Death Notice
Death Notice
Todd Ritter
Perry Hollow, Pennsylvania, has never had a murder. At least not as long as Kat Campbell has been police chief. And the first is brutal. George Winnick, a farmer in his sixties, is found in a homemade coffin on the side of the highway with his lips sewn shut and his veins and arteries drained of blood and filled with embalming fluid. Chilling as that is, it becomes even more so when Kat finds that the Perry Hollow Gazette obituary writer, Henry Goll, received a death notice for Winnick before he was killed.Soon after, the task force from the Pennsylvania Bureau of Investigation shows up and everything takes an irreversible turn for the worse. Nick Donnelly, head of the task force, has been chasing the “Betsy Ross Killer,” so named because he’s handy with a needle and thread, for more than a year. Winnick seems to be his fourth victim. Or is he?Kat has never handled a murder case before, but she’s not about to sit by while someone terrorizes her sleepy little town or her own son. But will her efforts be enough to stop a killer and bring calm to Perry Hollow?A portrait of a small town in turmoil, where residents fear for their lives, Todd Ritter’s Death Notice is a gripping debut from a terrific new talent in crime fiction.
TODD RITTER
Death Notice
Copyright
Avon
An imprint of HarperCollinsPublishers
1 London Bridge Street
London, SE1 9GF
www.harpercollins.co.uk (http://www.harpercollins.co.uk)
This paperback edition 2011
First published by Minotaur Books, an imprint of Macmillan Publishers Ltd., New York, 2010
Copyright © Todd Ritter 2010.
Todd Ritter asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
Source ISBN: 9781847562951
Ebook Edition © OCTOBER 2011 ISBN: 9781847562968
Version: 2014–12–16
Dedication
To Mike, for everything
Table of Contents
Title Page (#u754c558f-c7d6-5983-ae9e-efbf70d9edb2)
Copyright (#ucb19b1ff-390f-5979-bba1-4bdae0a85aeb)
Dedication (#u1661b595-7e0f-51e4-ab37-acd95de1094f)
Prologue (#ua4fe25d7-55a9-53ba-bec0-0c44857409d5)
March (#u3927d1d0-2fad-56cc-a3c0-2790a84524f3)
One (#u3e2a479f-2cab-504b-8477-a7c2e6f7eb37)
Two (#ud06f0a5a-ddcd-5458-a221-dffe3b40175f)
Three (#ua66007c6-7c73-517c-8f14-1c14df71b7bb)
Four (#u73c1bdd8-41ad-5461-88a6-8a53a58c00d4)
Five (#u0505e06b-6b41-545f-a6ba-b624c924ef12)
Six (#uccacb227-6fae-5480-8cc1-1e6de51db52a)
Seven (#ubc118106-51b3-5bc6-b1a8-20abdebfbfd7)
Eight (#u2d4a6aa8-677a-5442-8247-24fc98747e4f)
Nine (#u92e248a2-84f7-59d8-ac47-181b8949fcfc)
Ten (#u5f914b5f-abb2-56d4-9283-54a4edf0fb40)
Eleven (#ubaede868-21fe-5f2a-90b2-102163cbe30c)
Twelve (#u92b14650-4c64-5c6a-9cd2-1a5bbcbf46c8)
Thirteen (#u7ac09290-45ea-5ff1-a814-99abfdfea510)
July (#u09a8d5b3-a9ef-5e6e-b72f-edfec06b64af)
Fourteen (#ua2ad9b8a-6a79-52b9-83c0-abecf3560b73)
Fifteen (#u37b8163b-7b9b-5d9e-8ed1-b85c816b9bcd)
Sixteen (#u89a2f704-690c-52a3-87b0-d1266d7e8284)
Seventeen (#udb694740-b470-5bd2-ba5b-1f4246e073ee)
Eighteen (#u76a489c8-d43a-5e7b-85d3-e64807416c41)
Nineteen (#ubb628055-4b1e-5336-95d2-cc9c11353b2f)
Twenty (#u2137dd67-1c56-5a6e-8c42-39ee06c26f3e)
Twenty-One (#u20138791-4a49-563d-a9fb-818c5706f924)
Twenty-Two (#u7447f7bc-3dfa-5147-a8a1-c725442d72a4)
Twenty-Three (#u997c1124-6871-52a9-9dbb-be559974e8e2)
Twenty-Four (#u4ff56469-60ca-56a4-962d-22997b72a88c)
Twenty-Five (#ucb28b82f-0641-5d2e-900b-51255c6d8659)
Twenty-Six (#u8ff9e7b1-0d3d-5e70-b8eb-b40a3b5954db)
October (#u8457ba01-bec2-5859-a332-d46f85ae206c)
Twenty-Seven (#ua9078fa9-91e1-5ef4-ad81-0d63a168602a)
Twenty-Eight (#u6c1a9b92-68a1-5005-9af4-6b02b2d20967)
Twenty-Nine (#u55596b8f-26d7-596c-9f56-83ad42de6c7b)
Thirty (#u28c8bb23-beb8-5d6e-bb90-d02429ddb1b4)
Thirty-One (#u500a6423-f578-5b9d-be55-a2a2058a839c)
Thirty-Two (#u8be3f548-227a-522a-87c9-166c82a30170)
Thirty-Three (#uc9fbfb69-2ea8-56e3-aa0b-ace5cafeba28)
Thirty-Four (#uf243c82e-4e77-5c5c-a8c5-ccca0cc99a8e)
Thirty-Five (#u16ad6179-652b-5467-ad3b-460aa71d1a81)
Thirty-Six (#u4a354d81-4f0b-5268-814d-5ef0167c1313)
Thirty-Seven (#u57481576-22e1-5b6a-a15b-74fd5cab495c)
Thirty-Eight (#u06a70191-8d52-5484-9c21-c1dcb0b6ae50)
Thirty-Nine (#ufbf5d208-3a91-5044-90d3-d40fa3a4058e)
Epilogue (#u0136e798-4ba3-5b2c-95c7-410f0577a2d4)
Keep Reading (#ud32f8b1b-f236-54b2-b969-70959c9e143d)
Acknowledgments (#udf57ec7c-78b7-5fa1-87a6-bd07d83d6a2f)
About the Author (#u161b6a7c-bfa2-5694-80de-607cecf382f4)
About the Publisher (#u774241e1-bda5-553d-ae23-96342b01cebe)
PROLOGUE
The pain snapped him into consciousness. A sharp, steady throbbing, it began at his mouth and pulsed down his jaw and neck. He tried to moan—it was the kind of pain that made men moan—but couldn’t. The pain flared so badly after each attempt that he stopped trying.
He stayed quiet, listening to the ragged streams of air rushing through his nostrils. When he opened his eyes, he saw only darkness as something brushed against his lashes.
Cloth. Heavy and rough.
He was blindfolded.
His face felt damp. He wasn’t sure, but he thought it was blood, smeared across his chin. A thin line slipped down his cheek. The liquid was inside his mouth, too. On his tongue. Pooling in the crevices between his teeth.
Blood. He was certain now. He could taste it.
He lay flat on his back, his body stretched taut, arms at his sides. When he tried to move them, they wouldn’t budge. Rope was wrapped across his arms, legs, torso, and head, binding him tight. The pressure flattened him, ironing out the stooped shoulders that fifty years on the farm had given him.
He began to panic, breathing faster through his nostrils, a locomotive picking up speed. He tried to yell for help, parting his lips to scream. But his mouth wouldn’t open. His lips refused to separate, the pain there growing more extreme. He tried two more times, the hurt so bad it formed deep grunts in the back of his throat. Since the grunts had no way of escaping, he was forced to choke them back.
On his last attempt to scream, he realized what had happened. The pain brought clarity, sharpening his mind so that he understood the situation fully.
Someone had sealed his mouth shut.
He tried to scream once more, hoping the sheer strength of the sound would blast through the barrier his lips now created. The noise that emerged was familiar to him. He heard it all the time on the farm—the high-pitched squeal made just before the slaughter. Only this time the sound was coming from him.
He heard another noise, audible beneath his own desperate attempts to cry out.
Footsteps.
Someone else was there.
“It won’t be as bad if you hold still,” a voice in the darkness said.
The owner of the voice stood just behind his head. He felt warm breath on his ear. Fingers crawled along his chin and held his head in place.
Something pressed against his neck. Cold. Sharp. There was a moment of pressure, an unsettling suspense. Then the cold, sharp something pushed through his skin, entering his body, dividing flesh from flesh.
Blood poured out of him, spilling onto his shoulders, dampening his hair. He lay there helpless, feeling like a freshly gutted animal. Each beat of his heart sent another wave of blood coursing out of his body.
This time, the pain was unbearable. It wasn’t just at his mouth anymore.
It was inside him.
It was everywhere.
He began to scream. Not out loud, but in his head, the desperate sirens of noise ricocheting off the inside of his skull. The cold, sharp something remained in his neck, wriggling. The pain was so overwhelming it erased his thoughts, his silent screams. It kept erasing until there was nothing left in his head but pain.
And fear.
And, finally, darkness.
MARCH
ONE
“Chief Campbell!”
Kat’s name rattled up Main Street as soon as she set foot on the sidewalk. She had just stepped out of Big Joe’s, a Starbucks wannabe, carrying an extra-large coffee, for which she had paid Starbucks’ prices. Normally, the concept of four-dollar java would have annoyed her. But it was a gray and frigid morning, and she needed the heat and clarity that coffee provided. Unfortunately, the sound of her name, now being shouted a second time, prevented her from taking that first, precious sip.
“Hey, Chief!”
The source of the yell was Jasper Fox, owner of a flower shop burdened with the name Awesome Blossoms. Despite the cold, perspiration glistened on his face as he barreled up the sidewalk. Huffing and puffing, he waited until he reached Kat to finish his sentence.
“I’ve been robbed.”
Kat, coffee cup suspended in front of her mouth, blinked with disbelief. In Perry Hollow, robberies happened about as often as solar eclipses. Its pine-dotted streets and exhaustingly quaint storefronts were mostly trouble-free.
“Robbed? Are you sure?”
Jasper had an absurd mustache that dripped from his face like two dirty icicles. Whenever Kat saw him, she thought of a walrus. That morning, the mustache drooped even lower than normal.
“I think I’d know,” Jasper said.
His hangdog expression told her he had been expecting a different response. Something action-packed and decisive. Maybe Kat could have lived up to his expectations had she been given a chance to take a sip of her coffee. Instead, she could only lower the cup and watch Jasper as he watched her.
She knew what he was thinking. She read it in his eyes. He saw a woman five feet tall, ten pounds overweight, and six years shy of middle age. A woman who darkened her blond hair in order to be taken seriously. A woman who had bags under her eyes because the boiler was on the fritz and her son was up half the night with a cough. Most of all, he saw a woman—with a badge pinned to her uniform—idling on the sidewalk when she should have been investigating the town’s first theft in more than a year.
Knowing all of this was going through Jasper’s brain, Kat asked, “What was stolen?”
“I’ll show you.”
She followed him down Main Street, which was waking up faster than she was. She spotted Lisa Gunzelman unlocking her antiques store and Adrienne Wellington adjusting a floral-print frock in the window of her dress shop. Similar activity took place on the other side of the street as store owners got ready for another day of commerce in Perry Hollow, Pennsylvania.
Their efforts were in vain. The town had seen few visitors since the Christmas rush, simply because January and February were too cold for shopping. Now it was the middle of March, and although store windows showed off shorts, sunglasses, and tank tops, the scene outside was anything but springlike. Just two days earlier, a nor’easter had dumped six inches of snow on the roads. That was followed by an arctic chill that froze the plowed snow into miniature icebergs against the sidewalks. Kat stepped around one as she followed Jasper into his own store, two doors down from the dress shop.
Once inside Awesome Blossoms, Jasper made a beeline to the rear of the store and pushed open a door that led back outside. Kat followed him through it, finding herself in the center of a vacant parking lot covered with a thin sheet of ice. Only then did she begin to understand the situation. Jasper’s delivery van—a ubiquitous white Ford with the store’s name painted across its sides—had been taken during the night. The realization gave her an inappropriate kick. At last, something to investigate.
“Are you positive this is where you parked it last night?”
“Of course.”
“I know you think I’m asking the obvious,” Kat said. “But these are the things I need to know if you want me to find your van.”
Jasper pointed to an empty patch of gravel. “I parked it right there.”
“Are you the only person with a set of keys?”
“I keep a spare set in the glove compartment in case someone else needs to make a delivery.”
“Let me guess. You leave the van’s door unlocked, too.”
Jasper didn’t need to speak. His mustache did the talking for him. And when it sagged sadly, Kat knew the answer was yes.
As stupid as his actions sounded, Kat couldn’t hold it against him. Perry Hollow was the kind of town where you could leave your car unlocked with the keys in the ignition and know it would be safe. Until now, apparently.
“Don’t worry,” she said. “We’ll find the van. Everyone in town knows what it looks like. Some kids probably took it for a joyride and left it behind the Shop and Save.”
Kat assumed this theory would relieve Jasper in some small way. Instead, the florist’s face scrunched with worry.
“There was something else in that glove compartment, Chief.”
“What?”
Jasper hesitated, just for a moment. “A pistol.”
Kat groaned. It wasn’t the best thing to do in front of Jasper, but it was better than her first instinct, which was to throttle him. How could he be so stupid as to leave his van unlocked with a gun in the glove compartment? And why did he have a gun in there to begin with?
“I had it for safety reasons,” Jasper said, sensing the unspoken question that hung like a clothesline between them. “I had a permit for it and everything. I just kept it there in case I got carjacked.”
Unless he made regular deliveries to West Philadelphia, Jasper had no reason to worry about a carjacking.
“Was it loaded?” Kat said.
A sad nod from the florist told her this was a bigger problem than she had first suspected. She needed to find that van. Pronto. And when she did, hopefully the gun would still be there.
Quickly, she made her way back through the store and onto Main Street. When she reached her black-and-white Crown Vic—still parked in front of Big Joe’s, thank God—Kat heard Deputy Carl Bauersox trying to reach her on the radio.
“Chief?” his voice squawked as Kat slid behind the wheel. “You there?”
Carl, her sole deputy, worked the night shift. Kat was usually in the station by that hour to relieve him of duty. But she had been sidetracked by Jasper’s van troubles, and now Carl was probably wondering when he could go home.
Kat grabbed the radio. “I’m on my way, Carl.”
“We have a big problem, Chief.”
Kat doubted that. Two crimes taking place on the same day would be some sort of record for Perry Hollow. It was probably more like a cat in a tree, which in Carl’s world did amount to a big deal.
“What kind of problem?”
“A truck driver called. Said there’s a wooden box sitting on the side of Old Mill Road.”
As Carl spoke, Kat realized she was still carrying her neglected Big Joe’s house blend. She raised the cup to her lips and, just before getting to that long-delayed first sip, said, “Why didn’t you go out there and move it?”
“Because it’s more than a box.”
Kat stopped herself mid-sip. Again. “More than a box how?”
“Well, Chief, the trucker swears up and down that it’s a coffin.”
A coffin. On the side of the road. The idea was so preposterous Kat knew it couldn’t be true. The truck driver was mistaken. It was simply a box. And now her job was to move it before some distracted driver smashed into it, possibly necessitating the use of a real coffin.
“I’ll check it out,” she said. “In the meantime, do me a favor and put out a countywide APB on Jasper Fox’s delivery van. It was stolen last night.”
She didn’t mention the gun. It would have been a good idea with anyone but Carl, who flapped his gums faster than a hummingbird worked its wings. If he knew about the gun, the news would be all over Perry Hollow within an hour.
Carl signed off with a chipper “Righto, Chief,” leaving Kat to reluctantly lower her coffee, start the Crown Vic, and head out to whatever awaited her on Old Mill Road.
When Kat found the box, it was indeed sitting on the side of the road, resting on a patch of frozen snow. Although the truck driver who spotted it called it a coffin, Kat, in true police chief fashion, refused to speculate on the matter. Squinting against the sun’s reflection on the snow, she peered through the windshield at the box sitting a few yards away. Rectangular in shape, it looked to be made of untreated wood. Probably pine, if Kat cared to guess. Which she didn’t.
She climbed out of the car, her breath forming a brief ghost of vapor that floated away in the frigid breeze. It was too damn cold for March, which Kat thought was bad news in several ways. For one, the prolonged winter depressed her. Second, the cold had kept the tourists away for too long. And most folks in Perry Hollow depended on them for their livelihoods.
Finally, the cold seemed to Kat a shivery warning of impending danger. It was too sharp, too unnatural.
When she finally got around to taking that first sip of coffee, it was in a vain attempt to steel herself against the chill. But the java itself had already succumbed to the cold, not helping her one bit. Kat instead had to rely on her parka, which she zipped up to her chin.
When she reached the box, Kat understood why someone passing by could think it was a coffin. It certainly looked casketlike. More than six feet long, three feet wide, and about two feet deep, it was definitely big enough to hold a body.
Kneeling next to it, she inspected the box for signs of where it had come from and, hopefully, where it was supposed to go. She looked for an invoice stapled to the side or a company’s logo branded into the wood. She found neither. As she ran a hand across the box’s top and along its sides, the rough wood scraped her palm. Whatever its intended use, the box was definitely homemade, most likely by an amateur. Any craftsman worth his salt would have subjected the wood to at least some form of sanding.
Leaning in close, Kat sniffed deeply, detecting a faint trace of pitch. Pine. Just as she had suspected.
She wanted to believe the box had simply landed there after falling off a truck, but instinct told her otherwise. It was in perfect condition. No scratches or scuff marks. No signs of impact with the road. The way it sat—on its back, stretched tidily across the ditch—also raised suspicion. No box tumbling from a truck could have landed so perfectly without some assistance.
Its location was no accident. Someone had placed it there. Someone had wanted it to be found.
Finished with her examination, Kat saw no point in delaying the inevitable. Coffin or not, the box needed to be opened. Tugging on the lid, she noticed it was nailed shut at the corners and at two points along each side. She marched back to her patrol car and grabbed a crowbar from the trunk before returning to the box. With the crowbar’s help, the nails barely resisted when she pried the lid open and yanked it away.
The first thing she saw was a pair of wheat-colored work boots. Next was a pair of mud-streaked overalls that continued over a red flannel shirt. Finally, framed by the shirt’s collar, was the face of a man in his late sixties.
The full picture sent Kat scrambling backward. Standing halfway between the box and her car, she turned away and clamped one hand over her mouth to calm her gasping. She pressed the other hand against her right side, where a sudden fear jabbed at her ribs.
When a minute passed, Kat willed herself to look at the coffin again. The second glance was accompanied by the sad, stomach-sinking realization that she knew who the corpse was.
His name was George Winnick, and until this morning he had been a farmer who tended fifty acres on the outskirts of Perry Hollow. Kat didn’t know him well. Other than exchanging greetings at the Shop and Save or in passing on the street, they had barely spoken. But he was enough of a fixture in town for her to know he had been a decent man—hardworking and dependable. She also knew there was no reason he should be lying dead in a pine box on Old Mill Road.
“George,” she whispered as she unsteadily approached the body again. “What happened to you?”
His corpse had been crammed inside the coffin like a doll stuffed into a shoe box. His arms were folded across his chest, each open hand resting against the opposite shoulder. The ashen shade of his hair matched the pale flesh on his hands, neck, and face.
Two polished pennies sat atop each of his eyes, hugged by bushy, gray-studded eyebrows. Both coins had been placed heads up, Abe Lincoln’s profile glinting in Kat’s direction. The effect was eerie, the pennies looking like eyes themselves—dead and unblinking.
A wound marred the right side of his neck, partially hidden by his shirt collar. Pushing the fabric out of the way, Kat examined the gash. About three inches long, it had been stitched shut with black thread. Beads of blood had frozen to the thread, like raindrops in a spiderweb.
Similar ice crystals could be seen on George’s lips, which were coated with rust-colored flecks of dirt. That’s when Kat realized it wasn’t dirt she saw. It was dried blood. Lots of it, crusted around more black thread that crisscrossed his lips.
George Winnick’s mouth had been sewn shut.
Kat gasped again as the pain in her ribs deepened. It was an overwhelming sensation—part nausea, part horror. Still, she managed to make it back to her patrol car and radio Carl.
“I need you to listen closely,” she said. “Call the EMS squad. Tell them to get here immediately.”
“There’s someone inside the box?”
“Yes. George Winnick.”
Carl reacted the way Kat had expected him to—he prayed. She waited as he murmured a quick prayer for George’s soul. After the amen, he asked, “How did he die?”
Kat told him she didn’t know.
“What I do know is that you need to get on the horn and call the county sheriff. Tell him to bring the medical examiner. We’re going to need some help, because this—”
She stopped speaking when she realized she had no idea what this was. Nor did she have the first clue how to handle it. All she knew was that she had been right about the relentless chill. The cold was a bad omen.
Very bad.
TWO
It’s called a death sentence—that single line in an obituary detailing who died, how, and when. Henry Goll, who wrote them on a daily basis, enjoyed the nickname. He liked its sly wordplay, its mordant wit. Plus, he appreciated how the name hinted at a deeper, darker truth just below its surface: from the moment we are born, we are sentenced to death.
Part of Henry’s job was to make sure every obituary printed in the Perry Hollow Gazette contained a death sentence. For the most part, it was easy. A grieving family gave the information to the county’s only funeral home, which in turn faxed it to Henry. Using that as a guide, he sat in his cupboard-sized office and wrote a respectful overview of the deceased’s life. The death sentence always came first. It was the meat of the obituary, the only thing readers really wanted to know. The rest—family, work histories, achievements—were just side dishes to be consumed later.
Henry knew the obituary for George Winnick was a fake because it wasn’t a complete death sentence. Other than a name and a time of death, it contained barely any information at all.
George Winnick, 67, of Perry Hollow, Pa., died at 10:45 P.M. on March 14.
Five years of being the obituary writer at the Gazette had made Henry an expert at spotting fakes, which arrived with alarming frequency. He had no idea how anyone could see humor in that kind of prank, but many did. The worst offenders were teenagers, who often sent in fake death notices of much-reviled teachers. Others were sent by the alleged corpse’s friends, usually during a milestone birthday. Under Henry’s watch, none had managed to sneak into the paper. Whenever he saw an obituary claiming someone had died on his fiftieth birthday, he automatically threw it away.
He was close to doing the same with George Winnick’s, which had been sitting in the fax machine when he entered his office that morning. But because there was nothing suspicious about the age and date listed, he figured it was best to at least confirm it was a fake before relegating it to the trash.
Henry’s first and only call was to the McNeil Funeral Home. Tucked away on the far end of Oak Street, McNeil was a father and son outfit that had a monopoly on Perry Hollow’s dead. If someone in town passed away, the folks at McNeil knew about it.
Deana Swan, the funeral home’s receptionist, answered the phone after a single ring.
“McNeil Funeral Home,” she said in a bored voice. “This is Deana. How may I help you?”
Henry cleared his throat before speaking. “This is Henry Goll from the Perry Hollow Gazette.”
Deana interrupted him with a pert “Hey, Henry.”
“I have a question about a fax I received.”
“Why don’t you ever say hello to me?”
Taken aback, Henry replied with a confused “Pardon?”
“You call here, like, every day. And you just get straight to the point. No hello. No chitchat. Why is that?”
Henry was at a loss for words. “I don’t know. Maybe I’m not that interesting.”
Deana’s response of “That’s not what I heard” surprised him, mainly because she offered no follow-up. Henry didn’t find himself interesting in the least, so he doubted Deana’s mysterious source.
“Trust me,” he said. “I’m not.”
Henry wasn’t lying. He might have been interesting once, but his life in the past five years was a strict schedule of work and solitude. Every morning he arrived at his third-floor office by nine. He worked until six, taking an hour to eat lunch at his desk. When he left for the day, it was via the back stairs, where he could bypass the prying eyes in the main newsroom. Once home, Henry exercised for precisely an hour. After that, he prepared dinner, watched an old movie on TV, then read a book until he grew tired. In the morning, he had breakfast, made his lunch, and repeated the routine.
His unbending schedule, coupled with the fact that he rarely showed his pale face in the newsroom, had earned him a nickname among the reporters—Henry Ghoul.
No one suspected Henry knew about the nickname. But he did. And he thought it amusingly appropriate, just like death sentence. He was the phantom of the newsroom, the odd duck writing about dead people. Sometimes he went out of his way to act accordingly, sweeping ghostlike up the back steps and making sure moody music emanated from his office under the eaves.
As for the other, crueler reason they called him Ghoul, Henry tried not to think about it. He couldn’t change the way he looked. Not now, anyway.
“Well, interesting or not, you should visit me sometime,” Deana said. “We can go to lunch.”
Her suggestion was the biggest surprise in a conversation filled with them.
“That’s probably not a good idea,” Henry said.
“Why? I don’t even know what you look like.”
Henry touched his face before he spoke, his fingertips running along the scar that started at his left ear, sliced through the corners of both lips, and ended in the center of his chin. Moving upward, his hand slid across the mottled skin above his left eye. Although he couldn’t see it, he knew the large burn mark retained a dark redness against the white of his flesh. It was usually darker in the morning, only fading as the day progressed.
“We should get back to the fax,” he said.
Deana didn’t bother to hide the disappointment in her voice. “Of course. What’s the name?”
“George Winnick. I can’t tell if it’s legitimate or not.”
Henry heard the rustling of paper on Deana’s desk, followed by a few taps on a keyboard.
“There’s no sign of him in our records,” she eventually said. “Did the fax come from us?”
Henry told her the fax didn’t seem to have come from any funeral home—another sign of its impostor status. Having nothing else to add, he thanked Deana for her help and hung up before she had another chance to invite him to lunch. He then grabbed the obituary for George Winnick, crumpled it into a tight ball, and dropped it into the trash.
Henry spent the rest of the morning writing obituaries for people who actually were dead. There were four of them altogether, two coming from funeral homes outside of the county and two faxed to him by Deana Swan. On the second fax, just beneath the funeral home’s letterhead, she had scrawled, “Sorry if I made you uncomfortable.”
She had, mostly because Henry had been momentarily detoured from his usual routine.
He worked in the same manner he lived: without spontaneity. Everything in his impeccably organized office had its place and its purpose. The lamp on his desk illuminated the cramped and windowless room. The bookshelf bulged with reference materials. The fax machine, exactly an arm’s length away, provided grist for the mill.
While writing, he played one of the many tragic operas downloaded onto his computer. That morning, he listened to Wagner’s Tristan and Isolde. Instead of a distraction, the swelling music, soaring arias, and tale of doomed love served Henry well. It helped him concentrate, allowing him to sustain the somber mood necessary to write about those who had shuffled off this mortal coil. And by the time poor Isolde died of heartbreak, he had finished his work for the morning.
Lunchtime was promptly at noon. Henry ate the same meal every day—turkey on wheat, small salad, bottle of water. He brought everything from home except the water, which was purchased from the vending machine downstairs.
In the break room, a lone reporter stood in front of the snack machine, mulling over his options. He offered a forced smile, which Henry refused to return. Henry Ghoul didn’t smile.
The reporter’s name was Martin Swan. Blandly handsome, he had the look of a former football star going to seed in the working world. His white shirt fit tightly, and his silk tie trickled down a broad chest and the beginnings of a beer gut. Henry knew nothing about him other than the fact that he was Deana’s brother. In a town as small as Perry Hollow, coincidences like that were common. Because of this tenuous link between them, Martin always felt compelled to talk to Henry, even though his voice was usually poised somewhere between sincerity and indifference. Today was no different.
“You’ll be getting an obituary from my sister soon,” Martin said flatly.
Henry stood at the machine next to him, fishing in his pocket for change. “What makes you think that?”
Martin’s voice suddenly became animated. “You didn’t hear the big news?”
“Hear what?”
“Someone was murdered this morning. Chief Campbell found him in a coffin on the side of Old Mill Road. It’s creepy as hell. Poor George.”
The name made Henry freeze. “George Winnick?”
Martin nodded. “Did you know him?”
A chill shot up Henry’s spine. He felt surprise. And fear. The coincidence was too great to not cause at least some bit of fear.
“What time was he found?”
“I think eight or so,” Martin said. “Have you heard something about it? I’m working the story, so tell me if you have.”
Henry left the break room without saying another word. Taking the back steps two at a time, he rushed into his office, streaked to the garbage can, and rustled through its contents until he found the balled-up sheet of paper.
He smoothed the fax out on his desk, scanning the single sentence typed across the page.
George Winnick, 67, of Perry Hollow, Pa., died at 10:45 P.M. on March 14.
In the top left corner of the page was a series of small numbers printed in black. A time stamp of when the fax was sent. Henry read it three times, disbelief growing with each pass. Another chill galloped up his spine. Unlike the first, it stayed there, refusing to be thrown off even as he scooped up the fax, grabbed his coat, and sprinted out the door.
THREE
The man sitting opposite Nick Donnelly was ugly. There was no doubt about it, no eye-of-the-beholder bullshit. He was ass-ugly, yet Nick couldn’t stop looking at him. He was fascinated by the man’s pockmarked cheeks, greasy hair, and teeth that resembled half-nibbled corn on the cob.
Nick bet it was torture to be that unattractive. Thank God he’d never know. The Donnellys were a good-looking, strong-bodied clan. Black Irish, with faces that could have been carved by Michelangelo himself. Add in the rogue’s smile inherited from his father, and Nick knew he was one handsome devil.
But this other guy—this Edgar Sewell sitting a table’s length away—he’d had a hard life. Nick was sure of it. Being taunted. Being called names. Heart sinking every time he looked in the mirror. It still didn’t excuse what he did. Nothing could, no matter how ugly he was.
“So, Edgar,” Nick said. “Why did you do it?”
Dressed in an orange jumpsuit, the man lowered his eyes to the handcuffs at his wrists and said uncomfortably, “I told you already.”
Edgar’s voice matched his looks—unbearable. High-pitched and wavering, it made Nick’s ears hurt.
“Tell me again.”
“Why do you need to hear it again?”
“Because I want to help you.”
It was a lie. Edgar Sewell, the killer of three little girls, was a lost cause. He would spend the rest of his life in this shithole prison outside Philadelphia. Nick’s true goal was to crawl inside his mind and figure out what drove him to commit his unspeakable acts. Understanding that could possibly help Nick stop the killers who were still out there, still preying on the innocent and unsuspecting. That’s why Nick wanted to know.
“They told me to do it,” Edgar said.
“Who?”
“The voices.”
It was the old voices-in-my-head-made-me-kill excuse. Nick had interviewed four killers in the past week, and Edgar Sewell was the third person to use it. But it was a bullshit excuse, used to hide their true motivations. People like Edgar killed not at the behest of ominous voices. They killed because they wanted to.
“What did these voices sound like?”
“I can’t remember.”
Nick leaned back in his chair and crossed his arms. “That’s interesting. If voices in my head told me to butcher little girls, I’d remember what they sounded like.”
That made Edgar change his tune. “I do remember.”
“Then tell me.”
Edgar stalled by putting his left thumb to his lips and licking it, his tongue a flash of pink poking around the thumbnail. Nick had seen two other killers do the same thing. It was a trait that signaled maternal issues.
When Edgar became aware of Nick watching him, he jerked his thumb away and said, “Elvis.”
Nick had to give Edgar credit for originality. The others had simply said Satan. But the lie also pissed him off. After an hour, he had learned nothing new about Edgar Sewell. But now it was time to put him on the spot and, hopefully, get some real answers out of him.
Nick reached down and opened the briefcase sitting next to his chair. He pulled out a manila folder that contained three photographs. The first one showed a brown-haired girl who smiled shyly for the camera. Nick slapped it onto the table and slid it toward Edgar.
“This is Lainie Hamilton. Do you remember her?”
Edgar refused to look at the photograph, turning his head until he faced the wall.
“I know you do,” Nick said. “She was eight and lived downstairs from you. Her mother, Ronette, was a prostitute, just like yours was. And on June 1, 1980, you offered Ronette twenty dollars to have sex with you. Any of this ring a bell?”
Edgar popped his thumb into his mouth and shook his head.
“She refused, didn’t she? She laughed at you. Maybe called you ugly. You went back upstairs to your apartment and stewed. Later that night, when Ronette was walking the street, you snuck downstairs, broke in, and killed Lainie.”
The thumb popped out long enough for Edgar to say, “The voices told me to.”
“There were no voices,” Nick said, his own voice growing angry. “It was only you. And you killed little eight-year-old Lainie of your own free will. You even liked it so much that you did it again six months later to the daughter of another prostitute.”
Nick tossed a second photo onto the table.
“Then you did it again.”
A third photo. All three of Edgar Sewell’s victims—the youngest six, the oldest eleven—looked up at their killer with innocent eyes.
Forced to face their stares, Edgar said, “They deserved it.”
“Who? The girls?”
“The mothers. Those dirty, filthy whores. They thought they were better than me. They were rotten sluts who were mean to me and made fun of me and called me ugly, just like—”
Nick finished the confession for him. “Your mother?”
Edgar nodded so vigorously that Nick was afraid he’d bite off part of his thumb, which was shoved fully between his lips. Then, to Nick’s surprise, Edgar Sewell did what none of the other killers he interviewed had done.
He cried.
The tears signaled that the interview was over. Nick knew he’d get no more information out of Edgar. Which meant it was on to the next prison—this one in Centre County—and maybe two more after that, if Nick had the time.
Before leaving, he stopped by the prison’s public restroom, which was one step above a gas station’s. One toilet. One urinal. Permanent grime coated the sink’s basin. Nick tried not to touch it as he splashed cold water onto his face. In the mirror, a hollow-eyed man stared back at him.
Christ, he was exhausted. This was the start of his second week interviewing killers, and all that talk and travel had taken its toll. But it would be worth it in the end, he hoped.
After drying his face, Nick exited the bathroom and then the prison itself, relieved to be free of its walls, its bars, its unrelenting grimness. His mood brightened enough that he could muster a whistle. A little “Folsom Prison Blues” in honor of his location.
The good mood—and the whistling—lasted only until he reached the parking lot, where an unexpected visitor waited for him.
Captain Gloria Ambrose, his boss at the Pennsylvania State Police Bureau of Criminal Investigation, leaned against the unmarked car that had shuttled her there. She hugged herself for warmth until she caught sight of Nick. Then her arms dropped to her sides. The move was vintage Gloria—always trying to look tougher than she really was.
“How did you find me?”
“You made an official request to speak to a prisoner of the state,” Gloria replied. “So finding you was easy. I should be asking you why you’re interviewing prisoners when you’re supposed to be on vacation.”
Nick was on vacation. At least officially. And what he did during his time off was his own business.
“Just tell me what’s going on,” he said irritably. “I know there’s a reason you’re here.”
Even more, he knew what that reason was. Gloria didn’t even need to tell him. Her presence alone spoke volumes.
“He struck again.”
“Where?”
“A town called Perry Hollow. It’s about forty-five minutes from here. The rest of your team is already there.”
“I assume you want me to join them,” Nick said.
Gloria, who was done with being cold, opened the car’s rear door and slipped inside. “That’s entirely up to you,” she said, sneaking a glance at the gray-walled prison rising behind Nick. “You are still on vacation.”
She closed the door, leaving Nick alone in the frigid wind with one question still unspoken. He was about to rap on the car’s window, but it lowered before he had the chance, revealing Gloria’s stern gaze.
“And no,” she said. “I won’t tell anyone about your extracurricular activities. But next time you say you’re taking a vacation, do it. You can’t keep pushing yourself like this, Donnelly. It’s not healthy. You really need to learn how to let go.”
Nick drove to Perry Hollow in the company of the Rolling Stones. Nothing was better for a road trip than Jagger’s tremulous voice and the band’s relentless sound. Nick propelled himself along the highway to the strains of “(I Can’t Get No) Satisfaction,” “Gimme Shelter,” and “Brown Sugar.” By the time the band was showing some sympathy for the devil, he had reached Perry Hollow, where a devil of a different stripe had just claimed one of its residents.
He found the crime scene easily enough. On the outskirts of town, it was the place with the most people gathered there. The entire road was closed, forcing Nick to stop his car on the hard shoulder.
Sitting in his car, he surveyed the scene. On one side of the barricade was a crowd of curious onlookers. They craned their necks and talked among themselves, their faces all displaying the same shell-shocked look. On the other side of the police tape was a mix of sheriff’s officers and state troopers. They, too, stood around and chatted while looking as stunned as the bystanders.
The only people in the crowd unfazed by the situation were the only three faces Nick recognized. And that was because they worked for him.
Tony Vasquez was the first to spot Nick as he flashed his credentials and ducked under the police tape.
“You made it,” he said, lifting the brim of his campaign hat. A full-time state trooper and part-time bodybuilder, he was the only task force member who wore a uniform. It sure as hell made him look intimidating, which Nick knew Tony liked. But he also wore it with a certain amount of pride. Only 2 percent of the state’s troopers were Hispanic. And Tony was one of the best. With stats like that, he had every reason to be proud.
“We placed bets on if you’d show up or not,” he said. “I won.”
“How much?”
“Twenty bucks from Cassie and the chance to bench-press Rudy.”
“Well done, Vasquez.”
Rudy Taylor, the bench pressee, was nearby, kneeling before a patch of ice on the side of the road.
“Is this where he was found?” Nick asked.
Rudy nodded. “But he didn’t die here.”
“How can you tell?”
“No blood. No struggle. Just the box he was dumped in.”
Stump short and toothpick thin, Rudy Taylor was considered the odd duck of the team. His size didn’t help. Neither did the bowl haircut that made him look like a grade-school science club president. But he was the best crime scene technician they had. Rudy could survey a scene for five minutes and find ten things a whole team had missed after looking for an hour.
“What about tire marks or footprints?” Nick asked.
Rudy stood and stomped the frozen ground for effect. “There’s not too much of that on this ice. I did find something in the snow over there.”
He pointed to a footprint a few feet away. It was marked with a yellow evidence tag.
“You wax it?” Nick was referring to impression wax. Sprayed from a can, it let them make impressions in the snow without destroying the footprint itself.
“Yeah,” Rudy said. “It belongs to the first responder.”
“Where’s the body?”
“The medical examiner took it away fifteen minutes ago.”
The answer came from the last member of Nick’s team—Cassie Lieberfarb. She stood behind him, a state police baseball cap pressed onto her frizzy orange hair. On her feet were the bright green galoshes she always wore in the field. She called them her profiler boots.
“How was Florida?” she asked, her eyes zeroing in on Nick’s face.
“Hot and sunny.”
“Then where’s your tan?”
Nick shrugged. “I used sunblock. Now back to the murder—who’s the victim?”
“Caucasian male,” Tony said. “Mid-sixties.”
“Just what our guy likes,” Cassie added.
“When is the autopsy?”
“At four.”
Nick compiled a list of things that needed to be done that day. He and Cassie had to examine the corpse before the autopsy started. While they did that, Rudy would supervise the collection and examination of evidence. Tony would wrangle up the best sheriff’s officers he could find and start the legwork. When they met up again eight hours later, they’d hopefully have a time of death, a cause, and enough evidence to point to a suspect. Only Nick and the rest of them already had an idea who the killer was. As for why he killed, none of them could begin to guess.
“Has the victim been identified?” he asked.
“The first responder did an ID,” Tony said.
“Who was that?”
“The police chief.”
“Let me talk to him.”
Cassie pointed to the crowd, picking out a woman in uniform who was dwarfed by the other cops around her.
“She is right there,” she said with sisterly pride. “Her name is Kat Campbell.”
Nick took a moment to size up the chief. She looked exhausted. Her kind eyes were dimmed by the dark circles sagging beneath them, and she moved in the weary, slump-shouldered way of someone carrying a heavy load on her back. Discovering a murder in your own backyard would do that.
“Are you Chief Campbell?” Nick asked as he approached.
The chief nodded. “Are you in charge of the task force?”
“I am,” he responded, shaking her hand. “Nick Donnelly. BCI, the Bureau of Criminal Investigations.”
She eyed his civilian clothes, hoping in vain to find something that indicated his rank and position. Since there wasn’t, Nick volunteered the information.
“I’m a lieutenant,” he said. “But in rank only. In reality, I’m just part of a team trying to catch bad guys.”
“We thank you for the help.”
“Just so we’re clear, the county sheriff has turned the case over to us. So the state police, specifically the BCI, is in charge of the investigation. I hope that sits well with you.”
Kat responded tersely. “Understood.”
“Good. I heard you were first on the scene.”
The chief briefly described everything she had seen and done that morning. It was all by the book, from finding the box to forming a perimeter around the crime scene. That made Nick happy. Sometimes local cops did more harm than good.
“I was told you knew the victim.”
“Only by sight. Perry Hollow’s a small town. After a while, you know everyone.”
Her voice caught on the last word, and for a second, Nick worried that the chief was going to start crying. But she swallowed hard and kept her emotions in check.
“I’m sorry,” she said. “We’ve never had a murder before. So it’s been a bad day.”
Nick had no doubt. For Chief Campbell, it was probably the mother of all bad days. And she didn’t know the half of it yet. Once she did, her day was going to go from bad to downright miserable.
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Todd Ritter
Perry Hollow, Pennsylvania, has never had a murder. At least not as long as Kat Campbell has been police chief. And the first is brutal. George Winnick, a farmer in his sixties, is found in a homemade coffin on the side of the highway with his lips sewn shut and his veins and arteries drained of blood and filled with embalming fluid. Chilling as that is, it becomes even more so when Kat finds that the Perry Hollow Gazette obituary writer, Henry Goll, received a death notice for Winnick before he was killed.Soon after, the task force from the Pennsylvania Bureau of Investigation shows up and everything takes an irreversible turn for the worse. Nick Donnelly, head of the task force, has been chasing the “Betsy Ross Killer,” so named because he’s handy with a needle and thread, for more than a year. Winnick seems to be his fourth victim. Or is he?Kat has never handled a murder case before, but she’s not about to sit by while someone terrorizes her sleepy little town or her own son. But will her efforts be enough to stop a killer and bring calm to Perry Hollow?A portrait of a small town in turmoil, where residents fear for their lives, Todd Ritter’s Death Notice is a gripping debut from a terrific new talent in crime fiction.
TODD RITTER
Death Notice
Copyright
Avon
An imprint of HarperCollinsPublishers
1 London Bridge Street
London, SE1 9GF
www.harpercollins.co.uk (http://www.harpercollins.co.uk)
This paperback edition 2011
First published by Minotaur Books, an imprint of Macmillan Publishers Ltd., New York, 2010
Copyright © Todd Ritter 2010.
Todd Ritter asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
Source ISBN: 9781847562951
Ebook Edition © OCTOBER 2011 ISBN: 9781847562968
Version: 2014–12–16
Dedication
To Mike, for everything
Table of Contents
Title Page (#u754c558f-c7d6-5983-ae9e-efbf70d9edb2)
Copyright (#ucb19b1ff-390f-5979-bba1-4bdae0a85aeb)
Dedication (#u1661b595-7e0f-51e4-ab37-acd95de1094f)
Prologue (#ua4fe25d7-55a9-53ba-bec0-0c44857409d5)
March (#u3927d1d0-2fad-56cc-a3c0-2790a84524f3)
One (#u3e2a479f-2cab-504b-8477-a7c2e6f7eb37)
Two (#ud06f0a5a-ddcd-5458-a221-dffe3b40175f)
Three (#ua66007c6-7c73-517c-8f14-1c14df71b7bb)
Four (#u73c1bdd8-41ad-5461-88a6-8a53a58c00d4)
Five (#u0505e06b-6b41-545f-a6ba-b624c924ef12)
Six (#uccacb227-6fae-5480-8cc1-1e6de51db52a)
Seven (#ubc118106-51b3-5bc6-b1a8-20abdebfbfd7)
Eight (#u2d4a6aa8-677a-5442-8247-24fc98747e4f)
Nine (#u92e248a2-84f7-59d8-ac47-181b8949fcfc)
Ten (#u5f914b5f-abb2-56d4-9283-54a4edf0fb40)
Eleven (#ubaede868-21fe-5f2a-90b2-102163cbe30c)
Twelve (#u92b14650-4c64-5c6a-9cd2-1a5bbcbf46c8)
Thirteen (#u7ac09290-45ea-5ff1-a814-99abfdfea510)
July (#u09a8d5b3-a9ef-5e6e-b72f-edfec06b64af)
Fourteen (#ua2ad9b8a-6a79-52b9-83c0-abecf3560b73)
Fifteen (#u37b8163b-7b9b-5d9e-8ed1-b85c816b9bcd)
Sixteen (#u89a2f704-690c-52a3-87b0-d1266d7e8284)
Seventeen (#udb694740-b470-5bd2-ba5b-1f4246e073ee)
Eighteen (#u76a489c8-d43a-5e7b-85d3-e64807416c41)
Nineteen (#ubb628055-4b1e-5336-95d2-cc9c11353b2f)
Twenty (#u2137dd67-1c56-5a6e-8c42-39ee06c26f3e)
Twenty-One (#u20138791-4a49-563d-a9fb-818c5706f924)
Twenty-Two (#u7447f7bc-3dfa-5147-a8a1-c725442d72a4)
Twenty-Three (#u997c1124-6871-52a9-9dbb-be559974e8e2)
Twenty-Four (#u4ff56469-60ca-56a4-962d-22997b72a88c)
Twenty-Five (#ucb28b82f-0641-5d2e-900b-51255c6d8659)
Twenty-Six (#u8ff9e7b1-0d3d-5e70-b8eb-b40a3b5954db)
October (#u8457ba01-bec2-5859-a332-d46f85ae206c)
Twenty-Seven (#ua9078fa9-91e1-5ef4-ad81-0d63a168602a)
Twenty-Eight (#u6c1a9b92-68a1-5005-9af4-6b02b2d20967)
Twenty-Nine (#u55596b8f-26d7-596c-9f56-83ad42de6c7b)
Thirty (#u28c8bb23-beb8-5d6e-bb90-d02429ddb1b4)
Thirty-One (#u500a6423-f578-5b9d-be55-a2a2058a839c)
Thirty-Two (#u8be3f548-227a-522a-87c9-166c82a30170)
Thirty-Three (#uc9fbfb69-2ea8-56e3-aa0b-ace5cafeba28)
Thirty-Four (#uf243c82e-4e77-5c5c-a8c5-ccca0cc99a8e)
Thirty-Five (#u16ad6179-652b-5467-ad3b-460aa71d1a81)
Thirty-Six (#u4a354d81-4f0b-5268-814d-5ef0167c1313)
Thirty-Seven (#u57481576-22e1-5b6a-a15b-74fd5cab495c)
Thirty-Eight (#u06a70191-8d52-5484-9c21-c1dcb0b6ae50)
Thirty-Nine (#ufbf5d208-3a91-5044-90d3-d40fa3a4058e)
Epilogue (#u0136e798-4ba3-5b2c-95c7-410f0577a2d4)
Keep Reading (#ud32f8b1b-f236-54b2-b969-70959c9e143d)
Acknowledgments (#udf57ec7c-78b7-5fa1-87a6-bd07d83d6a2f)
About the Author (#u161b6a7c-bfa2-5694-80de-607cecf382f4)
About the Publisher (#u774241e1-bda5-553d-ae23-96342b01cebe)
PROLOGUE
The pain snapped him into consciousness. A sharp, steady throbbing, it began at his mouth and pulsed down his jaw and neck. He tried to moan—it was the kind of pain that made men moan—but couldn’t. The pain flared so badly after each attempt that he stopped trying.
He stayed quiet, listening to the ragged streams of air rushing through his nostrils. When he opened his eyes, he saw only darkness as something brushed against his lashes.
Cloth. Heavy and rough.
He was blindfolded.
His face felt damp. He wasn’t sure, but he thought it was blood, smeared across his chin. A thin line slipped down his cheek. The liquid was inside his mouth, too. On his tongue. Pooling in the crevices between his teeth.
Blood. He was certain now. He could taste it.
He lay flat on his back, his body stretched taut, arms at his sides. When he tried to move them, they wouldn’t budge. Rope was wrapped across his arms, legs, torso, and head, binding him tight. The pressure flattened him, ironing out the stooped shoulders that fifty years on the farm had given him.
He began to panic, breathing faster through his nostrils, a locomotive picking up speed. He tried to yell for help, parting his lips to scream. But his mouth wouldn’t open. His lips refused to separate, the pain there growing more extreme. He tried two more times, the hurt so bad it formed deep grunts in the back of his throat. Since the grunts had no way of escaping, he was forced to choke them back.
On his last attempt to scream, he realized what had happened. The pain brought clarity, sharpening his mind so that he understood the situation fully.
Someone had sealed his mouth shut.
He tried to scream once more, hoping the sheer strength of the sound would blast through the barrier his lips now created. The noise that emerged was familiar to him. He heard it all the time on the farm—the high-pitched squeal made just before the slaughter. Only this time the sound was coming from him.
He heard another noise, audible beneath his own desperate attempts to cry out.
Footsteps.
Someone else was there.
“It won’t be as bad if you hold still,” a voice in the darkness said.
The owner of the voice stood just behind his head. He felt warm breath on his ear. Fingers crawled along his chin and held his head in place.
Something pressed against his neck. Cold. Sharp. There was a moment of pressure, an unsettling suspense. Then the cold, sharp something pushed through his skin, entering his body, dividing flesh from flesh.
Blood poured out of him, spilling onto his shoulders, dampening his hair. He lay there helpless, feeling like a freshly gutted animal. Each beat of his heart sent another wave of blood coursing out of his body.
This time, the pain was unbearable. It wasn’t just at his mouth anymore.
It was inside him.
It was everywhere.
He began to scream. Not out loud, but in his head, the desperate sirens of noise ricocheting off the inside of his skull. The cold, sharp something remained in his neck, wriggling. The pain was so overwhelming it erased his thoughts, his silent screams. It kept erasing until there was nothing left in his head but pain.
And fear.
And, finally, darkness.
MARCH
ONE
“Chief Campbell!”
Kat’s name rattled up Main Street as soon as she set foot on the sidewalk. She had just stepped out of Big Joe’s, a Starbucks wannabe, carrying an extra-large coffee, for which she had paid Starbucks’ prices. Normally, the concept of four-dollar java would have annoyed her. But it was a gray and frigid morning, and she needed the heat and clarity that coffee provided. Unfortunately, the sound of her name, now being shouted a second time, prevented her from taking that first, precious sip.
“Hey, Chief!”
The source of the yell was Jasper Fox, owner of a flower shop burdened with the name Awesome Blossoms. Despite the cold, perspiration glistened on his face as he barreled up the sidewalk. Huffing and puffing, he waited until he reached Kat to finish his sentence.
“I’ve been robbed.”
Kat, coffee cup suspended in front of her mouth, blinked with disbelief. In Perry Hollow, robberies happened about as often as solar eclipses. Its pine-dotted streets and exhaustingly quaint storefronts were mostly trouble-free.
“Robbed? Are you sure?”
Jasper had an absurd mustache that dripped from his face like two dirty icicles. Whenever Kat saw him, she thought of a walrus. That morning, the mustache drooped even lower than normal.
“I think I’d know,” Jasper said.
His hangdog expression told her he had been expecting a different response. Something action-packed and decisive. Maybe Kat could have lived up to his expectations had she been given a chance to take a sip of her coffee. Instead, she could only lower the cup and watch Jasper as he watched her.
She knew what he was thinking. She read it in his eyes. He saw a woman five feet tall, ten pounds overweight, and six years shy of middle age. A woman who darkened her blond hair in order to be taken seriously. A woman who had bags under her eyes because the boiler was on the fritz and her son was up half the night with a cough. Most of all, he saw a woman—with a badge pinned to her uniform—idling on the sidewalk when she should have been investigating the town’s first theft in more than a year.
Knowing all of this was going through Jasper’s brain, Kat asked, “What was stolen?”
“I’ll show you.”
She followed him down Main Street, which was waking up faster than she was. She spotted Lisa Gunzelman unlocking her antiques store and Adrienne Wellington adjusting a floral-print frock in the window of her dress shop. Similar activity took place on the other side of the street as store owners got ready for another day of commerce in Perry Hollow, Pennsylvania.
Their efforts were in vain. The town had seen few visitors since the Christmas rush, simply because January and February were too cold for shopping. Now it was the middle of March, and although store windows showed off shorts, sunglasses, and tank tops, the scene outside was anything but springlike. Just two days earlier, a nor’easter had dumped six inches of snow on the roads. That was followed by an arctic chill that froze the plowed snow into miniature icebergs against the sidewalks. Kat stepped around one as she followed Jasper into his own store, two doors down from the dress shop.
Once inside Awesome Blossoms, Jasper made a beeline to the rear of the store and pushed open a door that led back outside. Kat followed him through it, finding herself in the center of a vacant parking lot covered with a thin sheet of ice. Only then did she begin to understand the situation. Jasper’s delivery van—a ubiquitous white Ford with the store’s name painted across its sides—had been taken during the night. The realization gave her an inappropriate kick. At last, something to investigate.
“Are you positive this is where you parked it last night?”
“Of course.”
“I know you think I’m asking the obvious,” Kat said. “But these are the things I need to know if you want me to find your van.”
Jasper pointed to an empty patch of gravel. “I parked it right there.”
“Are you the only person with a set of keys?”
“I keep a spare set in the glove compartment in case someone else needs to make a delivery.”
“Let me guess. You leave the van’s door unlocked, too.”
Jasper didn’t need to speak. His mustache did the talking for him. And when it sagged sadly, Kat knew the answer was yes.
As stupid as his actions sounded, Kat couldn’t hold it against him. Perry Hollow was the kind of town where you could leave your car unlocked with the keys in the ignition and know it would be safe. Until now, apparently.
“Don’t worry,” she said. “We’ll find the van. Everyone in town knows what it looks like. Some kids probably took it for a joyride and left it behind the Shop and Save.”
Kat assumed this theory would relieve Jasper in some small way. Instead, the florist’s face scrunched with worry.
“There was something else in that glove compartment, Chief.”
“What?”
Jasper hesitated, just for a moment. “A pistol.”
Kat groaned. It wasn’t the best thing to do in front of Jasper, but it was better than her first instinct, which was to throttle him. How could he be so stupid as to leave his van unlocked with a gun in the glove compartment? And why did he have a gun in there to begin with?
“I had it for safety reasons,” Jasper said, sensing the unspoken question that hung like a clothesline between them. “I had a permit for it and everything. I just kept it there in case I got carjacked.”
Unless he made regular deliveries to West Philadelphia, Jasper had no reason to worry about a carjacking.
“Was it loaded?” Kat said.
A sad nod from the florist told her this was a bigger problem than she had first suspected. She needed to find that van. Pronto. And when she did, hopefully the gun would still be there.
Quickly, she made her way back through the store and onto Main Street. When she reached her black-and-white Crown Vic—still parked in front of Big Joe’s, thank God—Kat heard Deputy Carl Bauersox trying to reach her on the radio.
“Chief?” his voice squawked as Kat slid behind the wheel. “You there?”
Carl, her sole deputy, worked the night shift. Kat was usually in the station by that hour to relieve him of duty. But she had been sidetracked by Jasper’s van troubles, and now Carl was probably wondering when he could go home.
Kat grabbed the radio. “I’m on my way, Carl.”
“We have a big problem, Chief.”
Kat doubted that. Two crimes taking place on the same day would be some sort of record for Perry Hollow. It was probably more like a cat in a tree, which in Carl’s world did amount to a big deal.
“What kind of problem?”
“A truck driver called. Said there’s a wooden box sitting on the side of Old Mill Road.”
As Carl spoke, Kat realized she was still carrying her neglected Big Joe’s house blend. She raised the cup to her lips and, just before getting to that long-delayed first sip, said, “Why didn’t you go out there and move it?”
“Because it’s more than a box.”
Kat stopped herself mid-sip. Again. “More than a box how?”
“Well, Chief, the trucker swears up and down that it’s a coffin.”
A coffin. On the side of the road. The idea was so preposterous Kat knew it couldn’t be true. The truck driver was mistaken. It was simply a box. And now her job was to move it before some distracted driver smashed into it, possibly necessitating the use of a real coffin.
“I’ll check it out,” she said. “In the meantime, do me a favor and put out a countywide APB on Jasper Fox’s delivery van. It was stolen last night.”
She didn’t mention the gun. It would have been a good idea with anyone but Carl, who flapped his gums faster than a hummingbird worked its wings. If he knew about the gun, the news would be all over Perry Hollow within an hour.
Carl signed off with a chipper “Righto, Chief,” leaving Kat to reluctantly lower her coffee, start the Crown Vic, and head out to whatever awaited her on Old Mill Road.
When Kat found the box, it was indeed sitting on the side of the road, resting on a patch of frozen snow. Although the truck driver who spotted it called it a coffin, Kat, in true police chief fashion, refused to speculate on the matter. Squinting against the sun’s reflection on the snow, she peered through the windshield at the box sitting a few yards away. Rectangular in shape, it looked to be made of untreated wood. Probably pine, if Kat cared to guess. Which she didn’t.
She climbed out of the car, her breath forming a brief ghost of vapor that floated away in the frigid breeze. It was too damn cold for March, which Kat thought was bad news in several ways. For one, the prolonged winter depressed her. Second, the cold had kept the tourists away for too long. And most folks in Perry Hollow depended on them for their livelihoods.
Finally, the cold seemed to Kat a shivery warning of impending danger. It was too sharp, too unnatural.
When she finally got around to taking that first sip of coffee, it was in a vain attempt to steel herself against the chill. But the java itself had already succumbed to the cold, not helping her one bit. Kat instead had to rely on her parka, which she zipped up to her chin.
When she reached the box, Kat understood why someone passing by could think it was a coffin. It certainly looked casketlike. More than six feet long, three feet wide, and about two feet deep, it was definitely big enough to hold a body.
Kneeling next to it, she inspected the box for signs of where it had come from and, hopefully, where it was supposed to go. She looked for an invoice stapled to the side or a company’s logo branded into the wood. She found neither. As she ran a hand across the box’s top and along its sides, the rough wood scraped her palm. Whatever its intended use, the box was definitely homemade, most likely by an amateur. Any craftsman worth his salt would have subjected the wood to at least some form of sanding.
Leaning in close, Kat sniffed deeply, detecting a faint trace of pitch. Pine. Just as she had suspected.
She wanted to believe the box had simply landed there after falling off a truck, but instinct told her otherwise. It was in perfect condition. No scratches or scuff marks. No signs of impact with the road. The way it sat—on its back, stretched tidily across the ditch—also raised suspicion. No box tumbling from a truck could have landed so perfectly without some assistance.
Its location was no accident. Someone had placed it there. Someone had wanted it to be found.
Finished with her examination, Kat saw no point in delaying the inevitable. Coffin or not, the box needed to be opened. Tugging on the lid, she noticed it was nailed shut at the corners and at two points along each side. She marched back to her patrol car and grabbed a crowbar from the trunk before returning to the box. With the crowbar’s help, the nails barely resisted when she pried the lid open and yanked it away.
The first thing she saw was a pair of wheat-colored work boots. Next was a pair of mud-streaked overalls that continued over a red flannel shirt. Finally, framed by the shirt’s collar, was the face of a man in his late sixties.
The full picture sent Kat scrambling backward. Standing halfway between the box and her car, she turned away and clamped one hand over her mouth to calm her gasping. She pressed the other hand against her right side, where a sudden fear jabbed at her ribs.
When a minute passed, Kat willed herself to look at the coffin again. The second glance was accompanied by the sad, stomach-sinking realization that she knew who the corpse was.
His name was George Winnick, and until this morning he had been a farmer who tended fifty acres on the outskirts of Perry Hollow. Kat didn’t know him well. Other than exchanging greetings at the Shop and Save or in passing on the street, they had barely spoken. But he was enough of a fixture in town for her to know he had been a decent man—hardworking and dependable. She also knew there was no reason he should be lying dead in a pine box on Old Mill Road.
“George,” she whispered as she unsteadily approached the body again. “What happened to you?”
His corpse had been crammed inside the coffin like a doll stuffed into a shoe box. His arms were folded across his chest, each open hand resting against the opposite shoulder. The ashen shade of his hair matched the pale flesh on his hands, neck, and face.
Two polished pennies sat atop each of his eyes, hugged by bushy, gray-studded eyebrows. Both coins had been placed heads up, Abe Lincoln’s profile glinting in Kat’s direction. The effect was eerie, the pennies looking like eyes themselves—dead and unblinking.
A wound marred the right side of his neck, partially hidden by his shirt collar. Pushing the fabric out of the way, Kat examined the gash. About three inches long, it had been stitched shut with black thread. Beads of blood had frozen to the thread, like raindrops in a spiderweb.
Similar ice crystals could be seen on George’s lips, which were coated with rust-colored flecks of dirt. That’s when Kat realized it wasn’t dirt she saw. It was dried blood. Lots of it, crusted around more black thread that crisscrossed his lips.
George Winnick’s mouth had been sewn shut.
Kat gasped again as the pain in her ribs deepened. It was an overwhelming sensation—part nausea, part horror. Still, she managed to make it back to her patrol car and radio Carl.
“I need you to listen closely,” she said. “Call the EMS squad. Tell them to get here immediately.”
“There’s someone inside the box?”
“Yes. George Winnick.”
Carl reacted the way Kat had expected him to—he prayed. She waited as he murmured a quick prayer for George’s soul. After the amen, he asked, “How did he die?”
Kat told him she didn’t know.
“What I do know is that you need to get on the horn and call the county sheriff. Tell him to bring the medical examiner. We’re going to need some help, because this—”
She stopped speaking when she realized she had no idea what this was. Nor did she have the first clue how to handle it. All she knew was that she had been right about the relentless chill. The cold was a bad omen.
Very bad.
TWO
It’s called a death sentence—that single line in an obituary detailing who died, how, and when. Henry Goll, who wrote them on a daily basis, enjoyed the nickname. He liked its sly wordplay, its mordant wit. Plus, he appreciated how the name hinted at a deeper, darker truth just below its surface: from the moment we are born, we are sentenced to death.
Part of Henry’s job was to make sure every obituary printed in the Perry Hollow Gazette contained a death sentence. For the most part, it was easy. A grieving family gave the information to the county’s only funeral home, which in turn faxed it to Henry. Using that as a guide, he sat in his cupboard-sized office and wrote a respectful overview of the deceased’s life. The death sentence always came first. It was the meat of the obituary, the only thing readers really wanted to know. The rest—family, work histories, achievements—were just side dishes to be consumed later.
Henry knew the obituary for George Winnick was a fake because it wasn’t a complete death sentence. Other than a name and a time of death, it contained barely any information at all.
George Winnick, 67, of Perry Hollow, Pa., died at 10:45 P.M. on March 14.
Five years of being the obituary writer at the Gazette had made Henry an expert at spotting fakes, which arrived with alarming frequency. He had no idea how anyone could see humor in that kind of prank, but many did. The worst offenders were teenagers, who often sent in fake death notices of much-reviled teachers. Others were sent by the alleged corpse’s friends, usually during a milestone birthday. Under Henry’s watch, none had managed to sneak into the paper. Whenever he saw an obituary claiming someone had died on his fiftieth birthday, he automatically threw it away.
He was close to doing the same with George Winnick’s, which had been sitting in the fax machine when he entered his office that morning. But because there was nothing suspicious about the age and date listed, he figured it was best to at least confirm it was a fake before relegating it to the trash.
Henry’s first and only call was to the McNeil Funeral Home. Tucked away on the far end of Oak Street, McNeil was a father and son outfit that had a monopoly on Perry Hollow’s dead. If someone in town passed away, the folks at McNeil knew about it.
Deana Swan, the funeral home’s receptionist, answered the phone after a single ring.
“McNeil Funeral Home,” she said in a bored voice. “This is Deana. How may I help you?”
Henry cleared his throat before speaking. “This is Henry Goll from the Perry Hollow Gazette.”
Deana interrupted him with a pert “Hey, Henry.”
“I have a question about a fax I received.”
“Why don’t you ever say hello to me?”
Taken aback, Henry replied with a confused “Pardon?”
“You call here, like, every day. And you just get straight to the point. No hello. No chitchat. Why is that?”
Henry was at a loss for words. “I don’t know. Maybe I’m not that interesting.”
Deana’s response of “That’s not what I heard” surprised him, mainly because she offered no follow-up. Henry didn’t find himself interesting in the least, so he doubted Deana’s mysterious source.
“Trust me,” he said. “I’m not.”
Henry wasn’t lying. He might have been interesting once, but his life in the past five years was a strict schedule of work and solitude. Every morning he arrived at his third-floor office by nine. He worked until six, taking an hour to eat lunch at his desk. When he left for the day, it was via the back stairs, where he could bypass the prying eyes in the main newsroom. Once home, Henry exercised for precisely an hour. After that, he prepared dinner, watched an old movie on TV, then read a book until he grew tired. In the morning, he had breakfast, made his lunch, and repeated the routine.
His unbending schedule, coupled with the fact that he rarely showed his pale face in the newsroom, had earned him a nickname among the reporters—Henry Ghoul.
No one suspected Henry knew about the nickname. But he did. And he thought it amusingly appropriate, just like death sentence. He was the phantom of the newsroom, the odd duck writing about dead people. Sometimes he went out of his way to act accordingly, sweeping ghostlike up the back steps and making sure moody music emanated from his office under the eaves.
As for the other, crueler reason they called him Ghoul, Henry tried not to think about it. He couldn’t change the way he looked. Not now, anyway.
“Well, interesting or not, you should visit me sometime,” Deana said. “We can go to lunch.”
Her suggestion was the biggest surprise in a conversation filled with them.
“That’s probably not a good idea,” Henry said.
“Why? I don’t even know what you look like.”
Henry touched his face before he spoke, his fingertips running along the scar that started at his left ear, sliced through the corners of both lips, and ended in the center of his chin. Moving upward, his hand slid across the mottled skin above his left eye. Although he couldn’t see it, he knew the large burn mark retained a dark redness against the white of his flesh. It was usually darker in the morning, only fading as the day progressed.
“We should get back to the fax,” he said.
Deana didn’t bother to hide the disappointment in her voice. “Of course. What’s the name?”
“George Winnick. I can’t tell if it’s legitimate or not.”
Henry heard the rustling of paper on Deana’s desk, followed by a few taps on a keyboard.
“There’s no sign of him in our records,” she eventually said. “Did the fax come from us?”
Henry told her the fax didn’t seem to have come from any funeral home—another sign of its impostor status. Having nothing else to add, he thanked Deana for her help and hung up before she had another chance to invite him to lunch. He then grabbed the obituary for George Winnick, crumpled it into a tight ball, and dropped it into the trash.
Henry spent the rest of the morning writing obituaries for people who actually were dead. There were four of them altogether, two coming from funeral homes outside of the county and two faxed to him by Deana Swan. On the second fax, just beneath the funeral home’s letterhead, she had scrawled, “Sorry if I made you uncomfortable.”
She had, mostly because Henry had been momentarily detoured from his usual routine.
He worked in the same manner he lived: without spontaneity. Everything in his impeccably organized office had its place and its purpose. The lamp on his desk illuminated the cramped and windowless room. The bookshelf bulged with reference materials. The fax machine, exactly an arm’s length away, provided grist for the mill.
While writing, he played one of the many tragic operas downloaded onto his computer. That morning, he listened to Wagner’s Tristan and Isolde. Instead of a distraction, the swelling music, soaring arias, and tale of doomed love served Henry well. It helped him concentrate, allowing him to sustain the somber mood necessary to write about those who had shuffled off this mortal coil. And by the time poor Isolde died of heartbreak, he had finished his work for the morning.
Lunchtime was promptly at noon. Henry ate the same meal every day—turkey on wheat, small salad, bottle of water. He brought everything from home except the water, which was purchased from the vending machine downstairs.
In the break room, a lone reporter stood in front of the snack machine, mulling over his options. He offered a forced smile, which Henry refused to return. Henry Ghoul didn’t smile.
The reporter’s name was Martin Swan. Blandly handsome, he had the look of a former football star going to seed in the working world. His white shirt fit tightly, and his silk tie trickled down a broad chest and the beginnings of a beer gut. Henry knew nothing about him other than the fact that he was Deana’s brother. In a town as small as Perry Hollow, coincidences like that were common. Because of this tenuous link between them, Martin always felt compelled to talk to Henry, even though his voice was usually poised somewhere between sincerity and indifference. Today was no different.
“You’ll be getting an obituary from my sister soon,” Martin said flatly.
Henry stood at the machine next to him, fishing in his pocket for change. “What makes you think that?”
Martin’s voice suddenly became animated. “You didn’t hear the big news?”
“Hear what?”
“Someone was murdered this morning. Chief Campbell found him in a coffin on the side of Old Mill Road. It’s creepy as hell. Poor George.”
The name made Henry freeze. “George Winnick?”
Martin nodded. “Did you know him?”
A chill shot up Henry’s spine. He felt surprise. And fear. The coincidence was too great to not cause at least some bit of fear.
“What time was he found?”
“I think eight or so,” Martin said. “Have you heard something about it? I’m working the story, so tell me if you have.”
Henry left the break room without saying another word. Taking the back steps two at a time, he rushed into his office, streaked to the garbage can, and rustled through its contents until he found the balled-up sheet of paper.
He smoothed the fax out on his desk, scanning the single sentence typed across the page.
George Winnick, 67, of Perry Hollow, Pa., died at 10:45 P.M. on March 14.
In the top left corner of the page was a series of small numbers printed in black. A time stamp of when the fax was sent. Henry read it three times, disbelief growing with each pass. Another chill galloped up his spine. Unlike the first, it stayed there, refusing to be thrown off even as he scooped up the fax, grabbed his coat, and sprinted out the door.
THREE
The man sitting opposite Nick Donnelly was ugly. There was no doubt about it, no eye-of-the-beholder bullshit. He was ass-ugly, yet Nick couldn’t stop looking at him. He was fascinated by the man’s pockmarked cheeks, greasy hair, and teeth that resembled half-nibbled corn on the cob.
Nick bet it was torture to be that unattractive. Thank God he’d never know. The Donnellys were a good-looking, strong-bodied clan. Black Irish, with faces that could have been carved by Michelangelo himself. Add in the rogue’s smile inherited from his father, and Nick knew he was one handsome devil.
But this other guy—this Edgar Sewell sitting a table’s length away—he’d had a hard life. Nick was sure of it. Being taunted. Being called names. Heart sinking every time he looked in the mirror. It still didn’t excuse what he did. Nothing could, no matter how ugly he was.
“So, Edgar,” Nick said. “Why did you do it?”
Dressed in an orange jumpsuit, the man lowered his eyes to the handcuffs at his wrists and said uncomfortably, “I told you already.”
Edgar’s voice matched his looks—unbearable. High-pitched and wavering, it made Nick’s ears hurt.
“Tell me again.”
“Why do you need to hear it again?”
“Because I want to help you.”
It was a lie. Edgar Sewell, the killer of three little girls, was a lost cause. He would spend the rest of his life in this shithole prison outside Philadelphia. Nick’s true goal was to crawl inside his mind and figure out what drove him to commit his unspeakable acts. Understanding that could possibly help Nick stop the killers who were still out there, still preying on the innocent and unsuspecting. That’s why Nick wanted to know.
“They told me to do it,” Edgar said.
“Who?”
“The voices.”
It was the old voices-in-my-head-made-me-kill excuse. Nick had interviewed four killers in the past week, and Edgar Sewell was the third person to use it. But it was a bullshit excuse, used to hide their true motivations. People like Edgar killed not at the behest of ominous voices. They killed because they wanted to.
“What did these voices sound like?”
“I can’t remember.”
Nick leaned back in his chair and crossed his arms. “That’s interesting. If voices in my head told me to butcher little girls, I’d remember what they sounded like.”
That made Edgar change his tune. “I do remember.”
“Then tell me.”
Edgar stalled by putting his left thumb to his lips and licking it, his tongue a flash of pink poking around the thumbnail. Nick had seen two other killers do the same thing. It was a trait that signaled maternal issues.
When Edgar became aware of Nick watching him, he jerked his thumb away and said, “Elvis.”
Nick had to give Edgar credit for originality. The others had simply said Satan. But the lie also pissed him off. After an hour, he had learned nothing new about Edgar Sewell. But now it was time to put him on the spot and, hopefully, get some real answers out of him.
Nick reached down and opened the briefcase sitting next to his chair. He pulled out a manila folder that contained three photographs. The first one showed a brown-haired girl who smiled shyly for the camera. Nick slapped it onto the table and slid it toward Edgar.
“This is Lainie Hamilton. Do you remember her?”
Edgar refused to look at the photograph, turning his head until he faced the wall.
“I know you do,” Nick said. “She was eight and lived downstairs from you. Her mother, Ronette, was a prostitute, just like yours was. And on June 1, 1980, you offered Ronette twenty dollars to have sex with you. Any of this ring a bell?”
Edgar popped his thumb into his mouth and shook his head.
“She refused, didn’t she? She laughed at you. Maybe called you ugly. You went back upstairs to your apartment and stewed. Later that night, when Ronette was walking the street, you snuck downstairs, broke in, and killed Lainie.”
The thumb popped out long enough for Edgar to say, “The voices told me to.”
“There were no voices,” Nick said, his own voice growing angry. “It was only you. And you killed little eight-year-old Lainie of your own free will. You even liked it so much that you did it again six months later to the daughter of another prostitute.”
Nick tossed a second photo onto the table.
“Then you did it again.”
A third photo. All three of Edgar Sewell’s victims—the youngest six, the oldest eleven—looked up at their killer with innocent eyes.
Forced to face their stares, Edgar said, “They deserved it.”
“Who? The girls?”
“The mothers. Those dirty, filthy whores. They thought they were better than me. They were rotten sluts who were mean to me and made fun of me and called me ugly, just like—”
Nick finished the confession for him. “Your mother?”
Edgar nodded so vigorously that Nick was afraid he’d bite off part of his thumb, which was shoved fully between his lips. Then, to Nick’s surprise, Edgar Sewell did what none of the other killers he interviewed had done.
He cried.
The tears signaled that the interview was over. Nick knew he’d get no more information out of Edgar. Which meant it was on to the next prison—this one in Centre County—and maybe two more after that, if Nick had the time.
Before leaving, he stopped by the prison’s public restroom, which was one step above a gas station’s. One toilet. One urinal. Permanent grime coated the sink’s basin. Nick tried not to touch it as he splashed cold water onto his face. In the mirror, a hollow-eyed man stared back at him.
Christ, he was exhausted. This was the start of his second week interviewing killers, and all that talk and travel had taken its toll. But it would be worth it in the end, he hoped.
After drying his face, Nick exited the bathroom and then the prison itself, relieved to be free of its walls, its bars, its unrelenting grimness. His mood brightened enough that he could muster a whistle. A little “Folsom Prison Blues” in honor of his location.
The good mood—and the whistling—lasted only until he reached the parking lot, where an unexpected visitor waited for him.
Captain Gloria Ambrose, his boss at the Pennsylvania State Police Bureau of Criminal Investigation, leaned against the unmarked car that had shuttled her there. She hugged herself for warmth until she caught sight of Nick. Then her arms dropped to her sides. The move was vintage Gloria—always trying to look tougher than she really was.
“How did you find me?”
“You made an official request to speak to a prisoner of the state,” Gloria replied. “So finding you was easy. I should be asking you why you’re interviewing prisoners when you’re supposed to be on vacation.”
Nick was on vacation. At least officially. And what he did during his time off was his own business.
“Just tell me what’s going on,” he said irritably. “I know there’s a reason you’re here.”
Even more, he knew what that reason was. Gloria didn’t even need to tell him. Her presence alone spoke volumes.
“He struck again.”
“Where?”
“A town called Perry Hollow. It’s about forty-five minutes from here. The rest of your team is already there.”
“I assume you want me to join them,” Nick said.
Gloria, who was done with being cold, opened the car’s rear door and slipped inside. “That’s entirely up to you,” she said, sneaking a glance at the gray-walled prison rising behind Nick. “You are still on vacation.”
She closed the door, leaving Nick alone in the frigid wind with one question still unspoken. He was about to rap on the car’s window, but it lowered before he had the chance, revealing Gloria’s stern gaze.
“And no,” she said. “I won’t tell anyone about your extracurricular activities. But next time you say you’re taking a vacation, do it. You can’t keep pushing yourself like this, Donnelly. It’s not healthy. You really need to learn how to let go.”
Nick drove to Perry Hollow in the company of the Rolling Stones. Nothing was better for a road trip than Jagger’s tremulous voice and the band’s relentless sound. Nick propelled himself along the highway to the strains of “(I Can’t Get No) Satisfaction,” “Gimme Shelter,” and “Brown Sugar.” By the time the band was showing some sympathy for the devil, he had reached Perry Hollow, where a devil of a different stripe had just claimed one of its residents.
He found the crime scene easily enough. On the outskirts of town, it was the place with the most people gathered there. The entire road was closed, forcing Nick to stop his car on the hard shoulder.
Sitting in his car, he surveyed the scene. On one side of the barricade was a crowd of curious onlookers. They craned their necks and talked among themselves, their faces all displaying the same shell-shocked look. On the other side of the police tape was a mix of sheriff’s officers and state troopers. They, too, stood around and chatted while looking as stunned as the bystanders.
The only people in the crowd unfazed by the situation were the only three faces Nick recognized. And that was because they worked for him.
Tony Vasquez was the first to spot Nick as he flashed his credentials and ducked under the police tape.
“You made it,” he said, lifting the brim of his campaign hat. A full-time state trooper and part-time bodybuilder, he was the only task force member who wore a uniform. It sure as hell made him look intimidating, which Nick knew Tony liked. But he also wore it with a certain amount of pride. Only 2 percent of the state’s troopers were Hispanic. And Tony was one of the best. With stats like that, he had every reason to be proud.
“We placed bets on if you’d show up or not,” he said. “I won.”
“How much?”
“Twenty bucks from Cassie and the chance to bench-press Rudy.”
“Well done, Vasquez.”
Rudy Taylor, the bench pressee, was nearby, kneeling before a patch of ice on the side of the road.
“Is this where he was found?” Nick asked.
Rudy nodded. “But he didn’t die here.”
“How can you tell?”
“No blood. No struggle. Just the box he was dumped in.”
Stump short and toothpick thin, Rudy Taylor was considered the odd duck of the team. His size didn’t help. Neither did the bowl haircut that made him look like a grade-school science club president. But he was the best crime scene technician they had. Rudy could survey a scene for five minutes and find ten things a whole team had missed after looking for an hour.
“What about tire marks or footprints?” Nick asked.
Rudy stood and stomped the frozen ground for effect. “There’s not too much of that on this ice. I did find something in the snow over there.”
He pointed to a footprint a few feet away. It was marked with a yellow evidence tag.
“You wax it?” Nick was referring to impression wax. Sprayed from a can, it let them make impressions in the snow without destroying the footprint itself.
“Yeah,” Rudy said. “It belongs to the first responder.”
“Where’s the body?”
“The medical examiner took it away fifteen minutes ago.”
The answer came from the last member of Nick’s team—Cassie Lieberfarb. She stood behind him, a state police baseball cap pressed onto her frizzy orange hair. On her feet were the bright green galoshes she always wore in the field. She called them her profiler boots.
“How was Florida?” she asked, her eyes zeroing in on Nick’s face.
“Hot and sunny.”
“Then where’s your tan?”
Nick shrugged. “I used sunblock. Now back to the murder—who’s the victim?”
“Caucasian male,” Tony said. “Mid-sixties.”
“Just what our guy likes,” Cassie added.
“When is the autopsy?”
“At four.”
Nick compiled a list of things that needed to be done that day. He and Cassie had to examine the corpse before the autopsy started. While they did that, Rudy would supervise the collection and examination of evidence. Tony would wrangle up the best sheriff’s officers he could find and start the legwork. When they met up again eight hours later, they’d hopefully have a time of death, a cause, and enough evidence to point to a suspect. Only Nick and the rest of them already had an idea who the killer was. As for why he killed, none of them could begin to guess.
“Has the victim been identified?” he asked.
“The first responder did an ID,” Tony said.
“Who was that?”
“The police chief.”
“Let me talk to him.”
Cassie pointed to the crowd, picking out a woman in uniform who was dwarfed by the other cops around her.
“She is right there,” she said with sisterly pride. “Her name is Kat Campbell.”
Nick took a moment to size up the chief. She looked exhausted. Her kind eyes were dimmed by the dark circles sagging beneath them, and she moved in the weary, slump-shouldered way of someone carrying a heavy load on her back. Discovering a murder in your own backyard would do that.
“Are you Chief Campbell?” Nick asked as he approached.
The chief nodded. “Are you in charge of the task force?”
“I am,” he responded, shaking her hand. “Nick Donnelly. BCI, the Bureau of Criminal Investigations.”
She eyed his civilian clothes, hoping in vain to find something that indicated his rank and position. Since there wasn’t, Nick volunteered the information.
“I’m a lieutenant,” he said. “But in rank only. In reality, I’m just part of a team trying to catch bad guys.”
“We thank you for the help.”
“Just so we’re clear, the county sheriff has turned the case over to us. So the state police, specifically the BCI, is in charge of the investigation. I hope that sits well with you.”
Kat responded tersely. “Understood.”
“Good. I heard you were first on the scene.”
The chief briefly described everything she had seen and done that morning. It was all by the book, from finding the box to forming a perimeter around the crime scene. That made Nick happy. Sometimes local cops did more harm than good.
“I was told you knew the victim.”
“Only by sight. Perry Hollow’s a small town. After a while, you know everyone.”
Her voice caught on the last word, and for a second, Nick worried that the chief was going to start crying. But she swallowed hard and kept her emotions in check.
“I’m sorry,” she said. “We’ve never had a murder before. So it’s been a bad day.”
Nick had no doubt. For Chief Campbell, it was probably the mother of all bad days. And she didn’t know the half of it yet. Once she did, her day was going to go from bad to downright miserable.
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Todd Ritter
Тип: электронная книга
Жанр: Современная зарубежная литература
Язык: на английском языке
Издательство: HarperCollins
Дата публикации: 16.04.2024
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О книге: Perry Hollow, Pennsylvania, has never had a murder. At least not as long as Kat Campbell has been police chief. And the first is brutal. George Winnick, a farmer in his sixties, is found in a homemade coffin on the side of the highway with his lips sewn shut and his veins and arteries drained of blood and filled with embalming fluid. Chilling as that is, it becomes even more so when Kat finds that the Perry Hollow Gazette obituary writer, Henry Goll, received a death notice for Winnick before he was killed.Soon after, the task force from the Pennsylvania Bureau of Investigation shows up and everything takes an irreversible turn for the worse. Nick Donnelly, head of the task force, has been chasing the “Betsy Ross Killer,” so named because he’s handy with a needle and thread, for more than a year. Winnick seems to be his fourth victim. Or is he?Kat has never handled a murder case before, but she’s not about to sit by while someone terrorizes her sleepy little town or her own son. But will her efforts be enough to stop a killer and bring calm to Perry Hollow?A portrait of a small town in turmoil, where residents fear for their lives, Todd Ritter’s Death Notice is a gripping debut from a terrific new talent in crime fiction.