Главная страница | Природа и животные | Springwatch British Wildlife: Accompanies the BBC 2 TV series

Springwatch British Wildlife: Accompanies the BBC 2 TV series
Stephen Moss
Springwatch British Wildlife is the perfect year-round countryside introduction to the much-loved wildlife of the popular BBC2 television series.The book guides you through Britain's rich and diverse natural heritage, allowing you to enjoy the nation's wildlife at its finest – learning how the animals live and where to find them, why they do what they do and how we can appreciate them.You will be introduced to the birds, mammals and plants that inhabit our gardens, cities and countryside, with detailed species descriptions and beautiful photographs allowing you to understand their appearance, behaviour and habitats.Discover the best-kept secrets about garden birds, fascinating fungi facts and what leaves and seeds tell us about our thriving plant life. Join the Springwatch team as they help you to explore the natural world and unlock the mysteries to British wildlife.



To Britain’s wonderful wildlife, for giving so much pleasure to so many people.


©Simon Litten/FLPA
Contents
Cover
Title Page (#ud560ca12-7187-5e80-aed3-267a069f6600)
Dedication (#u56eb96e7-c909-55bd-a2e7-84b2479723fb)
Introduction (#ulink_f4474927-dc72-5b6a-bcdd-22939bf47688)
Birds (#ulink_57ab71a4-cdda-5300-857d-bf75e485416b)
Tits (#ulink_66bee008-d94d-5460-8975-bbceb58b25b2)
Finches (#ulink_dcc7b711-f04d-54cf-a3ec-67d28894e521)
Buntings (#ulink_7addfbff-04ec-5e89-8598-24509c9b4ca6)
Blackbird, Song Thrush & Mistle Thrush (#ulink_fd41a9b1-41c1-565d-a85d-c00386d51cdc)
Winter Thrushes & Waxwing (#ulink_11183d07-a0ec-59c8-a349-359d7f0c4105)
Black Crows (#ulink_917d88cf-a51e-58e4-8c68-4bae1239be44)
Magpie & Jay (#ulink_3595fb07-fb62-53b2-ba79-3e4d16931b37)
Woodpeckers (#ulink_c000c623-4a8d-527d-858a-2762df179485)
Nuthatch & Treecreeper
Sparrows
Wagtails
Wren
Robin
Starling
Swift, Swallow & Martins
The Oakwood Trio
Warblers
Owls
Barn Owl
Pigeons & Doves
Cuckoo & Nightjar
Skylark
Pheasant & Partridges
Grouse
Small Falcons & Sparrowhawk
Peregrine
Buzzards & Harriers
Eagles
Osprey
Red Kite
Auks
Puffin
Gulls
Terns
Skuas
Ringed & Little Ringed Plovers
Lapwing
Small & medium-sized Waders
Large Waders
Oystercatcher & Avocet
Rails
Dabbling Ducks
Diving Ducks
Geese
Swans
Pelagic Seabirds
Gannet, Cormorant & Shag
Herons & Egrets
Kingfisher & Dipper
Grebes & Divers
Mammals
Fox
Badger
Otter
Seals
Deer
Rabbit & Hares
Stoat & Weasel
Bats
Small Mammals
Water Vole
Dormouse
Harvest Mouse
Hedgehog
Pine Marten & Polecat
Red & Grey Squirrels
Mole
Whales & Dolphins
Insects & other Invertebrates
Butterflies
Moths
Dragonflies & Damselflies
Crickets & Grasshoppers
Beetles
Bees & Wasps
Ants
Spiders
Woodlice, Slugs & Snails
Rockpool Life
Reptiles, Amphibians & Fish
Snakes
Lizards
Newts
Frogs & Toads
Freshwater Fish
Salmon & Trout
Sharks
Plants & Flowers
Deciduous Trees
Coniferous Trees
Orchids
Hedgerow Flowers & Plants
Woodland Flowers
Meadow Flowers
Marsh Plants & Flowers
Moorland & Heathland Plants
Urban & Roadside Plants
Grasses, Sedges & Rushes
Berry-bearing Plants
Carnivorous Plants
Ferns, Mosses and Lichens
Fungi
List of Searchable Terms
Acknowledgements
Copyright
About the Publisher


©Bill Coster/FLPA
Introduction (#ulink_1e97f1c7-7fc8-547a-8f03-da7269637a76)
Like the monarchy, afternoon tea and the weather, Springwatch is a British institution. Of course it didn’t start that way: in fact, when it began, back in 2003, it wasn’t called Springwatch at all. Wild in Your Garden was a week of live TV programmes broadcast from a suburb of Bristol, presented by Bill Oddie, Kate Humble and Simon King. The following year it moved to Devon, was extended to three weeks, and turned into Britain Goes Wild. It wasn’t until 2005 that it finally acquired the name Springwatch.
Since then, it has changed location twice (to Pensthorpe in Norfolk and Ynys-Hir in mid-Wales), spawned numerous spin-offs, including Autumnwatch, Snow Watch and Winter Watch, and acquired a whole range of new presenters including Chris Packham, Martin Hughes-Games and Michaela Strachan. It has also become as fixed a part of the TV schedules as EastEnders and Top Gear.
The success of all these shows, and the various website content, campaigns and events surrounding them, is reflected in the fact that the British have rediscovered their age-old passion for wildlife. Actually it was always there, it was just that for a long time those in charge of the TV schedules preferred their wildlife to be foreign and exotic – lions and elephants rather than badgers and blue tits. Springwatch has shown that there is a real appetite not just for watching wildlife on our doorstep, but for learning about it, too.
That is what the Springwatch Guide to British Wildlife is all about. It is designed to help you learn more about the wildlife featured in the programmes: from the common and familiar species such as blackbirds and blue tits, through the more obscure examples such as natterjack toads and rare orchids, to iconic creatures such as the killer whale and white-tailed eagle. Each creature or group of plants or animals gets its own illustrated double-page spread, featuring fascinating facts and details of their lives.
Of course this can only scratch the surface: there are plenty of specialised guides available to every group of Britain’s wild creatures. But once you are hooked, it will hopefully inspire you to learn more about the wildlife we treasure so much.


©Marko König/Imagebroker/FLPA
The white-tailed eagle (also known as the sea eagle) is Britain’s largest bird of prey, with a wingspan of over 2m (6ft).
Birds (#ulink_c751c1ef-d228-55af-bb36-96bde0787cbf)


©Horst Jegen/Imagebroker/FLPA
Tits (#ulink_464c6b89-ff35-5313-8079-e12fdcc90d38)


©Paul Hobson/FLPA
©Herbert Kehrer/Imagebroker/FLPAp
Blue tits and great tits are originally woodland birds, which have readily adapted to life in our gardens.
Of all the stars of Springwatch, perhaps none is quite so enduringly popular as the blue and great tits. Their antics, as they jostle for position on feeders, their cheeky behaviour and, above all, their life-or-death struggles as they bring up a brood of chicks under the glare of TV cameras, make them utterly compelling to millions of viewers.
There is one simple reason why these birds have become such stars: they choose to nest in bird boxes, which means that from the earliest days of live TV broadcasts – certainly as far back as the early 1990s and Bird in the Nest – it was possible to put cameras into their nests. Things have changed a lot since then, of course: instead of huge cameras, we now have a battery of tiny high-definition cameras that can view the nesting birds at all angles, without causing them a moment’s disturbance.
The reason tits take so readily to nest boxes is that these artificial homes are an ideal substitute for the natural holes and crevices in which these birds nest. For, like so many of our garden birds, tits are originally birds of the woodland or woodland edge. They have made their homes in our gardens primarily because we provide plenty of food for them – not just in the shape of seeds and peanuts but also through what we plant, which provides much-needed moth caterpillars for their hungry broods.
And broods don’t get much hungrier than a dozen baby blue tits, all crammed into their soft, cup-shaped nest of moss and feathers, inside a tiny wooden box. During the dozen or so days between the chicks hatching and when they finally fledge and leave the nest, a single brood may require as many as 12,000 caterpillars – that’s 1,000 caterpillars per day, or roughly one caterpillar every two minutes for each of the two parents. No wonder the adult birds look so tatty and exhausted by the end of the breeding season!
Blue and great tits are the two species we often feature on Springwatch, along with occasional appearances by a third garden species, the coal tit. These three are easy to tell apart: the great tit, as its name suggests, is larger than the other two, and has a smart black and yellow plumage with a green back, white cheeks and a thick black strip down its front. Blue tits are smaller, mainly blue and yellow, and also with white cheeks (though the youngsters have yellow cheeks). Coal tits are basically a monochrome version of the blue tit – similar in size, with, a black, brown and grey plumage and a distinctive white patch on the back of the neck, or nape.
Three other kinds of tit breed in Britain, two of which, the marsh and willow, are so similar that they weren’t separated as different species in Britain until the last year of the nineteenth century. Both are superficially similar to the coal tit, being mainly brown with a black cap, but they are both larger and less varied in plumage, and lack the coal tit’s white nape. Sadly, both marsh and willow tits have suffered major declines in recent years, perhaps due to a loss of suitable breeding habitat.
The final species, the crested tit, is found only in the ancient pine forests of Speyside in Scotland, and can easily be identified by its perky crest. Two other species with ‘tit’ in their name, the long-tailed tit and the bearded tit, are in fact unrelated to the tits, though long-tailed tits do often accompany flocks of tits in winter.
Unlike many other nesting birds featured on Springwatch, both blue and great tits usually have only one brood of chicks in a season. As they generally live for only a year or two as adults, this is a risky strategy: literally putting all their eggs in one basket. In years when spring comes very early, as in 2007 and 2011, this can mean that by the time the birds begin to nest, the moth caterpillars on which they so depend are already coming to the end of their lifecycle and beginning to pupate, which can mean very bad years for the birds. It remains to be seen whether these species are bringing their own breeding season significantly earlier to cope with this change. Evidence suggests that they probably are.
Once their chicks are safely out of the nest and have fledged, adult tits appear to vanish for a month or so; they are moulting into a bright new plumage and hide away to avoid predators. By autumn, they appear again, teaming up with those of the same and other species in mixed flocks, which rove woodlands or gardens, uttering the tiny, high-pitched contact calls that draw our attention to them. They travel in circuits in search of food; it has been calculated that if you see half a dozen blue tits coming to your feeder during the course of a winter’s day, you may in fact play host to as many as ten times that number. So make sure you keep your feeders clean and well stocked with food!


©FranzChristophRobi/Imagebroker/FLPA
©Konrad Wothe/Minden Pictures/FLPA
©Franz Christoph Robi/Imagebroker/FLPA
Tits such as coal, crested and willow use their sharp, pointed bills to feed on a range of insects and seeds.
Finches (#ulink_df1fa882-bfef-53f3-a5d4-89c5f18e14e0)


©Neil Bowman/FLPA
The chaffinch is our commonest finch, found in a wide range of wooded and garden habitats.


©Hugh Clark/FLPA
The goldfinch is currently on the increase, thanks partly to our habit of feeding birds in our gardens.
Of all our birds, there could hardly be a more colourful, attractive and better-known family than our finches. The dozen or so species of finch that regularly breed in Britain include some of our most familiar garden birds – the chaffinch, goldfinch and greenfinch – as well as some scarce and elusive ones such as the hawfinch and crossbill. Other species include the siskin and redpoll, which are growing in familiarity and now visit gardens more than they did in the past, and sadly declining species such as the bullfinch, linnet and twite.
Finches are seed-eaters, which means they have taken well to hanging feeders and bird tables containing either seeds or peanuts. Each species has subtly different food requirements, often leading to different-shaped bills. So, whereas the goldfinch has a slender, pointed bill, which it uses to extract the tiny seeds from thistles and teasels (and to take nyjer seed from garden feeders), the bullfinch has a much thicker, sturdier bill, which it uses to feed on buds. The hawfinch – the biggest British finch – sports a massive bill, which it uses to crack cherry stones, applying a pressure of more than two tons per square inch!
But of all the finches, by far the most bizarre feeding adaptation comes in the crossbills, whose various species have uniquely developed crossed mandibles: one half of their bill crosses over the other, enabling the birds to extract the seeds from pine cones and the fruits of other coniferous trees. Because they don’t depend on insects or fruit to feed their young, they nest remarkably early – sometimes beginning at the start of the new year. The crossbills are our only nomadic breeding bird, with flocks shifting around the country (and occasionally disappearing across the North Sea to Scandinavia) from year to year.
The group also includes Britain’s only endemic breeding bird, the Scottish crossbill, which is confined to a tiny area of the Caledonian pine forests of northeast Scotland.
Our commonest finch by far is the chaffinch, which, with more than five-and-a-half million breeding pairs, is second only to the wren as Britain’s commonest breeding bird. Chaffinches are found throughout the UK but are especially common in Scottish woodlands, where vast flocks gather to feed in winter. But, like other woodland birds, they have adapted well to living alongside us in our gardens.
Two other species – the greenfinch and the goldfinch – are even more dependent on garden bird-feeding; indeed, the goldfinch population has risen dramatically in the past couple of decades thanks to us providing high-energy food such as sunflower hearts. Today, the tinkling sound of a goldfinch flock can be heard in many gardens. Siskins – a streaky, smaller version of the greenfinch – have also learned to take advantage of our generosity, and have spread southwards from Scotland to southern England as a result.
One problem, though, has come with this success. Being sociable birds, often coming to gardens in flocks, finches are especially susceptible to disease, with greenfinches being hit particularly hard. It can be distressing to find dead birds underneath your feeders, so make sure you clean them thoroughly, and remove any mouldy food.
Some kinds of finch hardly ever come to gardens, and they are perhaps suffering as a result. Linnet and twite – two small, streaky finches with subtly beautiful plumage features – have both declined dramatically, and are now on the Red List of birds of conservation concern. Linnets are farmland birds, and changes in agricultural practices, such as the sowing of winter wheat, which has reduced the amount of stubble available for the birds to feed on in winter, have contributed to their decline. The decline of the twite is, in some ways, even more worrying; this moorland bird has virtually disappeared from northern England and now lives mainly in Scotland.
Finches build their open, cup-shaped nests hidden away in bushes, trees and shrubs. They mostly lay between four and six eggs, and usually raise two or even three broods of chicks during a single breeding season.


©Erica Olsen/FLPA
©Photo Researchers/FLPA
©John Hawkins/FLPA
©Paul Hobson/FLPA
All finches, including greenfinch, bullfinch, crossbill and siskin, have developed specially shaped bills to suit their favoured foods.
Buntings (#ulink_6b27ef9a-cd2c-5af6-8734-6c231f0a521e)


©Do Van Dijck/Minden Pictures/FLPA
©Erica Olsen/FLPA
©Richard Brooks/FLPA
The corn bunting, yellowhammer and cirl bunting have all suffered in recent years from modern farming methods.
Buntings are, in some ways, the Cinderellas of seed-eating birds. They are neither as colourful as the finches, nor as ubiquitous as the sparrows, and we rarely see them unless we are looking specifically for them. This is partly because, until recently, they were mainly birds of the open countryside, but they have also suffered from changes in the way the countryside is farmed.
Five species of bunting breed in Britain: the corn bunting, cirl bunting and yellowhammer, all found mainly on lowland farms; the reed bunting, found in wetland habitats in the breeding season, and farms and gardens in autumn and winter; and our rarest, the snow bunting, found on the high tops of the Cairngorm mountains in summer and in flocks along our coasts in winter.
All five species are, sadly, giving cause for concern: the three farmland species are on the Red List, while the other two are on the Amber List. The corn bunting and yellowhammer really have seen their populations nose-dive. Once found throughout lowland Britain, they have disappeared from many of their former haunts. This is due mainly to the loss of breeding habitat and winter stubble fields caused by modern farming methods, which need to extract the maximum possible yield from fields all year round. The cirl bunting, a shy relative of the yellowhammer, once almost became extinct as a British breeding bird, but, thanks to the RSPB and farmers in its south Devon stronghold, it is now making a comeback.
Telling male buntings apart is reasonably easy, but females and youngsters can be puzzling – they are classic ‘little brown jobs’! The corn bunting is one of our largest songbirds: bulky and fat, with a streaky plumage, a large head and bill, and a characteristic way of dangling its legs when it flies. It may be a fairly dull-looking bird, but the corn bunting has some extraordinary breeding habits. The males will defend a large territory, supporting several females, a strategy known as ‘polygyny’.
The yellowhammer (its name comes from the German word for bunting) is easy to identify in breeding plumage: the male’s custard-yellow head is very striking; and the same is true for the male reed bunting, with its very obvious black and white head pattern. Females are trickier: yellowhammers can look quite brown, while a female reed bunting is superficially like a sparrow, but streakier, especially on her head. Both male and female reed buntings also show white outer tail feathers as they fly away from you! Cirl buntings look a bit like a bird designed by a committee: the body is streaky brown like a dunnock, while the head is black and yellow, similar to that of a yellowhammer but with a greenish tinge.
Song is a good way to tell the three commoner British buntings apart: the corn bunting sounds exactly like someone rattling a bunch of keys; the yellowhammer sings the famous mnemonic ‘a-little-bit-of-bread-and-no-cheeeeese’; while the reed bunting makes a rather pathetic sound, sometimes rendered as ‘pick-my-liquorice’, though it also sounds something like a bored sound engineer, continually repeating the mantra of ‘testing… one… two… testing’.
Both yellowhammers and reed buntings now regularly come to bird tables, especially in rural areas or where there is arable farmland or a wetland nearby. This has helped them maintain their numbers at a time when the wider countryside can no longer provide the food they need, and also brought a touch of the exotic among the usual tits, finches and sparrows.
The odd man out of our buntings is the snow bunting. It doesn’t really belong in Britain, as it is adapted to living in the far north, and is the only small bird to spend the winter months in the Arctic. Nevertheless, a few pairs nest each summer in snow-covered parts of the Scottish Highlands, while in winter little flocks can sometimes be seen along our east coasts. In flight, they are very easy to identify – like a flock of snowflakes scattering through the air!


©Marcel van Kammen/Minden Pictures/FLPA
The male reed bunting is one of our most handsome breeding birds.


©Andrew Parkinson/FLPA
The snow bunting is one of the toughest birds on the planet.
Blackbird, Song Thrush & Mistle Thrush (#ulink_07d68808-9bcc-5059-8e83-7c938c50a649)


©Bill Coster/FLPA
Blackbirds often feed on berry bushes in winter to supplement their energy needs.
These are three of our most familiar birds, with distinctive and well-loved songs: the blackbird and song thrush regularly top the hit parade of Britain’s favourite songsters. All three are resident, though numbers are supplemented each autumn and winter with new arrivals from across the North Sea, taking advantage of our milder climate. All three are also well adapted to gardens, though the mistle thrush is also commonly found in more open countryside and parkland, with tall trees from which it can deliver its song.
Indeed, the mistle thrush is often one of the first songbirds to sing, at the start of the new year – even earlier during mild winters. Thomas Hardy wrote a famous poem, The Darkling Thrush, which celebrates a thrush singing during blustery weather on New Year’s Eve; many people think that this early date and the bad weather point to this being a mistle, rather than a song, thrush. Mistle thrushes have earned the folk name ‘stormcock’ for their habit of singing through the worst of the British weather.
The song thrush is usually the next of the trio to sing, usually starting off in January or early February. Its song is probably the most distinctive of all our birds: measured phrases, repeated in twos or threes, as if the bird were talking to you! Soon afterwards the blackbird joins in, deeper than the song thrush, with a really fluty tone.
All three birds often choose a high perch from which to deliver their songs, which makes them easy to see. This is a good time of year to get to grips with the differences between them. Male blackbirds are easy: coal-black in colour, with that distinctive bright custard-yellow bill and – if you get close enough to see it – a yellow ring around the eye. Female blackbirds, which tend to be more skulking in habit, are chocolate-brown above and below.
The two thrushes are harder to tell apart, though with practice not too tricky. The mistle thrush is much larger, paler and greyer, with heavy spotting below and a permanently surprised expression on its face. Song thrushes are smaller, plumper and a deeper brown colour, and with a much more kindly expression! Beware young blackbirds, especially in late summer, which can be a bit streaky below and a little thrush-like.
These birds’ nests are easy to find too, often tucked away in a shrub or bush or, in the case of the mistle thrush, in the fork of a tree. All three start to breed very early on, and sometimes have eggs (and occasionally even chicks) before Christmas or early in the new year. The two thrushes have two broods – the song thrush sometimes three – but blackbirds really are the champion nesters, often raising three, four or even five broods of chicks in a single breeding season. This avoids the ‘putting all your eggs in one basket’ problem faced by blue tits, and means that even if there is prolonged bad weather during some parts of the breeding season, they can usually get at least one brood of chicks to fledging.
The blackbird and mistle thrush eat a wide range of foods, including snails and worms as well as berries and fruit – a mistle thrush will often spend the winter defending a single berry bush against all-comers. Song thrushes are more carnivorous, feeding mainly on slugs and snails, which they bash on a heavy stone, known as an ‘anvil’, to get them out of their shells. Song thrushes suffer badly from poisoning by agricultural and garden pesticides, especially slug pellets – being a natural pest controller, they should be welcomed into the garden! In autumn and winter, all three species, but especially blackbirds, will feed on windfall apples.
The availability of food and places where the birds can nest means that gardens are incredibly important for both blackbirds and song thrushes – they nest there in densities up to ten times greater than in their natural woodland habitats.


©John Hawkins/FLPA


©Steve Young/FLPA
Mistle thrush and song thrush enjoy a varied diet, including fruit as well as insects, snails and slugs.
Winter Thrushes & Waxwing (#ulink_988dbee7-c6d8-5178-9f4b-564c07a760d3)


©Erica Olsen/FLPA
©Mike Lane/FLPA
Fieldfare and redwing are two of the commonest species wintering in Britain.
From time to time, as frost and snow take their grip on the British winter, three beautiful and exotic-looking visitors to our shores turn up in our gardens, to the delight of anyone lucky enough to get close views of them.
Two of these winter visitors are members of the thrush family, closely related to the more familiar song and mistle thrushes. The redwing and the fieldfare are often known simply as ‘winter thrushes’, as they come in their millions each autumn from Scandinavia and Iceland to spend the winter months here. Like waders and wildfowl, they do so to take advantage of our relatively mild winter climate compared with places to the north and east of Britain.
Usually they spend most of the time roaming the wider countryside in huge flocks, stripping the hedgerows bare of berries or feeding in muddy fields. But when snow and ice make finding food more difficult, they often head into our gardens in search of windfall apples, berry bushes and other food we provide.
Of the two, the redwing is by far the most familiar. Our smallest thrush, it is a shade shorter than the song thrush, with darker brown upper parts, spotted under parts, and a distinctive creamy stripe above the eye. Its name comes from the orange-red patch on its flanks, which is more obvious as the bird takes to the air, lifting its wings.
The fieldfare is even more colourful: a large bird, almost as big as a mistle thrush, with a long tail, grey head, reddish-brown back and warm yellow on the breast. They look very different from the usual garden birds, so much so that when they invaded our gardens a couple of winters ago, there were several reports of ‘cuckoos’ in the middle of winter! Like mistle thrushes, fieldfares can be aggressive birds, defending a berry bush against any intruders that might steal their food. But they are less solitary than our two resident species, and usually travel in noisy flocks, chattering to each other as they go.
Both redwings and fieldfares arrive in Britain during October, the redwings usually a week or two ahead of their larger cousins. On clear autumn nights, listen out for their distinctive high-pitched call, which people once supposed was made by witches flying overhead on their broomsticks!
Redwings and fieldfares can be seen in the countryside right the way through to March or even April, but once spring has arrived, the vast majority have already left our shores: the fieldfares to Scandinavia and northern Russia; the redwings to Scandinavia and Iceland. Very few remain to breed, which in some ways is odd, given the huge numbers wintering here, and the fact that fieldfares, in particular, can be found nesting as far south as Hungary, on the same latitude as southern Britain.
The third member of this winter trio is even more exotic than the other two. Waxwings are starling-sized birds with a delicate buffish-brown plumage, black and yellow wings tipped with red – these resemble sealing wax, hence the bird’s name – and a wispy crest, giving them a faintly comical appearance.
Unlike other winter visitors, waxwings are a so-called ‘irruptive’ species, which means that in some years hardly any come to spend the winter in Britain, while in other years there may be tens of thousands. Their appearance here does not, as some suppose, foretell a hard winter. It is simply a reflection of their population level and the amount of food back home in Scandinavia – during years of berry shortages and high numbers of birds, they will head south, otherwise they stay put.
Unlike other rare birds, waxwings rather like our suburbs and gardens, where they can often find plenty of juicy red berries to eat. They also regularly turn up in supermarket car parks, which are often planted with berry-bearing bushes whose fruit appears at just the right time for the waxwings’ arrival.
If you are lucky enough to discover a flock of waxwings feeding in your front garden, be prepared for another invasion – from hordes of eager birders wanting to see this beautiful bird.


©Gianpiero Ferrari/FLPA
Waxwings may be rare and exotic, but they are often found in gardens where they feed on berry bushes.
Black Crows (#ulink_d5278c5b-9120-5bbf-8c00-61fa68a5854b)


©John Eveson/FLPA
©Andrew Parkinson/FLPA
©Winfried Schäfer/Imagebroker/FLPA
Telling apart the rook, carrion crow and raven takes practice, but given good views is reasonably straightforward.
Crows are a bit of a paradox. Few birds are so hated, yet few are so intelligent and fascinating. Why they are so loathed by so many people is a combination of the way they behave and their appearance: there is a long tradition of black birds being associated with evil, and birds don’t come much blacker than some of our crows.
There are four black kinds of crow that you are likely to encounter in Britain: the carrion crow, rook, jackdaw and raven. Then there are two other mainly black species: the hooded crow and chough, though these tend to be confined to more remote northerly and westerly parts of the country.
Of all our birds, perhaps the crows cause the most confusion about their identity. Indeed, for two species, the rook and the carrion crow, it is said that the best way to tell them apart is whether they are in a flock or solitary: a lone bird is supposed to be a crow, whereas a flock of sociable birds is meant to be rooks. Though it is certainly true that the rook is more gregarious than its cousin, and is often found in large feeding flocks on farmland, it is also the case that carrion crows may form large flocks, especially as they go to roost at night. The confusion is made worse by the term ‘scarecrow’: scarecrows were originally made to scare off marauding flocks of rooks, not crows!
So if behaviour isn’t a reliable way to tell them apart, how can we identify them? Well, if you get a reasonable look at a ‘black bird’, you should pay most attention to its overall colouring, especially on the head. Carrion crows are all black, including the bill, giving them a rather sinister appearance, while rooks have a greyish-white bill and face. Rooks are also more slender, with a longer neck and smaller head, and their bills are more pointed. In flight, these two can also be told apart – the rook’s style is floppier, and shows longer, more fingered wings – but it takes a lot of experience to make the distinction.
The rook and carrion crow were once the only two large crows in most of Britain, but now they have been joined in many areas by a third species, the raven. Once persecuted so much that it was seen only in remote parts of the northern and western uplands, the raven has recently spread south and east, and can now be found nesting in Kent. Ravens are huge, bulky, black birds with long wings, a large head, thick neck and massive bill, giving them a very front-heavy appearance as they fly. But the easiest way to confirm the identity of a raven is when it calls: a tremendously deep, grunting croak that you feel as much as hear!
The fourth, mainly black, species of crow, the jackdaw, is much smaller and easier to identify. Its call as it flies overhead is a distinctive ‘chack’, which gave the bird its name. When you see a jackdaw on the ground, it is easy to tell it apart from its larger relatives. Small and compact, it has a short, stubby bill and a very noticeable light grey patch on the back of its neck.
Our remaining two kinds of ‘black’ crow are not widespread. The hooded crow was once thought to be the same species as the carrion crow, but it is actually easy to tell apart, as it has large areas of grey contrasting with the black of its plumage. The ‘hoodie’, as it is often known, replaces the carrion crow in north and west Scotland, Ireland and the Isle of Man. The other species, the chough, has an even smaller range. It can be found only on the Scottish islands of Islay and Jura, in west Wales, western Ireland and, for the past few years, Cornwall. The chough’s return to this English county in the early twenty-first century was cause for great celebration, as the chough is one of three local symbols (the other two being fishing and tin-mining) on the Cornish coat of arms. The name often puzzles people, but, of course, it used to be pronounced ‘chow’, rather than ‘chuff’, and is a representation of the bird’s echoing call.


©Hugh Clark/FLPA
The jackdaw is a sociable bird, often gathering in large, noisy flocks.


©Frans Van Boxtel/FN/Minden/FLPA
©Mike Lane/FLPA
Hooded crow and chough are two of the rarer British members of the crow family.
Magpie & Jay (#ulink_9fe49b9c-f604-53da-828c-f7743fc5797e)


©ImageBroker/Imagebroker/FLPA
According to the well-known rhyme, a lone magpie is a sign of sorrow.
Of all our garden birds, surely none is so controversial as the two most striking members of the crow family: the magpie and the jay. The magpie is the pantomime villain of our garden birds, seen as a thief who takes eggs and chicks from nests, and also steals shiny trinkets and jewellery. With the possible exception of the sparrowhawk, no other bird comes close in the league table of Britain’s most hated birds. And its reputation spreads far and wide – there is a famous Italian opera titled The Thieving Magpie.
Now that the widespread persecution of all birds is a thing of the past, the magpie population has reasserted itself. The species’ habit of travelling in large, noisy flocks doesn’t help its reputation either. Magpies are not subtle birds, and so we perhaps notice their presence more than we would other predators.
Magpies have adapted very well to living in our gardens. By encouraging smaller birds to feed and nest, we have created a ready supply of food for them and their hungry chicks. And this is surely the point. Just like any other creature, magpies must feed themselves and their offspring. After all, we don’t condemn blue tits for killing and eating thousands of caterpillars, do we?
What is important to realise is that the population of any predator goes up and down depending on the availability of its prey, and not the other way around. Magpies are in no way responsible for the declines of some of our songbird species. Indeed, most garden birds are actually on the increase. It is birds of the wider countryside that are in decline. So why not take a closer look at a magpie, forget any prejudices you might have, and just appreciate what a truly beautiful creature it is? Superficially ‘black and white’, the magpie’s plumage is in fact a subtle mixture of deep greens and blues, and the iridescent feathers are set off by those patches of brilliant white. Magpies are also fascinating to watch, especially early in the year when they collect twigs with which to make their untidy and often obvious nest in the fork of a bare tree. And try to recall that childhood rhyme, ‘One for sorrow, two for joy…’, which was borrowed by the makers of the celebrated children’s TV series Magpie, and which has been sung by generations of British children.
Jays are even more beautiful than their black and white cousins, but, being much shyer birds, they are not quite as familiar. One Victorian birdwatcher and writer described the jay as ‘Britain’s bird-of-paradise’, and Bill Oddie always claims that if someone says they have seen a really unusual bird in their garden, nine times out of ten it is a jay. That pinkish-brown plumage, set off with black and white and a small patch of blue on the wings, those black markings on the side of the face, and the jaunty crest, make the jay one of our most attractive garden birds. However, it must be said that it has the same habit of taking eggs and chicks of songbirds as the magpie, but as it is a lot subtler about doing so, we don’t usually see it happening.
Jays are originally woodland birds but have learned to thrive in our towns and cities, especially those with large, mature trees where the birds can make their nests. Numbers are boosted every autumn with invading jays from continental Europe, which in some ‘invasion years’ may arrive in huge, noisy flocks. Listen out for the jay’s ‘tearing muslin’ call as it competes with the machine-gun rattle of the magpie – the winter soundtrack in our gardens and suburbs.


©Malcolm Schuyl/FLPA
Seen well, the jay is one of our most handsome and colourful birds.


©Erica Olsen/FLPA
Magpies are opportunistic feeders, seeking out food wherever they go.

Конец ознакомительного фрагмента.
Текст предоставлен ООО «ЛитРес».
Прочитайте эту книгу целиком, купив полную легальную версию (https://www.litres.ru/stephen-moss/springwatch-british-wildlife-accompanies-the-bbc-2-tv-series/) на ЛитРес.
Безопасно оплатить книгу можно банковской картой Visa, MasterCard, Maestro, со счета мобильного телефона, с платежного терминала, в салоне МТС или Связной, через PayPal, WebMoney, Яндекс.Деньги, QIWI Кошелек, бонусными картами или другим удобным Вам способом.