The Dressmaker’s Doll: An Agatha Christie Short Story
The Dressmaker’s Doll: An Agatha Christie Short Story
Agatha Christie
A classic Agatha Christie short story, available individually for the first time as an ebook.What is the mystery of the velvet-suited doll that appears to move from place to place? Is someone responsible, or can it be possible that it possesses its own sinister qualities?
The Dressmaker’s Doll
A Short Story
by Agatha Christie
Copyright (#ulink_eced66f5-5bc0-5754-9d68-9632db5ad6cd)
Published by HarperCollinsPublishers Ltd 1 London Bridge Street London SE1 9GF www.harpercollins.co.uk (http://www.harpercollins.co.uk)
Copyright © 2008 Agatha Christie Ltd.
Cover Layout Design © HarperCollinsPublishers 2014
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book onscreen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication.
Source ISBN: 9780007438976
Ebook Edition © MARCH 2014 ISBN: 9780007560011
Version: 2017-04-13
Contents
Cover (#u3dee6464-30b1-5af4-9ac9-d1bfa7a96d09)
Title Page (#u5b376c48-536e-5211-b267-9b91a01fb3e3)
Copyright
The Dressmaker’s Doll (#u90ce9e33-ecbe-5ae8-8a08-3d3a10fc5b86)
Related Products (#litres_trial_promo)
About the Publisher
The Dressmaker’s Doll (#ulink_a563fd25-12d8-5953-8614-a96a41a03f82)
‘The Dressmaker’s Doll’ was first published in Woman’s Journal, December 1958.
The doll lay in the big velvet-covered chair. There was not much light in the room; the London skies were dark. In the gentle, greyish-green gloom, the sage-green coverings and the curtains and the rugs all blended with each other. The doll blended, too. She lay long and limp and sprawled in her green-velvet clothes and her velvet cap and the painted mask of her face. She was the Puppet Doll, the whim of Rich Women, the doll who lolls beside the telephone, or among the cushions of the divan. She sprawled there, eternally limp and yet strangely alive. She looked a decadent product of the twentieth century.
Sybil Fox, hurrying in with some patterns and a sketch, looked at the doll with a faint feeling of surprise and bewilderment. She wondered – but whatever she wondered did not get to the front of her mind. Instead, she thought to herself, ‘Now, what’s happened to the pattern of the blue velvet? Wherever have I put it? I’m sure I had it here just now.’ She went out on the landing and called up to the workroom.
‘Elspeth, Elspeth, have you the blue pattern up there? Mrs Fellows-Brown will be here any minute now.’
She went in again, switching on the lights. Again she glanced at the doll. ‘Now where on earth – ah, there it is.’ She picked the pattern up from where it had fallen from her hand. There was the usual creak outside on the landing as the elevator came to a halt and in a minute or two Mrs Fellows-Brown, accompanied by her Pekinese, came puffing into the room rather like a fussy local train arriving at a wayside station.
‘It’s going to pour,’ she said, ‘simply pour!’
She threw off her gloves and a fur. Alicia Coombe came in. She didn’t always come in nowadays, only when special customers arrived, and Mrs Fellows-Brown was such a customer.
Elspeth, the forewoman of the workroom, came down with the frock and Sybil pulled it over Mrs Fellows-Brown’s head.
‘There,’ she said, ‘I think it’s good. Yes, it’s definitely a success.’
Mrs Fellows-Brown turned sideways and looked in the mirror.
‘I must say,’ she said, ‘your clothes do do something to my behind.’
‘You’re much thinner than you were three months ago,’ Sybil assured her.
‘I’m really not,’ said Mrs Fellows-Brown, ‘though I must say I look it in this. There’s something about the way you cut, it really does minimize my behind. I almost look as though I hadn’t got one – I mean only the usual kind that most people have.’ She sighed and gingerly smoothed the troublesome portion of her anatomy. ‘It’s always been a bit of a trial to me,’ she said. ‘Of course, for years I could pull it in, you know, by sticking out my front. Well, I can’t do that any longer because I’ve got a stomach now as well as a behind. And I mean – well, you can’t pull it in both ways, can you?’
Alicia Coombe said, ‘You should see some of my customers!’
Mrs Fellows-Brown experimented to and fro.
‘A stomach is worse than a behind,’ she said. ‘It shows more. Or perhaps you think it does, because, I mean, when you’re talking to people you’re facing them and that’s the moment they can’t see your behind but they can notice your stomach. Anyway, I’ve made it a rule to pull in my stomach and let my behind look after itself.’ She craned her neck round still farther, then said suddenly, ‘Oh, that doll of yours! She gives me the creeps. How long have you had her?’
Sybil glanced uncertainly at Alicia Coombe, who looked puzzled but vaguely distressed.
‘I don’t know exactly … some time I think – I never can remember things. It’s awful nowadays – I simply cannot remember. Sybil, how long have we had her?’
Sybil said shortly, ‘I don’t know.’
‘Well,’ said Mrs Fellows-Brown, ‘she gives me the creeps. Uncanny! She looks, you know, as though she was watching us all, and perhaps laughing in that velvet sleeve of hers. I’d get rid of her if I were you.’ She gave a little shiver, then she plunged once more into dressmaking details. Should she or should she not have the sleeves an inch shorter? And what about the length? When all these important points were settled satisfactorily, Mrs Fellows-Brown resumed her own garments and prepared to leave. As she passed the doll, she turned her head again.
‘No,’ she said, ‘I don’t like that doll. She looks too much as though she belonged here. It isn’t healthy.’
‘Now what did she mean by that?’ demanded Sybil, as Mrs Fellows-Brown departed down the stairs.
Before Alicia Coombe could answer, Mrs Fellows-Brown returned, poking her head round the door.
‘Good gracious, I forgot all about Fou-Ling. Where are you, ducksie? Well, I never!’
She stared and the other two women stared, too. The Pekinese was sitting by the green-velvet chair, staring up at the limp doll sprawled on it. There was no expression, either of pleasure or resentment, on his small, pop-eyed face. He was merely looking.
‘Come along, mum’s darling,’ said Mrs Fellows-Brown.
Mum’s darling paid no attention whatever.
‘He gets more disobedient every day,’ said Mrs Fellows-Brown, with the air of one cataloguing a virtue. ‘Come on, Fou-Ling. Dindins. Luffly liver.’
Fou-Ling turned his head about an inch and a half towards his mistress, then with disdain resumed his appraisal of the doll.
‘She’s certainly made an impression on him,’ said Mrs Fellows-Brown. ‘I don’t think he’s ever noticed her before. I haven’t either. Was she here last time I came?’
The other two women looked at each other. Sybil now had a frown on her face, and Alicia Coombe said, wrinkling up her forehead, ‘I told you – I simply can’t remember anything nowadays. How long have we had her, Sybil?’
‘Where did she come from?’ demanded Mrs Fellows-Brown. ‘Did you buy her?’
‘Oh no.’ Somehow Alicia Coombe was shocked at the idea. ‘Oh no. I suppose – I suppose someone gave her to me.’ She shook her head. ‘Maddening!’ she exclaimed. ‘Absolutely maddening, when everything goes out of your head the very moment after it’s happened.’
‘Now don’t be stupid, Fou-Ling,’ said Mrs Fellows-Brown sharply. ‘Come on. I’ll have to pick you up.’
She picked him up. Fou-Ling uttered a short bark of agonized protest. They went out of the room with Fou-Ling’s pop-eyed face turned over his fluffy shoulder, still staring with enormous attention at the doll on the chair …
‘That there doll,’ said Mrs Groves, ‘fair gives me the creeps, it does.’ Mrs Groves was the cleaner. She had just finished a crablike progress backwards along the floor. Now she was standing up and working slowly round the room with a duster.
‘Funny thing,’ said Mrs Groves, ‘never noticed it really until yesterday. And then it hit me all of a sudden, as you might say.’
‘You don’t like it?’ asked Sybil.
‘I tell you, Mrs Fox, it gives me the creeps,’ said the cleaning woman. ‘It ain’t natural, if you know what I mean. All those long hanging legs and the way she’s slouched down there and the cunning look she has in her eye. It doesn’t look healthy, that’s what I say.’
‘You’ve never said anything about her before,’ said Sybil.
‘I tell you, I never noticed her – not till this morning … Of course I know she’s been here some time but –’ She stopped and a puzzled expression flitted across her face. ‘Sort of thing you might dream of at night,’ she said, and gathering up various cleaning implements she departed from the fitting-room and walked across the landing to the room on the other side.
Конец ознакомительного фрагмента.
Текст предоставлен ООО «ЛитРес».
Прочитайте эту книгу целиком, купив полную легальную версию (https://www.litres.ru/agata-kristi/the-dressmaker-s-doll-an-agatha-christie-short-story/) на ЛитРес.
Безопасно оплатить книгу можно банковской картой Visa, MasterCard, Maestro, со счета мобильного телефона, с платежного терминала, в салоне МТС или Связной, через PayPal, WebMoney, Яндекс.Деньги, QIWI Кошелек, бонусными картами или другим удобным Вам способом.
Agatha Christie
A classic Agatha Christie short story, available individually for the first time as an ebook.What is the mystery of the velvet-suited doll that appears to move from place to place? Is someone responsible, or can it be possible that it possesses its own sinister qualities?
The Dressmaker’s Doll
A Short Story
by Agatha Christie
Copyright (#ulink_eced66f5-5bc0-5754-9d68-9632db5ad6cd)
Published by HarperCollinsPublishers Ltd 1 London Bridge Street London SE1 9GF www.harpercollins.co.uk (http://www.harpercollins.co.uk)
Copyright © 2008 Agatha Christie Ltd.
Cover Layout Design © HarperCollinsPublishers 2014
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book onscreen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication.
Source ISBN: 9780007438976
Ebook Edition © MARCH 2014 ISBN: 9780007560011
Version: 2017-04-13
Contents
Cover (#u3dee6464-30b1-5af4-9ac9-d1bfa7a96d09)
Title Page (#u5b376c48-536e-5211-b267-9b91a01fb3e3)
Copyright
The Dressmaker’s Doll (#u90ce9e33-ecbe-5ae8-8a08-3d3a10fc5b86)
Related Products (#litres_trial_promo)
About the Publisher
The Dressmaker’s Doll (#ulink_a563fd25-12d8-5953-8614-a96a41a03f82)
‘The Dressmaker’s Doll’ was first published in Woman’s Journal, December 1958.
The doll lay in the big velvet-covered chair. There was not much light in the room; the London skies were dark. In the gentle, greyish-green gloom, the sage-green coverings and the curtains and the rugs all blended with each other. The doll blended, too. She lay long and limp and sprawled in her green-velvet clothes and her velvet cap and the painted mask of her face. She was the Puppet Doll, the whim of Rich Women, the doll who lolls beside the telephone, or among the cushions of the divan. She sprawled there, eternally limp and yet strangely alive. She looked a decadent product of the twentieth century.
Sybil Fox, hurrying in with some patterns and a sketch, looked at the doll with a faint feeling of surprise and bewilderment. She wondered – but whatever she wondered did not get to the front of her mind. Instead, she thought to herself, ‘Now, what’s happened to the pattern of the blue velvet? Wherever have I put it? I’m sure I had it here just now.’ She went out on the landing and called up to the workroom.
‘Elspeth, Elspeth, have you the blue pattern up there? Mrs Fellows-Brown will be here any minute now.’
She went in again, switching on the lights. Again she glanced at the doll. ‘Now where on earth – ah, there it is.’ She picked the pattern up from where it had fallen from her hand. There was the usual creak outside on the landing as the elevator came to a halt and in a minute or two Mrs Fellows-Brown, accompanied by her Pekinese, came puffing into the room rather like a fussy local train arriving at a wayside station.
‘It’s going to pour,’ she said, ‘simply pour!’
She threw off her gloves and a fur. Alicia Coombe came in. She didn’t always come in nowadays, only when special customers arrived, and Mrs Fellows-Brown was such a customer.
Elspeth, the forewoman of the workroom, came down with the frock and Sybil pulled it over Mrs Fellows-Brown’s head.
‘There,’ she said, ‘I think it’s good. Yes, it’s definitely a success.’
Mrs Fellows-Brown turned sideways and looked in the mirror.
‘I must say,’ she said, ‘your clothes do do something to my behind.’
‘You’re much thinner than you were three months ago,’ Sybil assured her.
‘I’m really not,’ said Mrs Fellows-Brown, ‘though I must say I look it in this. There’s something about the way you cut, it really does minimize my behind. I almost look as though I hadn’t got one – I mean only the usual kind that most people have.’ She sighed and gingerly smoothed the troublesome portion of her anatomy. ‘It’s always been a bit of a trial to me,’ she said. ‘Of course, for years I could pull it in, you know, by sticking out my front. Well, I can’t do that any longer because I’ve got a stomach now as well as a behind. And I mean – well, you can’t pull it in both ways, can you?’
Alicia Coombe said, ‘You should see some of my customers!’
Mrs Fellows-Brown experimented to and fro.
‘A stomach is worse than a behind,’ she said. ‘It shows more. Or perhaps you think it does, because, I mean, when you’re talking to people you’re facing them and that’s the moment they can’t see your behind but they can notice your stomach. Anyway, I’ve made it a rule to pull in my stomach and let my behind look after itself.’ She craned her neck round still farther, then said suddenly, ‘Oh, that doll of yours! She gives me the creeps. How long have you had her?’
Sybil glanced uncertainly at Alicia Coombe, who looked puzzled but vaguely distressed.
‘I don’t know exactly … some time I think – I never can remember things. It’s awful nowadays – I simply cannot remember. Sybil, how long have we had her?’
Sybil said shortly, ‘I don’t know.’
‘Well,’ said Mrs Fellows-Brown, ‘she gives me the creeps. Uncanny! She looks, you know, as though she was watching us all, and perhaps laughing in that velvet sleeve of hers. I’d get rid of her if I were you.’ She gave a little shiver, then she plunged once more into dressmaking details. Should she or should she not have the sleeves an inch shorter? And what about the length? When all these important points were settled satisfactorily, Mrs Fellows-Brown resumed her own garments and prepared to leave. As she passed the doll, she turned her head again.
‘No,’ she said, ‘I don’t like that doll. She looks too much as though she belonged here. It isn’t healthy.’
‘Now what did she mean by that?’ demanded Sybil, as Mrs Fellows-Brown departed down the stairs.
Before Alicia Coombe could answer, Mrs Fellows-Brown returned, poking her head round the door.
‘Good gracious, I forgot all about Fou-Ling. Where are you, ducksie? Well, I never!’
She stared and the other two women stared, too. The Pekinese was sitting by the green-velvet chair, staring up at the limp doll sprawled on it. There was no expression, either of pleasure or resentment, on his small, pop-eyed face. He was merely looking.
‘Come along, mum’s darling,’ said Mrs Fellows-Brown.
Mum’s darling paid no attention whatever.
‘He gets more disobedient every day,’ said Mrs Fellows-Brown, with the air of one cataloguing a virtue. ‘Come on, Fou-Ling. Dindins. Luffly liver.’
Fou-Ling turned his head about an inch and a half towards his mistress, then with disdain resumed his appraisal of the doll.
‘She’s certainly made an impression on him,’ said Mrs Fellows-Brown. ‘I don’t think he’s ever noticed her before. I haven’t either. Was she here last time I came?’
The other two women looked at each other. Sybil now had a frown on her face, and Alicia Coombe said, wrinkling up her forehead, ‘I told you – I simply can’t remember anything nowadays. How long have we had her, Sybil?’
‘Where did she come from?’ demanded Mrs Fellows-Brown. ‘Did you buy her?’
‘Oh no.’ Somehow Alicia Coombe was shocked at the idea. ‘Oh no. I suppose – I suppose someone gave her to me.’ She shook her head. ‘Maddening!’ she exclaimed. ‘Absolutely maddening, when everything goes out of your head the very moment after it’s happened.’
‘Now don’t be stupid, Fou-Ling,’ said Mrs Fellows-Brown sharply. ‘Come on. I’ll have to pick you up.’
She picked him up. Fou-Ling uttered a short bark of agonized protest. They went out of the room with Fou-Ling’s pop-eyed face turned over his fluffy shoulder, still staring with enormous attention at the doll on the chair …
‘That there doll,’ said Mrs Groves, ‘fair gives me the creeps, it does.’ Mrs Groves was the cleaner. She had just finished a crablike progress backwards along the floor. Now she was standing up and working slowly round the room with a duster.
‘Funny thing,’ said Mrs Groves, ‘never noticed it really until yesterday. And then it hit me all of a sudden, as you might say.’
‘You don’t like it?’ asked Sybil.
‘I tell you, Mrs Fox, it gives me the creeps,’ said the cleaning woman. ‘It ain’t natural, if you know what I mean. All those long hanging legs and the way she’s slouched down there and the cunning look she has in her eye. It doesn’t look healthy, that’s what I say.’
‘You’ve never said anything about her before,’ said Sybil.
‘I tell you, I never noticed her – not till this morning … Of course I know she’s been here some time but –’ She stopped and a puzzled expression flitted across her face. ‘Sort of thing you might dream of at night,’ she said, and gathering up various cleaning implements she departed from the fitting-room and walked across the landing to the room on the other side.
Конец ознакомительного фрагмента.
Текст предоставлен ООО «ЛитРес».
Прочитайте эту книгу целиком, купив полную легальную версию (https://www.litres.ru/agata-kristi/the-dressmaker-s-doll-an-agatha-christie-short-story/) на ЛитРес.
Безопасно оплатить книгу можно банковской картой Visa, MasterCard, Maestro, со счета мобильного телефона, с платежного терминала, в салоне МТС или Связной, через PayPal, WebMoney, Яндекс.Деньги, QIWI Кошелек, бонусными картами или другим удобным Вам способом.
Агата Кристи
Тип: электронная книга
Жанр: Современная зарубежная литература
Язык: на английском языке
Издательство: HarperCollins
Дата публикации: 16.04.2024
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О книге: A classic Agatha Christie short story, available individually for the first time as an ebook.What is the mystery of the velvet-suited doll that appears to move from place to place? Is someone responsible, or can it be possible that it possesses its own sinister qualities?