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The Mystery of the Crystal Skulls
Chris Morton

Ceri Louise Thomas


The crystal skulls are a mystery as profound as the Pyramids of Egypt, the Nazca Lines of Peru, or Stonehenge.Many indigenous people speak of their remarkable magical and healing properties, but nobody really knows where they came from or what they were used for. Were they left behind after the destruction of a previous world, such as Atlantis? Are they simply ingenious modern fakes or can they really enable us to see deeply into the past and predict the future? Searching for the answers takes the authors on a fantastic odyssey through both the physical and the spiritual world.After hearing stories of an old native American legend that describes the existence of thirteen ancient crystal skulls, that are said to speak or sing and hold important information about the origins, purpose and destiny of mankind. The authors set out on their own quest to find the truth about the skulls. They encounter psychics, UFO hunters, shamans, mystics and medicine men on a journey of discovery that takes them from the British Museum in London to the deserts of the United States, from the science labs of Hewlett Packard to the cold snows of Canada and the tropical jungles of Mexico, Guatemala and Belize. At sacred gatherings of native elders they learn of ancient wisdom kept secret for hundreds, if not thousands, of years. They hear of startling prophecies concerning events that will happen on this Earth in the immediate future, prophecies that question the very survival of the human species on this small island we call home. This is the story of their remarkable discoveries.












THE MYSTERY OF

THE CRYSTAL SKULLS


As profound as the pyramids of Egypt,

the Holy Grail or Stonehenge…







CHRI SMORTON AND CERI LOUISE THOMAS





















TO THE EARTH, AND ALL HER CHILDREN


There are more things in Heaven and Earth, Horatio,

Than are dreamt of in our philosophy.

William Shakespeare, Hamlet




CONTENTS


Cover (#u1401c4d4-c1ba-5edc-a030-40ddea27d8ca)

Title Page (#u2347bc2a-daf1-5628-b2ee-2d2b79376d7e)

Dedication (#uc8fd53ed-2a29-5819-8662-1bf224200603)

1. The Legend (#u31bc9f80-2053-51ae-af6e-6b445125ac74)

2. The Discovery (#u00c13516-31e3-59c0-bbc4-c0d3072b6050)

3. The Keeper of the Skull (#uaf3d13ab-b4c5-5031-8710-fcff6049aea7)

4. The Mystery (#u14ab714b-a464-5ec6-a085-4ee43e2e0a56)

5. The Scientists (#u248e57e3-3020-5eec-8f22-43b6d6bc238c)

6. The Ancient Computer (#u19c3a592-535f-5030-a2b2-74253d822c68)

7. The Talking Skull (#uddf7ebb4-a5cc-5b03-bc1b-f9cacf7be5c9)

8. The Curse of the Skull (#ue88e5f26-96f5-5619-892c-e7fbac3207e6)

9. The Healing Skull (#ub8ac9c54-a16c-596c-ba39-d1b0f2d8de19)

10. Visions in the Skull (#u9326d699-cd75-560b-bc87-71cb4986840e)

11. The Boban Connection (#u01a010fa-e5f7-5059-8ef9-3aabcb9af296)

12. The Aztecs and the Crystal Skull (#u8ddd204b-8351-5bb3-bfe5-0d8adc7afd43)

13. The Skull and the Cross (#u15bafb3f-0f69-5065-827b-f7b11b9df19c)

14. The Maya and the Crystal Skull (#uf063eb52-84c5-5bdf-b13a-9f7cd471b542)

15. The Skull and the Ancient Calendar (#u44e61202-eabb-5676-8829-e81b0a038fcb)

16. The British Museum Tests (#uc0321c1d-68a5-5bca-a098-71b81551e964)

17. The Forensic (#u5cbab212-7f21-50c6-8a66-0b4ebdf2cd54)

18. The Crystal Entity (#u082ec323-b3e8-5a9d-978c-d20360827bf4)

19. The Skull People (#u38043435-3fce-5d2c-a12e-d431f07ac222)

20. The Knowledge (#ue00db5df-0758-5e4c-9be4-cec798782c9b)

21. The Spirit of the Skulls (#u8be2bd46-cf65-58d7-a255-5465f0c94c9a)

22. The Keeper of the Days (#u53b69a39-217e-5a4f-a22d-2537bf9b3e25)

23. The Lost Civilisation (#ub3fae3c1-40c9-519a-9082-c0124cd5ca01)

24. The Ancient Ones (#uf67363dc-3890-525c-b157-df7f9a0b4e63)

25. The Gathering (#u07219a84-ea21-57e8-b1d0-508e37ac0862)

The Future (#ufb7b00ad-9892-5d38-9442-1f2022b21a5e)

Plates (#u92c12571-dbb4-5c0d-adde-b1ebf85482cf)

References (#u0605e709-a100-5b67-b660-03415d0aa36a)

Bibliography (#uc57521a0-fa5e-5353-b917-5738765a96eb)

Further Information (#u9638b415-2994-5403-84a9-f3d7457a1b17)

Index (#u40ac53c8-3326-534a-a4cf-a687bca1f301)

Acknowledgements (#u3cc80d91-0904-5f84-8e33-c820bbb19c6a)

Praise (#u8122c9fe-ca7f-52f7-872d-a4d8c9f5e278)

Picture Credits (#ue98c666d-eefd-5b1e-9190-d24e58ff5641)

Copyright

About the Publisher








Figure 1: Map of Mesoamerica (ancient central america)




1. THE LEGEND (#ulink_a4441046-694e-577a-b0b9-7c01cf9313ed)







It was just before dawn and we were deep in the jungle, trekking through the dense undergrowth to get to the ruins of the once great Mayan city buried somewhere deep within. In the darkness of the rainforest your mind starts to play tricks on you. You start to see and hear all manner of strange things – creatures, spirits, shadows of the unknown. It was then we heard the terrifying roar of a jaguar. In one split second that sound, cutting through the background of jungle noises, and all too close at hand, shattered our illusions of self-confidence, suddenly reminding us of our own delicate mortality. We stopped, for an instant frozen with fear, before turning in our tracks and stumbling off, as fast as we could, into the vast darkness of the unknown.

We were in one of the most beautiful places in the world, Central America, on the holiday of a lifetime, visiting the ancient Mayan ruins of Tikal in Guatemala. We were trying to reach the crumbling temples, palaces and pyramids before dawn. There we would wait for the sun to rise slowly from the surrounding greenery to cast whispers of yellow-golden light over the crumbling remains of this once great civilization, as if bringing it back to life. The jungle canopy is over 200 ft (60 m) high and yet the crumbling pyramids, some still covered in creepers and vines, reach right up through it to the heavens above. From atop one of these great mountains of human endeavour, whichever way you turn, the rainforest stretches as far as the eye can see. It could be a blanket of clouds or a vast ocean below, a beautiful ocean of green, where bright-coloured macaw and toucans sweep across golden pyramids that rise like rocks from the shore.

It was in this forgotten city that we saw our first skull, that symbol of death which normally strikes fear into the heart of modern man. It was a stone skull, carved into the side of one of the pyramids. To us this was a monstrous image. But our guide, Carlos, explained that to the ancients who had carved it, the skull had quite a different meaning. The Mayans and other ancient tribes of Central America had a different understanding of death from our own. To them death was not a full stop. It was not something to be afraid of, but rather something to look forward to, a great opportunity to pass into another dimension, a chance to join with the world of the spirits and the ancestors. To these ancient people death was part of the balance of nature, part of giving back to Mother Earth the life she had given. The skull, it seemed, was symbolic of this view. And then Carlos told us the legend of the crystal skulls…

According to an old Native American legend, there are 13 ancient crystal skulls, the size of human skulls, with movable jaws, that are said to speak or sing. These skulls are said to contain important information about the origins, purpose and destiny of mankind and answers to some of the greatest mysteries of life and the universe. It is said that this information is not only important to the future of this planet, but vital to the very survival of the human race. According to these ancient teachings, one day all of the crystal skulls will be rediscovered and brought together for their collective wisdom to be made available, but the human race must first be sufficiently evolved, both morally and spiritually, so as not to abuse this great knowledge.

This legend, said Carlos, had been handed down by generations of Native Americans over thousands of years. Indeed, as we were to discover, variations on this legend are found amongst several Native American tribes, from the Mayan and Aztec descendants of Central America to the Pueblo and Navajo Indians of what is now the south-western United States, right up even to the Cherokee and Seneca Indians in the north-eastern USA. The Cherokee version of the legend, for example, says that there are 12 planets in the cosmos inhabited by human beings and that there is one skull for each of these planets, plus a thirteenth skull vital to each of these worlds.

Of course, when we first heard Carlos’ brief words, standing on the steps of one of the pyramids of Tikal, we thought the legend was a fascinating story – a snippet of ancient mythology, a wonderful, colourful tale, but a story, just a story, nothing more than that. It was an interesting curiosity that we might just recount to friends when we got back home.

What we didn’t know then was that we were about to discover something that would change our view of the legend quite dramatically, something that would lead us on an adventure, on a journey of mystery, intrigue and wonder. It was to be a quest that would take us right across two continents, from the jungles and ancient ruins of Central America to the remote palm-fringed islands of Belize, and from the cold snows of Canada to the deserts of the United States. It would be a journey that would take us from the corridors of the British Museum in London and the laboratories of one of the world’s leading computer companies in California to a sacred gathering in a secret location deep in the mountains of Guatemala. Along the way we would meet some of the world’s leading scientists and archaeologists, encounter UFO investigators, psychics and mystics, and hear words of great wisdom from native elders, shamans and medicine men. We would uncover strange facts, hear ground-breaking new scientific theories and learn of ancient teachings kept secret for thousands of years. It was to be a journey where we would learn that things are not always as they seem and that truth can be stranger than fiction. It was also a personal voyage of discovery where we would explore our own attitudes to life and death and our place in the universe, an inner journey that would take us into the darkest reaches of the human soul.

In the meantime, before leaving the ruins of Tikal, Carlos told us a little more about the ancient Mayan civilization that had built the great city that now lay in ruins before us. It was a civilization which stretched across a vast area of Central America, from what is now southern Mexico in the north to Honduras in the south, and from the Pacific coast of Guatemala in the west to the Atlantic and Caribbean coast of Belize in the east. This area spanned the tropical forests of Chiapas, the highlands and steaming lowlands of Guatemala, and the huge expanse of low-lying savanna stretching out into the Atlantic Ocean known as the Yucatán Peninsula.

As Carlos explained, the ancient Maya built one of the most advanced and sophisticated civilizations the world has ever known. The cities that remain include the large, bold and militaristic Chichen Itzá; Uxmal, with its monumental architecture, carved snakes and weird ‘chac-mool’ figurines; the deeply aesthetic and beautifully proportioned Palenque; Tulum, set against the white sandy beaches and azure waters of the Caribbean Sea; and the once thriving metropolis of Tikal, which now stood crumbling before us, but which had once housed over 50,000 inhabitants.

We were still wandering in the ruins of Tikal just before nightfall, contemplating the achievements of this now almost forgotten people. Our guide and the handful of other tourists had gradually drifted away through the rainforest back to their temporary jungle lodge homes and we found ourselves alone in the Great Plaza of the old city just as the sun was going down. The plaza is a striking and somewhat eerie place tucked away in a small jungle clearing. To its north lie the 12 ruined temples of the North Acropolis, to the south the palace of the Central Acropolis. To the east and the west rise two great pyramids, known as the Temple of the Jaguar and the Temple of the Masks (see plate no. 3).

What struck me first about these pyramids is just how steep they really are. In concept they are similar to the pyramids everyone knows from Egypt, but they are smaller than the famous pyramids of Giza, far steeper and do not have smooth sides. Instead they are built in huge layers, or giant steps, and each pyramid has a crowning temple on top.

Every aspect of the pyramids’ design was sacred to their ancient builders. The first nine large steps represent the ‘lower world’ and the walls and crown of the temple on top bring the total to 13, precisely the number of gods in the Mayan ‘upper world’. The crowning stone carvings on top of each temple represent the thirteenth and ultimate layer. People can only ascend to these great temples by one route and on one side, where far smaller steps are provided. The number of human-sized steps is always significant. In this case there were 52. Like 13, this number is also important in the complex, sacred and divinatory Mayan calendar.

As we looked at these great temples in the fast fading light I suddenly felt compelled to make the steep climb up the eastern face of the Temple of the Jaguar. While Ceri wandered around taking photos in the plaza below, I reached the top of the pyramid, quite out of breath, just as the evening sunlight was turning to gold. Looking out from the doorway of the temple, just below the thirteenth layer, the towering pyramid of the Temple of the Masks looked straight back at me across the plaza as if mirroring my gaze. Its face was illuminated sun-coloured gold and behind it lay a deep sea of green against the background of the fast darkening sky. It was the most beautiful view I had ever seen.

And then another vision entered my mind. It seemed to seep in from around me as if entering my veins. Of course it was just my imagination, but it seemed under no conscious control. Though there was no one else there I distinctly felt the strange sensation of other people coming up the steps behind me then turning to stand at my side. I felt as though I was surrounded by a group of ancient priests in full ceremonial dress, with long flowing robes and elaborate headdresses of feathers. They appeared to be performing some kind of ceremony, as they had done many times before. It seemed to be about celebrating and respecting some greater power, but there was also an air of foreboding about what might be to come. It was almost as if I could hear two notes, a high and a low. Then, as suddenly as it had appeared, it was gone.

Of course this all seemed quite crazy in the cold light of day, but this strange figment of the imagination remained with me as we went on our way.

The following morning we climbed aboard a clapped out old school bus and headed for Belize, the neighbouring country to Guatemala, amidst warnings we might get robbed by bandits en route to the coast.

Belize is a small country sandwiched between Guatemala and the Caribbean Sea, but it has great natural variety, ranging from a turquoise coral reef lined coast strewn with small islands or atolls to mangrove swamp and palm-covered shores to an interior of jungle-clad mountains. Belize is also home to a great variety of people of different races, many of them refugees from one difficult period of history or another. Until recently it was also home to many pirates.

As we sat in one of the many bars on the small island of Caye Caulker, our host behind the counter seemed to be getting immense pleasure out of recounting this part of the country’s grisly history to us. Not only did he know all about pirates, he even looked like one as he proceeded to explain that Belize had once been a veritable haven for them. The old trade routes between Africa and the New World lay close by, but the coastline had another advantage. In the old days of seafaring, the coral reef had been a great navigational hazard. Many ships had been wrecked there quite naturally and so become easy prey to the pirates. It was possible to navigate past the reef safely to the shore, but only if you knew the way ‘like the back of your tattooed hand’. This meant the pirates could make themselves quite at home along the coast, protected by the reef, and live without much fear of ever being caught by the naval authorities.

Many of the pirates became familiar with the native Mayans and even took to adopting some of their customs. The most obvious example of this was the famous pirates’ flag, the skull and crossed bones. Apparently this was a very positive and religious symbol to the Mayans. Of course it became a symbol of fear to the average seafarer, but it is by no means clear that this was the pirates’ original intention, although it was certainly the result of their actions.

Back in the bar, our conversation inevitably drifted towards the subject of buried treasure. Had any ever been found? Our barman was not aware of a treasure chest ever having been washed up on the shore, but there was something that might be considered buried treasure that had been found on an archaeological dig in the intetior way back in the 1920s. To our amazement, it transpired that this treasure was an actual crystal skull. The barman told us that the skull had been found in the lost city of Lubaantun, a Mayan name meaning ‘the City of Fallen Stones’, which lay in the jungles of Belize. We were stunned. We had thought little more about the legend of the skulls. That a real crystal skull had actually been found seemed unbelievable. We had to know more.

I asked our host if the skull had anything to do with the legend. He didn’t know. But what he did know was that ever since the skull had been discovered, truly incredible claims had been made about it. Apparently many people who had spent time alone with it claimed to have seen or heard things in its presence. The skull was said to have a distinctive glow, like an aura, extending around it, and those who had gazed deep into its interior claimed to have seen images there. Many said they were able to see the past or the future inside the skull and even that it had the ability to influence future events.

Others claimed they had heard noises, like the soft chanting of human voices, emanating from the skull. In fact, so many people had heard the skull ‘talking’ or ‘singing’ to them that it was now quite widely known as ‘the talking skull’ or ‘singing skull’, just as in the old legend.

The origins of the skull were, it seemed, a mystery. There were all kinds of theories about where it had originally come from, our barman said, including that it had initially been brought by extra-terrestrials. He had heard that some incredible photos had even been taken to ‘prove’ it. Whether or not it really had anything to do with the ancient legend he didn’t know. But he had also heard that it was one of the world’s largest gemstones. As a piece of jewellery alone, it was said to have been valued at millions of dollars!

We were fascinated – and as film-makers, we certainly thought that a real crystal skull would make a great subject for a documentary. So we asked the barman if he knew any more. Who had found the crystal skull? Where was it now? Might we be able to film it?

He said that the skull had been found by a young woman during archaeological excavations back in the 1920s, but that it was now somewhere in Canada. That was pretty much all he could tell us. But he did add, perhaps rather inevitably, that he could arrange for us to visit the site of the skull’s discovery if we were really interested in finding out more. He just happened to ‘know a man’ who knew a man who could take us there. But it would obviously cost us ‘a dollar or two’. Although some of the claims about the crystal skull did sound a little far-fetched, at least it seemed as though a real crystal skull had been found, and it was certainly intriguing. So we haggled a little over the price and finally asked the barman to make all the necessary arrangements for a trip the following day.

And so began our journey of discovery, our quest to find out the truth about the crystal skulls. Though we didn’t know it then, our investigations would take us from the cutting edge of modern science to an exploration of ancient traditions that stretch back deep into the mists of time. We would gradually uncover ideas that would challenge many of our basic assumptions about the past history of this planet and the evolution of mankind. What we learned would lead us to question how we currently think about the world, the universe and our place within it. We would think again about where we as individuals and as a society have come from, where we belong in the world and where we are going. Our whole way of looking at the world would be dramatically altered. Finally we would hear of startling prophecies about mankind’s immediate future on this small planet and be told by native elders that now we had ‘the keys to the future’ we would ‘tell the world about it’.

But in the meantime, we set off on the first leg of our journey to explore the mystery of the crystal skulls…




2. THE DISCOVERY (#ulink_d38be7f5-5c30-57a8-8b32-a7679769a1fc)







At sunrise the following morning we set off for the lost city of Lubaantun. We found ourselves in a small motor boat snaking our way through the swampy waterways which dominate the coastline of Belize. After the inevitable two-hour wait for our four-wheel drive vehicle to turn up at a banana plantation jetty, we were off on a bumpy ride over rough jungle track deep into the interior. There was a timeless quality about the Mayan villages we passed along the way – the wooden huts, the sound of chickens, the children laughing and playing, and the women washing their clothes in the river. It felt as if we had entered a different world.

We finally reached our destination in the early afternoon, only to find a very sorry-looking archaeological site. But there was a guide who still manned this almost forgotten place. He was a local Mayan named Catarino Cal. Dressed in regulation park-keeper’s beige uniform and Wellington boots, he came over and greeted us warmly in excellent English. It turned out that we were the only tourists to have ventured to this remote setting in days.

Catarino proceeded to show Chris and I round the site. He explained that it had originally been excavated by a British explorer called Frederick Mitchell-Hedges back in 1924. Although it had been cleared then, after decades of neglect the jungle had crept back in to try to reclaim its former captive and by now the ancient pyramids were only just about discernible. But we couldn’t help noticing that the individual stones from which each of the structures was made were not the simple rectangular blocks of stone used at Tikal. Instead each stone was quite unique and slightly rounded or curved to fit in with all the other stones around it. So there were no simple and uniform straight lines, no horizontal or vertical layers. Instead each building was curving and flowing, almost a living work of art, with areas that bulged and receded almost as if the structure were actually breathing. Indeed, each one was constructed so carefully in this almost organic fashion that it seems the builders had no need for cement or any other type of binding material.

Now, however, these beautiful pyramids were very dilapidated. As Catarino explained, this was due to the fact that a later party of explorers in the 1930s had tried to discover what was still inside them using the fastest and most modern technique available to them – dynamite – at the same time giving a whole new meaning to the name ‘the City of Fallen Stones’!

As a result, Catarino explained, the city was no longer one of the best examples of the achievements of the ancient Maya, about whom he proceeded to tell us a little more. Theirs had, it seemed, been a highly developed civilization. Although considered Stone Age people, living on peasant agriculture close to the land, with few material possessions or technical instruments, they were expert architects, astronomers, scientists and mathematicians. They possessed a complex system of hieroglyphic writing and numbering. They also built up a vast network of independent city states, linked by roads and boasting some of the most magnificent cities the world has ever seen, with towering pyramids, exquisite palaces, temples and shrines, all decorated with the most elaborately carved stone ‘stelae’. Each city was a distinctive work of art, expertly planned, designed and executed, with many buildings, including astronomical observatories, carefully aligned with the sun, the moon, the planets and the stars.

The whole system came complete with its own form of government, politics and administration, its own science based on the movements of the planets and the stars, and a whole religion based on the rhythms of the natural world. The ancient Maya believed in a complete pantheon of gods and super-heroes who demanded regular tribute of ceremony, religious ritual and the occasional human sacrifice. They were also great believers in clairvoyance and divination. They were avid watchers of the skies and the movements of the heavenly bodies and placed great emphasis on their own powers of prophecy and prediction. Through their complex system of calendrics they were even able to predict eclipses accurately.

The Mayan civilization flourished for over 1,000 years from around 300 BC. Dynasties grew, royal leaders were adorned with elaborate costumes, priests gave guidance and performed strange esoteric rituals, local wars were fought and peace was brokered. And then suddenly the cities were abandoned. Around AD 830, well before the arrival of the Europeans in the Americas, the ‘Classic’ Maya simply left their great cities to be taken over by the jungle and slowly crumble to dust. As far as anyone could tell from the evidence left behind, no famine or drought had taken place, no disease and no great war had broken out. It was a mystery – over 1,000 years of development, of growth and refinement, and a culture that reached extraordinary spiritual, scientific and artistic heights … and then nothing, with no explanation at all.

In fact nobody really knew where the Maya had originally come from or, for that matter, where they had got the advanced knowledge necessary to build their great civilization in such a short space of time. There remained many mysteries about the ancient Maya.

As we wandered around the crumbling pyramids pondering why the ancient Mayan civilization had simply disappeared, Catarino spoke again. ‘One of the strangest things the Maya left behind was found right here at Lubaantun.’

He reached in and pulled something out of his pocket. It was an old black-and-white photograph that had definitely seen better days.

‘This was discovered in the 1920s by Mr Mitchell-Hedges’ daughter Anna when she was 17 years old.’

He handed us the dog-eared photo. My eyes were immediately drawn to the image. It was unmistakably a photograph of a real crystal skull. It was an extraordinary object, at once horrifying and yet beautiful. Even in that tattered old photo, the skull had a strange, mesmerizing quality. As I stared into those hollow crystal eyes, I was captivated.

As Chris handed back the photo, I wanted to know more. The image of the skull had drawn us in, raising questions that demanded answers. Who had made such an object and why? Where was it now? Were there any others like it and if so, where? Was this one of the 13 skulls of legend? The questions raced through my mind. Now we knew for sure that a real crystal skull did exist we felt compelled to find out more.

The first question was, where had Catarino got this photo? We were a little surprised when he said it was Anna Mitchell-Hedges herself who had given it to him. After all, this was the woman he said had originally discovered the crystal skull way back in the 1920s. How could this be?

Catarino explained that Anna Mitchell-Hedges had subsequently returned several times to visit the place of the skull’s discovery and her last visit had been in 1987. We worked out that if Anna had discovered the skull as a teenager in the 1920s, she would probably now be in her late eighties. But was she still alive?

According to Catarino, when Anna had made her last trip back she had been a very elderly woman. He had got the impression that she had come back to see the site one last time before she died. Given these words, it now seemed very unlikely that she was still around to tell the tale.

As Catarino was speaking, the shadows started lengthening across the ancient ruins and we realized it was time to leave. We thanked Catarino for his patience with our questions and wandered back to our vehicle, wondering how we could ever track down this old lady. We were just climbing into the truck when Catarino came rushing over.

‘Wait, wait,’ he said. ‘I remember. Anna Mitchell-Hedges did give me her address, but it was a long time ago and I don’t know if I’ve still got it.’

But we had to leave there and then. Our driver was getting impatient. So we swapped addresses with Catarino and he assured us he would look for Anna’s address and send it on to us if he found it.

As we made our way back to the coast for the last few days of our holiday, the whole story began to seem somehow unreal. A young girl on an archaeological dig finding an ancient artefact known only in legend seemed so unlikely, so impossibly romantic. In any case, we didn’t really expect to hear anything more from Catarino and it was soon time to put the whole idea of crystal skulls out of our minds as we returned to the everyday realities of life in Britain.

But we had only been home for a few weeks when a letter did arrive from Belize. It was from Catarino. He had found Anna Mitchell-Hedges’ address. It was in Canada. We were delighted and wrote to her, albeit with some trepidation. We were unsure we would get any answer and half expected that if we did it would only be to inform us that Anna had now passed away. So when a letter did arrive back from Canada, we opened it nervously. As we read its contents, we were thrilled to find that Anna Mitchell-Hedges, now aged 88, was still living happily and healthily – and complete with her crystal skull. Not only that, but she would be only too pleased to tell us the story of the skull’s discovery.

Anna had enclosed a copy of her father’s autobiography, Danger, My Ally,


and from this, together with subsequent telephone calls to Anna, we were able to piece together the remarkable tale.

The story began in the Britain of the 1920s, with Anna’s father, Frederick Albert, or ‘Mike’, Mitchell-Hedges (1882-1959), a real Indiana Jones-type figure, who had adopted Anna when she was a young orphan. For many years Anna’s life remained inextricably linked to that of her father. She had never married and had accompanied him on many of his overseas voyages.

‘My father’s great love was ancient archaeology,’ she explained. ‘He had a very enquiring mind. He wanted to know more about the past and was the sort of person who liked to find things out for himself. He questioned the way things were and didn’t like to accept what other people told him.’

Indeed, according to Anna, Frederick Mitchell-Hedges had been something of a legend in his own lifetime. He was your archetypal British adventurer-explorer, determined to make his mark in the twilight years of the British Empire. He was a flamboyant, charismatic and somewhat unconventional character who had no time for the petty niceties of suburban English middle-class life, and certainly no time for what he considered the boring nine-to-five existence of the various office jobs, in banking and the stock market, he had tried during his early career.

Instead he had turned to a life of adventure and exploration. His motto, ‘Life which is lived without zest and adventure is not life at all’, spurred him on in his various overseas missions ‘to see parts of the world no white man had ever seen before’. He funded his trips largely through silver-trading and lecturing. He enjoyed gambling and always allowed time to indulge his great love of deep sea fishing along the way. He was a man who seemed almost deliberately to court danger, at one stage apparently even finding himself taken prisoner by the famous Mexican bandit turned national hero Pancho Villa, unwillingly caught up in his border raids against the United States. He travelled extensively and his passion for adventure found its greatest fulfilment in organizing great voyages of exploration and discovery to far-flung places, all the while fuelled by his obsession with the idea of finding the treasures of lost civilizations.

For Frederick Mitchell-Hedges was a member of the Maya Committee of the British Museum. He believed that the cradle of civilization was not in the Middle East, as was commonly supposed, but was the legendary lost continent of Atlantis. He was convinced this was a real civilization which had disappeared after some natural catastrophe and that its remnants were to be found in Central America. Moreover, he was determined to prove it.

To this end he gathered together a party of explorers who set sail from Liverpool in 1924


bound for British Honduras (now Belize). On reaching the Americas they docked at the small port of Punta Gorda, from where rumours had emanated of a lost city hidden deep in the jungle. They tried, at first unsuccessfully, to penetrate the interior via the crocodile infested Rio Grande, a trip which ended in disaster with the loss of all their medical supplies aboard a dug-out canoe which capsized and sank. As a result, one member of the team contracted malaria and later died. Only with the help of the local Kekchi Maya tribespeople, direct descendants of the ancient Maya, was the party finally able to penetrate the dense tropical rainforest and continue their search.

One day, deep in the jungle, they stumbled across some mounds of stone, overgrown with moss and foliage and suffocated by roots and vines. This was the sign they had been looking for. Frederick Mitchell-Hedges was heard to cry out, ‘We can’t be very far from this lost city!’

Work began in earnest as the party and local Mayan helpers toiled in the jungle heat to clear the site. It was back-breaking, seemingly relentless work, hacking away at the undergrowth and felling huge trees which piled themselves high on top of the ancient stones below. It took over a year to clear most of the undergrowth. When they had finished, the trees lay fallen before them in a great mountain of twisted branches. It was time to set fire to the what was left of the forest. The fire raged hot and high for days beneath the blistering sun. It burned ‘like a mighty blast furnace’, spewing out white hot ash and burning red embers all around. It dried the lips, reddened the eyes and almost choked the very life breath from the parry of explorers. But as the flames subsided the ruins of a once great city slowly emerged from amidst the smoke and burning ashes. As Frederick Mitchell-Hedges recounts in his autobiography, published in 1954:

‘We were amazed at the immensity of the ruins. Walls, terraces and mounds came into view as the holocaust swept onwards … in its centre had stood a mighty Citadel.

…The Citadel was raised above the level of the surrounding countryside and when it was first built it must have stood out like a glittering snow-white island, one hundred and fifty feet high. Around it spread the lesser dwellings and burial mounds of the common people and, further out, the thousands of acres of green, waving maize that must have been necessary to feed and support the large population.’




When the blaze had died away Mitchell-Hedges and his team were able to explore the great city:

‘It covered …a total area of six square miles with pyramids, palaces, terraces, mounds, walls, houses, subterranean chambers, [even] a huge amphitheatre designed to hold more than 10,000 people and appreachedby two great stairways. The Citadel was built over seven and a half acres and originally every foot had been covered with cut white stone… ‘




Mitchell-Hedges was amazed at the workmanship that had gone into the construction:

‘The magnitude of the labour required is almost beyond computation for their only tools were flint axes and chisels. I tried to square a similar block of stone with one of these implements, of which we found many. The task took an entire day.’




Frederick Mitchell-Hedges was to spend several years uncovering the secrets of the past that lay hidden in this lost city. During the long excavation of the site he was joined by Anna, or ‘Sammy’ as she was affectionately known to her father (see plates 32 and 33). She settled instantly to life in the jungle, as if she had been born to it. Anna shared something of the same rebellious spirit of adventure as her father and had a strong, inquisitive nature. It was this that led her to make her dramatic discovery.

It was a particularly hot day, an afternoon when the air itself seemed to stand still in the drowsy heat. The archaeological site, which was usually very busy, was strangely silent. ‘Everyone had gone to sleep. They had been worn out by the heat,’ remembers Anna. It was a few weeks before her seventeenth birthday. She was alone in her hut and feeling restless. Suddenly it occurred to her there was something she had been wanting to do for a while.

‘I thought this was my chance to go up and see how far I could see from the top of the highest building. Of course, I was strictly forbidden to climb up there because the stones were very loose and dangerous. But I had heard that you could see for miles around from the top of one of the pyramids and that intrigued me.’

So Anna headed towards the site, knowing that the excavation team were sleeping soundly in their beds.

She began to climb the tallest pyramid. Monkeys chattered in the distant trees and insects buzzed noisily around her as she picked her way carefully over the loose stones until, at last, she reached the top. It had been worth it:

‘Once I was up there I could see for miles around and it was very beautiful. I felt that I could have stayed there for a very long time. But the sun was very, very strong and there was something shining in my face. Way way down below through a crack I could see something shining back at me and I got very, very excited. How I got down from that building so quickly I don’t know, but when I got back I woke my father up and told him I’d seen something. Then, of course, I got a very bad scolding because I shouldn’t have gone up there.’

Anna’s father was disinclined to believe she had seen anything at all:

‘ “You imagined it,” he said.

‘But the following morning my father got all his men together. Before I got up he had everybody moving the stones from the top of the pyramid, because there was no way we could get in from the bottom. It took several weeks of carefully removing stones before a big enough hole was created.’

It was the day of Anna’s birthday when she volunteered to go down. She was lowered slowly by her father and his helpers into the narrow gap between the stones:

‘I had two ropes tied around my body and a light strapped to my head and I was let down into the opening. As I descended into the dark, I became very nervous, because there could be snakes and scorpions down there. When I got down I could still see something shining, reflecting the light on my head back at me. So I picked it up and I wrapped it in my shirt so it wouldn’t be hurt and I told them to pull me up as fast as they could.’

As Anna emerged from the temple into the bright daylight she wiped the dirt from the surface of the object and stared at it in wonder. ‘It was the most beautiful thing I had ever seen.’ The object was truly remarkable. It was life-size and looked almost exactly the same as a real human skull, and yet it was almost completely transparent. It was a real crystal skull. She held it up to the light. It was carved from a magnificent piece of clear rock crystal and caught and reflected the light in devastatingly beautiful, captivating and complex ways. And, miraculously, it appeared to have survived completely unscathed.

There was a moment of stunned silence as the small crowd of excavators gazed at this strange object, mesmerized by the way in which it captured and reflected the sunlight, sending it forth in a dazzle of light. Anna’s father took the skull from her and held it high for all to see. Then all at once everyone went wild with joy. ‘All the Maya helpers on the dig started laughing and crying. They kissed the ground and started hugging each other,’ Anna said. It was a magical moment, she recalled, perhaps the greatest moment in her long life. It was ‘as if an ancient and powerful force had returned to the lives of those present’.

As evening fell and the first stars appeared in the skies, Frederick Mitchell-Hedges placed the skull with great ceremony upon a makeshift altar the Mayans had built. As he and Anna looked on, fires were lit all around the skull and in the light of the blaze they could see the Mayans blessing it. Then the sound of drumming began. Mayan dancers appeared from the shadows, decorated with the plumes of jungle birds and the skins of jaguars. They moved with agility and grace to the rhythm of the drum. There was chanting and singing. It was a night of celebration, as Anna recalls. ‘They performed ceremonies, rituals and dances in front of the skull in the firelight.’

From the depths of the jungle people appeared, as if something had called to them across the forest.

‘It was as though a message of joy had been sent out across the Mayan lands. A lot of Maya came that we never even knew, and they came so quickly and from so far afield that I don’t know how they could possibly have heard of the skull in such a short space of time. But they knew.’

The celebrations around the skull continued for several days and amongst those who came to see it was a very old Mayan from a neighbouring village. He looked at the skull and told Anna and her father that it was Very, very ancient’.

‘The Mayan priests say it is over 100,000 years old. The Mayans told us the skull was made after the head of a great high priest many, many thousands of years ago because this priest was loved very much and they wanted to preserve their truth and wisdom forever. The old man said that the skull could be made to talk, but how it was done he wouldn’t say.’

Both Anna and her father were puzzled by the discovery. What they didn’t know at the time was that the object would prove to be one of the most mysterious ever found, that it would come to change Anna’s life and the lives of many others who have since come into contact with it. For, as we had heard, many have claimed that the skull has magical and mysterious powers. Some maintain, as the legend had said, that it is encoded with sacred knowledge that can enable us to tap into the secrets of the distant past and possibly even the future. Many others simply believe that the skull can profoundly influence the way people think and feel.

Although Frederick Mitchell-Hedges had no idea of the incredible claims that would come to surround the skull, he seemed to have been deeply affected by the reverence the local people showed for it. He was also concerned that, since the discovery, the Mayan workers had been considerably less willing to spend their days toiling on the dig. He gave it much thought and discussed it with Dr Thomas Gann, the consultant anthropologist on the expedition. Anna said, ‘My father decided that the skull was obviously so sacred and so important to the Mayan people that we couldn’t possibly keep it. He said, “We cannot possibly take this skull away from these poor people.” ’

So, with characteristic flourish, he gave it to the Maya. ‘They were very, very glad,’ recalls Anna, who was not so pleased by her father’s generosity, after the danger she had gone through to retrieve the skull. ‘I was very angry because I had risked my life to go down there and get it.’

But, following the gift, excavations were resumed. The pyramid where Anna had found the skull was part of the further explorations and three months later, the separate lower jaw of the skull was found buried beneath an altar in the main chamber of the pyramid. Anna had originally found only the upper cranium. When the Maya added the lower jaw to the skull, the masterpiece was complete. After this, as Anna remembers, ‘They had it for nearly three years and they had fires burning all around it.’

By 1927 the excavations at Lubaantun were drawing to a close. The final items were catalogued and sent off to museums. Mitchell-Hedges and his team had unearthed hundreds of rare and beautiful artefacts, but none could match the beauty of the crystal skull.

As the party prepared to depart, it was a sad moment for Anna. She had lived with a Mayan family who had treated her ‘as well as their own daughter’ and she had ‘shared in their joys and sorrows over the years’. As Anna and her father bade farewell to their Mayan friends, the Mayan chieftain stepped forward and pressed a bundle into Frederick Mitchell-Hedges’ hands. As he unwrapped the bundle, Anna was delighted to find that it was the crystal skull:

‘The Maya presented my father with the skull for all the good work he had done for their people, giving them medical supplies and work and tools and everything. And that’s why they gave it back to us. It was a gift from the Mayan people.’

So fate had it that the crystal skull should accompany Frederick Mitchell-Hedges as he left Lubaantun for England.

Putting his overseas adventures behind him, Mitchell-Hedges was eventually to settle in England. In 1951 he took up residence in the impressive seventeenth-century Farley Castle in Berkshire. There he would lecture guests from overseas about his expeditions and his wonderful antique collection, and show the crystal skull to members of the British aristocracy who were invited to elegant dinner parties in his grand candlelit dining-room.

Frederick Mitchell-Hedges used to delight in telling his guests that it was called ‘the Skull of Doom’. He said, ‘It has been described as the embodiment of all evil’ and that ‘according to legend [it] was used by the High Priest of the Maya’ to will death. ‘It is said that when [the Mayan priest] willed death with the help of the skull, death invariably followed.’


According to Anna, much of this description could actually be put down to her father’s sense of humour, but he had been told by the high priest of the Maya that if the skull were to fall into the wrong hands, it could be used for evil purposes.

Mitchell-Hedges was no doubt fascinated as lords and ladies gazed upon the awesome image of the skull. Their initially fearful reaction was so very different from that of the Maya who had helped to bring the skull up from the darkness of its tomb. The rich sophisticated Europeans saw only fear where the ‘poor’ ‘uneducated’ Mayans had seen cause for celebration and joy. Was it that in those dying days of the British Empire the skull was a stark reminder that none could escape their fate? No grand titles, no worldly riches could overcome the inevitability of death.

But whatever their initial reaction, the crystal skull soon held Mitchell-Hedges’ guests entranced. They marvelled at its craftsmanship and became seduced by its beauty. They admired the perfectly chiselled beauty of its teeth, the smooth contours of its cheekbones and the way the jaw fitted faultlessly into the cranium. The question on everyone’s lips was, how could such ‘simple’, ‘primitive’ people, living deep in the jungle all those years ago, have created something so accomplished, so perfect?

Over the years many have been particularly captivated by the way the skull seems to hold, channel and reflect light. For it is made in such a way that any source of light from beneath it is refracted into the prisms at the front of the skull. So if the skull is placed in a darkened room and a fire or candle lit beneath it, the light appears shining right out through the eye sockets.

Others have also observed that the skull has two small holes carved into its base, one on either side of the main cranium. These are just the right size and shape for two narrow sticks to be inserted from below, enabling the skull to be suspended over any fire or light source, and allowing the top part of the skull to be moved in relation to the separate lower jaw. In this way, or with the attachment of the lower jaw by string or animal gut, it is possible to move the skull around in such a manner that it gives the impression that it is talking.




Taking very literally what Mitchell-Hedges had been told about the skull being ‘made to talk’, some have suggested that it may have been used in this way by the ancient Mayans. They have speculated that the skull could have been placed on an altar at the top of the steps of one of the great pyramids, suspended over a fire concealed from view beneath the altar. The skull’s eyes would have blazed fire red as its jaw moved in precise synchronization with the booming voice of a mighty high priest, whose cohorts would have controlled the skull’s movements. The priest might have made a series of oracular announcements, perhaps announcing the names of the next victims for human sacrifice. This would indeed have been a terrifying spectacle to the masses of ordinary people gathered in the plaza below. Thus, some have concluded, the skull appeared thousands of years ago as a terrifying animated talking god-head, used by the priestly class to wield power over their frightened subjects.




But this is assuming that when the old Mayan said the skull could be ‘made to talk’, he meant it literally. And the idea that it was a tool the Mayan priests used to fool and terrify their subjects is hardly in keeping with the joy the Mayans are said to have demonstrated on seeing it.

One person who became particularly fascinated by the skull was the author Sibley Morrill. He thought it had been ‘made to talk’ in quite a different way. He was struck by the skull’s incredible anatomical accuracy and noted that it almost faultlessly compared with a real human skull. But one feature was strangely missing. Real human skulls have a series of marks which run across them, known as suture marks. These are the seams that are left when the different plates of the skull have grown together. Morrill pointed out that these markings would have been very easy to add and would have given the skull even greater realism. The fact that they were missing indicated to him that the skull was not made simply to serve as a memorial to any particular individual.

Morrill puzzled over the absence of these marks and reached the rather dramatic conclusion that the only reason they could have been so obviously and intentionally left out was that the maker of the skull was forbidden to add them, or that ‘such an easily carved feature would be completely unacceptable’.




The reason for this, he thought, was that to have suture marks would interfere with the true purpose of the skull. Morrill believed its primary purpose was for ‘foreseeing the future and affecting the outcome of events’. He said, ‘Suture marks … would be as out of place as engravings on the surface of a crystal ball.’


His view was that:

‘The foreseeing of the future would be handled by … the priest, [who,] after preliminaries that might include fasting, the use of drugs, or both, and after other prescribed rites, would peer down into the crystal in an effort to see in its depths and striations … what the future held.




‘[Morrill concluded:] How effective an aid the crystal skull was in foretelling the future is unknowable. All that can be said with certainty … is that it was probably the most effective crystal ball ever devised, and … it is highly probable that in some cases over the centuries the skull served that purpose well.’




So, what had the skull really been used for? Had it been an animated god-head, a sort of talking oracle? Was it an elaborate crystal ball, used for seeing into the past, present and future, or was it the head of some ancient priest? What was meant by it being ‘made to talk’? What clues to its ancient role lay hidden in those polished prismatic surfaces? What secrets lay behind its penetrating crystal gaze? There had been an enormous amount of speculation but as yet no firm evidence or definitive answers.

In 1959 Frederick Mitchell-Hedges died and left his devoted daughter Anna in sole possession of the skull. Anna has looked after it in her own home ever since, although she has allowed more than the occasional visitor to come and experience ‘the power of the skull’ for themselves. This turned out to be our next step.




3. THE KEEPER OF THE SKULL (#ulink_cfac3a09-73c6-500f-9d48-84f9d6ac37fd)







Through our telephone conversations with Anna it was now becoming increasingly clear that the incredible claims about the crystal skull’s paranormal powers had continued unabated ever since its original discovery. From the moment that the skull had been recovered from deep in the jungle, it had been widely recognized that there was something very strange, extraordinary and powerful about this object. But, over the years, it seemed to have escaped being labelled or categorized. In fact, from what we could tell, it seemed quite simply to have defied explanation altogether.

By now, Ceri and I were quite convinced that the skull would make an excellent subject for a documentary investigation. We mentioned this to Anna and explained that we would need a lot more information. All Anna was prepared to say, however, was that if we wanted to know more about the skull then we would have to ‘come and meet him’ for ourselves.

The strangest thing was that in speaking to Anna on the telephone we kept getting the impression that when she was talking about the skull she was actually talking about a real person. She spoke about the crystal skull as ‘he’ or ‘him’ and used the same affectionate tone that people often use when talking about their children, grandchildren or even a much-loved pet.

We were intrigued, but it seemed that the only way for us to find out more was to take Anna up on her kind offer and make the trip out to Canada. This would not only give us the chance to see the crystal skull for ourselves, but also to make the necessary arrangements for our documentary. This was a bit of a risk, as we had just blown all our money on the trip to Central America and at this stage had no guarantee whatsoever that the film we intended to make would be commissioned at all. But, in what must have been a temporary fit of madness, we decided to make the trip to Canada all the same.

It was during the cold snows of the Canadian winter that we arrived at Anna’s neat modern house in the quiet little town of Kitchener, near Toronto, Ontario. A greater contrast to the steaming tropical jungles of Belize we could hardly imagine. But Anna, looking much younger than her years, greeted us warmly and she and her nephew Jimmy, who was in his late thirties and also visiting, were wonderfully hospitable during our short stay.

As soon as we arrived, Anna led us into her small sitting-room to ‘meet’ the crystal skull. As we entered the room, our eyes were immediately drawn to the skull, which was placed on a black velvet cushion on the coffee table. It was absolutely flawless, remarkably anatomically accurate and exactly the same size and shape as a small adult’s head, yet it was almost totally transparent. It really was magnificent, the most exquisitely carved and beautiful object that either of us had ever seen. It was like gazing on perfection (see plates 1 and 2).

‘I’m only the caretaker,’ Anna began. ‘The skull really belongs to everyone. He has brought lots of happiness to people. I show him all over the world. I’m asked to go here, there and everywhere – Australia, New Zealand and even Japan. But I particularly like people to come here so that I can see their joy and happiness in my own home.’

As she was speaking, I found myself staring at the skull, captivated. The way the light seemed to be captured, channelled and played around deep in its interior and reflected back off its silky smooth surface was totally mesmerizing. There was some strange, almost indefinable quality about looking at the skull, but I couldn’t figure out quite what it was. It was as though the skull was holding me there, somehow communicating with my unconscious mind. It was as if some part of my mind was stirred in a subtle, almost incomprehensible way. I was totally absorbed.

Anna spoke to me, but I didn’t hear. She had to tap me on the shoulder before I realized that she was saying something. ‘I don’t normally allow people to do this, but you can pick him up if you like.’

‘I’m sorry, I wasn’t with you,’ I replied.

‘Oh, that’s perfectly normal,’ chuckled Anna. ‘The skull usually casts a spell over people when they meet him. They often seem to go into a trance for a few moments.’

I lifted up the crystal skull. I was surprised at how heavy it felt. ‘It weighs almost 12 lbs [5 kg],’ said Anna.

I handed the skull to Ceri, who commented that it was ‘deathly cold’ to the touch and quickly placed it back on the table.

‘There’s nothing to be frightened of,’ said Anna. ‘People are often frightened when they first see the skull,’ she added.

‘It’s not surprising, really,’ said Jimmy. ‘Just look at how the skull has become a symbol to be feared. It’s either in horror movies, Friday the Thirteenth and all that, or it’s a warning on a bottle of poison.’

It was true, the skull did always seem to be a fearful image in our culture. Its primary purpose always appeared to be to terrify people or warn them of danger.

Anna continued, ‘People usually come to see the skull in twos and threes and often one of them is nervous about seeing him. But the next thing you know they are sitting right near to the skull. They say, “It’s not what I thought it would be. It’s beautiful.” And the joy comes into their faces and they are happy.’

This struck me as rather curious. Here was an image of death that Anna claimed actually made people feel happy. At first I didn’t understand it. But I have to admit that, after a while, I started to feel sort of warm, almost cosy, in the skull’s presence. I began to think about it. Perhaps meeting the skull was a way of overcoming our fear of death, of meeting the very image of our future selves. We normally try to push all thoughts of death away. And yet here I was staring the very image of death in the face.

As I was sitting there looking at the beautiful, pristine, clear nature of the crystal, it occurred to me that perhaps the very reason why the skull had been carved out of a transparent material was so that it did not represent any one person. It could be anyone’s skull. Perhaps that was it – the skull was meant to represent each and every one of us. After all, each of us has a skull within us, buried under our skin, and one day that will be all that will be left of us. So, of all the symbols available to humanity, what could be more universal than a skull? For it is a symbol that speaks to every living person.

As I examined the skull, its smooth contours and hollow eye sockets, I thought about how I would one day die and that I too would be little more than an empty skull. Not only me, but everyone I knew and cared about would go the same sad way. I wondered if perhaps that was the purpose of the crystal skull, to remind each of us of our own mortality and of the very short time that each of us has as a living being on this Earth.

But there seemed to be more to it than that. In any case, who needs a reminder that they are going to die? Surely that couldn’t be the only reason for making the skull. If it was, then it was a bizarre and macabre one.

I held up the separate jaw-bone. It was beautifully crafted, with each tooth picked out in fine detail. Perhaps the skull only seemed macabre to me because of the attitude I had towards death, because it was something that I didn’t want to acknowledge. As I slotted the separate jaw-bone carefully back on to the skull, it suddenly struck me that that stark, cold image of death actually concealed a powerful message: it reminds us that we are alive! I remembered something I had heard somewhere – that it is often only when people are closest to death, when they are in a sense staring death right in the face, that they feel fully alive and able to truly appreciate life. Could it be that the crystal skull was also here to help us appreciate life?

I moved the skull around, watching the way in which it caught the light. Had it been designed so that as we look upon its cool chiselled contours we are reminded of the feel of the soft skin on our own faces and the warm pulse than runs through our veins?

But there was still something further, something about the skull’s transparent nature. For this was an image of death that you could almost see through, right to the other side. It was as if this death’s head was telling us that death is actually something that we can transcend, something we can go through and come out the other side.

I put the crystal skull back on its velvet cushion on the coffee table, next to a framed black-and-white photograph of Frederick Mitchell-Hedges. Anna was just beginning to tell Ceri that her own good health and longevity were all thanks to the crystal skull. I had to admit, she was a very spritely 88-year-old with unusual amounts of energy. ‘The skull gives you health, happiness and joy of life,’ she explained. ‘He is always in my room, even when I am sleeping. I know the skull protects me. All through my life he has protected me.’

Ceri drew my attention to the tiny bubbles she had noticed deep inside the crystal skull. They were laid out in softly curving planes, glittering within the body of the crystal like tiny stars within a distant solar system on a very clear starry night. It was amazing to think that these tiny bubbles must have been trapped in the crystal as it was being formed many millions of years ago.

As I gazed on, I couldn’t help getting the feeling that there was still far more to the crystal skull than I had so far been able to fathom. It was more than just a reminder of our own mortality. There was something else, something beyond that. But it seemed that the real significance of the crystal skull was as yet intangible to me.

Anna was discussing the visitors who came to see the skull. ‘The skull brings people together in many, many ways. It’s always a happiness for me to show it to people, to see the joy it brings them. So many people come, sometimes as many as 14 people, sometimes 18. I have a lot of Indian people. American Indians and Canadian Indians stay with the skull for hours and I can’t tell them, “Well, it’s time for you to go.” The skull is loved very much by everyone who comes to see it. I’ve even had the actress Shirley Maclaine come to work with the skull.

‘I welcome people because it’s a way of giving a little happiness and really, it’s the skull that does that. I call it “the Skull of Love,” just as the Mayans would think of it.’

‘The sun has come out,’ said Jimmy. We looked out through the windows to see pale wintry sunshine on the road outside. Jimmy offered to show us how the skull responded to sunlight so we followed him out into the garden.

I was fascinated by the way that the skull reacted to light. It appeared completely different depending on how it was lit, almost as if its face were changing, and as it was changing so too were the patterns and refractions of the light inside. I held it up to the sunlight. Although the sun was not particularly bright, the effects on the skull were none the less beautiful. The prismatic qualities of the crystal created a display of reflections that showed quite clearly all the different colours of the rainbow. It was stunningly beautiful.

I was interested to know how the skull looked in really bright sunshine. ‘Well, it gave me a shock,’ said Anna, as we settled back down with a pot of tea. She told us how she had been showing the skull to a group of schoolchildren. She had put it on its cushion and then turned her back to talk for a few minutes, only to hear the children shrieking, ‘It’s smoking, madam!’ Anna turned around to see that the cushion was beginning to catch fire.

Jimmy explained that the prismatic qualities of the crystal are such that if the sun’s rays are very strong and fall at a particular angle onto the back of the skull, they are focused and condensed and appear as a bright, sharp beam of light out of the skull’s eyes, nose and mouth. ‘If this happens for more than a few minutes then the skull can actually start a fire,’ he added.

‘This was one of the things that the Mayans used the skull for,’ said Anna.

We were interested to know exactly what the skull’s uses had been.

‘The Mayans used the skull for many things, but particularly for healing,’ said Anna. ‘If you are ever worried or not feeling well or anything like that, you just go to the skull and it gives you health, happiness and joy of life.’ She continued, ‘I have a tremendous amount of letters. I love to read those letters from people who are being healed by it.’

‘Remember Melissa,’ said Jimmy.

‘Oh, that little girl who had the bone marrow trouble,’ replied Anna. ‘She came to stay with us for a few weeks, and I gave her a photograph of the skull and she carries that photograph with her everywhere. Anyway, she came back to tell me that her bone marrow is fine and she can walk now. That’s the biggest joy of my life really. Another lady, only last month, she had an operation but she wasn’t doing very well. So she came and she saw the skull and sat with him for a very long time. She sent me a letter the other day to say that she is now healed.’

I was puzzled. If the skull really had the power to heal, why had Anna’s father even in his written account referred to it as ‘the Skull of Doom’ and claimed that the ancient Maya had used it ‘to will death’?

Anna explained, ‘The Maya told us that it was a healing skull. It was actually used for many, many things, but particularly for healing. But, you see, for the Maya, death itself was sometimes seen as a form of healing.’

‘The way I understand it,’ added Jimmy, ‘is that for the Maya death was the ultimate way to access the other dimensions they believed in and the skull was used to help this final transition to the other world.’

‘I can tell you exactly how the Maya used it during the willing death ceremony,’ said Anna. ‘This came about when an old medicine man or priest was getting too old to carry on their work and a young person was chosen to carry on the work of the elder. When the day came, the old one would lie down and the young one would kneel down beside them and they would both put their hands on the crystal skull. Then a high priest would perform a ceremony and during the ceremony all the knowledge and wisdom of the old one would pass on into the young one through the skull and the old one would pass away during the ceremony and go to sleep forever. And that was the willing death ceremony.’

Anna went on to explain that she had been looking after the skull for many years now and letting people come to her house and experience its power for themselves. She said the Mayan people knew what she was doing with the skull and that they were very happy about it. She said that before she died she wanted to ensure that the work she had been doing would be carried on. ‘This is what my father would have wished and it is the wish of the Maya people too.’ She added, ‘I think I have someone in mind already to take over the care of the skull when I’m gone.’ She said she was also planning a final visit to Lubaantun. We wondered whether Anna was planning to give the skull back to the Mayan people, but she said the skull would not be going with her.

In Annas opinion, the crystal skull was bequeathed to her and her father for a reason, a reason whose time would come. ‘The Mayans told me that the skull is important to mankind. It is a gift from the Mayan people to the rest of the world.’ She added, ‘The Mayans have a lot of knowledge. They gave us the skull for a definite reason and a purpose. I am not exactly sure what that reason is, but I know that this skull is part of something very, very important.’

We of course wanted to know more, but all Anna would say was, ‘You will just have to ask the Mayans.’




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