As Far as the Stars

As Far as the Stars
Virginia Macgregor


Praise for Virginia Macgregor:'I defy you not to fall in love' Clare MackintoshHow do you change what’s already written in the stars?Christopher is the sort of guy that no one notices, yet when Air catches sight of him making intricate paper birds in the airport, she can’t look away. But their worlds are about to collide in ways they never expected. Someone they love is on Flight 0217 from London Heathrow. And it’s missing. Convinced that her brother was on a different flight, Air drives them hundreds of miles across the country, on a trip that will change their lives forever. But how do you tell the person you’re falling for that you might just be the reason their life has fallen apart?







VIRGINIA MACGREGOR is the author of What Milo Saw, The Return of Norah Wells, Before I Was Yours, You Found Me and the young adult novel Wishbones. Her fifth novel for adults, The Children’s Secret, will be out in the UK in November 2019. Her work has been translated into over a dozen languages. After graduating from Oxford University, she worked as a teacher of English and Housemistress in three major British boarding schools. She holds an MA in Creative Writing and now writes full time. Virginia is married to Hugh, who is Director of Theatre at St. Paul’s School in Concord, New Hampshire. They moved to New Hampshire from the UK in July 2016 and live at St. Paul’s with their two daughters, Tennessee Skye and Somerset Wilder and by the time this novel is published, they will have a new little boy too.








Copyright (#ulink_51fef56c-4796-5b29-8603-75459af5ad8a)






An imprint of HarperCollins Publishers Ltd

1 London Bridge Street

London SE1 9GF

First published in Great Britain by HQ in 2019

Copyright © Virginia Macgregor 2019

Alice Feeney asserts the moral right to be identified as the author of this work.

A catalogue record for this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Ebook Edition © April 2019 ISBN: 9780008217334


PRAISE FOR VIRGINIA MACGREGOR: (#ulink_d20c982f-f1e2-55f8-98a4-7c1074ce6b83)

‘I defy you not to fall in love’

Clare Mackintosh

‘Warm, wise and insightful’

Good Housekeeping

‘Sharp, funny and hugely moving, this is a must-read’

Fabulous

‘Impossible not to fall in love’

Stylist

‘Touching and poignant’

Cathy Hopkins

‘Might restore your faith in human nature’

Bella

‘Will delight you but break your heart several times over’

The Sun

‘This wonderful story will tear at your heart’

My Weekly

‘Original, poignant and heart-warming’

Sadie Pearse


To my beloved husband, Hugh, who never stops believing in what I do.


Silently, one by one, in the infinite meadows of heaven, Blossomed the lovely stars, the forget-me-nots of the angels.

Henry Wadsworth Longfellow

Evangeline: A Tale of Acadie


Contents

Cover (#ufb8c1490-9636-521b-b5c1-f1428cbb2d10)

About the Author (#u9c491cf8-2b3c-558b-9e5a-4d81b13f1418)

Title Page (#u12130715-c8e6-5fa4-8653-9de229515b95)

Copyright (#ulink_576c7b76-8dd4-59c9-895a-47bf700c3d32)

PRAISE (#ulink_38569523-efc8-563d-9f19-b37ac93555c5)

Dedication (#u94306da9-0de9-5dc7-8f83-a28b5bca116c)

Epigraph (#u8ff7d77a-4237-566c-b9d8-e3ed338581ea)

DAY 1: SATURDAY 19


AUGUST, 2017 (#ulink_9c45ff83-8340-5817-ad26-0a7bca7bbce0)

Prologue (#ulink_7bc243ec-524a-5f73-97e1-19c7288ca95a)

Chapter One (#ulink_9f0e6551-e680-5a13-89eb-08718b7cfa15)

Chapter Two (#ulink_fbda95d4-1001-5b68-9d50-c283e1cc103f)

Chapter Three (#ulink_a1581c31-6759-57f1-a78d-0628cb9d9a84)

Chapter Four (#ulink_5596852c-dbfd-5a7f-a4c1-0456b185bd65)

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

DAY 2: SUNDAY 20TH AUGUST, 2017

Chapter Nineteen

Chapter Twenty

Chapter Twenty-One

Chapter Twenty-Two

Chapter Twenty-Three

Chapter Twenty-Four

Chapter Twenty-Five

Chapter Twenty-Six

Chapter Twenty-Seven

Chapter Twenty-Eight

Chapter Twenty-Nine

Chapter Thirty

Chapter Thirty-One

DAY 3: MONDAY 21ST AUGUST, 2017

Chapter Thirty-Two

Chapter Thirty-Three

Chapter Thirty-Four

Chapter Thirty-Five

Chapter Thirty-Six

Chapter Thirty-Seven

Chapter Thirty-Eight

Chapter Thirty-Nine

Chapter Forty

Chapter Forty-One

Chapter Forty-Two

Chapter Forty-Three

Chapter Forty-Four

Chapter Forty-Five

Chapter Forty-Six

Chapter Forty-Seven

DAY 4: TUESDAY 22ND AUGUST, 2017

Chapter Forty-Eight

Chapter Forty-Nine

One Year Later

Chapter Fifty

Chapter Fifty-One

Acknowledgements

About the Publisher


DAY 1 (#ulink_930d66cb-3715-583e-89c0-0710dde22eeb)

SATURDAY 19


AUGUST, 2017 (#ulink_930d66cb-3715-583e-89c0-0710dde22eeb)


Prologue (#ulink_b514efc4-d779-571d-97a0-e34ffc5d5fca)

On the I-81, heading for Nashville, a yellow Buick comes to an abrupt halt.

A girl swerves onto the hard shoulder and hits the brakes.

Then she checks the message on her phone again.

Damn it!

She thumps the steering wheel.

She checks the clock on the dashboard, takes a breath and then puts the car back into gear.

She takes the next exit, gets back onto the I-81 and heads back to DC, praying that her brother’s plane will be on time.

A continent away, a pilot looks at the paper model sitting on the dashboard in his cockpit: a warbler, a tiny bird that can fly for three days across the Atlantic without landing.

He never takes it for granted: how miraculous this is, to be up here, hundreds of miles from the earth. And at night, to see the stars, up close.

He thinks of his son, who made the paper bird. In a few hours, they’ll be together and then a holiday, just the two of them. He’s going to try harder this time.

Beyond the paper bird, through the thick glass windows, the sky is that endless kind of blue. His eyes aren’t big enough to take it all in.

It’s morning. The day is starting.

It’s going to be a beautiful day, the pilot thinks. A beautiful flight. Not a whisper of wind. A smooth parabola through the sky from one continent to the other.

He’s done this route hundreds of times. Sometimes, he jokes that he could do it in his sleep.

He cranes his neck and looks down. They’re passing the west coast of Ireland. In a few more minutes they’ll leave behind the land and then, for thousands of miles, it’ll be just him and his passengers and crew, flying between sea and sky.

There are times when he’s so happy up here that he wishes he could fly for ever. That there was no land to go back to.

The plane is flying steady now. He switches the controls to autopilot; there’s no more need for his intervention, not for a good while.

He sits back and looks back out at the sky.

Across the Atlantic, at Dulles International Airport in DC, a seventeen-year-old boy waits by the arrivals gate. He sits on the floor, his back pressed into the wall.

It’ll be hours before his father’s plane lands, but he doesn’t mind waiting. Airports are like home for him. He’s good at blocking out the noise and the people. All those comings and goings.

He pulls a scrap of paper out of his backpack and starts folding.

A few miles off the coast of western Ireland, where the sea is so deep it’s black, a fisherman stands in his boat, pulling in a net. He’s been out since before light.

He hears the drone of the engine before he sees the plane. He lives under the flight path, so over the years he’s become used to the sound, to how the rhythm of the planes weave between the currents of the sea.

But still, it takes him by surprise: to see them up there, those big metal birds, carrying all those people through the sky.

The sea he understands: a wooden raft floating on the waves is as ancient as the world. But the planes, they never seem quite right.

He holds up his hand and waves. He knows that it’s too far for the pilot to see him, but still, he likes to do it.

The sun’s so strong – the sky so blue – he has to close his eyes.

Behind his eyelids, there’s darkness and then stars. And when he blinks them away and tries to adjust again to the brightness, he thinks the plane will be gone – far off on its journey through the sky. A few moments peace until the next one.

But the plane hasn’t gone: it’s still there.

He’s familiar with this trick of time and distance, how it seems as though the planes are not moving at all, when really, they’re tearing through the sky faster than anything on land or sea.

He keeps staring at the plane, a straight, white arrow piercing the blue sky.

But then the plane seems to change direction. Its angle shifts. Its wings tilt to one side.

Maybe it’s steading itself, he thinks, having reached altitude. But usually the planes climb higher, especially the big airliners.

He blinks again.

Strangely, now, it looks like the plane is slowing down.

The fisherman rubs his eyes. I’m getting old, he tells himself. And I’m tired. I was up early; I’ve been staring at the sea for too long.

He thinks of going home. Of taking off his wet clothes. Of washing the salt from his skin and then climbing into bed for a few hours’ rest.

His eyes adjust.

He can see clearly now.

And then something makes him stand up in his boat and tilt his head up to the sky and wave frantically, even though he knows that no one can see him.

He’s not just tired. And his eyes are fine.

Something’s wrong.

The plane is no longer ascending. And it’s not adjusting its position. Its tail is too high in relation to its body; its nose is dipping. And though the force of the engines keep propelling the plane forward, there’s a strange stalling sound, a grinding through the air that echoes across the sea.

He watches and watches as the plane tilts and dips and slows.

And starts to fall.


Chapter One (#ulink_095bf32b-d9ba-562b-b000-bc18f91defeb)

12.25 EST Dulles International Airport, Washington DC

Even before I step into the arrivals lounge I see the chaos.

People push in and out of the sliding doors, their cells clamped to their ears.

Cars crowd the pick-up zone.

Everyone’s walking too fast.

I knew it would be busy: it’s the end of the summer and people are flying in for the solar eclipse. But this is insane.

As we get closer to the airport building, Leda lets out a long whine like someone’s stepped on her tail. Ever since we turned off the highway, she hasn’t let up: barking and yelping and doing that high-pitched whimpering thing.

Leda’s my brother’s dog. A small, scrappy, caramel-coloured mongrel with shiny black eyes and stiff, worn fur. She looks more like an old-fashioned teddy bear than a dog.

She’s cowering in the footwell like something’s spooked her.

And I can’t shake the feeling either: something’s wrong.

But I push the feeling down to the pit of my stomach. I can’t go there, not now. I have to focus.

Leda whines again.

‘Pipe down,’ I call back to her. ‘You’ll see him in a second.’

Leda’s been missing Blake all summer. I told Blake he should take her with him to London but he said Leda would be better off with me. Which is probably true. Just because Blake loves her, it doesn’t mean he remembers to feed her or walk her or let her out to pee.

I park the car a bit too close to the main walkway but it’s so busy it’s the only space I can find. And who’s going to moan about stumbling over a 1973 mustard yellow Buick convertible, right? I should charge a viewing fee.

Leda jumps up and down on the back seat, her ears flapping.

‘Okay, okay.’

I lift her out and then throw my telescope over my shoulder – it’s the only thing I’d mind being stolen from the car. In fact, I’d be delighted if someone stole the two dresses spread out across the back bench. One’s for the rehearsal dinner (yellow), one’s for the wedding (sky blue): both sewn by Mom. They’re the kind of dresses I wouldn’t be caught dead in, not in real life, but my big sister, Jude, is getting married, and that’s a big deal, so I gave in.

For the past year and a half, everything’s been about my sister, Jude’s, wedding. At least all this will be over soon and we’ll be able to go back to our normal lives.

As I walk to the terminal entrance I get out my cell and text Blake:

Hurry. You can smoke in the car.

I hate it when Blake smokes when he’s driving, but if we wait for him to have a smoke outside he’ll end up talking to someone and then he’ll want to take down their cell number (Blake’s got more friends than any sane person can remember), and then he’ll notice the colour of the sky or a sad-looking piece of trash on the sidewalk and feel inspired to write down some lyrics. And then he’ll find a reason to have a second cigarette and he’ll suggest we take a detour somewhere, for the hell of it, and before we know it, we’ll have missed the whole wedding.

And, besides Jude and Stephen, the bride and groom, if there’s one person this wedding can’t go ahead without, it’s Blake. He’s singing the song. The song.

When I step into the arrivals lounge, things look even worse.

The people clutching the flowers and Welcome Home banners don’t look like they’re meant to look: bouncy with excitement about seeing whoever it is they came to collect. They look stressed out.

A red-faced man has one of the airport staff by his shirt collar and is yelling into his face.

The something’s wrong feeling pushes back up my oesophagus and I get that biley taste at the back of my throat.

It has nothing to do with you, I tell myself. Just focus on finding Blake.

I breathe slowly in and out until I feel better.

I check my phone again and read Blake’s last message:

ETA: 10.15am.

Followed by another message a few minutes later:

See you at Dulles.

Dulles! As in Dulles International Airport in Washington DC.

DC is where we live. And Dulles is the airport Blake’s flown in and out of a million times. I’ve lost track of the number of Heathrow-Dulles flights I’ve booked for him. I joke that I’m the one who always brings Blake home, to our small apartment in Washington, to our family. You’re my guiding star, Air, he jokes. Only it’s not a joke: if it weren’t for me, God knows where Blake would end up.

Which might be the reason he got confused – maybe he thought he was just flying into Dulles, coming home, as usual, and that I’d pick him up and that we’d drive to the wedding together.

But that wasn’t the plan. And I’d told him the plan a million times:

Mum, Dad and Jude were driving down to Nashville a week ahead to make preparations for the wedding.

I’d follow a few days later.

And I’d pick him up at Nashville airport and bring him to the hotel.

Book a flight to Nashville, I’d told him, over and over, knowing it would take a while to sink in.

Nashville is where the wedding is taking place. It’s the city where Dad grew up and took us for every holiday when we were kids. And it’s the city Blake loves more than anywhere in the world.

It made sense for him to fly straight into Nashville: it allowed him to squeeze in a few extra gigs in London before the wedding. He’d already complained about having to cut his UK tour short.

I look at my phone again. I still can’t believe that he flew into Dulles. Seriously? The airports are 700 miles apart, in totally different states – in different time zones for Christ’s sake. It’s not like they’re easy to mix-up.

Though I shouldn’t be surprised. Blake is mess-up central.

Two days ago, I got this random voicemail from him. It wasn’t even from his phone – which is why I didn’t pick up. He explained that he’d lost his cell and that he was borrowing a phone. There was so much noise in the background that he was shouting. He was probably at a gig.

Then he landed the bombshell:

Can you book the return flight for me? Run out of cash. Thanks sis, got to go. Love you.

Casual. Totally casual.

Blake only ever books one-way tickets. His plans are constantly changing, so it doesn’t make sense to book more than a few days ahead. And he’s always short of cash. So I guess I shouldn’t have been surprised. Only, this was different: it was forty-eight hours before our sister’s wedding.

And I’d reminded him – like a thousand times – that he had to book a return flight well in advance.

But had he listened to any of my very clear instructions about the wedding? About where it was taking place and when and at what time and which airport he had to fly into?

No. Obviously, no.

And, two nights ago, when he left that message, saying that he hadn’t booked his flight yet – like it was nothing – did I bail him out, again?

Yes. Obviously, yes.

So, even though it was three in the morning and I was so tired I could barely keep my eyes open, I got out the debit card Mom and Dad set up for me, and booked the flight from Heathrow to Nashville, as planned.

Jude, Blake and I all have a card with separate accounts set up in our names. It’s Mom and Dad’s way of teaching us to be responsible with money. Only Blake keeps maxing his out and then I have to bail him out with my card. The thing is, Mom gets alerts when any of us spend more than $50 so I texted her, explaining that Blake had forgotten to book a return ticket and that he didn’t have any money but that she didn’t need to worry, I was on it. Everything was going to be fine. Blake messing up is a scenario she’s familiar with. She answered with: OK. Just get him here.

Mom never blames Blake for anything. She never even blames him for maxing out his debit card. She’s got this massive blind spot where he’s concerned. Being pissed off at how Mom is totally soft when it comes to Blake is one of the few things Jude and I bond over.

Then I sent a text message to the phone he’d called from with the flight details for the totally overpriced last-minute ticket. That I’d meet him at Nashville airport and take him to the hotel.

I sent him a few other texts too, not caring what stranger would read them first, telling him how pissed I was that he’d woken me up and how expensive the flight was and that he’d better be on time.

He never answered any of my texts.

I don’t really believe in praying: I don’t think anyone out there is listening. Except, perhaps, some life form on a planet we haven’t discovered yet. But not a God-like figure. Not someone who directs our lives. That night, though, I found myself begging that if there was some force out there who decided whether things work out or get fucked up, that Blake would get my messages. That whoever he’d borrowed a phone from would pass them on. That he wasn’t some random guy off the street that Blake would never see again.

I guess I begged – or prayed, or whatever – because I knew that this time Blake had to get his shit together. That he had to make it back for the wedding.

The next time I heard from him was the text he sent me when I was halfway to Nashville saying that he was landing in Dulles. The text was from a different number, probably another phone he borrowed.

You mean Nashville!

I’d texted back.

No. Dulles. See you soon, sis.

And then nothing.

Had he not received any of my messages when I booked his flight? Did he end up booking a flight on his own? He was always borrowing money off people; maybe he’d found a way to pay the airfare. And then he’d got it wrong: he thought we were meant to meet up in Dulles and drive down to Nashville together. But that had never been the plan. I’d explained it to him.

But then Blake’s not good at listening. Not when it comes to practical, everyday stuff.

So, this was another typical Blake fuck-up. Only worse: a fuck-up on top of a fuck-up.

I clench my hands, digging my fingernails into my palms.

Focus, I think. Just focus on finding Blake.

I’m really late. Two hours late. So, I guess all these stressed-out looking people, they’ve been here for a while already.

There’s a toddler screaming. But besides him and the red-faced yelling guy, everything’s a weird kind of quiet, people walking around with wide, glazed eyes like they’ve lost something.

I’ve been to this airport more times than I can remember – I’m Blake’s personal taxi service – and it’s never felt like this. And when I see how lost those people look, I feel bad – like I should be asking them if I can help or something – but I don’t have time to be helpful in other people’s lives right now: I’ve got to find Blake, get him into the car and start driving.

That’s if he’s even here. Knowing Blake, he’s probably got on a plane to Hawaii or Iceland or bloody Timbuktu.

I check my phone again.

No. Dulles. See you soon, sis.

Though, in the grand-Blake scheme of things, his message doesn’t really mean much. I’ve lost count of the number of times he’s told me where he’s planning to go, only to find out that he’s ended up somewhere else altogether.

Maybe his brain went into autopilot; maybe he thought he was coming home to DC, like he usually does. Or maybe his brain was tired or hungover or in its general state of Blake-like distraction and he texted Dulles because that was what he was used to texting.

Maybe, at this exact moment, he’s standing at the arrivals gate of Nashville International Airport – like he was meant to all along.

God, I shouldn’t have turned the car round. I should have gone to Nashville as planned, assumed that he was on the plane I’d booked for him, ignored his random text.

If you made me drive all the way to Dulles for nothing, I’m not doing anything for you ever again, I say to him in my head. And this time, I mean it.

Dulles. Nashville. Dulles. Nashville. The words crash around in my brain.

Where the hell are you, Blake?

He should have some kind of electronic tag.

I take a breath.

I’ve got to concentrate on one thing at a time. Assume he’s here. Then work out from there. A clear, logical method.

I search the area around the arrivals gate. Blake’s hard to miss. He’s really tall and skinny and has this crazy black hair that stands up a mile with all the gel he puts in it – it’s longer than mine. It’s a bit of a family joke – how Blake’s hair is longer than mine, and how many products he has in the bathroom, and how long he takes grooming himself.

When we tease him, he says it’s part of his brand.

Blake’s been honing his brand since he was five years old when this music teacher at school told him he had a talent – and that he was cute, which, she explained, was a winning combination.

When I can’t find him, I scan the arrivals screen for his flight. Within a few seconds, I’ve found it:

10.15 UKFlyer0217 From London Heathrow:

DELAYED.


Chapter Two (#ulink_3dabf970-1200-57b5-8859-31b79890bb70)

12.40 EST

I look back at the screen to make sure I’ve got it right.

But the word’s still there:

DELAYED.

It doesn’t make any sense. Blake texted me before he got on the plane. If it had been delayed, he’d have known – and they wouldn’t have let passengers get onto the plane, not that early.

Though sometimes they get everyone on and then pull everyone off again. If there’s a technical error or something. That could have happened.

But who cares what happened? If we’re late for any of the wedding stuff, Mom’s going to kill me.

I go up to a guy wearing what I recognise as a UKFlyer uniform:

‘Excuse me—’

He spins round. His eyes are wide and kind of jumpy. UKFlyer officials have this way of looking totally calm. Like, even if the airport was on fire, every hair would stay in place. Mom says it’s a British thing. But this guy doesn’t look calm, not at all. Which is weird. Like it’s weird that everyone around me is acting so stressed out. It’s not like they’ve all got weddings to go to – or Moms like mine. Planes get delayed all the time.

‘The plane – the one that’s been delayed,’ I say to the UKFlyer guy. ‘I was meant to pick someone up.’ I pause. ‘Or I think I was. It’s complicated. Could you check the passenger list for me?’

He stares at me and blinks like I’m not speaking English.

I rephrase, trying to calm myself down enough to get the words out in the right order:

‘I need to check whether my brother was meant to be on the plane that’s been delayed.’

‘I’m afraid we can’t release that information.’

‘I’m his sister.’

‘We still can’t release that information. Not at this point.’

‘What point?’

He looks at me like I’m about two years old – or totally crazy – or both. I mean, shouldn’t I know if the person I’ve come to collect was on the plane? And if I don’t, isn’t that weird?

Yeah, it’s weird. But then he doesn’t know Blake. Infuriatingly unpredictable Blake.

‘I’m sorry I can’t help,’ the guy says, his eyes still darting around. ‘I’ve got to go.’

My heart starts doing this weird arrhythmic pounding thing.

This can’t be happening.

If I screw up even the tiniest part of this wedding, Mom will never forgive me. She’s planned every last detail. It’s been her life for like a year.

On the surface, my allocated job for the wedding is simple: Blake. Get Blake to Nashville. In good time. Get him to the family breakfast and then the rehearsal dinner and then, crucially, the wedding, wearing a morning suit: top hat, coat and waistcoat, like Jude wanted – and ready to sing.

After Jude and Stephen have said their vows, during the eclipse, Blake is going to perform the song he’s written for their big day. The song that Jude – and Mom – and every guest at Mom’s perfectly choreographed wedding, would remember for the rest of their lives. I reckon most of Jude’s friends accepted the invitation just so they could drool over Blake Shaw’s big blue eyes and gravelly voice. Not that I’d tell her that.

The only one who’s heard the song is me; I practised it with him over a million times before he left for London. And I made him promise to keep practising while he was away – This time, the charming-Blake-improv, won’t cut it, I told him.

It’s my job to give Blake a hard time – to balance out the rest of the world that thinks the sun shines out of his butt.

My body tenses up. If he messes up the song, I’m going to kill him, like properly kill him.

I take a breath.

Yeah, on the surface, getting Blake to the wedding was meant to be simple. But Blake’s never simple. Which is why I was given the job. Managing Blake is always my job. Besides working my butt off to get a higher Grade Point Average than the boys in my Advanced Physics class and looking at the night sky through a telescope, sorting out my big brother’s life is my primary occupation. When one of his songs hits the charts and he makes millions, I’m so taking a cut.

Leda won’t stop fidgeting so I put her down and rub my eyes. The world blurs. I blink and look over at the people who are here to welcome the passengers off the Heathrow flight. And that’s when I see him.

Scruffy, tangled blond hair falls over his forehead. His hair’s longer than mine. Way longer. Though I guess that isn’t hard. A year ago, I chopped all my hair off: went for a pixie. Blake loved it. Mom freaked. Jude looked kind of pleased, like now I definitely wouldn’t be competition in her daily one-woman beauty parade. At first, Dad didn’t say anything, he only kind of smiled with that twinkle he gets in his eye when he knows I’ve done something that’s kind of out there. Later, when Mom was out of earshot, he told me he thought it looked modern, which I guess was a compliment.

Anyway, this guy’s hair is long and tangled and looks like it’s been hacked at by a pair of kid’s safety scissors. It brushes the top of his round tortoiseshell glasses, which make his eyes look huge. They’re light grey, like when the sun’s fighting to get through the clouds.

He’s skinny and pale in that fade into the background kind of way.

In other words, he’s the kind of guy, that, unlike Blake, people walk right past.

But that’s what makes me notice him – the fact that he’s sitting on the floor, really still, out of everyone’s way.

When you’re part of my family, the quiet-keep-it-to-themselves types seem to belong to a different species. Even Dad, who’s this bookish Classics professor, can be kind of loud and overexcited when he talks about his favourite (not very famous) Greek goddess, Pepromene.

Anyway, the quiet guy’s head is bent over a piece of paper that he’s folding over and over. He’s totally lost in what he’s doing – it’s like all this craziness isn’t even touching him.

For a second, looking at him and how calm he is, my heart stops hammering and I think that things might turn out okay. That they’ve made a mistake. That – with the proviso that Blake did get onto the flight to Dulles – any second now, he’s going to walk towards me, his guitar case slung over his shoulder, waving and looking guilty for having messed up his flight – but smiling too. Because that’s also part of his brand: the massive smile that makes his cheeks dimple; the smile that takes over his entire face; the smile that makes whoever’s looking at him think it’s just for them.

Someone shoves past me and I’m snapped back into the present.

Leda jumps up and down like a mad thing.

And then an announcement blares out through the terminal speakers:

Attention please ladies and gentlemen, this is a call for all those meeting passengers on Flight UKFlyer0217 from Heathrow. Please come to the information desk.


Chapter Three (#ulink_32deff9a-c091-53ec-8ad6-a71c6b1d6d3f)

13.31 EST

We’re in a room now, behind the security gates. It’s all taking too much time. And it’s making me nervous. Why couldn’t they simply tell us what they had to tell us over the speakers or put a note on the arrivals screen? Why herd us all together like this for a plane that’s been delayed?

I shouldn’t be here. I should get back into the car and drive to Nashville.

Just tell me where you are, Blake! I say through gritted teeth.

I look up at a digital clock on the wall. The wedding starts in less than forty-eight hours. By 9 a.m. tomorrow we’re meant to be having this family breakfast, some special family time before all the mad preparations for the wedding day start. It’ll be the last time it’s just the five of us. Mom’s booked a table at Louis’s, a diner-cum-bar on Music Row, near Grandpa’s flat. It’s open twenty-four hours a day, acknowledging that most musicians, like Blake, don’t really follow the same waking and sleeping cycles that the rest of us do. There’s a small stage where people can get up and play or sing. Blake loves it. Grandpa would take him there when he was little. He’s always going on about how, when he hits it big one day, he’ll buy it up from the owner who’s like a hundred years old. So breakfast at Louis’s was meant to be a big deal for Blake too. And if he’d arrived at DC at the time he was supposed to, and we drove through the night, stopping a few times to stay sane, we might have made it. Just. Now, it would take a miracle.

And then the rehearsal dinner tomorrow night. We absolutely have to make it in time for that.

My head hurts at the thought of all the wedding stuff I’m going to have to get through in the next two days and how, right now, I’m hundreds of miles away from where I should be – with no sign of Blake.

I just wish someone would tell us whether the plane has been delayed by an hour or ten or if it has been cancelled altogether. To sort out this mess, I needed facts I could work with.

I look back at the clock. 13.33.

Right now, Blake and I should be in the hotel in Nashville, going through the song, steaming the creases out of our wedding clothes, keeping Mom from having a nervous breakdown, and trying really hard to bite our tongues about the fact that our sister, who graduated from Julliard and had this amazing glittering career ahead of her as a concert pianist, ditched it all to get married and have babies.

The security checks took for ever. Even though none of us are flying, the airport staff still had to scan our bags and our bodies – and everyone was carrying all the wrong stuff, like liquids and nail scissors and lighter fluid – because it’s not like we were prepared for any of this.

My telescope beeped like a hundred times when it went through the X-ray machine, and even when I took it out and explained what it was (and reminded them that there was an eclipse happening tomorrow so carrying a telescope around was totally normal – that, in fact, not carrying a telescope around when there’s an eclipse is what should concern them), they still looked at me suspiciously.

And then I had a row with them about Leda coming through with me – especially as she wouldn’t stop jumping long enough for them to scan her properly. In the end, I said she was a service dog and that I’d start fitting if she didn’t come with me, so they let her through. It’s a trick Blake uses all the time.

Then they took ages writing down everyone’s names and numbers.

Which, I wanted to tell them, was double standards; taking my information and not giving me the information I wanted. Like whether Blake was on the plane.

And now we’re waiting for someone to tell us something – anything – about what’s going on.

I’ve got this massive headache from all the waiting and the stressing about Blake not being on time and the fact that this room doesn’t have any windows. It should be illegal: rooms where you can’t see the sky.

I’ll be there, no matter what, Blake said to me like a zillion times.

And I know he will. He gets how important this is. And he’s never broken a promise to me – not once. Sometimes his promises take a while to materialise; sometimes, his promises have to go through an obstacle course of fuck-ups like this one – but Blake always comes through for me in the end.

Which makes me think that I’m wasting time hanging around with all these people rather than finding out where he really is. If Blake was on the plane and it was delayed, he will have found another way to get to the wedding.

So, I check my phone again. Still nothing.

There aren’t enough chairs so I’m sitting on the floor with Leda on my lap. She’s finally gone to sleep, knackered from all that whining and jumping.

The guy I saw at the arrivals gate is sitting on the floor again, leaning against this massive backpack he’s been lugging around. And he’s folding another bit of paper, some old flyer he’s picked up. I think he’s recreating the Washington Monument, though the model he’s making is so tiny it’s hard to tell.

I remember how, when we moved from London to DC, and Dad took us round all the tourist stuff, the first thought I had when I saw the monument was that it looked like a rocket about to shoot off into the sky. But then my brain has a habit of shaping everything it sees into some kind of space-related universe.

I look back at paper-folding guy. It’s cool, how he’s made this really accurate model out of a bit of scrap paper. And I’m about to go over and tell him that when he sighs, stands up, scrunches the model up into a ball and throws it in a trash can.

Blake does that too – when he’s frustrated with how a song’s going. You can tell whether his composing is going well or badly by how many bits of balled up notation paper there are on his bedroom floor.

Except the model the guy made was good – like amazingly good. I think about going to rescue it from the trash, but then people around me start shifting and shushing and I get distracted.

I look up in time to see a short, bald official in a UKFlyer uniform climbing onto a chair. He tries to get our attention, but everyone speaks over him, shouting out questions.

So, I stick two fingers in my mouth and whistle.

A few people give me a dirty look, like what I did was inappropriate. But it works: the room goes still.

The paper-folding guy looks up at me, his eyes big and grey behind his glasses, and smiles.

Everyone else turns to face the UKFlyer representative.

‘I’m sorry that we haven’t been able to give you more information about the flight—’

‘Oh, for Christ’s sake!’ It’s the man I saw earlier, the one with the red face.

‘If you bear with me—’

But he’s lost us. We all know that he hasn’t got any more of a clue about what’s going on than we do.

Which totally pisses me off. I need to know what’s happening so that I can work out, for sure, whether Blake’s going to make it to the wedding or not. Unless Blake shows up right now, we’re already too late to make it to the family breakfast, news which will cause a minor earth tremor when it reaches Mom.

My heart sinks. It’s the middle of the summer vacation and everyone’s coming over to see the solar eclipse: it would take a miracle for him to find a seat on another plane. And if Blake doesn’t get onto another flight – and soon; if he ends up stuck in Heathrow, he’ll miss the rehearsal dinner too. God, he might not even make it to the wedding on time.

And it’s not as if we can delay the wedding – like we usually delay things for Blake being late. Because the whole point of the wedding is that it’s meant to happen during the eclipse. And the eclipse isn’t going to hang around for anyone – not even my brother. On Monday 21st of August 2017, between 13.25 and 14.26 (there’s a time-zone change between the states of Virginia and Tennessee), the moon’s shadow will rush across Nashville at 1,800 mph, and Jude will marry her high school sweetheart, Stephen. And they’ll live happily ever after.

Or that was what was meant to happen. Before this – whatever it is – got in the way.

I look at my phone. Mom’s left another message.

Did you pick up Blake’s suit?

I text back quickly:

Yes.

Then I put my phone away.

You want to know the really ironic thing? It was my idea. Having the wedding during the eclipse. It was genius. A kill-two-birds-with-one-stone kind of genius. Four birds, actually.

Bird One: the solar eclipse is a big deal for me. Skies and planets and stars – basically, everything that’s not on earth – is what I spend all my time thinking about. This is the first total solar eclipse to sweep across the entire USA in ninety-nine years and Nashville is the largest city in the path of the totality. Having a special family event connected to it felt cool.

Bird Two: Mom wanted a wedding that trumped all her friends’ daughters’ weddings – and none of those got married or are planning to get married during the eclipse. The idea totally got me into Mom’s good books.

Bird Three: Nashville’s kind of a home away from home for us. When we were little we’d visit all the time, squeezing into Grandpa’s tiny flat on Music Row. Grandpa was Blake’s hero. He played the electric guitar and they’d jam together for hours. Gran passed away before we had the chance to meet her so we were Grandpa’s only family. Blake was the one who made sure that Grandpa never felt alone. Anyway, all our happiest family memories are from that time. When Grandpa passed away, Dad decided to keep the flat, for all of us but for Blake mainly, who totally loves Nashville. One day Blake wants to live there – there and London, his two favourite cities in the world.

Anyway, that’s kind of Bird Four: holding the wedding in Music City was a way to guarantee that Blake would show up and that he’d buy into the whole wedding thing. Blake loves Nashville. He sees himself as the blended reincarnation of Johnny Cash and Jimi Hendrix – with a bit of Dolly Parton thrown in for good measure: Blake’s got this kind of hip androgynous thing going, which is also part of his brand. When people ask him if he’s gay or bi or something, he says: You fall in love with a person, not a gender. Which gives him this sexy, mysterious vibe that make girls – and guys – even more into him.

Anyway, when I suggested the eclipse, just for a moment, Mom and Dad looked at me like I was the special one. Like they do with Blake because he’s this really talented musician with good looks and has this totally magnetic personality. Like they look at Jude because she’s pretty and because she’s marrying a guy who’s going to law school, like Mom did, and is going to give them a million grandchildren.

So, I’d done well.

Only I didn’t factor in the fact that Blake might not show.

I start to feel dizzy, like the ground is falling away from under me.

The UKFlyer guy looks out across the room, like he’s hoping that someone’s going to save him so that he can get down and not have to do this anymore.

A woman with a baby asleep in a sling walks up to the counter where the guy’s standing and looks up at him, her eyes bloodshot.

‘Please tell us what’s going on.’ She says it in this really quiet voice, but we all hear her.

The guy stares down at her kid, like he’s never seen a baby before. His eyebrows scrunch together and his shoulders slump.

‘Please,’ she says again.

And then it’s like something clicks. He rolls back his shoulders, tilts up his head, opens his mouth and says it, the thing that no one in this room is ready to hear:

‘It’s missing.’ He clears his throat. ‘The plane’s missing.’




Конец ознакомительного фрагмента.


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As Far as the Stars Virginia Macgregor
As Far as the Stars

Virginia Macgregor

Тип: электронная книга

Жанр: Книги для подростков

Язык: на английском языке

Издательство: HarperCollins

Дата публикации: 16.04.2024

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О книге: Praise for Virginia Macgregor:′I defy you not to fall in love′ Clare MackintoshHow do you change what’s already written in the stars?Christopher is the sort of guy that no one notices, yet when Air catches sight of him making intricate paper birds in the airport, she can’t look away. But their worlds are about to collide in ways they never expected. Someone they love is on Flight 0217 from London Heathrow. And it’s missing. Convinced that her brother was on a different flight, Air drives them hundreds of miles across the country, on a trip that will change their lives forever. But how do you tell the person you’re falling for that you might just be the reason their life has fallen apart?