S is for Space

S is for Space
Ray Douglas Bradbury
One of Ray Bradbury’s classic short story collections, available in ebook for the first time.S IS FOR SPACE is a spine-tingling short story collection from one of the genre’s master storytellers.Science fiction, fantasy, small town life, and small town people are the materials from which Ray Bradbury weaves his unique and magical stories of the natural and supernatural, the past, the present , and the future.This book contains sixteen of Bradbury's most popular science fiction stories.



S IS FOR SPACE
Ray Bradbury



Dedication (#ulink_3c597703-52f9-5d54-a7e7-725b5612496e)
For Charles Beaumont
who lived in that little house
halfway up in the next block
most of my life.
And for Bill Nolan
and Bill Idelson, friend of Rush Gook,
and for Paul Condylis …
Because …

Table of Contents
Cover (#u3f5b9791-0aa2-58a6-b974-006af379af9f)
Title Page (#ue9ccb2e5-2b17-546c-8702-e93afa63a03f)
Dedication (#ulink_3038ed2b-8324-55cc-ae97-526315609423)
Introduction (#ulink_ed8a37cb-48c1-572e-ac07-267c67a13a0c)
Chrysalis (#ulink_e6c83166-fd77-5559-be6e-30cef93d4d1f)
Pillar of Fire (#ulink_8d849d84-40de-5245-8a65-07f8b93607be)
Zero Hour (#litres_trial_promo)
The Man (#litres_trial_promo)
Time in Thy Flight (#litres_trial_promo)
The Pedestrian (#litres_trial_promo)
Hail and Farewell (#litres_trial_promo)
Invisible Boy (#litres_trial_promo)
Come into My Cellar (#litres_trial_promo)
The Million-Year Picnic (#litres_trial_promo)
The Screaming Woman (#litres_trial_promo)
The Smile (#litres_trial_promo)
Dark They Were, and Golden-eyed (#litres_trial_promo)
The Trolley (#litres_trial_promo)
The Flying Machine (#litres_trial_promo)
Icarus Montgolfier Wright (#litres_trial_promo)
Keep Reading (#litres_trial_promo)
About the Author (#litres_trial_promo)
Also by the Author (#litres_trial_promo)
Copyright (#litres_trial_promo)
About the Publisher (#litres_trial_promo)

Introduction (#ulink_1c1e9fb1-df9b-5ed1-ac65-a2057bbd140b)
Jules Verne was my father.
H. G. Wells was my wise uncle.
Edgar Allan Poe was the batwinged cousin we kept high in the back attic room.
Flash Gordon and Buck Rogers were my brothers and friends.
There you have my ancestry.
Adding, of course, the fact that in all probability Mary Wollstonecraft Shelley, author of Frankenstein, was my mother.
With a family like that, how else could I have turned out than as I did: a writer of fantasy and most curious tales of science fiction.
I lived up in the trees with Tarzan a good part of my life with my hero Edgar Rice Burroughs. When I swung down out of the foliage I asked for a toy typewriter during my twelfth year, at Christmas. On this rattletrap machine I wrote my first John Carter, Warlord of Mars imitation sequels, and from memory tapped out whole episodes of Chandu the Magician.
I sent away boxtops and think I joined every secret radio society that existed. I saved comic strips, most of which I still have in great boxes down in my California basement. I went to movie matinees. I devoured the works of H. Rider Haggard and Robert Louis Stevenson. In the midst of my young summers I leapt high and dove deep down into the vast ocean of Space, long long before the Space Age itself was more than a fly speck on the two-hundred-inch Mount Palomar telescope.
In other words, I was in love with everything I did. My heart did not beat, it exploded. I did not warm toward a subject, I boiled over. I have always run fast and yelled loud about a list of great and magical things I knew I simply could not live without.
I was a beardless boy-magician who pulled irritable rabbits out of papier-mâché hats. I became a bearded man-magician who pulled rockets out of his typewriter and out of a Star Wilderness that stretched as far as eye and mind could see and imagine.
My enthusiasm stood me well over the years. I have never tired of the rockets and the stars. I never cease enjoying the good fun of scaring heck out of myself with some of my weirder, darker tales.
So here in this new collection of stories you will find not only S is for Space, but a series of subtitles that might well read: D is for Dark, or T is for Terrifying, or D is for Delight. Here you will find just about every side of my nature and my life that you might wish to discover. My ability to laugh out loud with the sheer discovery that I am alive in a strange, wild, and exhilarating world. My equally great ability to jump and raise up a crop of goosepimples when I smell strange mushrooms growing in my cellar at midnight, or hear a spider fiddling away at his tapestry-web in my closet just before sunrise.
You who read, and I who write, are very much the same. The young person locked away in me has dared to write these stories for your pleasure. We meet on the common ground of an uncommon Age, and share out our gifts of dark and light, good dream and bad, simple joy and not so simple sorrow.
The boy-magician speaks from another year. I stand aside and let him say what he most needs to say. I listen and enjoy.
I hope you will, too.
RAY BRADBURY
Los Angeles, California
December 1, 1965

Chrysalis (#ulink_ead7040a-d1ca-531c-bfd2-43cc4f605fc1)
Rockwell didn’t like the room’s smell. Not so much McGuire’s odor of beer, or Hartley’s unwashed, tired smell—but the sharp insect tang rising from Smith’s cold green-skinned body lying stiffly naked on the table. There was also a smell of oil and grease from the nameless machinery gleaming in one corner of the small room.
The man Smith was a corpse. Irritated, Rockwell rose from his chair and packed his stethoscope. “I must get back to the hospital. War rush. You understand, Hartley. Smith’s been dead eight hours. If you want further information call a post-mortem—”
He stopped as Hartley raised a trembling, bony hand. Hartley gestured at the corpse—this corpse with brittle hard green shell grown solid over every inch of flesh. “Use your stethoscope again, Rockwell. Just once more. Please.”
Rockwell wanted to complain, but instead he sighed, sat down, and used the stethoscope. You have to treat fellow doctors politely. You press your stethoscope into cold green flesh, pretending to listen-
The small, dimly lit room exploded around him. Exploded in one green cold pulsing. It hit Rockwell’s ears like fists. It hit him. He saw his own fingers jerk over the recumbent corpse.
He heard a pulse.
Deep in the dark body the heart beat once. It sounded like an echo in fathoms of sea water.
Smith was dead, unbreathing, mummified. But at the core of that deadness—his heart lived. Lived, stirring like a small unborn baby!
Rockwell’s crisp surgeon’s fingers darted rapidly. He bent his head. In the light it was dark-haired, with flecks of gray in it. He had an even, level, nice-looking face. About thirty-five. He listened again and again, with sweat coming cold on his smooth cheeks. The pulse was not to be believed.
One heartbeat every thirty-five seconds.
Smith’s respiration—how could you believe that, too—one breath of air every four minutes. Lungcase movement imperceptible. Body temperature?
Sixty degrees.
Hartley laughed. It was not a pleasant laugh. More like an echo that had gotten lost. “He’s alive,” he said tiredly. “Yes, he is. He almost fooled me many times. I injected adrenalin to speed that pulse, but it was no use. He’s been this way for twelve weeks. And I couldn’t stand keeping him a secret any longer. That’s why I phoned you, Rockwell. He’s—unnatural.”
The impossibility of it overwhelmed Rockwell with an inexplicable excitement. He tried to lift Smith’s eyelids. He couldn’t. They were webbed with epidermis. So were the lips. So were the nostrils. There was no way for Smith to breathe—
“Yet, he’s breathing.” Rockwell’s voice was numb. He dropped his stethoscope blankly, picked it up, and saw his fingers shaking.
Hartley grew tall, emaciated, nervous over the table. “Smith didn’t like my calling you. I called anyway. Smith warned me not to. Just an hour ago.”
Rockwell’s eyes dilated into hot black circles. “How could he warn you? He can’t move.”
Hartley’s face, all razor-sharp bone, hard jaw, tight squinting gray eyes, twitched nervously. “Smith—thinks. I know his thoughts. He’s afraid you’ll expose him to the world. He hates me. Why? I want to kill him, that’s why. Here.” Hartley fumbled blindly for a blue-steel revolver in his rumpled, stained coat. “Murphy. Take this. Take it before I use it on Smith’s foul body!”
Murphy pulled back, his thick red face afraid. “Don’t like guns. You take it, Rockwell.”
Like a scalpel, Rockwell made his voice slash. “Put the gun away, Hartley. After three months tending one patient you’ve got a psychological blemish. Sleep’ll help that.” He licked his lips. “What sort of disease has Smith got?”
Hartley swayed. His mouth moved words out slowly. Falling asleep on his feet, Rockwell realized. “Not diseased,” Hartley managed to say. “Don’t know what. But I resent him, like a kid resents the birth of a new brother or sister. He’s wrong. Help me. Help me, will you?”
“Of course.” Rockwell smiled. “My desert sanitarium’s the place to check him over, good. Why—why Smith’s the most incredible medical phenomenon in history. Bodies just don’t act this way!”
He got no further. Hartley had his gun pointed right at Rockwell’s stomach. “Wait. Wait. You—you’re not going to bury Smith? I thought you’d help me. Smith’s not healthy. I want him killed! He’s dangerous! I know he is!”
Rockwell blinked. Hartley was obviously psychoneurotic. Didn’t know what he was saying. Rockwell straightened his shoulders, feeling cool and calm inside. “Shoot Smith and I’ll turn you in for murder. You’re overworked mentally and physically. Put the gun away.”
They stared at one another.
Rockwell walked forward quietly and took the gun, patted Hartley understandingly on the shoulder, and gave the weapon to Murphy, who looked at as if it would bite him. “Call the hospital, Murphy. I’m taking a week off. Maybe longer. Tell them I’m doing research at the sanitarium.”
A scowl formed in the red fat flesh of Murphy’s face. “What do I do with this gun?”
Hartley shut his teeth together, hard. “Keep it. You’ll want to use it—later.”
Rockwell wanted to shout it to the world that he was sole possessor of the most incredible human in history. The sun was bright in the desert sanitarium room where Smith lay, not saying a word, on his table; his handsome face frozen into a green, passionless expression.
Rockwell walked into the room quietly. He used the stethoscope on the green chest. It scraped, making the noise of metal tapping a beetle’s carapace.
McGuire stood by, eyeing the body dubiously, smelling of several recently acquired beers.
Rockwell listened intently. “The ambulance ride may have jolted him. No use taking a chance—”
Rockwell cried out.
Heavily, McGuire lumbered to his side. “What’s wrong?”
“Wrong?” Rockwell stared about in desperation. He made one hand into a fist. “Smith’s dying!”
“How do you know? Hartley said Smith plays possum. He’s fooled you again—”
“No!” Rockwell worked furiously over the body, injecting drugs. Any drugs. All drugs. Swearing at the top of his voice. After all this trouble, he couldn’t lose Smith. No, not now.
Shaking, jarring, twisting deep down inside, going completely liquidly mad, Smith’s body sounded like dim volcanic tides bursting.
Rockwell fought to remain calm. Smith was a case unto himself. Normal treatment did nothing for him. What then? What?
Rockwell stared. Sunlight gleamed on Smith’s hard flesh. Hot sunlight. It flashed, glinting off the stethoscope tip. The sun. As he watched, clouds shifted across the sky outside, taking the sun away. The room darkened. Smith’s body shook into silence. The volcanic tides died.
“McGuire! Pull the blinds! Before the sun comes back!”
McGuire obeyed.
Smith’s heart slowed down to its sluggish, infrequent breathing.
“Sunlight’s bad for Smith. It counteracts something. I don’t know what or why, but it’s not good—” Rockwell relaxed. “Lord, I wouldn’t want to lose Smith. Not for anything. He’s different, making his own standards, doing things men have never done. Know something, Murphy?”
“What?”
“Smith’s not in agony. He’s not dying either. He wouldn’t be better off dead, no matter what Hartley says. Last night as I arranged Smith on the stretcher, readying him for his trip to this sanitarium, I realized, suddenly, that Smith likes me.”
“Gah. First Hartley. Now you. Did Smith tell you that?”
“He didn’t tell me. But he’s not unconscious under all that hard skin. He’s aware. Yes, that’s it. He’s aware.”
“Pure and simple—he’s petrifying. He’ll die. It’s been weeks since he was fed. Hartley said so. Hartley fed him intravenously until the skin toughened so a needle couldn’t poke through it.”
Whining, the cubicle door swung slowly open. Rockwell started. Hartley, his sharp face relaxed after hours of sleep, his eyes still a bitter gray, hostile, stood tall in the door. “If you’ll leave the room,” he said, quietly, “I’ll destroy Smith in a very few seconds. Well?”
“Don’t come a step closer.” Rockwell walked, feeling irritation, to Hartley’s side. “Every time you visit, you’ll have to be searched. Frankly, I don’t trust you.” There were no weapons. “Why didn’t you tell me about the sunlight?”
“Eh?” Soft and slow Hartley said it. “Oh—yes. I forgot. I tried shifting Smith weeks ago. Sunlight struck him and he began really dying. Naturally, I stopped trying to move him. Smith seemed to know what was coming, vaguely. Perhaps he planned it; I’m not sure. While he was still able to talk and eat ravenously, before his body stiffened completely, he warned me not to move him for a twelve-week period. Said he didn’t like the sun. Said it would spoil things. I thought he was joking. He wasn’t. He ate like an animal, a hungry, wild animal, fell into a coma, and here he is—” Hartley swore under his breath. “I’d rather hoped you’d leave him in the sun long enough to kill him inadvertently.”
McGuire shifted his two hundred fifty pounds. “Look here, now. What if we catch Smith’s disease?”
Hartley looked at the body, his pupils shrinking. “Smith’s not diseased. Don’t you recognize degeneration when you see it? It’s like cancer. You don’t catch it, you inherit a tendency. I didn’t begin to fear and hate Smith until a week ago when I discovered he was breathing and existing and thriving with his nostrils and mouth sealed. It can’t happen. It mustn’t happen.”
McGuire’s voice trembled. “What if you and I and Rockwell all turn green and a plague sweeps the country—what then?”
“Then,” replied Rockwell, “if I’m wrong, perhaps I am, I’ll die. But it doesn’t worry me in the least.”
He turned back to Smith and went on with his work.
A bell. A bell. Two bells, two bells. A dozen bells, a hundred bells. Ten thousand and a million clangorous, hammering, metal dinning bells. All born at once in the silence, squalling, screaming, hurting echoes, bruising ears!
Ringing, chanting with loud and soft, tenor and bass, low and high voices. Great-armed clappers knocking the shells and ripping air with the thrusting din of sound!
With all those bells ringing, Smith could not immediately know where he was. He knew that he could not see, because his eyelids were sealed tight, knew he could not speak because his lips had grown together. His ears were clamped shut, but the bells hammered nevertheless.
He could not see. But yes, yes, he could, and it was like inside a small dark red cavern, as if his eyes were turned inward upon his skull. And Smith tried to twist his tongue, and suddenly, trying to scream, he knew his tongue was gone, that the place where it used to be was vacant, an itching spot that wanted a tongue but couldn’t have it just now.
No tongue. Strange. Why? Smith tried to stop the bells. They ceased, blessing him with a silence that wrapped him up in a cold blanket. Things were happening. Happening.
Smith tried to twitch a finger, but he had no control. A foot, a leg, a toe, his head, everything. Nothing moved. Torso, limbs—immovable, frozen in a concrete coffin.
A moment later came the dread discovery that he was no longer breathing. Not with his lungs, anyway.
“BECAUSE I HAVE NO LUNGS!” he screamed. Inwardly he screamed and that mental scream was drowned, webbed, clotted, and journeyed drowsily down in a red, dark tide. A red drowsy tide that sleepily swathed the scream, garroted it, took it all away, making Smith rest easier.
I am not afraid, he thought. I understand that which I do not understand. I understand that I do not fear, yet know not the reason.
No tongue, no nose, no lungs.
But they would come later. Yes, they would. Things were—happening.
Through the pores of his shelled body air slid, like rain needling each portion of him, giving life. Breathing through a billion gills, breathing oxygen and nitrogen and hydrogen and carbon dioxide, and using it all. Wondering. Was his heart still beating?
But yes, it was beating. Slow, slow, slow. A red dim susurrance, a flood, a river surging around him, slow, slower, slower. So nice.
So restful.
The jigsaw pieces fitted together faster as the days drifted into weeks. McGuire helped. A retired surgeon-medico, he’d been Rockwell’s secretary for a number of years. Not much help, but good company.
Rockwell noted that McGuire joked gruffly about Smith, nervously; and a lot. Trying to be calm. But one day McGuire stopped, thought it over, and drawled, “Hey, it just came to me! Smith’s alive. He should be dead. But he’s alive. Good God!”
Rockwell laughed. “What in blazes do you think I’m working on? I’m bringing an X-ray machine out next week so I can find out what’s going on inside Smith’s shell.” Rockwell jabbed with a hypo needle. It broke on the hard shell.
Rockwell tried another needle, and another, until finally he punctured, drew blood, and placed the slides under the microscope for study. Hours later he calmly shoved a serum test under McGuire’s red nose, and spoke quickly.
“Lord, I can’t believe it. His blood’s germicidal. I dropped a streptococci colony into it and the strep was annihilated in eight seconds! You could inject every known disease into Smith and he’d destroy them all, thrive on them!”
It was only a matter of hours until other discoveries. It kept Rockwell sleepless, tossing at night, wondering, theorizing the titanic ideas over and over. For instance—
Hartley’d fed Smith so many cc’s of blood-food every day of his illness until recently. NONE OF THAT FOOD HAD EVER BEEN ELIMINATED. All of it had been stored, not in bulk-fats, but in a perfectly abnormal solution, an x-liquid contained in high concentrate form in Smith’s blood. An ounce of it would keep a man well fed for three days. This x-liquid circulated through the body until it was actually needed, when it was seized upon and used. More serviceable than fat. Much more!
Rockwell glowed with his discovery. Smith had enough x-liquid stored in him to last months and months more. Self-sustaining.
McGuire, when told, contemplated his paunch sadly.
“I wish I stored my food that way.”
That wasn’t all. Smith needed little air. What air he had he seemed to acquire by an osmotic process through his skin. And he used every molecule of it. No waste.
“And,” finished Rockwell, “eventually Smith’s heart might even take vacations from beating, entirely!”
“Then he’d be dead,” said McGuire.
“To you and I, yes. To Smith—maybe. Just maybe. Think of it, McGuire. Collectively, in Smith, we have a self-purifying blood stream demanding no replenishment but an interior one for months, having little breakdown and no elimination of wastes whatsoever because every molecule is utilized, self-evolving, and fatal to any and all microbic life. All this, and Hartley speaks of degeneration!”
Hartley was irritated when he heard of the discoveries. But he still insisted that Smith was degenerating. Dangerous.
McGuire tossed his two cents in. “How do we know that this isn’t some super-microscopic disease that annihilates all other bacteria while it works on its victim. After all—malarial fever is sometimes used surgically to cure syphilis; why not a new bacillus that conquers all?”
“Good point,” said Rockwell. “But we’re not sick, are we?”
“It may have to incubate in our bodies.”
“A typical old-fashioned doctor’s response. No matter what happens to a man, he’s ‘sick’—if he varies from the norm. That’s your idea, Hartley,” declared Rockwell, “not mine. Doctors aren’t satisfied unless they diagnose and label each case. Well, I think that Smith’s healthy; so healthy you’re afraid of him.”
“You’re crazy,” said McGuire.
“Maybe. But I don’t think Smith needs medical interference. He’s working out his own salvation. You believe he’s degenerating. I say he’s growing.”
“Look at Smith’s skin,” complained McGuire.
“Sheep in wolf’s clothing. Outside, the hard, brittle epidermis. Inside, ordered regrowth, change. Why? I’m on the verge of knowing. These changes inside Smith are so violent that they need a shell to protect their action. And as for you, Hartley, answer me truthfully, when you were young, were you afraid of insects, spiders, things like that?”
“Yes.”
“There you are. A phobia. A phobia you use against Smith. That explains your distaste for Smith’s change.”
In the following weeks, Rockwell went back over Smith’s life carefully. He visited the electronics lab where Smith had been employed and fallen ill. He probed the room where Smith had spent the first weeks of his “illness” with Hartley in attendance. He examined the machinery there. Something about radiations …
While he was away from the sanitarium, Rockwell locked Smith tightly, and had McGuire guard the door in case Hartley got any unusual ideas.
The details of Smith’s twenty-three years were simple. He had worked for five years in the electronics lab, experimenting. He had never been seriously sick in his life.
And as the days went by Rockwell took long walks in the dry-wash near the sanitarium, alone. It gave him time to think and solidify the incredible theory that was becoming a unit in his brain.
And one afternoon he paused by a night-blooming jasmine outside the sanitarium, reached up, smiling, and plucked a dark shining object off of a high branch. He looked at the object and tucked it in his pocket. Then he walked into the sanitarium.
He summoned McGuire in off the veranda. McGuire came. Hartley trailed behind, threatening, complaining. The three of them sat in the living quarters of the building.
Rockwell told them.
“Smith’s not diseased. Germs can’t live in him. He’s not inhabited by banshees or weird monsters who’ve ‘taken over’ his body. I mention this to show I’ve left no stone untouched. I reject all normal diagnoses of Smith. I offer the most important, the most easily accepted possibility of—delayed hereditary mutation.”
“Mutation?” McGuire’s voice was funny.
Rockwell held up the shiny dark object in the light.
“I found this on a bush in the garden. It’ll illustrate my theory to perfection. After studying Smith’s symptoms, examining his laboratory, and considering several of these”—he twirled the dark object in his fingers—“I’m certain. It’s metamorphosis. It’s regeneration, change, mutation after birth. Here. Catch. This is Smith.”
He tossed the object to Hartley. Hartley caught it.
“This is the chrysalis of a caterpillar,” said Hartley.
Rockwell nodded. “Yes, it is.”
“You don’t mean to infer that Smith’s a—chrysalis?”
“I’m positive of it,” replied Rockwell.
Rockwell stood over Smith’s body in the darkness of evening. Hartly and McGuire sat across the patient’s room, quiet, listening. Rockwell touched Smith softly. “Suppose that there’s more to life than just being born, living seventy years, and dying. Suppose there’s one more great step up in man’s existence, and Smith has been the first of us to make that step.
“Looking at a caterpillar, we see what we consider a static object. But it changes to a butterfly. Why? There are no final theories explaining it. It’s progress, mainly. The pertinent thing is that a supposedly unchangeable object weaves itself into an intermediary object, wholly unrecognizable, a chrysalis, and emerges a butterfly. Outwardly the chrysalis looks dead. This is misdirection. Smith has misdirected us, you see. Outwardly, dead. Inwardly, fluids whirlpool, reconstruct, rush about with wild purpose. From grub to mosquito, from caterpillar to butterfly, from Smith to—?”
“Smith a chrysalis?” McGuire laughed heavily.
“Yes.”
“Humans don’t work that way.”
“Stop it, McGuire. This evolutionary step’s too great for your comprehension. Examine this body and tell me anything else. Skin, eyes, breathing, blood flow. Weeks of assimilating food for his brittle hibernation. Why did he eat all that food, why did he need that x-liquid in his body except for his metamorphosis? And the cause of it all was—radiations. Hard radiations from Smith’s laboratory equipment. Planned or accidental I don’t know. It touched some part of his essential gene-structure, some part of the evolutionary structure of man that wasn’t scheduled for working for thousands of years yet, perhaps.”
“Do you think that some day all men—?”
“The maggot doesn’t stay in the stagnant pond, the grub in the soil, or the caterpillar on a cabbage leaf. They change, spreading across space in waves.
“Smith’s the answer to the problem ‘What happens next for man, where do we go from here?’ We’re faced with the blank wall of the universe and the fatality of living in that universe, and man as he is today is not prepared to go against the universe. The least exertion tires man, overwork kills his heart, disease his body. Maybe Smith will be prepared to answer the philosophers’ problem of life’s purpose. Maybe he can give it new purpose.
“Why, we’re just petty insects, all of us, fighting on a pinhead planet. Man isn’t meant to remain here and be sick and small and weak, but he hasn’t discovered the secret of the greater knowledge yet.
“But—change man. Build your perfect man. Your—your superman, if you like. Eliminate petty mentality, give him complete physiological, neurological, psychological control of himself: give him clear, incisive channels of thought, give him an indefatigable blood stream, a body that can go months without outside food, that can adjust to any climate anywhere and kill any disease. Release man from the shackles of flesh and flesh misery and then he’s no longer a poor, petty little man afraid to dream because he knows his frail body stands between him and the fulfillment of dreams, then he’s ready to wage war, the only war worth waging—the conflict of man reborn and the whole confounded universe!”
Breathless, voice hoarse, heart pounding, Rockwell tensed over Smith, placed his hands admiringly, firmly on the cold length of the chrysalis and shut his eyes. The power and drive and belief in Smith surged through him. He was right. He was right. He knew he was right. He opened his eyes and looked at McGuire and Hartley who were mere shadows in the dim shielded light of the room.
After a silence of several seconds, Hartley snuffed out his cigarette. “I don’t believe that theory.”
McGuire said, “How do you know Smith’s not just a mess of jelly inside? Did you X-ray him?”
“I couldn’t risk it, it might interfere with his change, like the sunlight did.”
“So he’s going to be a superman? What will he look like?”
“We’ll wait and see.”
“Do you think he can hear us talking about him now?”
“Whether or not he can, there’s one thing certain—we’re sharing a secret we weren’t intended to know. Smith didn’t plan on myself and McGuire entering the case. He had to make the most of it. But a superman doesn’t like people to know about him. Humans have a nasty way of being envious, jealous, and hateful. Smith knew he wouldn’t be safe if found out. Maybe that explains your hatred, too, Hartley.”
They all remained silent, listening. Nothing sounded. Rockwell’s blood whispered in his temples, that was all. There was Smith, no longer Smith, a container labeled SMITH, its contents unknown.
“If what you say is true,” said Hartley, “then indeed we should destroy him. Think of the power over the world he would have. And if it affects his brain as I think it will affect it—he’ll try to kill us when he escapes because we are the only ones who know about him. He’ll hate us for prying.”
Rockwell said it easily. “I’m not afraid.”
Hartley remained silent. His breathing was harsh and loud in the room.
Rockwell came around the table, gesturing.
“I think we’d better say good-night now, don’t you?”
The thin rain swallowed Hartley’s car. Rockwell closed the door, instructed McGuire to sleep downstairs tonight on a cot fronting Smith’s room, and then he walked upstairs to bed.
Undressing, he had time to conjure over all the unbelievable events of the passing weeks. A superman. Why not? Efficiency, strength—
He slipped into bed.
When. When does Smith emerge from his chrysalis? When?
The rain drizzled quietly on the roof of the sanitarium.
McGuire lay in the middle of the sound of rain and the earthquaking of thunder, slumbering on the cot, breathing heavy breaths. Somewhere, a door creaked, but McGuire breathed on. Wind gusted down the hall. McGuire grunted and rolled over. A door closed softly and the wind ceased.
Footsteps tread softly on the deep carpeting. Slow footsteps, aware and alert and ready. Footsteps. McGuire blinked his eyes and opened them.
In the dim light a figure stood over him.
Upstairs, a single light in the hall thrust down a yellow shaft near McGuire’s cot.
An odor of crushed insect filled the air. A hand moved. A voice started to speak.
McGuire screamed.
Because the hand that moved into the light was green.
Green.
“Smith!”
McGuire flung himself ponderously down the hall, yelling.
“He’s walking! He can’t walk, but he’s walking!”
The door rammed open under McGuire’s bulk. Wind and rain shrieked in around him and he was gone into the storm, babbling.
In the hall, the figure was motionless. Upstairs a door opened swiftly and Rockwell ran down the steps. The green hand moved back out of the light behind the figure’s back.
“Who is it?” Rockwell paused halfway.
The figure stepped into the light.
Rockwell’s eyes narrowed.
“Hartley! What are you doing back here?”
“Something happened,” said Hartley. “You’d better get McGuire. He ran out in the rain babbling like a fool.”
Rockwell kept his thoughts to himself. He searched Hartley swiftly with one glance and then ran down the hall and out into the cold wind.
“McGuire! McGuire, come back you idiot!”
The rain fell on Rockwell’s body as he ran. He found McGuire about a hundred yards from the sanitarium, blubbering,
“Smith—Smith’s walking …”
“Nonsense. Hartley came back, that’s all.”
“I saw a green hand. It moved.”
“You dreamed.”
“No. No.” McGuire’s face was flabby pale, with water on it. “I saw a green hand, believe me. Why did Hartley come back? He—”
At the mention of Hartley’s name, full comprehension came smashing to Rockwell. Fear leaped through his mind, a mad blur of warning, a jagged edge of silent screaming for help.
“Hartley!”
Shoving McGuire abruptly aside, Rockwell twisted and leaped back toward the sanitarium, shouting. Into the hall, down the hall—
Smith’s door was broken open.
Gun in hand, Hartley was in the center of the room. He turned at the noise of Rockwell’s running. They both moved simultaneously. Hartley fired his gun and Rockwell pulled the light switch.
Darkness. Flame blew across the room, profiling Smith’s rigid body like a flash photo. Rockwell jumped at the flame. Even as he jumped, shocked deep, realizing why Hartley had returned. In that instant before the lights blinked out Rockwell had a glimpse of Hartley’s fingers.
They were a brittle mottled green.
Fists then. And Hartley collapsing as the lights came on, and McGuire, dripping wet at the door, shook out the words, “Is—is Smith killed?”
Smith wasn’t harmed. The shot had passed over him.
“This fool, this fool,” cried Rockwell, standing over Hartley’s numbed shape. “Greatest case in history and he tries to destroy it!”
Hartley came around, slowly. “I should’ve known. Smith warned you.”
“Nonsense, he—” Rockwell stopped, amazed. Yes. That sudden premonition crashing into his mind. Yes. Then he glared at Hartley. “Upstairs with you. You’re being locked in for the night. McGuire, you, too. So you can watch him.”
McGuire croaked. “Hartley’s hand. Look at it. It’s green. It was Hartley in the hall—not Smith!”
Hartley stared at his fingers. “Pretty, isn’t it?” he said, bitterly. “I was in range of those radiations for a long time at the start of Smith’s illness. I’m going to be a—creature—like Smith. It’s been this way for several days. I kept it hidden. I tried not to say anything. Tonight, I couldn’t stand it any longer, and I came back to destroy Smith for what he’s done to me …”
A dry noise racked, dryly, splitting the air. The three of them froze.
Three tiny flakes of Smith’s chrysalis flicked up and then spiraled down to the floor.
Instantly, Rockwell was to the table, and gaping.
“It’s starting to crack. From the collar-bone V to the naval, a microscopic fissure! He’ll be out of his chrysalis soon!”
McGuire’s jowls trembled. “And then what?”
Hartley’s words were bitter sharp. “We’ll have a superman. Question: what does a superman look like? Answer: nobody knows.”
Another crust of flakes crackled open.
McGuire shivered. “Will you try to talk to him?”
“Certainly.”
“Since when do—butterflies—speak?”
“Oh, Good God, McGuire!”
With the two others securely imprisoned upstairs, Rockwell locked himself into Smith’s room and bedded down on a cot, prepared to wait through the long wet night, watching, listening, thinking.
Watching the tiny flakes flicking off the crumbling skin of chrysalis as the Unknown within struggled quietly outward.
Just a few more hours to wait. The rain slid over the house, pattering. What would Smith look like? A change in the earcups perhaps for greater hearing; extra eyes, maybe; a change in the skull structure, the facial setup, the bones of the body, the placement of organs, the texture of skin, a million and one changes.
Rockwell grew tired and yet was afraid to sleep. Eyelids heavy, heavy. What if he was wrong? What if his theory was entirely disjointed? What if Smith was only so much moving jelly inside? What if Smith was mad, insane—so different that he’d be a world menace? No. No. Rockwell shook his head groggily. Smith was perfect. Perfect. There’d be no room for evil thought in Smith. Perfect.
The sanitarium was death quiet. The only noise was the faint crackle of chrysalis flakes skimming to the hard floor …
Rockwell slept. Sinking into the darkness that blotted out the room as dreams moved in upon him. Dreams in which Smith arose, walked in stiff, parched gesticulations and Hartley, screaming, wielded an ax, shining, again and again into the green armor of the creature and hacked it into liquid horror. Dreams in which McGuire ran babbling through a rain of blood. Dreams in which—
Hot sunlight. Hot sunlight all over the room. It was morning. Rockwell rubbed his eyes, vaguely troubled by the fact that someone had raised the blinds. Someone had—he leaped! Sunlight! There was no way for the blinds to be up. They’d been down for weeks! He cried out.
The door was open. The sanitarium was silent. Hardly daring to turn his head, Rockwell glanced at the table. Smith should have been lying there.
He wasn’t.
There was nothing but sunlight on the table. That—and a few remnants of shattered chrysalis. Remnants.
Brittle shards, a discarded profile cleft in two pieces, a shell segment that had been a thigh, a trace of arm, a splint of chest—these were the fractured remains of Smith!
Smith was gone. Rockwell staggered to the table, crushed. Scrabbling like a child among the rattling papyrus of skin. Then he swung about, as if drunk, and swayed out of the room and pounded up the stairs, shouting:
“Hartley! What did you do with him? Hartley! Did you think you could kill him, dispose of his body, and leave a few bits of shell behind to throw me off trail?”
The door to the room where McGuire and Hartley had slept was locked. Fumbling, Rockwell unlocked it. Both McGuire and Hartley were there.
“You’re here,” said Rockwell, dazed. “You weren’t downstairs, then. Or did you unlock the door, come down, break in, kill Smith and—no, no.”
“What’s wrong?”
“Smith’s gone! McGuire, did Hartley move out of this room?”
“Not all night.”
“Then—there’s only one explanation—Smith emerged from his chrysalis and escaped during the night! I’ll never see him, I’ll never get to see him, damn it! What a fool I was to sleep!”
“That settles it!” declared Hartley. “The man’s dangerous or he would have stayed and let us see him! God only knows what he is.”
“We’ve got to search, then. He can’t be far off. We’ve got to search then! Quick now, Hartley. McGuire!”
McGuire sat heavily down. “I won’t budge. Let him find himself. I’ve had enough.”
Rockwell didn’t wait to hear more. He went downstairs with Hartley close after him. McGuire puffed down a few moments later.
Rockwell moved wildly down the hall, halted at the wide windows that overlooked the desert and the mountains with morning shining over them. He squinted out, and wondered if there was any chance at all of finding Smith. The first superbeing. The first perhaps in a new long line. Rockwell sweated. Smith wouldn’t leave without revealing himself to at least Rockwell. He couldn’t leave. Or could he?
The kitchen door swung open, slowly.
A foot stepped through the door, followed by another. A hand lifted against the wall. Cigarette smoke moved from pursed lips.
“Somebody looking for me?”
Stunned, Rockwell turned. He saw the expression on Hartley’s face, heard McGuire choke with surprise. The three of them spoke one word together, as if given their cue:
“Smith.”
Smith exhaled cigarette smoke. His face was red-pink as he had been sunburnt, his eyes were a glittering blue. He was barefoot and his nude body was attired in one of Rockwell’s old robes.
“Would you mind telling me where I am? What have I been doing for the last three or four months? Is this a—hospital or isn’t it?”
Dismay slammed Rockwell’s mind, hard. He swallowed.
“Hello. I. That is—Don’t you remember—anything?”
Smith displayed his fingertips. “I recall turning green, if that’s what you mean. Beyond that—nothing.” He raked his pink hand through his nut-brown hair with the vigor of a creature newborn and glad to breathe again.
Rockwell slumped back against the wall. He raised his hands, with shock, to his eyes, and shook his head. Not believing what he saw he said, “What time did you come out of the chrysalis?”
“What time did I come out of—what?”
Rockwell took him down the hall to the next room and pointed to the table.
“I don’t see what you mean,” said Smith, frankly sincere. “I found myself standing in this room half an hour ago, stark naked.”
“That’s all?” said McGuire, hopefully. He seemed relieved.
Rockwell explained the origin of the chrysalis on the table.
Smith frowned. “That’s ridiculous. Who are you?”
Rockwell introduced the others.
Smith scowled at Hartley. “When I first was sick you came, didn’t you. I remember. At the radiations plant. But this is silly. What disease was it?”
Hartley’s cheek muscles were taut wire. “No disease. Don’t you know anything about it?”
“I find myself with strange people in a strange sanitarium. I find myself naked in a room with a man sleeping on a cot. I walk around the sanitarium, hungry. I go to the kitchen, find food, eat, hear excited voices, and then am accused of emerging from a chrysalis. What am I supposed to think? Thanks, by the way, for this robe, for food, and the cigarette I borrowed. I didn’t want to wake you at first, Mr. Rockwell. I didn’t know who you were and you looked dead tired.”
“Oh, that’s all right.” Rockwell wouldn’t let himself believe it. Everything was crumbling. With every word Smith spoke, his hopes were pulled apart like the crumpled chrysalis. “How do you feel?”
“Fine. Strong. Remarkable, when you consider how long I was under.”
“Very remarkable,” said Hartley.
“You can imagine how I felt when I saw the calendar. All those months—crack—gone. I wondered what I’d been doing all that time.”
“So have we.”
McGuire laughed. “Oh, leave him alone, Hartley. Just because you hated him—”
“Hated?” Smith’s brows went up. “Me? Why?”
“Here. This is why!” Hartley thrust his fingers out. “Your damned radiations. Night after night sitting by you in your laboratory. What can I do about it?”
“Hartley,” warned Rockwell. “Sit down. Be quiet.”
“I won’t sit down and I won’t be quiet! Are you both fooled by this imitation of a man, this pink fellow who’s carrying on the greatest hoax in history? If you had any sense you’d destroy Smith before he escapes!”
Rockwell apologized for Hartley’s outburst.
Smith shook his head. “No, let him talk. What’s this about?”
“You know already!” shouted Hartley, angrily. “You’ve lain there for months, listening, planning. You can’t fool me. You’ve got Rockwell bluffed, disappointed. He expected you to be a superman. Maybe you are. But whatever you are, you’re not Smith any more. Not any more. It’s just another of your misdirections. We weren’t supposed to know all about you, and the world shouldn’t know about you. You could kill us, easily, but you’d prefer to stay and convince us that you’re normal. That’s the best way. You could have escaped a few minutes ago, but that would have left the seeds of suspicion behind. Instead, you waited, to convince us that you’re normal.”
“He is normal,” complained McGuire.
“No he’s not. His mind’s different. He’s clever.”
“Give him word association tests then,” said McGuire.
“He’s too clever for that, too.”
“It’s very simple, then. We take blood tests, listen to his heart, and inject serums into him.”
Smith looked dubious. “I feel like an experiment, but if you really want to. This is silly.”
That shocked Hartley. He looked at Rockwell. “Get the hypos,” he said.
Rockwell got the hypos, thinking. Now, maybe after all, Smith was a superman. His blood. That superblood. Its ability to kill germs. His heartbeat. His breathing. Maybe Smith was a superman and didn’t know it. Yes. Yes, maybe—
Rockwell drew blood from Smith and slid it under a microscope. His shoulders sagged. It was normal blood. When you dropped germs into it the germs took a normal length of time to die. The blood was no longer super-germicidal. The x-liquid, too, was gone. Rockwell sighed miserably. Smith’s temperature was normal. So was his pulse. His sensory and nervous system responded according to rule.
“Well, that takes care of that,” said Rockwell, softly.
Hartley sank into a chair, eyes widened, holding his head between bony fingers. He exhaled. “I’m sorry. I guess my—mind—it just imagined things. The months were so long. Night after night. I got obsessed, and afraid. I’ve made a fool out of myself. I’m sorry. I’m sorry.” He stared at his green fingers. “But what about myself?”
Smith said, “I recovered. You’ll recover, too, I guess. I can sympathize with you. But it wasn’t bad … I don’t really recall anything.”
Hartley relaxed. “But—yes I guess you’re right. I don’t like the idea of my body getting hard, but it can’t be helped. I’ll be all right.”
Rockwell was sick. The tremendous letdown was too much for him. The intense drive, the eagerness, the hunger and curiosity, the fire, had all sunk within him. So this was the man from the chrysalis? The same man who had gone in. All this waiting and wondering for nothing.
He gulped a breath of air, tried to steady his innermost, racing thoughts. Turmoil. This pink-cheeked, fresh-voiced man who sat before him smoking calmly, was no more than a man who had suffered some partial skin petrification, and whose glands had gone wild from radiation, but, nevertheless, just a man now and nothing more. Rockwell’s mind, his overimaginative, fantastic mind had seized upon each facet of the illness and built it into a perfect organism of wishful thinking. Rockwell was deeply shocked, deeply stirred and disappointed.
The question of Smith’s living without food, his pure blood, low temperature, and the other evidences of superiority were now fragments of a strange illness. An illness and nothing more. Something that was over, down and gone and left nothing behind but brittle scraps on a sunlit tabletop. There’d be a chance to watch Hartley now, if his illness progressed, and report the new sickness to the medical world.
But Rockwell didn’t care about illness. He cared about perfection. And that perfection had been split and ripped and torn and it was gone. His dream was gone. His super-creature was gone. He didn’t care if the whole world went hard, green, brittle-mad now.
Smith was shaking hands all around. “I’d better get back to Los Angeles. Important work for me to do at the plant. I have my old job waiting for me. Sorry I can’t stay on. You understand.”
“You should stay on and rest a few days, at least,” said Rockwell. He hated to see the last wisp of his dream vanish.
“No thanks. I’ll drop by your office in a week or so for another checkup, though, Doctor, if you like? I’ll drop in every few weeks for the next year or so so you can check me, yes?”
“Yes. Yes, Smith. Do that, will you, please? I’d like to talk your illness over with you. You’re lucky to be alive.”
McGuire said, happily, “I’ll drive you to L.A.”
“Don’t bother. I’ll walk to Tujunga and get a cab. I want to walk. It’s been so long, I want to see what it feels like.”
Rockwell lent him an old pair of shoes and an old suit of clothes.
“Thanks, Doctor. I’ll pay you what I owe you as soon as possible.”
“You don’t owe me a penny. It was interesting.”
“Well, good-bye, Doctor. Mr. McGuire. Hartley.”
“Good-bye, Smith.”
“Good-bye.”
Smith walked down the path to the dry wash, which was already baked dry by the late afternoon sun. He walked easily and happily and whistled. I wish I could whistle now, thought Rockwell tiredly.
Smith turned once, waved to them, and then he strode up the hillside and went on over it toward the distant city.
Rockwell watched him go as a small child watches his favorite sand castle eroded and annihilated by the waves of the sea. “I can’t believe it,” he said, over and over again. “I can’t believe it. The whole thing’s ending so soon, so abruptly for me. I’m dull and empty inside.”
“Everything’s looks rosy to me!” chuckled McGuire happily.
Hartley stood in the sun. His green hands hung softly at his side and his white face was really relaxed for the first time in months, Rockwell realized. Hartley said, softly,
“I’ll come out all right. I’ll come out all right. Oh, thank God for that. Thank God for that. I won’t be a monster. I won’t be anything but myself.” He turned to Rockwell. “Just remember, remember, don’t let them bury me by mistake. Don’t let them bury me by mistake, thinking I’m dead. Remember that.”
Smith took the path across the dry wash and up the hill. It was late afternoon already and the sun had started to vanish behind blue hills. A few stars were visible. The odor of water, dust, and distant orange blossoms hung in the warm air.
Wind stirred. Smith took deep breaths of air. He walked.
Out of sight, away from the sanitarium, he paused and stood very still. He looked up at the sky.
Tossing away the cigarette he’d been smoking, he mashed it precisely under one heel. Then he straightened his well-shaped body, tossed his brown hair back, closed his eyes, swallowed, and relaxed his fingers at his sides.
With nothing of effort, just a little murmur of sound, Smith lifted his body gently from the ground into the warm air.
He soared up quickly, quietly—and very soon he was lost among the stars as Smith headed for outer space …

Pillar of Fire (#ulink_6d5ee1ce-0aad-54f6-9ad4-e288648d9959)
He came out of the earth, hating. Hate was his father; hate was his mother.
It was good to walk again. It was good to leap up out of the earth, off of your back, and stretch your cramped arms violently and try to take a deep breath!
He tried. He cried out.
He couldn’t breathe. He flung his arms over his face and tried to breathe. It was impossible. He walked on the earth, he came out of the earth. But he was dead. He couldn’t breathe. He could take air into his mouth and force it half down his throat, with withered moves of long-dormant muscles, wildly, wildly! And with this little air he could shout and cry! He wanted to have tears, but he couldn’t make them come, either. All he knew was that he was standing upright, he was dead, he shouldn’t be walking! He couldn’t breathe and yet he stood.
The smells of the world were all about him. Frustratedly, he tried to smell the smells of autumn. Autumn was burning the land down into ruin. All across the country the ruins of summer lay; vast forests bloomed with flame, tumbled down timber on empty, unleafed timber. The smoke of the burning was rich, blue, and invisible.
He stood in the graveyard, hating. He walked through the world and yet could not taste nor smell of it. He heard, yes. The wind roared on his newly opened ears. But he was dead. Even though he walked he knew he was dead and should expect not too much of himself or this hateful living world.
He touched the tombstone over his own empty grave. He knew his own name again. It was a good job of carving.
WILLIAM LANTRY
That’s what the gravestone said.
His fingers trembled on the cool stone surface.
BORN 1898—DIED 1933
Born again …?
What year? He glared at the sky and the midnight autumnal stars moving in slow illuminations across the windy black. He read the tiltings of centuries in those stars. Orion thus and so, Aurega here! and where Taurus? There!
His eyes narrowed. His lips spelled out the year:
“2349.”
An odd number. Like a school sum. They used to say a man couldn’t encompass any number over a hundred. After that it was all so damned abstract there was no use counting. This was the year 2349! A numeral, a sum. And here he was, a man who had lain in his hateful dark coffin, hating to be buried, hating the living people above who lived and lived and lived, hating them for all the centuries, until today, now, born out of hatred, he stood by his own freshly excavated grave, the smell of raw earth in the air, perhaps, but he could not smell it!
“I,” he said, addressing a poplar tree that was shaken by the wind, “am an anachronism.” He smiled faintly.
He looked at the graveyard. It was cold and empty. All of the stones had been ripped up and piled like so many flat bricks, one atop another, in the far corner by the wrought iron fence. This had been going on for two endless weeks. In his deep secret coffin he had heard the heartless, wild stirring as the men jabbed the earth with cold spades and tore out the coffins and carried away the withered ancient bodies to be burned. Twisting with fear in his coffin, he had waited for them to come to him.
Today they had arrived at his coffin. But—late. They had dug down to within an inch of the lid. Five o’clock bell, time for quitting. Home to supper. The workers had gone off. Tomorrow they would finish the job, they said, shrugging into their coats.
Silence had come to the emptied tombyard.
Carefully, quietly, with a soft rattling of sod, the coffin lid had lifted.
William Lantry stood trembling now, in the last cemetery on Earth.
“Remember?” he asked himself, looking at the raw earth. “Remember those stories of the last man on Earth? Those stories of men wandering in ruins, alone? Well, you, William Lantry, are a switch on the old story. Do you know that? You are the last dead man in the whole world!”
There were no more dead people. Nowhere in any land was there a dead person. Impossible? Lantry did not smile at this. No, not impossible at all in this foolish, sterile, unimaginative, antiseptic age of cleansings and scientific methods! People died, oh my God, yes. But—dead people? Corpses? They didn’t exist!
What happened to dead people?
The graveyard was on a hill. William Lantry walked through the dark burning night until he reached the edge of the graveyard and looked down upon the new town of Salem. It was all illumination, all color. Rocket ships cut fire above it, crossing the sky to all the far ports of Earth.
In his grave the new violence of this future world had driven down and seeped into William Lantry. He had been bathed in it for years. He knew all about it, with a hating dead man’s knowledge of such things.
Most important of all, he knew what these fools did with dead men.
He lifted his eyes. In the center of the town a massive stone finger pointed at the stars. It was three hundred feet high and fifty feet across. There was a wide entrance and a drive in front of it.
In the town, theoretically, thought William Lantry, say you have a dying man. In a moment he will be dead. What happens? No sooner is his pulse cold when a certificate is flourished, made out, his relatives pack him into a car-beetle and drive him swiftly to—
The Incinerator!
That functional finger, that Pillar of Fire pointing at the stars. Incinerator. A functional, terrible name. But truth is truth in this future world.
Like a stick of kindling your Mr. Dead Man is shot into the furnace.
Flume!
William Lantry looked at the top of the gigantic pistol shoving at the stars. A small pennant of smoke issued from the top.
There’s where your dead people go.
“Take care of yourself, William Lantry,” he murmured. “You’re the last one, the rare item, the last dead man. All the other graveyards of Earth have been blasted up. This is the last graveyard and you’re the last dead man from the centuries. These people don’t believe in having dead people about, much less walking dead people. Everything that can’t be used goes up like a matchstick. Superstitions right along with it!”
He looked at the town. All right, he thought, quietly. I hate you. You hate me, or you would if you knew I existed. You don’t believe in such things as vampires or ghosts. Labels without referents, you cry! You snort. All right, snort! Frankly, I don’t believe in you, either! I don’t like you! You and your Incinerators.
He trembled. How very close it had been. Day after day they had hauled out the other dead ones, burned them like so much kindling. An edict had been broadcast around the world. He had heard the digging men talk as they worked!
“I guess it’s a good idea, this cleaning up the graveyards,” said one of the men.
“Guess so,” said another. “Grisly custom. Can you imagine? Being buried, I mean! Unhealthy! All them germs!”
“Sort of a shame. Romantic, kind of. I mean, leaving just this one graveyard untouched all these centuries. The other graveyards were cleaned out, what year was it, Jim?”
“About 2260, I think. Yeah, that was it, 2260, almost a hundred years ago. But some Salem Committee, they got on their high horse and they said, ‘Look here, let’s have just one graveyard left, to remind us of the customs of the barbarians.’ And the gover’ment scratched its head, thunk it over, and said, ‘Okay. Salem it is. But all other graveyards go, you understand, all!’ ”
“And away they went,” said Jim.
“Sure, they sucked out ’em with fire and steam shovels and rocket-cleaners. If they knew a man was buried in a cow pasture, they fixed him! Evacuated them, they did. Sort of cruel, I say.”
“I hate to sound old-fashioned, but still there were a lot of tourists came here every year, just to see what a real graveyard was like.”
“Right. We had nearly a million people in the last three years visiting. A good revenue. But—a government order is an order. The government says no more morbidity, so flush her out we do! Here we go. Hand me that spade, Bill.”
William Lantry stood in the autumn wind, on the hill. It was good to walk again, to feel the wind and to hear the leaves scuttling like mice on the road ahead of him. It was good to see the bitter cold stars almost blown away by the wind.
It was even good to know fear again.
For fear rose in him now, and he could not put it away. The very fact that he was walking made him an enemy. And there was not another friend, another dead man, in all of the world, to whom one could turn for help or consolation. It was the whole melodramatic living world against one William Lantry. It was the whole vampire-disbelieving, body-burning, graveyard-annihilating world against a man in a dark suit on a dark autumn hill. He put out his pale cold hands into the city illumination. You have pulled the tombstones, like teeth, from the yard, he thought. Now I will find some way to push your Incinerators down into rubble. I will make dead people again, and I will make friends in so doing. I cannot be alone and lonely. I must start manufacturing friends very soon. Tonight.
“War is declared,” he said, and laughed. It was pretty silly, one man declaring war on an entire world.
The world did not answer back. A rocket crossed the sky on a rush of flame, like an Incinerator taking wing.
Footsteps. Lantry hastened to the edge of the cemetery. The diggers, coming back to finish up their work? No. Just someone, a man, walking by.
As the man came abreast the cemetery gate, Lantry stepped swiftly out. “Good evening,” said the man, smiling.
Lantry struck the man in the face. The man fell. Lantry bent quietly down and hit the man a killing blow across the neck with the side of his hand.
Dragging the body back into shadow, he stripped it and changed clothes with it. It wouldn’t do for a fellow to go wandering about this future world with ancient clothing on. He found a small pocket knife in the man’s coat; not much of a knife, but enough if you knew how to handle it properly. He knew how.
He rolled the body down into one of the already opened and exhumed graves. In a minute he had shoveled dirt down upon it, just enough to hide it. There was little chance of it being found. They wouldn’t dig the same grave twice.
He adjusted himself in his new loose-fitting metallic suit. Fine, fine.
Hating, William Lantry walked down into town, to do battle with the Earth.

II
The incinerator was open. It never closed. There was a wide entrance, all lighted up with hidden illumination, there was a helicopter landing table and a beetle drive. The town itself was dying down after another day of the dynamo. The lights were going dim, and the only quiet, lighted spot in the town now was the Incinerator. God, what a practical name, what an unromantic name.
William Lantry entered the wide, well-lighted door. It was an entrance, really; there were no doors to open or shut. People could go in and out, summer or winter, the inside was always warm. Warm from the fire that rushed whispering up the high round flue to where the whirlers, the propellors, the air jets pushed the leafy gray ashes on away for a ten-mile ride down the sky.
There was the warmth of the bakery here. The halls were floored with rubber parquet. You couldn’t make a noise if you wanted to. Music played in hidden throats somewhere. Not music of death at all, but music of life and the way the sun lived inside the Incinerator; or the sun’s brother, anyway. You could bear the flame floating inside the heavy brick wall.
William Lantry descended a ramp. Behind him he heard a whisper and turned in time to see a beetle stop before the entranceway. A bell rang. The music, as if at a signal, rose to ecstatic heights. There was joy in it.
From the beetle, which opened from the rear, some attendants stepped carrying a golden box. It was six feet long and there were sun symbols on it. From another beetle the relatives of the man in the box stepped and followed as the attendants took the golden box down a ramp to a kind of altar. On the side of the altar were the words, “WE THAT WERE BORN OF THE SUN RETURN TO THE SUN.” The golden box was deposited upon the altar, the music leaped upward, the Guardian of this place spoke only a few words, then the attendants picked up the golden box, walked to a transparent wall, a safety lock, also transparent, and opened it. The box was shoved into the glass slot. A moment later an inner lock opened, the box was injected into the interior of the Flue, and vanished instantly in quick flame.
The attendants walked away. The relatives without a word turned and walked out. The music played.
William Lantry approached the glass fire lock. He peered through the wall at the vast, glowing, never-ceasing heart of the Incinerator. It burned steadily, without a flicker, singing to itself peacefully. It was so solid it was like a golden river flowing up out of the earth toward the sky. Anything you put into the river was borne upward, vanished.
Lantry felt again his unreasoning hatred of this thing, this monster, cleansing fire.
A man stood at his elbow. “May I help you, sir?”
“What?” Lantry turned abruptly. “What did you say?”
“May I be of service?”
“I—that is—” Lantry looked quickly at the ramp and the door. His hands trembled at his sides. ‘I’ve never been in here before.”
“Never?” The Attendant was surprised.
That had been the wrong thing to say, Lantry realized. But it was said, nevertheless. “I mean,” he said. “Not really. I mean, when you’re a child, somehow, you don’t pay attention. I suddenly realized tonight that I didn’t really know the Incinerator.”
The Attendant smiled. “We never know anything, do we, really? I’ll be glad to show you around.”
“Oh, no. Never mind. It—it’s a wonderful place.”
“Yes, it is.” The Attendant took pride in it. “One of the finest in the world, I think.”
“I—” Lantry felt he must explain further. “I haven’t had many relatives die on me since I was a child. In fact, none. So, you see I haven’t been here for many years.”
“I see.” The Attendant’s face seemed to darken somewhat.
What’ve I said now, thought Lantry. What in God’s name is wrong? What’ve I done? If I’m not careful I’ll get myself shoved right into that monstrous firetrap. What’s wrong with this fellow’s face? He seems to be giving me more than the usual going-over.
“You wouldn’t be one of the men who’ve just returned from Mars, would you?” asked the Attendant.
“No. Why do you ask?”
“No matter.” The Attendant began to walk off. “If you want to know anything, just ask me.”
“Just one thing,” said Lantry.
“What’s that?”
“This.”
Lantry dealt him a stunning blow across the neck.
He had watched the fire-trap operator with expert eyes. Now, with the sagging body in his arms, he touched the button that opened the warm outer lock, placed the body in, heard the music rise, and saw the inner lock open. The body shot out into the river of fire. The music softened.
“Well done, Lantry, well done.”
Barely an instant later another Attendant entered the room. Lantry was caught with an expression of pleased excitement on his face. The Attendant looked around as if expecting to find someone, then he walked toward Lantry. “May I help you?”
“Just looking,” said Lantry.
“Rather late at night,” said the Attendant.
“I couldn’t sleep.”
That was the wrong answer, too. Everybody slept in this world. Nobody had insomnia. If you did you simply turned on a hypno-ray, and, sixty seconds later, you were snoring. Oh, he was just full of wrong answers. First he had made the fatal error of saying he had never been in the Incinerator before, when he knew that all children were brought here on tours, every year, from the time they were four, to instill the idea of the clean fire death and the Incinerator in their minds. Death was a bright fire, death was warmth and the sun. It was not a dark, shadowed thing. That was important in their education. And he, pale, thoughtless fool, had immediately gabbled out his ignorance.
And another thing, this paleness of his. He looked at his hands and realized with growing terror that a pale man also was nonexistent in this world. They would suspect his paleness. That was why the first attendant had asked, “Are you one of those men newly returned from Mars?” Here, now, this new Attendant was clean and bright as a copper penny, his cheeks red with health and energy. Lantry hid his pale hands in his pockets. But he was fully aware of the searching the Attendant did on his face.
“I mean to say,” said Lantry. “I didn’t want to sleep. I wanted to think.”
“Was there a service held here a moment ago?” asked the Attendant, looking about.
“I don’t know, I just came in.”
“I thought I heard the fire lock open and shut.”
“I don’t know,” said Lantry.
The man pressed a wall button. “Anderson?”
A voice replied. “Yes.”
“Locate Saul for me, will you?”
“I’ll ring the corridors.” A pause. “Can’t find him.”
“Thanks.” The Attendant was puzzled. He was beginning to make little sniffing motions with his nose. “Do you—smell anything?”
Lantry sniffed. “No. Why?”
“I smell something.”
Lantry took hold of the knife in his pocket. He waited.
“I remember once when I was a kid,” said the man. “And we found a cow lying dead in the field. It had been there two days in the hot sun. That’s what this smell is. I wonder what it’s from?”
“Oh, I know what it is,” said Lantry quietly. He held out his hand. “Here.”
“What?”
“Me, of course.”
“You?”
“Dead several hundred years.”
“You’re an odd joker.” The Attendant was puzzled.
“Very.” Lantry took out the knife. “Do you know what this is?”
“A knife.”
“Do you ever use knives on people any more?”
“How do you mean?”
“I mean—killing them, with knives or guns or poison?”
“You are an odd joker!” The man giggled awkwardly.
“I’m going to kill you,” said Lantry.
“Nobody kills anybody,” said the man.
“Not any more they don’t. But they used to, in the old days.”
“I know they did.”
“This will be the first murder in three hundred years. I just killed your friend. I just shoved him into the fire lock.”
That remark had the desired effect. It numbed the man so completely, it shocked him so thoroughly with its illogical aspects that Lantry had time to walk forward. He put the knife against the man’s chest. “I’m going to kill you.”
“That’s silly,” said the man, numbly. “People don’t do that.”
“Like this,” said Lantry. “You see?”
The knife slid into the chest. The man stared at it for a moment. Lantry caught the falling body.

III
The Salem flue exploded at six that morning. The great fire chimney shattered into ten thousand parts and flung itself into the earth and into the sky and into the houses of the sleeping people. There was fire and sound, more fire than autumn made burning in the hills.
William Lantry was five miles away at the time of the explosion. He saw the town ignited by the great spreading cremation of it. And he shook his head and laughed a little bit and clapped his hands smartly together.
Relatively simple. You walked around killing people who didn’t believe in murder, had only heard of it indirectly as some dim gone custom of the old barbarian races. You walked into the control room of the Incinerator and said, “How do you work this Incinerator?” and the control man told you, because everybody told the truth in this world of the future, nobody lied, there was no reason to lie, there was no danger to lie against. There was only one criminal in the world, and nobody knew HE existed yet.
Oh, it was an incredibly beautiful setup. The Control Man had told him just how the Incinerator worked, what pressure gauges controlled the flood of fire gases going up the flue, what levers were adjusted or readjusted. He and Lantry had had quite a talk. It was an easy, free world. People trusted people. A moment later Lantry had shoved a knife in the Control Man also and set the pressure gauges for an overload to occur half an hour later, and walked out of the Incinerator halls, whistling.
Now even the sky was palled with the vast black cloud of the explosion.
“This is only the first,” said Lantry, looking at the sky. “I’ll tear all the others down before they even suspect there’s an unethical man loose in their society. They can’t account for a variable like me. I’m beyond their understanding. I’m incomprehensible, impossible, therefore I do not exist. My God, I can kill hundreds of thousands of them before they even realize murder is out in the world again. I can make it look like an accident each time. Why, the idea is so huge, it’s unbelievable!”
The fire burned the town. He sat under a tree for a long time, until morning. Then, he found a cave in the hills, and went in, to sleep.
He awoke at sunset with a sudden dream of fire. He saw himself pushed into the flue, cut into sections by flame, burned away to nothing. He sat up on the cave floor, laughing at himself. He had an idea.
He walked down into the town and stepped into an audio booth. He dialed OPERATOR. “Give me the Police Department,” he said.
“I beg your pardon?” said the operator.
He tried again. “The Law Force,” he said.
“I will connect you with the Peace Control,” she said, at last.
A little fear began ticking inside him like a tiny watch. Suppose the operator recognized the term Police Department as an anachronism, took his audio number, and sent someone out to investigate? No, she wouldn’t do that. Why should she suspect? Paranoids were nonexistent in this civilization.
“Yes, the Peace Control,” he said.
A buzz. A man’s voice answered. “Peace Control. Stephens speaking.”
“Give me the Homicide Detail,” said Lantry, smiling.
“The what?”
“Who investigates murders?”
“I beg your pardon, what are you talking about?”
“Wrong number.” Lantry hung up, chuckling. Ye gods, there was no such a thing as a Homicide Detail. There were no murders, therefore they needed no detectives. Perfect, perfect!
The audio rang back. Lantry hesitated, then answered.
“Say,” said the voice on the phone. “Who are you?”
“The man just left who called,” said Lantry, and hung up again.
He ran. They would recognize his voice and perhaps send someone out to check. People didn’t lie. He had just lied. They knew his voice. He had lied. Anybody who lied needed a psychiatrist. They would come to pick him up to see why he was lying. For no other reason. They suspected him of nothing else. Therefore—he must run.
Oh, how very carefully he must act from now on. He knew nothing of this world, this odd straight truthful ethical world. Simply by looking pale you were suspect. Simply by not sleeping nights you were suspect. Simply by not bathing, by smelling like a—dead cow?—you were suspect. Anything.
He must go to a library. But that was dangerous, too. What were libraries like today? Did they have books or did they have film spools which projected books on a screen? Or did people have libraries at home, thus eliminating the necessity of keeping large main libraries?
He decided to chance it. His use of archaic terms might well make him suspect again, but now it was very important he learn all that could be learned of this foul world into which he had come again. He stopped a man on the street. “Which way to the library?”
The man was not surprised. “Two blocks east, one block north.”
“Thank you.”
Simple as that.
He walked into the library a few minutes later.
“May I help you?”
He looked at the librarian. May I help you, may I help you. What a world of helpful people! “I’d like to ‘have’ Edgar Allan Poe.” His verb was carefully chosen. He didn’t say ‘read.’ He was too afraid that books were passé, that printing itself was a lost art. Maybe all ‘books’ today were in the form of fully delineated three-dimensional motion pictures. How in blazes could you make a motion picture out of Socrates, Schopenhauer, Nietzsche, and Freud?
“What was that name again?”
“Edgar Allan Poe.”
“There is no such author listed in our files.”
“Will you please check?”
She checked. “Oh, yes. There’s a red mark on the file card. He was one of the authors in the Great Burning of 2265.”
“How ignorant of me.”
“That’s all right,” she said. “Have you heard much of him?”
“He had some interesting barbarian ideas on death,” said Lantry.
“Horrible ones,” she said, wrinkling her nose. “Ghastly.”
“Yes. Ghastly. Abominable, in fact. Good thing he was burned. Unclean. By the way, do you have any of Lovecraft?”
“Is that a sex book?”
Lantry exploded with laughter. “No, no. It’s a man.”
She riffled the file. “He was burned, too. Along with Poe.”
“I suppose that applies to Machen and a man named Derleth and one named Ambrose Bierce, also?”
“Yes.” She shut the file cabinet. “All burned. And good riddance.” She gave him an odd warm look of interest. “I bet you’ve just come back from Mars.”
“Why do you say that?”
“There was another explorer in here yesterday. He’d just made the Mars hop and return. He was interested in supernatural literature, also. It seems there are actually ‘tombs’ on Mars.”
“What are ‘tombs’?” Lantry was learning to keep his mouth closed.
“You know, those things they once buried people in.”
“Barbarian custom. Ghastly!”
“Isn’t it? Well, seeing the Martian tombs made this young explorer curious. He came and asked if we had any of those authors you mentioned. Of course we haven’t even a smitch of their stuff.” She looked at his pale face. “You are one of the Martian rocket men, aren’t you?”
“Yes,” he said. “Got back on the ship the other day.”
“The other young man’s name was Burke.”
“Of course. Burke! Good friend of mine!”
“Sorry I can’t help you. You’d best get yourself some vitamin shots and some sun lamps. You look terrible, Mr.—?”
“Lantry. I’ll be good. Thanks ever so much. See you next Hallows’ Eve!”
“Aren’t you the clever one.” She laughed. “If there were a Hallows’ Eve, I’d make it a date.”
“But they burned that, too,” he said.
“Oh, they burned everything,” she said. “Good night.”
“Good night.” And he went on out.
Oh, how carefully he was balanced in this world! Like some kind of dark gyroscope, whirling with never a murmur, a very silent man. As he walked along the eight o’clock evening street he noticed with particular interest that there was not an unusual amount of lights about. There were the usual street lights at each corner, but the blocks themselves were only faintly illuminated. Could it be that these remarkable people were not afraid of the dark? Incredible nonsense! Every one was afraid of the dark. Even he himself had been afraid, as a child. It was as natural as eating.
A little boy ran by on pelting feet, followed by six others. They yelled and shouted and rolled on the dark cool October lawn, in the leaves. Lantry looked on for several minutes before addressing himself to one of the small boys who was for a moment taking a respite, gathering his breath into his small lungs, as a boy might blow to refill a punctured paper bag.
“Here, now,” said Lantry. “You’ll wear yourself out.”
“Sure,” said the boy.
“Could you tell me,” said the man, “why there are no street lights in the middle of the blocks?”
“Why?” asked the boy.
“I’m a teacher, I thought I’d test your knowledge,” said Lantry.
“Well,” said the boy, “you don’t need lights in the middle of the block, that’s why.”
“But it gets rather dark,” said Lantry.
“So?” said the boy.
“Aren’t you afraid?” asked Lantry.
“Of what?” asked the boy.
“The dark,” said Lantry.
“Ho ho,” said the boy. “Why should I be?”
“Well,” said Lantry. “It’s black, it’s dark. And after all, street lights were invented to take away the dark and take away fear.”
“That’s silly. Street lights were made so you could see where you were walking. Outside of that there’s nothing.”
“You miss the whole point—” said Lantry. “Do you mean to say you would sit in the middle of an empty lot all night and not be afraid?”
“Of what?”
“Of what, of what, of what, you little ninny! Of the dark!”
“Ho ho.”
“Would you go out in the hills and stay all night in the dark?”
“Sure.”
“Would you stay in a deserted house alone?”
“Sure.”
“And not be afraid?”
“Sure.”
“You’re a liar!”
“Don’t you call me nasty names!” shouted the boy. Liar was the improper noun, indeed. It seemed to be the worst thing you could call a person.
Lantry was completely furious with the little monster. “Look,” he insisted. “Look into my eyes …”
The boy looked.
Lantry bared his teeth slightly. He put out his hands, making a clawlike gesture. He leered and gesticulated and wrinkled his face into a terrible mask of horror.
“Ho ho,” said the boy. “You’re funny.”
“What did you say?”
“You’re funny. Do it again. Hey, gang, c’mere! This man does funny things!”
“Never mind.”
“Do it again, sir.”
“Never mind, never mind. Good night!” Lantry ran off.
“Good night, sir. And mind the dark, sir!” called the little boy.
Of all the stupidity, of all the rank, gross, crawling, jelly-mouthed stupidity! He had never seen the like of it in his life! Bringing the children up without so much as an ounce of imagination! Where was the fun in being children if you didn’t imagine things?
He stopped running. He slowed and for the first time began to appraise himself. He ran his hand over his face and bit his finger and found that he himself was standing midway in the block and he felt uncomfortable. He moved up to the street corner where there was a glowing lantern. “That’s better,” he said, holding his hands out like a man to an open warm fire.
He listened. There was not a sound except the night breathing of the crickets. Finally there was a fire-hush as a rocket swept the sky. It was the sound a torch might make brandished gently on the dark air.
He listened to himself and for the first time he realized what there was so peculiar to himself. There was not a sound in him. The little nostril and lung noises were absent. His lungs did not take nor give oxygen or carbon dioxide; they did not move. The hairs on his nostrils did not quiver with warm combing air. That faint purrling whisper of breathing did not sound in his nose. Strange. Funny. A noise you never heard when you were alive, the breath that fed your body, and yet, once dead, oh how you missed it!
The only other time you ever heard it was on deep dreamless awake nights when you wakened and listened and heard first your nose taking and gently poking out the air, and then the dull deep dim red thunder of the blood in your temples, in your eardrums, in your throat, in your aching wrists, in your warm loins, in your chest. All of those little rhythms, gone. The wrist beat gone, the throat pulse gone, the chest vibration gone. The sound of the blood coming up down around and through, up down around and through. Now it was like listening to a statue.
And yet he lived. Or, rather, moved about. And how was this done, over and above scientific explanations, theories, doubts?
By one thing, and one thing alone.
Hatred.
Hatred was a blood in him, it went up down around and through, up down around and through. It was a heart in him, not beating, true, but warm. He was—what? Resentment. Envy. They said he could not lie any longer in his coffin in the cemetery. He had wanted to. He had never had any particular desire to get up and walk around. It had been enough, all these centuries, to lie in the deep box and feel but not feel the ticking of the million insect watches in the earth around, the moves of worms like so many deep thoughts in the soil.
But then they had come and said, “Out you go and into the furnace!” And that is the worst thing you can say to any man. You cannot tell him what to do. If you say you are dead, he will want not to be dead. If you say there are no such things as vampires, by God, that man will try to be one just for spite. If you say a dead man cannot walk, he will test his limbs. If you say murder is no longer occurring, he will make it occur. He was, in toto, all the impossible things. They had given birth to him with their practices and ignorances. Oh, how wrong they were. They needed to be shown. He would show them! Sun is good, SO is night, there is nothing wrong with dark, they said.
Dark is horror, he shouted, silently, facing the little houses. It is meant for contrast. You must fear, you hear! That has always been the way of this world. You destroyers of Edgar Allan Poe and fine big-worded Lovecraft, you burner of Halloween masks and destroyer of pumpkin jack-o-lanterns! I will make night what it once was, the thing against which man built all his lanterned cities and his many children!
As if in answer to this, a rocket, flying low, trailing a long rakish feather of flame. It made Lantry flinch and draw back.

IV
It was but ten miles to the little town of Science Port. He made it by dawn, walking. But even this was not good. At four in the morning a silver beetle pulled up on the road beside him.
“Hello,” called the man inside.
“Hello,” said Lantry, wearily.
“Why are you walking?” asked the man.
“I’m going to Science Port.”
“Why don’t you ride?”
“I like to walk.”
“Nobody likes to walk. Are you sick? May I give you a ride?”
“Thanks, but I like to walk.”
The man hesitated, then closed the beetle door. “Good night.”
When the beetle was gone over the hill, Lantry retreated into a nearby forest. A world full of bungling, helping people. By God, you couldn’t even walk without being accused of sickness. That meant only one thing. He must not walk any longer, he had to ride. He should have accepted that fellow’s offer.
The rest of the night he walked far enough off the highway so that if a beetle rushed by he had time to vanish in the underbrush. At dawn he crept into an empty dry water drain and closed his eyes.
_______________
The dream was as perfect as a rimed snowflake.
He saw the graveyard where he had lain deep and ripe over the centuries. He heard the early morning footsteps of the laborers returning to finish their work.
“Would you mind passing me the shovel, Jim?”
“Here you go.”
“Wait a minute, wait a minute!”
“What’s up?”
“Look here. We didn’t finish last night, did we

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S is for Space Рэй Дуглас Брэдбери

Рэй Дуглас Брэдбери

Тип: электронная книга

Жанр: Современная зарубежная литература

Язык: на английском языке

Издательство: HarperCollins

Дата публикации: 16.04.2024

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О книге: One of Ray Bradbury’s classic short story collections, available in ebook for the first time.S IS FOR SPACE is a spine-tingling short story collection from one of the genre’s master storytellers.Science fiction, fantasy, small town life, and small town people are the materials from which Ray Bradbury weaves his unique and magical stories of the natural and supernatural, the past, the present , and the future.This book contains sixteen of Bradbury′s most popular science fiction stories.

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