication (#ulink_4fac9d1c-42a8-52f6-be63-b9eb278c8ad6)
To Jon Eller with love.
Ray
Table of Contents
Cover (#u6e54e7d5-0358-51e2-94bd-491acab0ed97)
Title Page (#uac91b2b3-ceee-50df-8dac-0008e3b200f9)
Copyright (#ulink_61dfcbc6-3932-53aa-a8bb-1324ed26b644)
Dedication (#ulink_9ab6f8a9-b7a1-5f83-b739-92fd99c459f6)
A Note on the Texts (#ulink_16646049-853e-5ac5-bb63-8896f36dfcc9)
End of Summer (1948) (#ulink_944ddece-27e7-54ee-992c-33212515dd80)
The Great Fire (1949) (#ulink_add2013b-aad1-5007-aa98-9890bdc6b0ea)
All on a Summer’s Night (1950) (#ulink_fb45eddc-97af-58aa-b298-6e575e5a14fc)
Miss Bidwell (1950) (#ulink_d38017cf-74ea-5d08-8c9d-e1055c5271fc)
The Pumpernickel (1951) (#litres_trial_promo)
The Screaming Woman (1951) (#litres_trial_promo)
These Things Happen (1951) (#litres_trial_promo)
At Midnight, in the Month of June (1954) (#litres_trial_promo)
A Walk in Summer (1979) (#litres_trial_promo)
Autumn Afternoon (2002) (#litres_trial_promo)
Arrival and Departure (#litres_trial_promo)
The Beautiful Lady (#litres_trial_promo)
Love Potion (#litres_trial_promo)
Night Meeting (#litres_trial_promo)
The Death of So-and-So (#litres_trial_promo)
I Got Something You Ain’t Got! (#litres_trial_promo)
The Waders (#litres_trial_promo)
The Dog (#litres_trial_promo)
The River That Went to the Sea (#litres_trial_promo)
Over, Over, Over, Over, Over, Over, Over, Over! (#litres_trial_promo)
The Projector (#litres_trial_promo)
The People with Seven Arms (#litres_trial_promo)
A Serious Discussion (or Evil in the World) (#litres_trial_promo)
The Fireflies (#litres_trial_promo)
The Circus (#litres_trial_promo)
The Cemetery (or The Tombyard) (#litres_trial_promo)
Summer’s End (#litres_trial_promo)
Keep Reading (#litres_trial_promo)
About the Author (#litres_trial_promo)
Also by the Author (#litres_trial_promo)
About the Publisher (#litres_trial_promo)
A Note on the Texts (#ulink_7cd5040e-c93c-54b6-8525-dea997b54b8a)
The text for “End of Summer” is based on the version collected by Bradbury in Driving Blind (1997). The texts of all other previously published stories in this collection are based on the earliest published versions. I am grateful to David Spiech, my colleague at Indiana University’s Institute for American Thought, for copy editing this volume.
End of Summer (#ulink_a0a1098f-54be-5613-8a04-8aed9744d1f6)
ONE. TWO. HATTIE’S lips counted the long, slow strokes of the high town clock as she lay quietly on her bed. The streets were asleep under the courthouse clock, which seemed like a white moon rising, round and full, the light from it freezing all of the town in late summer time. Her heart raced.
She rose swiftly to look down on the empty avenues, the dark and silent lawns. Below, the porch swing creaked ever so little in the wind.
She saw the long, dark rush of her hair in the mirror as she unknotted the tight schoolteacher’s bun and let it fall loose to her shoulders. Wouldn’t her pupils be surprised, she thought; so long, so black, so glossy. Not too bad for a woman of thirty-five. From the closet, her hands trembling, she dug out hidden parcels. Lipstick, rouge, eyebrow pencil, nail polish. A pale blue negligee, like a breath of vapor. Pulling off her cotton nightgown, she stepped on it, hard, even while she drew the negligee over her head.
She touched her ears with perfume, used the lipstick on her nervous mouth, penciled her eyebrows, and hurriedly painted her nails.
She was ready.
She let herself out into the hall of the sleeping house. She glanced fearfully at three white doors. If they sprang open now, then what? She balanced between the walls, waiting.
The doors stayed shut.
She stuck her tongue out at one door, then at the other two.
She drifted down the noiseless stairs onto the moonlit porch and then into the quiet street.
The smell of a September night was everywhere. Underfoot, the concrete breathed warmth up along her thin white legs.
“I’ve always wanted to do this.” She plucked a blood rose for her black hair and stood a moment smiling at the shaded windows of her house. “You don’t know what I’m doing,” she whispered. She swirled her negligee.
Down the aisle of trees, past glowing street lamps, her bare feet were soundless. She saw every bush and fence and wondered, “Why didn’t I think of this a long time ago?” She paused in the wet grass just to feel how it was, cool and prickly.
The patrolman, Mr. Waltzer, was wandering down Glen Bay Street, singing in a low, sad tenor. As he passed, Hattie circled a tree and stood staring at his broad back as he walked on, still singing.
When she reached the courthouse, the only noise was the sound of her bare toes on the rusty fire escape. At the top of the flight, on a ledge under the shining silver clock face, she held out her hands.
There lay the sleeping town!
A thousand roofs glittered with snow that had fallen from the moon.
She shook her fists and made faces at the town. She flicked her negligee skirt contemptuously at the far houses. She danced and laughed silently, then stopped to snap her fingers in all four directions.
A minute later, eyes bright, she was racing on the soft lawns of the town.
She came to the house of whispers.
She paused by a certain window and heard a man’s voice and a woman’s voice in the secret room.
Hattie leaned against the house and listened to whispering, whispering. It was like hearing two tiny moths fluttering gently inside on the window screen. There was a soft, remote laughter.
Hattie put her hand to the screen above, her face the face of one at a shrine. Perspiration shone on her lips.
“What was that?” cried a voice inside.
Like mist, Hattie whirled and vanished.
When she stopped running she was by another house window.
A man stood in the brightly lighted bathroom, perhaps the only lighted room in the town, shaving carefully around his yawning mouth. He had black hair and blue eyes and was twenty-seven years old and every morning carried to his job in the railyards a lunch bucket packed with ham sandwiches. He wiped his face with a towel and the light went out.
Hattie waited behind the great oak in the yard, all film, all spiderweb. She heard the front door click, his footsteps down the walk, the clank of his lunch pail. From the odors of tobacco and fresh soap, she knew, without looking, that he was passing.
Whistling between his teeth, he walked down the street toward the ravine. She followed from tree to tree, a white veil behind an elm, a moon shadow behind an oak. Once, he whirled about. Just in time she hid from sight. She waited, heart pounding. Silence. Then, his footsteps walking on.
He was whistling the song “June Night.”
The high arc light on the edge of the ravine cast his shadow directly beneath him. She was not two yards away, behind an ancient chestnut tree.
He stopped but did not turn. He sniffed the air.
The night wind blew her perfume over the ravine, as she had planned it.
She did not move. It was not her turn to act now. She simply stood pressing against the tree, exhausted with the shaking of her heart.
It seemed an hour before he moved. She could hear the dew breaking gently under the pressure of his shoes. The warm odor of tobacco and fresh soap came nearer.
He touched one of her wrists. She did not open her eyes. He did not speak.
Somewhere, the courthouse clock sounded the time as three in the morning.
His mouth fitted over hers very gently and easily.
Then his mouth was at her ear and she was held to the tree by him. He whispered. So she was the one who’d looked in his windows the last three nights! He kissed her neck. She, she had followed him, unseen, last night! He stared at her. The shadows of the trees fell soft and numerous all about, on her lips, on her cheeks, on her brow, and only her eyes were visible, gleaming and alive. She was lovely, did she know that? He had thought he was being haunted. His laughter was no more than a faint whisper in his mouth. He looked at her and made a move of his hand to his pocket. He drew forth a match, to strike, to hold by her face, to see, but she took his hand and held it and the unlit match. After a moment, he let the matchstick drop into the wet grass. “It doesn’t matter,” he said.
She did not look up at him. Silently he took her arm and began to walk.
Looking at her pale feet, she went with him to the edge of the cool ravine and down to the silent flow of the stream, to the moss banks and the willows.
He hesitated. She almost looked up to see if he was still there. They had come into the light, and she kept her head turned away so that he saw only the blowing darkness of her hair and the whiteness of her arms.
He said, “You don’t have to come any further, you know. Which house did you come from? You can run back to wherever it is. But if you run, don’t ever come back; I won’t want to see you again. I couldn’t take any more of this, night after night. Now’s your chance. Run, if you want!”
Summer night breathed off her, warm and quiet.
Her answer was to lift her hand to him.
NEXT MORNING, as Hattie walked downstairs, she found Grandma, Aunt Maude, and Cousin Jacob with cold cereal in their tight mouths, not liking it when Hattie pulled up her chair. Hattie wore a grim, highnecked dress, with a long skirt. Her hair was a knotted, hard bun behind her ears, her face was scrubbed pale, lean of color in the cheeks and lips. Her painted eyebrows and eyelashes were gone. Her fingernails were plain.
“You’re late, Hattie,” they all said, as if an agreement had been made to say it when she sat down.
“I know.” She did not move in her chair.
“Better not eat much,” said Aunt Maude. “It’s eight-thirty. You should’ve been at school. What’ll the superintendent say? Fine example for a teacher to set her pupils.”
The three stared at her.
Hattie was smiling.
“You haven’t been late in twelve years, Hattie,” said Aunt Maude.
Hattie did not move, but continued smiling.
“You’d better go,” they said.
Hattie walked to the hall to take down her green umbrella and pinned on her ribboned flat straw hat. They watched her. She opened the front door and looked back at them for a long moment, as if about to speak, her cheeks flushed. They leaned toward her. She smiled and ran out, slamming the door.
The Great Fire (#ulink_38e236fb-459d-5f37-a914-5b4283edc001)
THE MORNING THE great fire started, nobody in the house could put it out. It was mother’s niece, Marianne, living with us while her parents were in Europe, who was all aflame. So nobody could smash the little window in the red box at the corner and pull the trigger to bring the gushing hoses and the hatted firemen. Blazing like so much ignited cellophane, Marianne came downstairs, plumped herself with a loud cry or moan at the breakfast table and refused to eat enough to fill a tooth cavity.
Mother and father moved away, the warmth in the room being excessive.
“Good morning, Marianne.”
“What?” Marianne looked beyond people and spoke vaguely. “Oh, good morning.”
“Did you sleep well last night, Marianne?”
But they knew she hadn’t slept. Mother gave Marianne a glass of water to drink and everyone wondered if it would evaporate in her hand. Grandma, from her table chair, surveyed Marianne’s fevered eyes. “You’re sick, but it’s no microbe,” she said. “They couldn’t find it under a microscope.”
“What?” said Marianne.
“Love is godmother to stupidity,” said father, detachedly.
“She’ll be all right,” mother said to father. “Girls only seem stupid because when they’re in love they can’t hear.”
“It affects the semicircular canals,” said father. “Making many girls fall right into a fellow’s arms. I know. I was almost crushed to death once by a falling woman and let me tell you—”
“Hush.” Mother frowned, looking at Marianne.
“She can’t hear what we’re saying; she’s cataleptic right now.”
“He’s coming to pick her up this morning,” whispered mother to father, as if Marianne wasn’t even in the room. “They’re going riding in his jalopy.”
Father patted his mouth with a napkin. “Was our daughter like this, Mama?” he wanted to know. “She’s been married and gone so long, I’ve forgotten. I don’t recall she was so foolish. One would never know a girl had an ounce of sense at a time like this. That’s what fools a man. He says, Oh what a lovely brainless girl, she loves me, I think I’ll marry her. He marries her and wakes up one morning and all the dreaminess is gone out of her and her intellect has returned, unpacked, and is hanging up undies all about the house. The man begins running into ropes and lines. He finds himself on a little desert isle, a little living room alone in the midst of a universe, with a honeycomb that has turned into a bear trap, with a butterfly metamorphosed into a wasp. He then immediately takes up a hobby: stamp collecting, lodge-meetings or—”
“How you do run on,” cried mother. “Marianne, tell us about this young man. What was his name again? Was it Isak Van Pelt?”
“What? Oh—Isak, yes.” Marianne had been roving about her bed all night, sometimes flipping poetry books and reading incredible lines, sometimes lying flat on her back, sometimes on her tummy looking out at dreaming moonlit country. The smell of jasmine had touched the room all night and the excessive warmth of early spring (the thermometer read 55 degrees) had kept her awake. She looked like a dying moth, if anyone had peeked through the keyhole.
This morning she had clapped her hands over her head in the mirror and come to breakfast, remembering just in time to put on a dress.
Grandma laughed quietly all during breakfast. Finally she said “You must eat, child, you must.” So Marianne played with her toast and got half a piece down. Just then there was a loud honk outside. That was Isak! In his jalopy!
“Whoop!” cried Marianne and ran upstairs quickly.
The young Isak Van Pelt was brought in and introduced around.
When Marianne was finally gone, father sat down, wiping his forehead. “I don’t know. This is too much.”
“You were the one who suggested she start going out,” said mother.
“And I’m sorry I suggested it,” he said. “But she’s been visiting us for six months now, and six more months to go. I thought if she met some nice young man—”
“And they were married,” husked grandma darkly, “why, Marianne might move out almost immediately—is that it?”
“Well,” said father.
“Well,” said grandma.
“But now it’s worse than before,” said father. “She floats around singing with her eyes shut, playing those infernal love records and talking to herself. A man can stand so much. She’s getting so she laughs all the time, too. Do eighteen-year-old girls often wind up in the booby hatch?”
“He seems a nice young man,” said mother.
“Yes, we can always pray for that,” said father, taking out a little shot glass. “Here’s to an early marriage.”
The second morning Marianne was out of the house like a fireball when first she heard the jalopy horn. There was not time for the young man even to come to the door. Only grandma saw them roar off together, from the parlor window.
“She almost knocked me down.” Father brushed his mustache. “What’s that? Brained eggs? Well.”
In the afternoon, Marianne, home again, drifted about the living room to the phonograph records. The needle hiss filled the house. She played That Old Black Magic twenty-one times, going “la la la” as she swam with her eyes closed, in the room.
“I’m afraid to go in my own parlor,” said father. “I retired from business to smoke cigars and enjoy living, not to have a limp relative humming about under the parlor chandelier.”
“Hush,” said mother.
“This is a crisis,” announced father, “in my life. After all, she’s just visiting.”
“You know how visiting girls are. Away from home they think they’re in Paris, France. She’ll be gone in October. It’s not so dreadful.”
“Let’s see,” figured father, slowly. “I’ll have been buried just about one hundred and thirty days out at Green Lawn Cemetery by then.” He got up and threw his paper down into a little white tent on the floor. “By George, Mother, I’m talking to her right now!”
He went and stood in the parlor door, peering through it at the waltzing Marianne. “La,” she sang to the music.
Clearing his throat, he stepped through.
“Marianne,” he said.
“That old black magic …” sang Marianne. “Yes?”
He watched her hands swinging in the air. She gave him a sudden fiery look as she danced by.
“I want to talk to you.” He straightened his tie.
“Dah dum dee dum dum dee dum dee dum dum,” she sang.
“Did you hear me?” he demanded.
“He’s so nice,” she said.
“Evidently.”
“Do you know, he bows and opens doors like a doorman and plays a trumpet like Harry James and brought me daisies this morning?”
“I wouldn’t doubt.”
“His eyes are blue.” She looked at the ceiling.
He could find nothing at all on the ceiling to look at.
She kept looking, as she danced, at the ceiling as he came over and stood near her, looking up, but there wasn’t a rain spot or a settling crack there, and he sighed, “Marianne.”
“And we ate lobster at that river café.”
“Lobster. I know, but we don’t want you breaking down, getting weak. One day, tomorrow, you must stay home and help your Aunt Math make her doilies—”
“Yes, sir.” She dreamed around the room with her wings out.
“Did you hear me?” he demanded.
“Yes,” she whispered. “Yes,” her eyes shut. “Oh, yes, yes.” Her skirts whished around. “Uncle,” she said, her head back, lolling.
“You’ll help your aunt with her doilies?” he cried.
“—with her doilies,” she murmured.
“There!” He sat down in the kitchen, plucking up the paper. “I guess I told her!”
BUT, NEXT morning, he was on the edge of his bed when he heard the hot-rod’s thunderous muffler and heard Marianne fall downstairs, linger two seconds in the dining room for breakfast, hesitate by the bathroom long enough to consider whether she should be sick, and then the slam of the front door, the sound of the jalopy banging down the street, two people singing off-key in it.
Father put his head in his hands. “Doilies,” he said.
“What?” said mother.
“Dooley’s,” said father. “I’m going down to Dooley’s for a morning visit.”
“But Dooley’s isn’t open until ten.”
“I’ll wait,” decided father, eyes shut.
That night and seven other wild nights the porch swing sang a little creaking song, back and forth, back and forth. Father, hiding in the living room, could be seen in fierce relief whenever he drafted his ten-cent cigar and the cherry light illumined his immensely tragic face. The porch swing creaked. He waited for another creak. He heard little butterfly-soft sounds from outside, little palpitations of laughter and sweet nothings in small ears. “My porch,” said father. “My swing,” he whispered to his cigar, looking at it. “My house.” He listened for another creak. “My lord,” he said.
He went to the tool shed and appeared on the dark porch with a shiny oil-can. “No, don’t get up. Don’t bother. There, and there.” He oiled the swing joints. It was dark. He couldn’t see Marianne, he could smell her. The perfume almost knocked him off into the rosebush. He couldn’t see her gentleman friend either. “Good night,” he said. He went in and sat down and there was no more creaking. Now all he could hear was something that sounded like the moth-like flutter of Marianne’s heart.
“He must be very nice,” said mother, in the kitchen door, wiping a dinner dish.
“That’s what I’m hoping,” whispered father. “That’s why I let them have the porch every night!”
“So many days in a row,” said mother. “A girl doesn’t go with a nice young man that many times unless it’s serious.”
“Maybe he’ll propose tonight!” was father’s happy thought.
“Hardly so soon. And she is so young.”
“Still,” he ruminated. “It might happen. It’s got to happen, by the Lord Harry.”
Grandma chuckled from her corner easy chair. It sounded like someone turning the pages of an ancient book.
“What’s so funny?” said father.
“Wait and see,” said grandma. “Tomorrow.”
Father stared at the dark, but grandma would say no more.
“WELL, WELL,” said father at breakfast. He surveyed his eggs with a kindly, paternal eye. “Well, well, by gosh, last night, on the porch, there was more whispering. What’s his name? Isak? Well, now if I’m any judge at all, I think he proposed to Marianne last night; yes, I’m positive of it!”
“It would be nice,” said mother. “A spring marriage. But it’s so soon.”
“Look,” said father, with full-mouthed logic. “Marianne’s the kind of girl who marries quick and young. We can’t stand in her way, can we?”
“For once, I think you’re right,” said mother. “A marriage would be fine. Spring flowers, and Marianne looking nice in that gown I saw at Haydecker’s last week.”
They all peered anxiously at the stairs, waiting for Marianne to appear.
“Pardon me,” rasped grandma, sighting up from her morning toast. “But I wouldn’t talk of getting rid of Marianne just yet if I were you.”
“And why not?”
“Because.”
“Because why?”
“I hate to spoil your plans,” rustled grandma, chuckling. She gestured with her little vinegary head. “But while you people were worrying about getting Marianne married, I’ve been keeping tab on her. Seven days now I’ve been watching this young fellow, each day he came in his car and honked his horn outside. He must be an actor or a quick change artist or something.”
“What?” asked father.
“Yep,” said grandma. “Because one day he was a young blond fellow and next day he was a tall dark fellow, and Wednesday he was a chap with a brown mustache, and Thursday he had wavy red hair, and Friday he was shorter, with a Chevrolet stripped down instead of a Ford.”
Mother and father sat for a minute as if hit with hammers right behind the left ear.
At last father, his face exploding with color, shouted, “Do you mean to say! You sat there, woman, you say; all those men, and you—”
“You were always hiding.” snapped grandma. “So you wouldn’t spoil things. If you’d come out in the open you’d have seen the same as I. I never said a word. She’ll simmer down. It’s just her time of life. Every woman goes through it. It’s hard, but they can survive. A new man every day does wonders for a girl’s ego!”
“You, you, you, you, you!” Father choked on it, eyes wild, throat gorged too big for his collar. He fell back in his chair, exhausted. Mother sat, stunned.
“Good morning, everyone!” Marianne raced downstairs and popped into a chair. Father stared at her.
“You, you, you, you, you,” he accused grandma.
I shall run down the street shouting, thought father wildly, and break the fire alarm window and pull the lever and bring the fire engines and the hoses. Or perhaps there will be a late snowstorm and I shall set Marianne out in it to cool.
He did neither. The heat in the room being excessive, according to the wall calendar, everyone moved out onto the cool porch while Marianne sat looking at her orange juice.
All on A Summer’s Night (#ulink_decb3474-f74c-58c1-b89b-6bdc968571ca)
“YOU’RE GETTING TOO big for this!” Grandpa gave Doug a toss toward the blazing chandelier. The boarders sat laughing, with knives and forks at hand. Then Doug, ten years old, was caught and popped in his chair and Grandma tapped his bowl with a steaming spoonful of soup. The crackers crunched like snow when he bit them. The cracker salt glittered like tiny diamonds. And there, at the far end of the table, with her gray eyes always down to watch her hand stir her coffee with a spoon or break her gingerbread and lay on the butter, was Miss Leonora Welkes, with whom men never sat on backyard swings or walked through the town ravine on summer nights. There was Miss Leonora whose eyes watched out the window as summer couples drifted by on the darkening sidewalks night after night, and Douglas felt his heart squeeze tight.
“Evening, Miss Leonora,” he called.
“Evening, Douglas.” She looked up past the steaming mounds of food, and the boarders turned their heads a moment before bowing again to their rituals.
Oh, Miss Welkes, he thought, Miss Welkes! And he wanted to stab every man at the table with a silver fork for not blinking their eyes at Miss Welkes when she asked for the butter. They always handed her things to their right, while still conversing with people on their left. The chandelier drew more attention than Miss Welkes. Isn’t it pretty? they said. Look at it sparkle! They cried.
But they did not know Miss Welkes as he knew her. There were as many facets to her as any chandelier, and if you went about it right she could be set laughing, and it was like stirring the Chinese hanging crystals in the wind on the summer night porch, all tinkling and melody. No, Miss Welkes was cobweb and dust to them, and Douglas almost died in his chair fastening his eyes upon her all through the soup and salad.
Now the three young ladies came laughing down the stairs, late, like a troupe of orioles. They always came last to the table, as if they were actresses making entrance through the frayed blue-velvet portieres. They would hold each other by the shoulders, looking into each other’s faces, telling themselves if their cheeks were pink enough or their hair ringed up tight, or their eyelashes dyed with spit-and-color enough; then they would pause, straighten their hems, and enter to something like applause from the male boarders.
“Evening, Tom, Jim, Bill. Evening, John, Peter!”
The five would tongue their food over into their cheeks, leap up, and draw out chairs for the young belles, everyone laughed until the chandelier cried with pain.
“Look what I got!”
“Look what I got!”
“Look at mine!”
The three ladies held up gifts which they had saved to open at table. It was the Fourth of July, and on any day of the year that was in any way special they pulled the ribbons off gifts and cried, Oh, you shouldn’t have done it! They even got gifts on Memorial Day, that was how it was. Lincoln’s Birthday, Washington’s, Jefferson’s, Columbus Day, Friday the Thirteenth. It was quite a joke. Once they got gifts on a day that wasn’t any kind of day at all, with notes printed on them saying: JUST BECAUSE IT’S MONDAY! They talked about that particular incident for six months after.
Now there was a crisp rattling as they cut the ribbons with their fingernails which flashed red, and far away at the end of the tunnel of people sat Miss Leonora Welkes, still inching at her food, but slowing down until at last her fork came to rest and she watched the gifts exposed to the crystalline light.
“Perfume! With Old Glory on the box!”
“Bath powder, in the shape of a pinwheel!”
“Candy, done up in ten-inch salutes!”
Everyone said how nice it was.
Miss Leonora Welkes said, “Oh, how nice that is.”
A moment later, Miss Welkes said, “I’m all done. It was a fine meal.”
“Don’t you want any dessert?” asked Grandma.
“I’m choke-full.” And Miss Welkes, smiling, glided from the room.
“Smell!” cried one young lady, waving the opened perfume under the men’s noses.
“Ah! Said everyone.
Douglas hit the screen door like a bullet to a target, and before it slammed he had taken sixty-eight steps across the cool green lawn in his bare feet. Money jingled in his pocket, the remains of his firecracker savings; and quite a remains, too. Now he thudded his bare feet on the warm summer twilight cement, across the street to press his nose on Mrs. Singer’s store window, to see the devils laid in red round rows, the torpedoes in sawdust, the ten-inch salutes that could toss your head in the trees like a football, the nine inchers that could bang a can to the sun, and the fire balloons, so rare and beautiful, like withered red, white and blue butterflies, their delicate silk wings folded, ready to be lit and gassed with warm air later and sent up into the summer night among the stars. There were so many things to pack your pocket with, and yet as he stood there, counting the money, ten, twenty, forty, a dollar and seventy cents, precariously saved during a long year of mowing lawns and clipping hedges, he turned and looked back at Grandma’s house, at the highest room of all, up in the little green cupola, where the window was shut in the hottest weather, and the shades half drawn. Miss Welkes’ room.
In half an hour the kids would come like a summer shower, their feet raining on the pavement, their hands full of explosions, little adhesive turbans on their burned thumbs, smelling of brimstone and punk, to run him off in fairy circles where they waved the magical sparklers, tracing their names and their destinies in luminous firefly paths on the sultry evening air, making great white symbols that lingered in phosphorous after-image even if you looked down from your night bed at three in the morning, remembering what a day and what an evening it had been. In half an hour he would be fat with treasure, breast pockets bulging with torpedoes, his money gone. But—now. He looked back and forth between the high room in Grandma’s house, and this store window full of dynamite wonders.
How many nights in winter had he gone down to the stone public library and seen Miss Welkes there with the stamp pad at her elbow and the purple ink rubber stamper in her hand, and the great book sections behind her?
“Good evening, Douglas.”
“Evening, Miss Welkes.”
“Can I help you meet some new friend, tonight?”
“Yes’m.”
“I know a man named Longfellow,” she said. Or, “I know a man named Whittier.”
And that was it. It wasn’t so much Miss Welkes herself, it was the people she knew. On autumn nights when, for no reason, the library might be empty for hours on end, she would say, “Let me bring out Mr. Whittier.” And she went back among the warm stacks of books, and returned to sit under the green glass shade, opening the book to meet the season, while Douglas sat on a stool looking up as her lips moved and, half of the time, she didn’t even glance at the words but could look away or close her eyes while she recited the poem about the pumpkin:
Oh—fruit loved of childhood—the old days recalling,
When wood grapes were purpling and brown nuts were falling!
When wild ugly faces we carved in its skin,
Glaring out through the dark with a candle within!
And Douglas would walk home, tall and enchanted.
Or on silver winter evenings when he and the wind blew wide the library door and dust stirred on the farthest counters and magazines turned their pages unaided in the vast empty rooms, then what more particularly apt than a good friend of Miss Welkes? Mr. Robert Frost, what a name for winter! His poem about stopping by the woods on a winter evening to watch the woods fill up with snow ….
And in the summer, only last night, Mr. Whittier again, on a hot night in July that kept the people at home lying on their porches, the library like a great bread oven; there, under the green grass lamp:
Blessings on thee, little man,
Barefoot boy with cheeks of tan …
Every morn shall lead thee through,
Fresh baptisms of the dew!
And Miss Welkes’ face there, an oval with her cobweb graying hair and her plainness, would be enchanted, color risen to her cheeks, and wetness to her lips, and the light from the reflection on the book pages shining her eyes and coloring her hair to a brightness!
In winter, he trudged home through icelands of magic, in summer through bakery winds of sorcery; the seasons given substance by the readings of Miss Welkes who knew so many people and introduced them, in due time, to Douglas. Mr. Poe and Mr. Sandburg and Miss Amy Lowell and Mr. Shakespeare.
The screen door opened under his hand.
“Mrs. Singer,” he said, “have you got any perfume?”
THE GIFT lay at the top of the stairs, tilted against her door. Supper had been early, over at six o’clock. There was the warm lull now before the extravagant evening. Downstairs, you could hear the tinkling of plates lifted to their kitchen wall racks. Douglas, at the furthest bend of the stairs, half hid in the attic door shadows, waited for Miss Welkes to twist her brass doorknob, waited to see the gift drop at her feet, unsigned, anonymous, sparkling with tape and gold stars.
At last, the door opened. The gift fell.
Miss Welkes looked down at it as if she was standing on the edge of a cliff she had never guessed was there before. She looked in all directions, slowly, and bent to pick it up. She didn’t open it, but stood in the doorway, holding the gift in her hands, for a long time. He heard her move inside and set the gift on a table. But there was no rattle of paper. She was looking at the gift, the wrapping, the tape, the stars, and not touching it.
“Oh, Miss Welkes, Miss Welkes!” he wanted to cry.
Half an hour later, there she was, on the front porch, seated with her neat hands folded, and watching the door. It was the summer evening ritual, the people on the porches, in the swings, on the figured pillows, the women talking and sewing, the men smoking, the children in idle groupings on the steps. But this was early, the town porches still simmering from the day, the echoes only temporarily allayed, the civil war of Independence Afternoon muffled for an hour in the sounds of poured lemonade and scraped dishes. But here, the only person on the street porches, alone, was Miss Eleanora Welkes, her face pink instead of gray, flushed, her eyes watching the door, her body tensed forward. Douglas saw her from the tree where he hung in silent vigilance. He did not say hello, she did not see him there, and the hour passed into deeper twilight. Within the house the sounds of preparation grew intense and furious. Phones rang, feet ran up and down the avalanche of stairs, the three belles giggled, bath doors slammed, and then out and down the front steps went the three young ladies, one at a time, a man on her arm. Each time the door swung, Miss Welkes would lean forward, smiling wildly. And each time she sank back as the girls appeared in floaty green dresses and blew away like thistle down the darkening avenues, laughing up at the men.
That left only Mr. Britz and Mr. Jerrick, who lived upstairs across from Miss Welkes. You could hear them whistling idly at their mirrors, and through the open windows you could see them finger their ties.
Miss Welkes leaned over the porch geraniums to peer up at their windows, her heart pumping in her face, it seemed, making it heart-shaped and colorful. She was looking for the man who had left the gift.
And then Douglas smelled the odor. He almost fell from the tree.
Miss Welkes had tapped her ears and neck with drops of perfume, many, many bright drops of Summer Night Odor, 97 cents a bottle! And she was sitting where the warm wind might blow this scent to whoever stepped out upon the porch. This would be her way of saying, I got your gift! Well?
“It was me, Miss Welkes!” screamed Douglas, silently, and hung in the tree, cold as ice.
“Good evening, Mr. Jerrick,” said Miss Welkes, half-rising.
“Evening.” Mr. Jerrick sniffed in the doorway and looked at her. “Have a nice evening.” He went whistling down the steps.
That left only Mr. Britz, with his straw hat cocked over one eye, humming.
“Here I am,” said Miss Welkes, rising, certain that this must be the man, the last one in the house.
“There you are,” said Mr. Britz, blinking. “Hey, you smell good. I never knew you used scent.” He leered at her.
“Someone gave me a gift.”
“Well, that’s fine.” And Mr. Britz did a little dance going down the porch steps, his cane jauntily flung over his shoulder. “See you later, Miss W.” He marched off.
Miss Welkes sat, and Douglas hung in the cooling tree. The kitchen sounds were fading. In a moment, Grandma would come out, bringing her pillow and a bottle of mosquito oil. Grandpa would cut the end off a long stogie and puff it to kill his own particular insects, and the aunts and uncles would arrive for the Independence Evening Event at the Spaulding House, the Festival of Fire, the shooting stars, the Roman Candles so diligently held by Grandpa, looking like Julius Caesar gone to flesh, standing with great dignity on the dark summer lawn, directing the setting off of fountains of red fire, and pinwheels of sizzle and smoke, while everyone, as if to the order of some celestial doctor, opened their mouths and said Ah! their faces burned into quick colors by blue, red, yellow, white flashes of sky bomb among the cloudy stars. The house windows would jingle with concussion. And Miss Welkes would sit among the strange people, the scent of perfume evaporating during the evening hours, until it was gone, and only the sad, wet smell of punk and sulfur would remain.
THE CHILDREN screamed by on the dim street now, calling for Douglas, but, hidden, he did not answer. He felt in his pocket for the remaining dollar and fifty cents. The children ran away into the night.
Douglas swung and dropped. He stood by the porch steps.
“Miss Welkes?”
She glanced up. “Yes?”
Now that the time had come he was afraid. Suppose she refused, suppose she was embarrassed and ran up to lock her door and never came out again?
“Tonight,” he said, “there’s a swell show at the Elite Theater. Harold Lloyd in WELCOME, DANGER. The show starts at eight o’clock, and afterward we’ll have a chocolate sundae at the Midnight Drug Store, open until eleven forty-five. I’ll go change clothes.”
She looked down at him and didn’t speak. Then she opened the door and went up the stairs.
“Miss Welkes!” he cried.
“It’s all right,” she said. “Run and put your shoes on!”
IT WAS seven thirty, the porch filling with people, when Douglas emerged, in his dark suit, with a blue tie, his hair wet with water, and his feet in the hot tight shoes.
“Why, Douglas!” the aunts and uncles and Grandma and Grandpa cried, “Aren’t you staying for the fireworks?”
“No.” And he looked at the fireworks laid out so beautifully crisp and smelling of powder, the pinwheels and sky bombs, and the Fire Balloons, three of them, folded like moths in their tissue wings, those balloons he loved most dearly of all, for they were like a summer night dream going up quietly, breathlessly on the still high air, away and away to far lands, glowing and breathing light as long as you could see them. Yes, the Fire Balloons, those especially would he miss, while seated in the Elite Theater tonight.
There was a whisper, the screen door stood wide, and there was Miss Welkes.
“Good evening, Mr. Spaulding,” she said to Douglas.
“Good evening, Miss Welkes,” he said.
She was dressed in a gray suit no one had seen ever before, neat and fresh, with her hair up under a summer straw hat, and standing there in the dim porch light she was like the carved goddess on the great marble library clock come to life.
“Shall we go, Mr. Spaulding?” and Douglas walked her down the steps.
“Have a good time!” said everyone.
“Douglas!” called Grandfather.
“Yes, sir?”
“Douglas,” said Grandfather, after a pause, holding his cigar in his hand, “I’m saving one of the Fire Balloons. I’ll be up when you come home. We’ll light her together and send her up. How’s that sound, eh?”
“Swell!” said Douglas.
“Good night, boy.” Grandpa waved him quietly on.
“Good night, sir.”
He took Miss Eleanora Welkes down the street, over the sidewalks of the summer evening, and they talked about Mr. Longfellow and Mr. Whittier and Mr. Poe all the way to the Elite Theater. …
Miss Bidwell (#ulink_d064ef99-e8dc-5ef3-9623-7483a0d2b801)
OLD MISS BIDWELL used to sit with a lemonade glass in her hand in her squeaking rocker on the porch of her house on Saint James Street every summer night from seven until nine. At nine, you could hear the front door tap shut, the brass key turn in the lock, the shades rustle down, and the lights click out.
Her routine varied in no detail. She lived alone with a house full of rococo pictures, a dusty library, a yellow-mouthed piano, and a music box which, when she ratcheted it up and set it going, prickled the air like the bubbles from lemon soda pop. Miss Bidwell had a nod for everyone walking by, and it was interesting that her house had no front steps leading up to its wooden porch. No front steps, and no back steps, for Miss Bidwell hadn’t left her house in forty years. In the year 1909, she had had the back and the front steps completely torn down and the porches railed in.
In the autumn—the closing-up, the nailing-in, the hiding-away time—she would have one last lemonade on her cooling, bleak porch; then she would carry her wicker chair inside, and no one would see her again until the next spring.
“There she goes,” said Mr. Widmer, the grocer, pointing with the red apple in his hand. “Take a good look at her.” He tapped the wall calendar. “Nine o’clock of an evening in the month of September, the day after Labor Day.”
Several customers squinted over at Miss Bidwell’s house. There was the old lady, looking around for a final time; then she went inside.
“Won’t see her again until May first,” said Mr. Widmer. “There’s a trap door in her kitchen wall. I unlock that trap door and shove the groceries in. There’s an envelope there, with money in it and a list of the things she wants. I never see her.”
“What does she do all winter?”
“Only the Lord knows. She’s had a phone for forty years and never used it.”
Miss Bidwell’s house was dark.
Mr. Widmer bit into his apple, enjoying its crisp succulence. “Forty years ago, she had the front steps taken away.”
“Why? Folks die?”
“They died before that.”
“Husband or children die?”
“Never had no husband nor children. She held hands with a young man who had all kinds of notions about travelling. They were going to be married. He used to sit and play the guitar and sing to her on that porch. One day he just went to the rail station and bought one ticket for Arizona, California, and China.”
“That’s a long time for a woman to carry a torch.”
They laughed quietly and solemnly, for it was a sad admission they had made.
“Suppose she’ll ever come out?”
“When you’re seventy? All I do every year is wait for the first of May. If she don’t come out on the porch that day and set up her chair, I’ll know for sure she’s dead. Then I’ll phone the police.”
“Goodnight,” said everyone, and left Mr. Widmer alone in the gray light of his grocery shop.
Mr. Widmer put on his coat and listened to the whining of the wind grow stronger. Yes, every year. And every year at this time he’d watched the old woman become more of an old woman. She was as remote as one of those barometers where the woman comes out for fair weather, the man appears for bad. But what a broken instrument, with only the woman coming out and coming out alone, and never a man at all, for bad or for better. How many thousands of July and August nights had he seen her there, beyond her moat of green grass, which was as impassable as a crocodile stream? Forty years of small-town nights. How much might they weigh if put to the scale? A feather to himself, but how much to her?
Mr. Widmer was putting on his hat when he saw the man.
The man came along the street, on the other side; an old man, dim in the light of the single corner street lamp. He was looking at all the house numbers, and when he came to the corner house, Number 11, he stopped and looked at the lightless windows.
“It couldn’t be,” said Mr. Widmer. He turned out the light and stood in the warm grocery smell of his store, watching the old man through the plate glass. “Not after this much time.” He shook his head. It was much more than ridiculous, for hadn’t he felt his heart quicken at least once a day, every day, for four decades whenever he saw a man pass or pause by Miss Bidwell’s? Every man in the history of the town who had so much as tied a shoelace in front of her locked house had been a source of wonder to Mr. Widmer.
“Are you the young man who ran off and left our Miss Bidwell?” he cried aloud, to himself.
Once, thirty years ago, white apron flapping, he had run across the brick street to confront a young man. “Well, so you came back!”
“What?” the young man said.
“Aren’t you Mr. Robert Farr, the one who brought her red carnations and played the guitar, and sang?”
“The name’s Corley,” and the young man drew forth silk samples to display and sell.
AS THE years passed, Mr. Widmer had become frightened about one thing: Suppose Mr. Farr did come back some day—how was he to be recognized? In his mind Mr. Widmer remembered the man as striding and young and very clean-faced. But forty years could peel a man away and dry his bones and tighten his flesh into a fine, acid etching. Perhaps some day Mr. Farr might return, like a hound dog to old trails, and, because of Mr. Widmer’s negligence, think the house locked and buried deep in another century, and go on down the avenue, never the wiser. Perhaps it had happened already!
There stood the man, the old man, the unbelievable man, at nine-fifteen in the evening of the day after Labor Day in September. There was a slight bend to his knees and his back, and his face was turned to the Bidwell house.
“One last try,” said Mr. Widmer. “Sticking my nose in.”
He stepped lightly over the cool brick street and reached the farther curb. The old man turned toward him.
“Evening,” said Mr. Widmer.
“I wonder if you could help me?” said the old man. “Is this the old Bidwell house?”
“Yes.”
“Does anyone live there?”
“Miss Ann Bidwell, she’s still there.”
“Thank you.”
“Goodnight.” And Mr. Widmer walked off, his heart pounding, cursing himself. Why didn’t you ask him, you idiot! Why didn’t you say, Mr. Farr? Is that you Mr. Farr?
But he knew the answer. This time, he wanted it to be Mr. Farr. And the only way to insure that it was Mr. Farr was not to shatter the thin bubble of reality. Asking outright might have evoked an answer which would have crushed him all over again. No, I’m not Mr. Farr; no, I’m not him. But this way, by not asking, Mr. Widmer could go to his home tonight, could lie in his upstairs bed, and, for an hour or so, could imagine, with an ancient and implausible tinge of romanticism, that at last the wandering man had come home from long track ways of travelling and long years of other cities and other worlds. This sort of lie was the most pleasant in which to indulge. You don’t ask a dream if it is real, or you wake up. All right then, let that man—bill collector, trash man, or whatever—for this night, at least, assume the identity of a lost person.
Mr. Widmer walked back across the street, around the side of his store, and up the narrow, dark stairs to the second floor where his wife was already in bed, asleep.
“Suppose it is him,” he thought, in bed. “And he’s knocking on the house sides, knocking on the back door with a broom handle, tapping at the windows, calling her on the phone, leaving his card poked under the doors—suppose?”
He turned on his side.
Will she answer? He wondered. Will she pay attention, will she do anything? Or will she just sit in her house with the fenced-in porch and no steps going up or down to the door, and let him knock and call her name?
He turned on his other side.
Will we see her again next May first, and not until then? And will he wait until then … six months of knocking and calling her name and waiting?
He got up and went to the window. There, far away over the green lawns, at the base of the huge, black house, by the porch which had no steps, stood the old man. And was it imagination or was his voice calling, calling there under the autumn trees, at the lightless windows?
THE NEXT morning, very early, Mr. Widmer looked down at Miss Bidwell’s lawn.
It was empty. “I doubt if he was even there,” said Mr. Widmer. “I doubt I even talked to anyone but a lamp-post. That apple was half cider; it turned my head.”
It was seven o’clock. Mrs. Terle and Mrs. Adams came into the cold store for bacon and eggs and milk. Mr. Widmer edged around the subject. “Say, you didn’t see no prowlers near Miss Bidwell’s last night, did you?”
“Were there some?” cried the ladies.
“Thought I saw some.”
“I didn’t see no one,” they said.
“It was the apple,” murmured Mr. Widmer. “Pure cider.”
The door slammed, and Mr. Widmer felt his spirits slump. Only he had seen, and the seeing must have been the rusted product of too many years of trying to live out another person’s life.
The streets were empty, but the town was slowly arising to life. The sun was a reddish ball over the Court House Clock. Dew still lay on everything in a cool blanket. Dew stood in bubbles on every grass blade, on every silent red brick; dripped from the elms and the maples and the empty apple trees.
The dew.
He walked slowly and carefully across the empty street and stood on Miss Bidwell’s sidewalk. Her lawns, a vast green sea of dew that had fallen in the night, lay before him. Mr. Widmer felt again the warm pounding of his heart. For there, in the dew, circling and circling the house, where they had left fine, clear impressions, was a series of endless footprints, around and around, under the windows, near the bushes, at the doors. Footprints in the crystal grass, footprints that melted as the sun rose.
The day was a slow day. Mr. Widmer kept near the front of his store, but saw nothing. At sunset, he sat smoking under the store awning. Maybe he’s gone, maybe he’ll never come back. She didn’t answer. I know her. She’s old and proud. The older, the prouder, that’s what they say. Maybe he’s gone off on the train again. Why didn’t I ask his name? Why didn’t I pound on the doors with him!
But the fact remained that he hadn’t asked and he hadn’t pounded, and he felt himself the nucleus of a tragedy that was beginning to grow far beyond him.
He won’t come back. Not after all night walking around her house. He must have left just before dawn. Footsteps still fresh.
Eight o’clock. Eight-thirty. Nothing. Nine o’clock. Nine-thirty. Nothing. Mr. Widmer stayed open until quite late, even though there were no customers.
It was after eleven when he sat by the upstairs window of his home, not watching exactly, but not going to bed, either.
At eleven-thirty, the clock struck softly, and the old man came along the street and stood before the house.
Of course! Said Mr. Widmer to himself. He’s afraid someone will see him. He slept all day somewhere and waited. Afraid of what people might say. Look at him there, going around and around.
He listened.
There was the calling again. Like the last cricket of the year, like the last rustle of the last oak leaf of the season. At the front door, at the back, at the bay windows. Oh, there would be a million slow footprints in the meadow lawn tomorrow when the sun rose.
Was she listening?
“Ann, Ann, oh, Ann!” Was that what he called? “Ann, can you hear me, Ann?” Was that what you called when you came back very late in the day?
And then, suddenly, Mr. Widmer stood up.
SUPPOSE SHE didn’t hear him! How could he be sure she was still able to hear? Seventy years make for spider webs in the ears, gray waddings of time which dull everything for some people until they live in a universe of cotton and wool and silence. Nobody had spoken to her in thirty years, save to open their mouths to say hello. What if she were deaf, lying there in her cold bed now like a little girl playing out a long and lonely game, never even aware someone was calling through her flake-painted door, someone was walking on the soft grass around her locked house? Perhaps not pride but a physical inability prevented her from answering!
In the living room, Mr. Widmer quietly took the phone off the hook, watching the bedroom door to be certain he hadn’t wakened his wife. To the operator he said, “Helen? Give me 729.”
“That you, Mr. Widmer? Funny time of night to call her.”
“Never mind.”
“All right, but she won’t answer. Never has. Don’t recall she ever has used her phone in all the years after she had it put in.”
The phone rang. It rang six times, and nothing happened.
“Keep trying, Helen.”
The phone rang twelve times more. His face was streaming perspiration. Someone picked up the phone at the other end.
“Miss Bidwell!” cried Mr. Widmer, almost collapsing in relief. “Miss Bidwell?” he lowered his voice. “This is Mr. Widmer, the grocer, calling.”
No answer. She was on the other end, in her house, standing in the dark. Through his window he could see that her house was still unlit. She hadn’t switched on any lights to find the phone.
“Miss Bidwell, do you hear me?” he asked.
Silence.
“Miss Bidwell, I want you to do me a favor,” he said.
Click.
“I want you to open your front door and look out,” he said.
“She’s hung up,” said Helen. “Want me to call her again?”
“No thanks.”
He put the receiver back on the hook.
There was the house, in the morning sun, in the afternoon sun, and in the twilight—silent. Here was the grocery, with Mr. Widmer in it, thinking: She’s a fool. No matter what, she’s a fool! It’s never too late. No matter how old, wrinkled hands are better than none. He’s travelled a long way around, and by his look, he’s never married, but always travelled, as some men do, crazy to change their scenery every week, every month, every year, until they reach an age where they find they are collecting nothing at all but a lot of empty trips and a lot of towns with no more substance to them than movie sets and a lot of people in those towns who are about as real as wax dummies seen in lighted windows late at night as you pass by on a slow, black train. He’s been living with a world of people who didn’t care about him because he never stayed anywhere long enough to make anyone worry whether he would arise in the morning or whether he had turned to dust. And then he got to thinking about “her” and decided she was the one real person he’d ever known. And just a little too late, he took a train and got off and walked up here, and there he is on her lawn, feeling like a fool, and one more night of this and he won’t come back at all.
This was the third night. Mr. Widmer thought of going over, of breaking the glass in the firebox, of setting fire to the porch of Miss Bidwell’s house, and of causing the firemen to roar up. That would bring her out, right into the old man’s arms, by Jupiter!
But wait! Ah, but wait.
Mr. Widmer’s eyes went to the ceiling. Up there, in the attic—wasn’t there a weapon there to be used against pride and time? In all that dust, wasn’t there something with which to strike out? Something as old as all of them—Mr. Widmer, the old man, the old lady? How long since the attic has been cleaned out? Never.
But it was too ridiculous. He wouldn’t dare!
And yet, this was the last night. A weapon must be provided.
Ten minutes later, he heard his wife cry out to him:
“Tom, Tom! What’s that noise! What are you doing in the attic?”
AT ELEVEN-THIRTY, there was the old man. He stood in front of the step-less house, as if not knowing what to try next. And then he took a quick step and looked down.
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Ray Douglas Bradbury
One of Ray Bradbury’s classic short story collections, available in ebook for the first time.SUMMER MORNING, SUMMER NIGHT is a collection of short stories and vignettes based in Green Town, Illinois, the fictionalised version of Ray Bradbury’s native Waukegan, which also served as the setting for his modern classics DANDELION WINE, SOMETHING WICKED THIS WAY COMES, and FAREWELL SUMMER.Among them are stories about a pair of elderly sisters who concoct a love potion with unexpected consequence; the careful affection between a teacher and her young student; the fireflies in the night who spark a conversation about life between a young boy and his grandfather. This is a beautifully woven tapestry of stories that illuminates some of Green Town’s hidden corners, and reaffirms Bradbury’s position as an undisputed master of fiction.One of the greatest writers of the twentieth century, Bradbury is also the author of the iconic FAHRENHEIT 451, THE ILLUSTRATED MAN and THE MARTIAN CHRONICLES. He published some five hundred short stories, novels and plays over his lifetime.
SUMMER MORNING, SUMMER NIGHT
Ray Bradbury
Copyright (#ulink_def1623b-0bc3-5561-a4fc-33e89453a7ad)
HarperVoyager An imprint of HarperCollinsPublishers Ltd. 77–85 Fulham Palace Road Hammersmith, London, W6 8JB
www.harpercollins.co.uk (http://www.harpercollins.co.uk)
Copyright © Ray Bradbury 2008
Cover design by Mike Topping.
Cover layout design © HarperCollinsPublishers 2014 Cover photographs © Shutterstock.com
Ray Bradbury asserts the moral right to be identified as the author of this work.
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication.
Ebook Edition © JULY 2013 ISBN: 9780007539840
Version: 2013–07–10
Dedication (#ulink_4fac9d1c-42a8-52f6-be63-b9eb278c8ad6)
To Jon Eller with love.
Ray
Table of Contents
Cover (#u6e54e7d5-0358-51e2-94bd-491acab0ed97)
Title Page (#uac91b2b3-ceee-50df-8dac-0008e3b200f9)
Copyright (#ulink_61dfcbc6-3932-53aa-a8bb-1324ed26b644)
Dedication (#ulink_9ab6f8a9-b7a1-5f83-b739-92fd99c459f6)
A Note on the Texts (#ulink_16646049-853e-5ac5-bb63-8896f36dfcc9)
End of Summer (1948) (#ulink_944ddece-27e7-54ee-992c-33212515dd80)
The Great Fire (1949) (#ulink_add2013b-aad1-5007-aa98-9890bdc6b0ea)
All on a Summer’s Night (1950) (#ulink_fb45eddc-97af-58aa-b298-6e575e5a14fc)
Miss Bidwell (1950) (#ulink_d38017cf-74ea-5d08-8c9d-e1055c5271fc)
The Pumpernickel (1951) (#litres_trial_promo)
The Screaming Woman (1951) (#litres_trial_promo)
These Things Happen (1951) (#litres_trial_promo)
At Midnight, in the Month of June (1954) (#litres_trial_promo)
A Walk in Summer (1979) (#litres_trial_promo)
Autumn Afternoon (2002) (#litres_trial_promo)
Arrival and Departure (#litres_trial_promo)
The Beautiful Lady (#litres_trial_promo)
Love Potion (#litres_trial_promo)
Night Meeting (#litres_trial_promo)
The Death of So-and-So (#litres_trial_promo)
I Got Something You Ain’t Got! (#litres_trial_promo)
The Waders (#litres_trial_promo)
The Dog (#litres_trial_promo)
The River That Went to the Sea (#litres_trial_promo)
Over, Over, Over, Over, Over, Over, Over, Over! (#litres_trial_promo)
The Projector (#litres_trial_promo)
The People with Seven Arms (#litres_trial_promo)
A Serious Discussion (or Evil in the World) (#litres_trial_promo)
The Fireflies (#litres_trial_promo)
The Circus (#litres_trial_promo)
The Cemetery (or The Tombyard) (#litres_trial_promo)
Summer’s End (#litres_trial_promo)
Keep Reading (#litres_trial_promo)
About the Author (#litres_trial_promo)
Also by the Author (#litres_trial_promo)
About the Publisher (#litres_trial_promo)
A Note on the Texts (#ulink_7cd5040e-c93c-54b6-8525-dea997b54b8a)
The text for “End of Summer” is based on the version collected by Bradbury in Driving Blind (1997). The texts of all other previously published stories in this collection are based on the earliest published versions. I am grateful to David Spiech, my colleague at Indiana University’s Institute for American Thought, for copy editing this volume.
End of Summer (#ulink_a0a1098f-54be-5613-8a04-8aed9744d1f6)
ONE. TWO. HATTIE’S lips counted the long, slow strokes of the high town clock as she lay quietly on her bed. The streets were asleep under the courthouse clock, which seemed like a white moon rising, round and full, the light from it freezing all of the town in late summer time. Her heart raced.
She rose swiftly to look down on the empty avenues, the dark and silent lawns. Below, the porch swing creaked ever so little in the wind.
She saw the long, dark rush of her hair in the mirror as she unknotted the tight schoolteacher’s bun and let it fall loose to her shoulders. Wouldn’t her pupils be surprised, she thought; so long, so black, so glossy. Not too bad for a woman of thirty-five. From the closet, her hands trembling, she dug out hidden parcels. Lipstick, rouge, eyebrow pencil, nail polish. A pale blue negligee, like a breath of vapor. Pulling off her cotton nightgown, she stepped on it, hard, even while she drew the negligee over her head.
She touched her ears with perfume, used the lipstick on her nervous mouth, penciled her eyebrows, and hurriedly painted her nails.
She was ready.
She let herself out into the hall of the sleeping house. She glanced fearfully at three white doors. If they sprang open now, then what? She balanced between the walls, waiting.
The doors stayed shut.
She stuck her tongue out at one door, then at the other two.
She drifted down the noiseless stairs onto the moonlit porch and then into the quiet street.
The smell of a September night was everywhere. Underfoot, the concrete breathed warmth up along her thin white legs.
“I’ve always wanted to do this.” She plucked a blood rose for her black hair and stood a moment smiling at the shaded windows of her house. “You don’t know what I’m doing,” she whispered. She swirled her negligee.
Down the aisle of trees, past glowing street lamps, her bare feet were soundless. She saw every bush and fence and wondered, “Why didn’t I think of this a long time ago?” She paused in the wet grass just to feel how it was, cool and prickly.
The patrolman, Mr. Waltzer, was wandering down Glen Bay Street, singing in a low, sad tenor. As he passed, Hattie circled a tree and stood staring at his broad back as he walked on, still singing.
When she reached the courthouse, the only noise was the sound of her bare toes on the rusty fire escape. At the top of the flight, on a ledge under the shining silver clock face, she held out her hands.
There lay the sleeping town!
A thousand roofs glittered with snow that had fallen from the moon.
She shook her fists and made faces at the town. She flicked her negligee skirt contemptuously at the far houses. She danced and laughed silently, then stopped to snap her fingers in all four directions.
A minute later, eyes bright, she was racing on the soft lawns of the town.
She came to the house of whispers.
She paused by a certain window and heard a man’s voice and a woman’s voice in the secret room.
Hattie leaned against the house and listened to whispering, whispering. It was like hearing two tiny moths fluttering gently inside on the window screen. There was a soft, remote laughter.
Hattie put her hand to the screen above, her face the face of one at a shrine. Perspiration shone on her lips.
“What was that?” cried a voice inside.
Like mist, Hattie whirled and vanished.
When she stopped running she was by another house window.
A man stood in the brightly lighted bathroom, perhaps the only lighted room in the town, shaving carefully around his yawning mouth. He had black hair and blue eyes and was twenty-seven years old and every morning carried to his job in the railyards a lunch bucket packed with ham sandwiches. He wiped his face with a towel and the light went out.
Hattie waited behind the great oak in the yard, all film, all spiderweb. She heard the front door click, his footsteps down the walk, the clank of his lunch pail. From the odors of tobacco and fresh soap, she knew, without looking, that he was passing.
Whistling between his teeth, he walked down the street toward the ravine. She followed from tree to tree, a white veil behind an elm, a moon shadow behind an oak. Once, he whirled about. Just in time she hid from sight. She waited, heart pounding. Silence. Then, his footsteps walking on.
He was whistling the song “June Night.”
The high arc light on the edge of the ravine cast his shadow directly beneath him. She was not two yards away, behind an ancient chestnut tree.
He stopped but did not turn. He sniffed the air.
The night wind blew her perfume over the ravine, as she had planned it.
She did not move. It was not her turn to act now. She simply stood pressing against the tree, exhausted with the shaking of her heart.
It seemed an hour before he moved. She could hear the dew breaking gently under the pressure of his shoes. The warm odor of tobacco and fresh soap came nearer.
He touched one of her wrists. She did not open her eyes. He did not speak.
Somewhere, the courthouse clock sounded the time as three in the morning.
His mouth fitted over hers very gently and easily.
Then his mouth was at her ear and she was held to the tree by him. He whispered. So she was the one who’d looked in his windows the last three nights! He kissed her neck. She, she had followed him, unseen, last night! He stared at her. The shadows of the trees fell soft and numerous all about, on her lips, on her cheeks, on her brow, and only her eyes were visible, gleaming and alive. She was lovely, did she know that? He had thought he was being haunted. His laughter was no more than a faint whisper in his mouth. He looked at her and made a move of his hand to his pocket. He drew forth a match, to strike, to hold by her face, to see, but she took his hand and held it and the unlit match. After a moment, he let the matchstick drop into the wet grass. “It doesn’t matter,” he said.
She did not look up at him. Silently he took her arm and began to walk.
Looking at her pale feet, she went with him to the edge of the cool ravine and down to the silent flow of the stream, to the moss banks and the willows.
He hesitated. She almost looked up to see if he was still there. They had come into the light, and she kept her head turned away so that he saw only the blowing darkness of her hair and the whiteness of her arms.
He said, “You don’t have to come any further, you know. Which house did you come from? You can run back to wherever it is. But if you run, don’t ever come back; I won’t want to see you again. I couldn’t take any more of this, night after night. Now’s your chance. Run, if you want!”
Summer night breathed off her, warm and quiet.
Her answer was to lift her hand to him.
NEXT MORNING, as Hattie walked downstairs, she found Grandma, Aunt Maude, and Cousin Jacob with cold cereal in their tight mouths, not liking it when Hattie pulled up her chair. Hattie wore a grim, highnecked dress, with a long skirt. Her hair was a knotted, hard bun behind her ears, her face was scrubbed pale, lean of color in the cheeks and lips. Her painted eyebrows and eyelashes were gone. Her fingernails were plain.
“You’re late, Hattie,” they all said, as if an agreement had been made to say it when she sat down.
“I know.” She did not move in her chair.
“Better not eat much,” said Aunt Maude. “It’s eight-thirty. You should’ve been at school. What’ll the superintendent say? Fine example for a teacher to set her pupils.”
The three stared at her.
Hattie was smiling.
“You haven’t been late in twelve years, Hattie,” said Aunt Maude.
Hattie did not move, but continued smiling.
“You’d better go,” they said.
Hattie walked to the hall to take down her green umbrella and pinned on her ribboned flat straw hat. They watched her. She opened the front door and looked back at them for a long moment, as if about to speak, her cheeks flushed. They leaned toward her. She smiled and ran out, slamming the door.
The Great Fire (#ulink_38e236fb-459d-5f37-a914-5b4283edc001)
THE MORNING THE great fire started, nobody in the house could put it out. It was mother’s niece, Marianne, living with us while her parents were in Europe, who was all aflame. So nobody could smash the little window in the red box at the corner and pull the trigger to bring the gushing hoses and the hatted firemen. Blazing like so much ignited cellophane, Marianne came downstairs, plumped herself with a loud cry or moan at the breakfast table and refused to eat enough to fill a tooth cavity.
Mother and father moved away, the warmth in the room being excessive.
“Good morning, Marianne.”
“What?” Marianne looked beyond people and spoke vaguely. “Oh, good morning.”
“Did you sleep well last night, Marianne?”
But they knew she hadn’t slept. Mother gave Marianne a glass of water to drink and everyone wondered if it would evaporate in her hand. Grandma, from her table chair, surveyed Marianne’s fevered eyes. “You’re sick, but it’s no microbe,” she said. “They couldn’t find it under a microscope.”
“What?” said Marianne.
“Love is godmother to stupidity,” said father, detachedly.
“She’ll be all right,” mother said to father. “Girls only seem stupid because when they’re in love they can’t hear.”
“It affects the semicircular canals,” said father. “Making many girls fall right into a fellow’s arms. I know. I was almost crushed to death once by a falling woman and let me tell you—”
“Hush.” Mother frowned, looking at Marianne.
“She can’t hear what we’re saying; she’s cataleptic right now.”
“He’s coming to pick her up this morning,” whispered mother to father, as if Marianne wasn’t even in the room. “They’re going riding in his jalopy.”
Father patted his mouth with a napkin. “Was our daughter like this, Mama?” he wanted to know. “She’s been married and gone so long, I’ve forgotten. I don’t recall she was so foolish. One would never know a girl had an ounce of sense at a time like this. That’s what fools a man. He says, Oh what a lovely brainless girl, she loves me, I think I’ll marry her. He marries her and wakes up one morning and all the dreaminess is gone out of her and her intellect has returned, unpacked, and is hanging up undies all about the house. The man begins running into ropes and lines. He finds himself on a little desert isle, a little living room alone in the midst of a universe, with a honeycomb that has turned into a bear trap, with a butterfly metamorphosed into a wasp. He then immediately takes up a hobby: stamp collecting, lodge-meetings or—”
“How you do run on,” cried mother. “Marianne, tell us about this young man. What was his name again? Was it Isak Van Pelt?”
“What? Oh—Isak, yes.” Marianne had been roving about her bed all night, sometimes flipping poetry books and reading incredible lines, sometimes lying flat on her back, sometimes on her tummy looking out at dreaming moonlit country. The smell of jasmine had touched the room all night and the excessive warmth of early spring (the thermometer read 55 degrees) had kept her awake. She looked like a dying moth, if anyone had peeked through the keyhole.
This morning she had clapped her hands over her head in the mirror and come to breakfast, remembering just in time to put on a dress.
Grandma laughed quietly all during breakfast. Finally she said “You must eat, child, you must.” So Marianne played with her toast and got half a piece down. Just then there was a loud honk outside. That was Isak! In his jalopy!
“Whoop!” cried Marianne and ran upstairs quickly.
The young Isak Van Pelt was brought in and introduced around.
When Marianne was finally gone, father sat down, wiping his forehead. “I don’t know. This is too much.”
“You were the one who suggested she start going out,” said mother.
“And I’m sorry I suggested it,” he said. “But she’s been visiting us for six months now, and six more months to go. I thought if she met some nice young man—”
“And they were married,” husked grandma darkly, “why, Marianne might move out almost immediately—is that it?”
“Well,” said father.
“Well,” said grandma.
“But now it’s worse than before,” said father. “She floats around singing with her eyes shut, playing those infernal love records and talking to herself. A man can stand so much. She’s getting so she laughs all the time, too. Do eighteen-year-old girls often wind up in the booby hatch?”
“He seems a nice young man,” said mother.
“Yes, we can always pray for that,” said father, taking out a little shot glass. “Here’s to an early marriage.”
The second morning Marianne was out of the house like a fireball when first she heard the jalopy horn. There was not time for the young man even to come to the door. Only grandma saw them roar off together, from the parlor window.
“She almost knocked me down.” Father brushed his mustache. “What’s that? Brained eggs? Well.”
In the afternoon, Marianne, home again, drifted about the living room to the phonograph records. The needle hiss filled the house. She played That Old Black Magic twenty-one times, going “la la la” as she swam with her eyes closed, in the room.
“I’m afraid to go in my own parlor,” said father. “I retired from business to smoke cigars and enjoy living, not to have a limp relative humming about under the parlor chandelier.”
“Hush,” said mother.
“This is a crisis,” announced father, “in my life. After all, she’s just visiting.”
“You know how visiting girls are. Away from home they think they’re in Paris, France. She’ll be gone in October. It’s not so dreadful.”
“Let’s see,” figured father, slowly. “I’ll have been buried just about one hundred and thirty days out at Green Lawn Cemetery by then.” He got up and threw his paper down into a little white tent on the floor. “By George, Mother, I’m talking to her right now!”
He went and stood in the parlor door, peering through it at the waltzing Marianne. “La,” she sang to the music.
Clearing his throat, he stepped through.
“Marianne,” he said.
“That old black magic …” sang Marianne. “Yes?”
He watched her hands swinging in the air. She gave him a sudden fiery look as she danced by.
“I want to talk to you.” He straightened his tie.
“Dah dum dee dum dum dee dum dee dum dum,” she sang.
“Did you hear me?” he demanded.
“He’s so nice,” she said.
“Evidently.”
“Do you know, he bows and opens doors like a doorman and plays a trumpet like Harry James and brought me daisies this morning?”
“I wouldn’t doubt.”
“His eyes are blue.” She looked at the ceiling.
He could find nothing at all on the ceiling to look at.
She kept looking, as she danced, at the ceiling as he came over and stood near her, looking up, but there wasn’t a rain spot or a settling crack there, and he sighed, “Marianne.”
“And we ate lobster at that river café.”
“Lobster. I know, but we don’t want you breaking down, getting weak. One day, tomorrow, you must stay home and help your Aunt Math make her doilies—”
“Yes, sir.” She dreamed around the room with her wings out.
“Did you hear me?” he demanded.
“Yes,” she whispered. “Yes,” her eyes shut. “Oh, yes, yes.” Her skirts whished around. “Uncle,” she said, her head back, lolling.
“You’ll help your aunt with her doilies?” he cried.
“—with her doilies,” she murmured.
“There!” He sat down in the kitchen, plucking up the paper. “I guess I told her!”
BUT, NEXT morning, he was on the edge of his bed when he heard the hot-rod’s thunderous muffler and heard Marianne fall downstairs, linger two seconds in the dining room for breakfast, hesitate by the bathroom long enough to consider whether she should be sick, and then the slam of the front door, the sound of the jalopy banging down the street, two people singing off-key in it.
Father put his head in his hands. “Doilies,” he said.
“What?” said mother.
“Dooley’s,” said father. “I’m going down to Dooley’s for a morning visit.”
“But Dooley’s isn’t open until ten.”
“I’ll wait,” decided father, eyes shut.
That night and seven other wild nights the porch swing sang a little creaking song, back and forth, back and forth. Father, hiding in the living room, could be seen in fierce relief whenever he drafted his ten-cent cigar and the cherry light illumined his immensely tragic face. The porch swing creaked. He waited for another creak. He heard little butterfly-soft sounds from outside, little palpitations of laughter and sweet nothings in small ears. “My porch,” said father. “My swing,” he whispered to his cigar, looking at it. “My house.” He listened for another creak. “My lord,” he said.
He went to the tool shed and appeared on the dark porch with a shiny oil-can. “No, don’t get up. Don’t bother. There, and there.” He oiled the swing joints. It was dark. He couldn’t see Marianne, he could smell her. The perfume almost knocked him off into the rosebush. He couldn’t see her gentleman friend either. “Good night,” he said. He went in and sat down and there was no more creaking. Now all he could hear was something that sounded like the moth-like flutter of Marianne’s heart.
“He must be very nice,” said mother, in the kitchen door, wiping a dinner dish.
“That’s what I’m hoping,” whispered father. “That’s why I let them have the porch every night!”
“So many days in a row,” said mother. “A girl doesn’t go with a nice young man that many times unless it’s serious.”
“Maybe he’ll propose tonight!” was father’s happy thought.
“Hardly so soon. And she is so young.”
“Still,” he ruminated. “It might happen. It’s got to happen, by the Lord Harry.”
Grandma chuckled from her corner easy chair. It sounded like someone turning the pages of an ancient book.
“What’s so funny?” said father.
“Wait and see,” said grandma. “Tomorrow.”
Father stared at the dark, but grandma would say no more.
“WELL, WELL,” said father at breakfast. He surveyed his eggs with a kindly, paternal eye. “Well, well, by gosh, last night, on the porch, there was more whispering. What’s his name? Isak? Well, now if I’m any judge at all, I think he proposed to Marianne last night; yes, I’m positive of it!”
“It would be nice,” said mother. “A spring marriage. But it’s so soon.”
“Look,” said father, with full-mouthed logic. “Marianne’s the kind of girl who marries quick and young. We can’t stand in her way, can we?”
“For once, I think you’re right,” said mother. “A marriage would be fine. Spring flowers, and Marianne looking nice in that gown I saw at Haydecker’s last week.”
They all peered anxiously at the stairs, waiting for Marianne to appear.
“Pardon me,” rasped grandma, sighting up from her morning toast. “But I wouldn’t talk of getting rid of Marianne just yet if I were you.”
“And why not?”
“Because.”
“Because why?”
“I hate to spoil your plans,” rustled grandma, chuckling. She gestured with her little vinegary head. “But while you people were worrying about getting Marianne married, I’ve been keeping tab on her. Seven days now I’ve been watching this young fellow, each day he came in his car and honked his horn outside. He must be an actor or a quick change artist or something.”
“What?” asked father.
“Yep,” said grandma. “Because one day he was a young blond fellow and next day he was a tall dark fellow, and Wednesday he was a chap with a brown mustache, and Thursday he had wavy red hair, and Friday he was shorter, with a Chevrolet stripped down instead of a Ford.”
Mother and father sat for a minute as if hit with hammers right behind the left ear.
At last father, his face exploding with color, shouted, “Do you mean to say! You sat there, woman, you say; all those men, and you—”
“You were always hiding.” snapped grandma. “So you wouldn’t spoil things. If you’d come out in the open you’d have seen the same as I. I never said a word. She’ll simmer down. It’s just her time of life. Every woman goes through it. It’s hard, but they can survive. A new man every day does wonders for a girl’s ego!”
“You, you, you, you, you!” Father choked on it, eyes wild, throat gorged too big for his collar. He fell back in his chair, exhausted. Mother sat, stunned.
“Good morning, everyone!” Marianne raced downstairs and popped into a chair. Father stared at her.
“You, you, you, you, you,” he accused grandma.
I shall run down the street shouting, thought father wildly, and break the fire alarm window and pull the lever and bring the fire engines and the hoses. Or perhaps there will be a late snowstorm and I shall set Marianne out in it to cool.
He did neither. The heat in the room being excessive, according to the wall calendar, everyone moved out onto the cool porch while Marianne sat looking at her orange juice.
All on A Summer’s Night (#ulink_decb3474-f74c-58c1-b89b-6bdc968571ca)
“YOU’RE GETTING TOO big for this!” Grandpa gave Doug a toss toward the blazing chandelier. The boarders sat laughing, with knives and forks at hand. Then Doug, ten years old, was caught and popped in his chair and Grandma tapped his bowl with a steaming spoonful of soup. The crackers crunched like snow when he bit them. The cracker salt glittered like tiny diamonds. And there, at the far end of the table, with her gray eyes always down to watch her hand stir her coffee with a spoon or break her gingerbread and lay on the butter, was Miss Leonora Welkes, with whom men never sat on backyard swings or walked through the town ravine on summer nights. There was Miss Leonora whose eyes watched out the window as summer couples drifted by on the darkening sidewalks night after night, and Douglas felt his heart squeeze tight.
“Evening, Miss Leonora,” he called.
“Evening, Douglas.” She looked up past the steaming mounds of food, and the boarders turned their heads a moment before bowing again to their rituals.
Oh, Miss Welkes, he thought, Miss Welkes! And he wanted to stab every man at the table with a silver fork for not blinking their eyes at Miss Welkes when she asked for the butter. They always handed her things to their right, while still conversing with people on their left. The chandelier drew more attention than Miss Welkes. Isn’t it pretty? they said. Look at it sparkle! They cried.
But they did not know Miss Welkes as he knew her. There were as many facets to her as any chandelier, and if you went about it right she could be set laughing, and it was like stirring the Chinese hanging crystals in the wind on the summer night porch, all tinkling and melody. No, Miss Welkes was cobweb and dust to them, and Douglas almost died in his chair fastening his eyes upon her all through the soup and salad.
Now the three young ladies came laughing down the stairs, late, like a troupe of orioles. They always came last to the table, as if they were actresses making entrance through the frayed blue-velvet portieres. They would hold each other by the shoulders, looking into each other’s faces, telling themselves if their cheeks were pink enough or their hair ringed up tight, or their eyelashes dyed with spit-and-color enough; then they would pause, straighten their hems, and enter to something like applause from the male boarders.
“Evening, Tom, Jim, Bill. Evening, John, Peter!”
The five would tongue their food over into their cheeks, leap up, and draw out chairs for the young belles, everyone laughed until the chandelier cried with pain.
“Look what I got!”
“Look what I got!”
“Look at mine!”
The three ladies held up gifts which they had saved to open at table. It was the Fourth of July, and on any day of the year that was in any way special they pulled the ribbons off gifts and cried, Oh, you shouldn’t have done it! They even got gifts on Memorial Day, that was how it was. Lincoln’s Birthday, Washington’s, Jefferson’s, Columbus Day, Friday the Thirteenth. It was quite a joke. Once they got gifts on a day that wasn’t any kind of day at all, with notes printed on them saying: JUST BECAUSE IT’S MONDAY! They talked about that particular incident for six months after.
Now there was a crisp rattling as they cut the ribbons with their fingernails which flashed red, and far away at the end of the tunnel of people sat Miss Leonora Welkes, still inching at her food, but slowing down until at last her fork came to rest and she watched the gifts exposed to the crystalline light.
“Perfume! With Old Glory on the box!”
“Bath powder, in the shape of a pinwheel!”
“Candy, done up in ten-inch salutes!”
Everyone said how nice it was.
Miss Leonora Welkes said, “Oh, how nice that is.”
A moment later, Miss Welkes said, “I’m all done. It was a fine meal.”
“Don’t you want any dessert?” asked Grandma.
“I’m choke-full.” And Miss Welkes, smiling, glided from the room.
“Smell!” cried one young lady, waving the opened perfume under the men’s noses.
“Ah! Said everyone.
Douglas hit the screen door like a bullet to a target, and before it slammed he had taken sixty-eight steps across the cool green lawn in his bare feet. Money jingled in his pocket, the remains of his firecracker savings; and quite a remains, too. Now he thudded his bare feet on the warm summer twilight cement, across the street to press his nose on Mrs. Singer’s store window, to see the devils laid in red round rows, the torpedoes in sawdust, the ten-inch salutes that could toss your head in the trees like a football, the nine inchers that could bang a can to the sun, and the fire balloons, so rare and beautiful, like withered red, white and blue butterflies, their delicate silk wings folded, ready to be lit and gassed with warm air later and sent up into the summer night among the stars. There were so many things to pack your pocket with, and yet as he stood there, counting the money, ten, twenty, forty, a dollar and seventy cents, precariously saved during a long year of mowing lawns and clipping hedges, he turned and looked back at Grandma’s house, at the highest room of all, up in the little green cupola, where the window was shut in the hottest weather, and the shades half drawn. Miss Welkes’ room.
In half an hour the kids would come like a summer shower, their feet raining on the pavement, their hands full of explosions, little adhesive turbans on their burned thumbs, smelling of brimstone and punk, to run him off in fairy circles where they waved the magical sparklers, tracing their names and their destinies in luminous firefly paths on the sultry evening air, making great white symbols that lingered in phosphorous after-image even if you looked down from your night bed at three in the morning, remembering what a day and what an evening it had been. In half an hour he would be fat with treasure, breast pockets bulging with torpedoes, his money gone. But—now. He looked back and forth between the high room in Grandma’s house, and this store window full of dynamite wonders.
How many nights in winter had he gone down to the stone public library and seen Miss Welkes there with the stamp pad at her elbow and the purple ink rubber stamper in her hand, and the great book sections behind her?
“Good evening, Douglas.”
“Evening, Miss Welkes.”
“Can I help you meet some new friend, tonight?”
“Yes’m.”
“I know a man named Longfellow,” she said. Or, “I know a man named Whittier.”
And that was it. It wasn’t so much Miss Welkes herself, it was the people she knew. On autumn nights when, for no reason, the library might be empty for hours on end, she would say, “Let me bring out Mr. Whittier.” And she went back among the warm stacks of books, and returned to sit under the green glass shade, opening the book to meet the season, while Douglas sat on a stool looking up as her lips moved and, half of the time, she didn’t even glance at the words but could look away or close her eyes while she recited the poem about the pumpkin:
Oh—fruit loved of childhood—the old days recalling,
When wood grapes were purpling and brown nuts were falling!
When wild ugly faces we carved in its skin,
Glaring out through the dark with a candle within!
And Douglas would walk home, tall and enchanted.
Or on silver winter evenings when he and the wind blew wide the library door and dust stirred on the farthest counters and magazines turned their pages unaided in the vast empty rooms, then what more particularly apt than a good friend of Miss Welkes? Mr. Robert Frost, what a name for winter! His poem about stopping by the woods on a winter evening to watch the woods fill up with snow ….
And in the summer, only last night, Mr. Whittier again, on a hot night in July that kept the people at home lying on their porches, the library like a great bread oven; there, under the green grass lamp:
Blessings on thee, little man,
Barefoot boy with cheeks of tan …
Every morn shall lead thee through,
Fresh baptisms of the dew!
And Miss Welkes’ face there, an oval with her cobweb graying hair and her plainness, would be enchanted, color risen to her cheeks, and wetness to her lips, and the light from the reflection on the book pages shining her eyes and coloring her hair to a brightness!
In winter, he trudged home through icelands of magic, in summer through bakery winds of sorcery; the seasons given substance by the readings of Miss Welkes who knew so many people and introduced them, in due time, to Douglas. Mr. Poe and Mr. Sandburg and Miss Amy Lowell and Mr. Shakespeare.
The screen door opened under his hand.
“Mrs. Singer,” he said, “have you got any perfume?”
THE GIFT lay at the top of the stairs, tilted against her door. Supper had been early, over at six o’clock. There was the warm lull now before the extravagant evening. Downstairs, you could hear the tinkling of plates lifted to their kitchen wall racks. Douglas, at the furthest bend of the stairs, half hid in the attic door shadows, waited for Miss Welkes to twist her brass doorknob, waited to see the gift drop at her feet, unsigned, anonymous, sparkling with tape and gold stars.
At last, the door opened. The gift fell.
Miss Welkes looked down at it as if she was standing on the edge of a cliff she had never guessed was there before. She looked in all directions, slowly, and bent to pick it up. She didn’t open it, but stood in the doorway, holding the gift in her hands, for a long time. He heard her move inside and set the gift on a table. But there was no rattle of paper. She was looking at the gift, the wrapping, the tape, the stars, and not touching it.
“Oh, Miss Welkes, Miss Welkes!” he wanted to cry.
Half an hour later, there she was, on the front porch, seated with her neat hands folded, and watching the door. It was the summer evening ritual, the people on the porches, in the swings, on the figured pillows, the women talking and sewing, the men smoking, the children in idle groupings on the steps. But this was early, the town porches still simmering from the day, the echoes only temporarily allayed, the civil war of Independence Afternoon muffled for an hour in the sounds of poured lemonade and scraped dishes. But here, the only person on the street porches, alone, was Miss Eleanora Welkes, her face pink instead of gray, flushed, her eyes watching the door, her body tensed forward. Douglas saw her from the tree where he hung in silent vigilance. He did not say hello, she did not see him there, and the hour passed into deeper twilight. Within the house the sounds of preparation grew intense and furious. Phones rang, feet ran up and down the avalanche of stairs, the three belles giggled, bath doors slammed, and then out and down the front steps went the three young ladies, one at a time, a man on her arm. Each time the door swung, Miss Welkes would lean forward, smiling wildly. And each time she sank back as the girls appeared in floaty green dresses and blew away like thistle down the darkening avenues, laughing up at the men.
That left only Mr. Britz and Mr. Jerrick, who lived upstairs across from Miss Welkes. You could hear them whistling idly at their mirrors, and through the open windows you could see them finger their ties.
Miss Welkes leaned over the porch geraniums to peer up at their windows, her heart pumping in her face, it seemed, making it heart-shaped and colorful. She was looking for the man who had left the gift.
And then Douglas smelled the odor. He almost fell from the tree.
Miss Welkes had tapped her ears and neck with drops of perfume, many, many bright drops of Summer Night Odor, 97 cents a bottle! And she was sitting where the warm wind might blow this scent to whoever stepped out upon the porch. This would be her way of saying, I got your gift! Well?
“It was me, Miss Welkes!” screamed Douglas, silently, and hung in the tree, cold as ice.
“Good evening, Mr. Jerrick,” said Miss Welkes, half-rising.
“Evening.” Mr. Jerrick sniffed in the doorway and looked at her. “Have a nice evening.” He went whistling down the steps.
That left only Mr. Britz, with his straw hat cocked over one eye, humming.
“Here I am,” said Miss Welkes, rising, certain that this must be the man, the last one in the house.
“There you are,” said Mr. Britz, blinking. “Hey, you smell good. I never knew you used scent.” He leered at her.
“Someone gave me a gift.”
“Well, that’s fine.” And Mr. Britz did a little dance going down the porch steps, his cane jauntily flung over his shoulder. “See you later, Miss W.” He marched off.
Miss Welkes sat, and Douglas hung in the cooling tree. The kitchen sounds were fading. In a moment, Grandma would come out, bringing her pillow and a bottle of mosquito oil. Grandpa would cut the end off a long stogie and puff it to kill his own particular insects, and the aunts and uncles would arrive for the Independence Evening Event at the Spaulding House, the Festival of Fire, the shooting stars, the Roman Candles so diligently held by Grandpa, looking like Julius Caesar gone to flesh, standing with great dignity on the dark summer lawn, directing the setting off of fountains of red fire, and pinwheels of sizzle and smoke, while everyone, as if to the order of some celestial doctor, opened their mouths and said Ah! their faces burned into quick colors by blue, red, yellow, white flashes of sky bomb among the cloudy stars. The house windows would jingle with concussion. And Miss Welkes would sit among the strange people, the scent of perfume evaporating during the evening hours, until it was gone, and only the sad, wet smell of punk and sulfur would remain.
THE CHILDREN screamed by on the dim street now, calling for Douglas, but, hidden, he did not answer. He felt in his pocket for the remaining dollar and fifty cents. The children ran away into the night.
Douglas swung and dropped. He stood by the porch steps.
“Miss Welkes?”
She glanced up. “Yes?”
Now that the time had come he was afraid. Suppose she refused, suppose she was embarrassed and ran up to lock her door and never came out again?
“Tonight,” he said, “there’s a swell show at the Elite Theater. Harold Lloyd in WELCOME, DANGER. The show starts at eight o’clock, and afterward we’ll have a chocolate sundae at the Midnight Drug Store, open until eleven forty-five. I’ll go change clothes.”
She looked down at him and didn’t speak. Then she opened the door and went up the stairs.
“Miss Welkes!” he cried.
“It’s all right,” she said. “Run and put your shoes on!”
IT WAS seven thirty, the porch filling with people, when Douglas emerged, in his dark suit, with a blue tie, his hair wet with water, and his feet in the hot tight shoes.
“Why, Douglas!” the aunts and uncles and Grandma and Grandpa cried, “Aren’t you staying for the fireworks?”
“No.” And he looked at the fireworks laid out so beautifully crisp and smelling of powder, the pinwheels and sky bombs, and the Fire Balloons, three of them, folded like moths in their tissue wings, those balloons he loved most dearly of all, for they were like a summer night dream going up quietly, breathlessly on the still high air, away and away to far lands, glowing and breathing light as long as you could see them. Yes, the Fire Balloons, those especially would he miss, while seated in the Elite Theater tonight.
There was a whisper, the screen door stood wide, and there was Miss Welkes.
“Good evening, Mr. Spaulding,” she said to Douglas.
“Good evening, Miss Welkes,” he said.
She was dressed in a gray suit no one had seen ever before, neat and fresh, with her hair up under a summer straw hat, and standing there in the dim porch light she was like the carved goddess on the great marble library clock come to life.
“Shall we go, Mr. Spaulding?” and Douglas walked her down the steps.
“Have a good time!” said everyone.
“Douglas!” called Grandfather.
“Yes, sir?”
“Douglas,” said Grandfather, after a pause, holding his cigar in his hand, “I’m saving one of the Fire Balloons. I’ll be up when you come home. We’ll light her together and send her up. How’s that sound, eh?”
“Swell!” said Douglas.
“Good night, boy.” Grandpa waved him quietly on.
“Good night, sir.”
He took Miss Eleanora Welkes down the street, over the sidewalks of the summer evening, and they talked about Mr. Longfellow and Mr. Whittier and Mr. Poe all the way to the Elite Theater. …
Miss Bidwell (#ulink_d064ef99-e8dc-5ef3-9623-7483a0d2b801)
OLD MISS BIDWELL used to sit with a lemonade glass in her hand in her squeaking rocker on the porch of her house on Saint James Street every summer night from seven until nine. At nine, you could hear the front door tap shut, the brass key turn in the lock, the shades rustle down, and the lights click out.
Her routine varied in no detail. She lived alone with a house full of rococo pictures, a dusty library, a yellow-mouthed piano, and a music box which, when she ratcheted it up and set it going, prickled the air like the bubbles from lemon soda pop. Miss Bidwell had a nod for everyone walking by, and it was interesting that her house had no front steps leading up to its wooden porch. No front steps, and no back steps, for Miss Bidwell hadn’t left her house in forty years. In the year 1909, she had had the back and the front steps completely torn down and the porches railed in.
In the autumn—the closing-up, the nailing-in, the hiding-away time—she would have one last lemonade on her cooling, bleak porch; then she would carry her wicker chair inside, and no one would see her again until the next spring.
“There she goes,” said Mr. Widmer, the grocer, pointing with the red apple in his hand. “Take a good look at her.” He tapped the wall calendar. “Nine o’clock of an evening in the month of September, the day after Labor Day.”
Several customers squinted over at Miss Bidwell’s house. There was the old lady, looking around for a final time; then she went inside.
“Won’t see her again until May first,” said Mr. Widmer. “There’s a trap door in her kitchen wall. I unlock that trap door and shove the groceries in. There’s an envelope there, with money in it and a list of the things she wants. I never see her.”
“What does she do all winter?”
“Only the Lord knows. She’s had a phone for forty years and never used it.”
Miss Bidwell’s house was dark.
Mr. Widmer bit into his apple, enjoying its crisp succulence. “Forty years ago, she had the front steps taken away.”
“Why? Folks die?”
“They died before that.”
“Husband or children die?”
“Never had no husband nor children. She held hands with a young man who had all kinds of notions about travelling. They were going to be married. He used to sit and play the guitar and sing to her on that porch. One day he just went to the rail station and bought one ticket for Arizona, California, and China.”
“That’s a long time for a woman to carry a torch.”
They laughed quietly and solemnly, for it was a sad admission they had made.
“Suppose she’ll ever come out?”
“When you’re seventy? All I do every year is wait for the first of May. If she don’t come out on the porch that day and set up her chair, I’ll know for sure she’s dead. Then I’ll phone the police.”
“Goodnight,” said everyone, and left Mr. Widmer alone in the gray light of his grocery shop.
Mr. Widmer put on his coat and listened to the whining of the wind grow stronger. Yes, every year. And every year at this time he’d watched the old woman become more of an old woman. She was as remote as one of those barometers where the woman comes out for fair weather, the man appears for bad. But what a broken instrument, with only the woman coming out and coming out alone, and never a man at all, for bad or for better. How many thousands of July and August nights had he seen her there, beyond her moat of green grass, which was as impassable as a crocodile stream? Forty years of small-town nights. How much might they weigh if put to the scale? A feather to himself, but how much to her?
Mr. Widmer was putting on his hat when he saw the man.
The man came along the street, on the other side; an old man, dim in the light of the single corner street lamp. He was looking at all the house numbers, and when he came to the corner house, Number 11, he stopped and looked at the lightless windows.
“It couldn’t be,” said Mr. Widmer. He turned out the light and stood in the warm grocery smell of his store, watching the old man through the plate glass. “Not after this much time.” He shook his head. It was much more than ridiculous, for hadn’t he felt his heart quicken at least once a day, every day, for four decades whenever he saw a man pass or pause by Miss Bidwell’s? Every man in the history of the town who had so much as tied a shoelace in front of her locked house had been a source of wonder to Mr. Widmer.
“Are you the young man who ran off and left our Miss Bidwell?” he cried aloud, to himself.
Once, thirty years ago, white apron flapping, he had run across the brick street to confront a young man. “Well, so you came back!”
“What?” the young man said.
“Aren’t you Mr. Robert Farr, the one who brought her red carnations and played the guitar, and sang?”
“The name’s Corley,” and the young man drew forth silk samples to display and sell.
AS THE years passed, Mr. Widmer had become frightened about one thing: Suppose Mr. Farr did come back some day—how was he to be recognized? In his mind Mr. Widmer remembered the man as striding and young and very clean-faced. But forty years could peel a man away and dry his bones and tighten his flesh into a fine, acid etching. Perhaps some day Mr. Farr might return, like a hound dog to old trails, and, because of Mr. Widmer’s negligence, think the house locked and buried deep in another century, and go on down the avenue, never the wiser. Perhaps it had happened already!
There stood the man, the old man, the unbelievable man, at nine-fifteen in the evening of the day after Labor Day in September. There was a slight bend to his knees and his back, and his face was turned to the Bidwell house.
“One last try,” said Mr. Widmer. “Sticking my nose in.”
He stepped lightly over the cool brick street and reached the farther curb. The old man turned toward him.
“Evening,” said Mr. Widmer.
“I wonder if you could help me?” said the old man. “Is this the old Bidwell house?”
“Yes.”
“Does anyone live there?”
“Miss Ann Bidwell, she’s still there.”
“Thank you.”
“Goodnight.” And Mr. Widmer walked off, his heart pounding, cursing himself. Why didn’t you ask him, you idiot! Why didn’t you say, Mr. Farr? Is that you Mr. Farr?
But he knew the answer. This time, he wanted it to be Mr. Farr. And the only way to insure that it was Mr. Farr was not to shatter the thin bubble of reality. Asking outright might have evoked an answer which would have crushed him all over again. No, I’m not Mr. Farr; no, I’m not him. But this way, by not asking, Mr. Widmer could go to his home tonight, could lie in his upstairs bed, and, for an hour or so, could imagine, with an ancient and implausible tinge of romanticism, that at last the wandering man had come home from long track ways of travelling and long years of other cities and other worlds. This sort of lie was the most pleasant in which to indulge. You don’t ask a dream if it is real, or you wake up. All right then, let that man—bill collector, trash man, or whatever—for this night, at least, assume the identity of a lost person.
Mr. Widmer walked back across the street, around the side of his store, and up the narrow, dark stairs to the second floor where his wife was already in bed, asleep.
“Suppose it is him,” he thought, in bed. “And he’s knocking on the house sides, knocking on the back door with a broom handle, tapping at the windows, calling her on the phone, leaving his card poked under the doors—suppose?”
He turned on his side.
Will she answer? He wondered. Will she pay attention, will she do anything? Or will she just sit in her house with the fenced-in porch and no steps going up or down to the door, and let him knock and call her name?
He turned on his other side.
Will we see her again next May first, and not until then? And will he wait until then … six months of knocking and calling her name and waiting?
He got up and went to the window. There, far away over the green lawns, at the base of the huge, black house, by the porch which had no steps, stood the old man. And was it imagination or was his voice calling, calling there under the autumn trees, at the lightless windows?
THE NEXT morning, very early, Mr. Widmer looked down at Miss Bidwell’s lawn.
It was empty. “I doubt if he was even there,” said Mr. Widmer. “I doubt I even talked to anyone but a lamp-post. That apple was half cider; it turned my head.”
It was seven o’clock. Mrs. Terle and Mrs. Adams came into the cold store for bacon and eggs and milk. Mr. Widmer edged around the subject. “Say, you didn’t see no prowlers near Miss Bidwell’s last night, did you?”
“Were there some?” cried the ladies.
“Thought I saw some.”
“I didn’t see no one,” they said.
“It was the apple,” murmured Mr. Widmer. “Pure cider.”
The door slammed, and Mr. Widmer felt his spirits slump. Only he had seen, and the seeing must have been the rusted product of too many years of trying to live out another person’s life.
The streets were empty, but the town was slowly arising to life. The sun was a reddish ball over the Court House Clock. Dew still lay on everything in a cool blanket. Dew stood in bubbles on every grass blade, on every silent red brick; dripped from the elms and the maples and the empty apple trees.
The dew.
He walked slowly and carefully across the empty street and stood on Miss Bidwell’s sidewalk. Her lawns, a vast green sea of dew that had fallen in the night, lay before him. Mr. Widmer felt again the warm pounding of his heart. For there, in the dew, circling and circling the house, where they had left fine, clear impressions, was a series of endless footprints, around and around, under the windows, near the bushes, at the doors. Footprints in the crystal grass, footprints that melted as the sun rose.
The day was a slow day. Mr. Widmer kept near the front of his store, but saw nothing. At sunset, he sat smoking under the store awning. Maybe he’s gone, maybe he’ll never come back. She didn’t answer. I know her. She’s old and proud. The older, the prouder, that’s what they say. Maybe he’s gone off on the train again. Why didn’t I ask his name? Why didn’t I pound on the doors with him!
But the fact remained that he hadn’t asked and he hadn’t pounded, and he felt himself the nucleus of a tragedy that was beginning to grow far beyond him.
He won’t come back. Not after all night walking around her house. He must have left just before dawn. Footsteps still fresh.
Eight o’clock. Eight-thirty. Nothing. Nine o’clock. Nine-thirty. Nothing. Mr. Widmer stayed open until quite late, even though there were no customers.
It was after eleven when he sat by the upstairs window of his home, not watching exactly, but not going to bed, either.
At eleven-thirty, the clock struck softly, and the old man came along the street and stood before the house.
Of course! Said Mr. Widmer to himself. He’s afraid someone will see him. He slept all day somewhere and waited. Afraid of what people might say. Look at him there, going around and around.
He listened.
There was the calling again. Like the last cricket of the year, like the last rustle of the last oak leaf of the season. At the front door, at the back, at the bay windows. Oh, there would be a million slow footprints in the meadow lawn tomorrow when the sun rose.
Was she listening?
“Ann, Ann, oh, Ann!” Was that what he called? “Ann, can you hear me, Ann?” Was that what you called when you came back very late in the day?
And then, suddenly, Mr. Widmer stood up.
SUPPOSE SHE didn’t hear him! How could he be sure she was still able to hear? Seventy years make for spider webs in the ears, gray waddings of time which dull everything for some people until they live in a universe of cotton and wool and silence. Nobody had spoken to her in thirty years, save to open their mouths to say hello. What if she were deaf, lying there in her cold bed now like a little girl playing out a long and lonely game, never even aware someone was calling through her flake-painted door, someone was walking on the soft grass around her locked house? Perhaps not pride but a physical inability prevented her from answering!
In the living room, Mr. Widmer quietly took the phone off the hook, watching the bedroom door to be certain he hadn’t wakened his wife. To the operator he said, “Helen? Give me 729.”
“That you, Mr. Widmer? Funny time of night to call her.”
“Never mind.”
“All right, but she won’t answer. Never has. Don’t recall she ever has used her phone in all the years after she had it put in.”
The phone rang. It rang six times, and nothing happened.
“Keep trying, Helen.”
The phone rang twelve times more. His face was streaming perspiration. Someone picked up the phone at the other end.
“Miss Bidwell!” cried Mr. Widmer, almost collapsing in relief. “Miss Bidwell?” he lowered his voice. “This is Mr. Widmer, the grocer, calling.”
No answer. She was on the other end, in her house, standing in the dark. Through his window he could see that her house was still unlit. She hadn’t switched on any lights to find the phone.
“Miss Bidwell, do you hear me?” he asked.
Silence.
“Miss Bidwell, I want you to do me a favor,” he said.
Click.
“I want you to open your front door and look out,” he said.
“She’s hung up,” said Helen. “Want me to call her again?”
“No thanks.”
He put the receiver back on the hook.
There was the house, in the morning sun, in the afternoon sun, and in the twilight—silent. Here was the grocery, with Mr. Widmer in it, thinking: She’s a fool. No matter what, she’s a fool! It’s never too late. No matter how old, wrinkled hands are better than none. He’s travelled a long way around, and by his look, he’s never married, but always travelled, as some men do, crazy to change their scenery every week, every month, every year, until they reach an age where they find they are collecting nothing at all but a lot of empty trips and a lot of towns with no more substance to them than movie sets and a lot of people in those towns who are about as real as wax dummies seen in lighted windows late at night as you pass by on a slow, black train. He’s been living with a world of people who didn’t care about him because he never stayed anywhere long enough to make anyone worry whether he would arise in the morning or whether he had turned to dust. And then he got to thinking about “her” and decided she was the one real person he’d ever known. And just a little too late, he took a train and got off and walked up here, and there he is on her lawn, feeling like a fool, and one more night of this and he won’t come back at all.
This was the third night. Mr. Widmer thought of going over, of breaking the glass in the firebox, of setting fire to the porch of Miss Bidwell’s house, and of causing the firemen to roar up. That would bring her out, right into the old man’s arms, by Jupiter!
But wait! Ah, but wait.
Mr. Widmer’s eyes went to the ceiling. Up there, in the attic—wasn’t there a weapon there to be used against pride and time? In all that dust, wasn’t there something with which to strike out? Something as old as all of them—Mr. Widmer, the old man, the old lady? How long since the attic has been cleaned out? Never.
But it was too ridiculous. He wouldn’t dare!
And yet, this was the last night. A weapon must be provided.
Ten minutes later, he heard his wife cry out to him:
“Tom, Tom! What’s that noise! What are you doing in the attic?”
AT ELEVEN-THIRTY, there was the old man. He stood in front of the step-less house, as if not knowing what to try next. And then he took a quick step and looked down.
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Рэй Дуглас Брэдбери
Тип: электронная книга
Жанр: Современная зарубежная литература
Язык: на английском языке
Издательство: HarperCollins
Дата публикации: 16.04.2024
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О книге: One of Ray Bradbury’s classic short story collections, available in ebook for the first time.SUMMER MORNING, SUMMER NIGHT is a collection of short stories and vignettes based in Green Town, Illinois, the fictionalised version of Ray Bradbury’s native Waukegan, which also served as the setting for his modern classics DANDELION WINE, SOMETHING WICKED THIS WAY COMES, and FAREWELL SUMMER.Among them are stories about a pair of elderly sisters who concoct a love potion with unexpected consequence; the careful affection between a teacher and her young student; the fireflies in the night who spark a conversation about life between a young boy and his grandfather. This is a beautifully woven tapestry of stories that illuminates some of Green Town’s hidden corners, and reaffirms Bradbury’s position as an undisputed master of fiction.One of the greatest writers of the twentieth century, Bradbury is also the author of the iconic FAHRENHEIT 451, THE ILLUSTRATED MAN and THE MARTIAN CHRONICLES. He published some five hundred short stories, novels and plays over his lifetime.